All Saints' Church, Falmouth | |
---|---|
50°09′04″N05°04′35″W / 50.15111°N 5.07639°W | |
OS grid reference | SW 802 325 |
Denomination | Church of England |
Churchmanship | High Church |
Website | http://www.allsaintschurchfalmouth.co.uk/ |
History | |
Dedication | All Saints |
Administration | |
Province | Canterbury |
Diocese | Truro |
Archdeaconry | Cornwall |
Deanery | Carnmarth South |
Parish | Falmouth, Cornwall |
Clergy | |
Vicar(s) | Parish in Transition |
Laity | |
Organist/Director of music | Daniel Shermon |
Listed Building – Grade II* | |
Official name | Church of All Saints |
Designated | 23 January 1973 |
Reference no. | 1270048 |
All Saints' Church, Falmouth is a parish church in the Church of England Diocese of Truro located in Falmouth, Cornwall, United Kingdom.
The foundation stone was laid by Albert, Prince of Wales and Duke of Cornwall (later Edward VII) in 1887. The church was designed by the architect J. D. Sedding in the Gothic Revival style. [1] The aisles are narrow and there is a large east window of five lancets. [2]
The church was consecrated on 17 April 1890 by Herbert Bree, Bishop of Barbados, in place of George Wilkinson, Bishop of Truro, who was ill.
The church of All Saints was built 1887–90 to the designs of John Dando Sedding, uncle of Edmund Harold Sedding. Fittings designed by him include the oak choir stalls, carved by Trask & Co. and the Devon marble font. As was often the case, the nephew was called upon to take over after his uncle died. In 1895, Edmund H. Sedding was the obvious choice to design the magnificent alabaster and marble pulpit executed by J. & E. Goad of the Plymouth Phoenix Steam Marble Works (RCG, 1895). In 1908 he also designed the elaborate reredos for All Saints. This was one of the instances where the Pinwill workshop did not carry out the work and Harry Hems of Exeter was chosen instead (CRO P257/2/53-58) but there are many fine examples of Pinwill woodcarving at All Saints.
More can be read about the carvings here: http://www.pinwillwoodcarving.org.uk/catalogue.htm#_Toc462143494
A plan of the organ case at County Records Office is dated 1893 and illustrates the north side, facing into the chancel, and the west elevation, although the design is slightly different from what was produced.
The elaborate case encloses an organ by Hele & Co of Plymouth, built in 1894, said at the time to be second only to the one in Truro Cathedral (RCG, 1894). An article in the Royal Cornwall Gazette records a service of dedication for the new organ, and remarks that the case of oak is 'enhanced by fine carving, adding much to the beauty of the chancel'.
Most of the instrument is the one originally constructed for this church by Hele & Co of Plymouth in 1894 at a cost of £750. At that time, the Choir and some slides on the Great and Swell were only "prepared for".
In 1926 it was given a clean and overhaul by Henry Speechly & Sons of London, who also added the Choir stops and soundboard, the reed stops at 16' and 4' on the Swell, 8' on the Great, and 16' on the Pedal. They also installed the electric blower to replace the hand blowing apparatus previously used.
In 1950, Roger Yates of Michaelstow cleaned all the pipe work, and added the Swell Tremolo, the Pedal 4' Nachthorn, and the pneumatic relay to enable the Pedal Quint to be derived from the Bourdon/Bass Flute rank.
The work carried out by Yates is regarded as some of the finest work in Cornwall. Yates was trained by Henry Willis III (of Henry Willis & Sons), he was a master of his craft, both through his work with Henry Willis and Sons and also in his own name. Yates was also responsible for the fine organ in Newquay Parish Church, lost in a fire in 1993. Another example of his work is that of the organ in Kilkhampton Parish Church.
When voicing the organ at All Saints' he made full use of the resonance of the building, he voiced the organ to the acoustic of the building rather than voicing it to his preferred choice.
Roger opened up the Great Diapason Chorus, pushing the pipework to its limit, (as was and is the Willis technique) thus creating a very bright and powerful chorus. The bright fifteenth (a Willis trademark) compensates for the lack of Great Mixture. The Twelfth and Fifteenth drawn together are a force not to be reckoned with, therefore making the chorus speak as if there were a Mixture in place.
Roger also blended and voiced the reeds, particularly the swell reeds. It is believed that his idea was to match the swell of the superb Father Willis organ of Truro Cathedral.
The organ has always been regarded as one of the finest in the county (and perhaps further afield) as it was stated to be second only to the one in Truro Cathedral (RCG, 1894), many notable organists have also made this statement.
In 2015 the organ was placed in the care of Henry Willis and Sons. When they took over the tuning contract they were almost certain that when Yates left the organ, he would most certainly have tuned it to the mysterious "Willis Scale".
St Clement Danes is an Anglican church in the City of Westminster, London. It is now situated near the 19th-century Royal Courts of Justice on the Strand. Although the first church on the site was reputedly founded in the 9th century by the Danes, the current building replaced the medieval church building and was completed in 1682 by celebrated architect Sir Christopher Wren. Wren's building was gutted by Luftwaffe bombing raids during the Blitz and not restored until 1958, when it was adapted to its current function as the central church of the Royal Air Force.
The Diocese of Truro is a Church of England diocese in the Province of Canterbury which covers Cornwall, the Isles of Scilly and a small part of Devon. The bishop's seat is at Truro Cathedral.
Doncaster Minster, formally the Minster and Parish Church of St George, is the Anglican minster church of Doncaster, South Yorkshire, England. It is a grade I listed building and was designed by architect designer George Gilbert Scott. The church was built in 1854–1858 to replace an earlier building destroyed by fire. It is an active place of worship and has a Schulze organ, a ring of eight bells, and a celebrated clock by Dent. The church is one of two parish churches to have minster status in South Yorkshire. The other is the minster church of Rotherham.
Grade–Ruan is a civil parish on the Lizard peninsula in Cornwall, England, United Kingdom, approximately ten miles (16 km) south of Falmouth.
The Bishop of St Germans is an episcopal title which was used by Anglo Saxon Bishops of Cornwall and currently in use in the Church of England and in the Roman Catholic Church.
The Church of King Charles the Martyr is a parish church in the Church of England situated in the centre of Falmouth, Cornwall.
Brindley & Foster was a pipe organ builder based in Sheffield who flourished between 1854 and 1939.
St Bartholomew's Church, Armley is a parish church in the Church of England in Armley, West Yorkshire. The church is one of two Church of England churches in Armley; the other being Christ Church. Worship at St Bartholomew's is firmly rooted in the Anglo-Catholic tradition of the Church of England with a solemn mass being celebrated weekly.
Roger Charles Bush is a British Anglican priest. Having been a parish priest, he was Archdeacon of Cornwall from 2006 to 2012. He was then Dean of Truro, the head of Truro Cathedral in the Church of England's Diocese of Truro, from 2012 to 2022.
St Paul's Church, Truro is a Grade II listed former parish church in the Church of England Diocese of Truro and in Truro, Cornwall.
St Ildierna's Church, Lansallos is a Grade I listed parish church in the Church of England in Lansallos, Cornwall, built in the early 14th century. The church is noted for its 16th-century benches and bench ends. Serious damage was caused to the church, especially the roof, by a fire in 2005.
St Mary Magdalene's Church, Launceston is a Grade I listed parish church in the Church of England in Launceston, Cornwall. It is unusual for its carvings; the entire exterior of the original part of the church is built of carved granite blocks. The church is dedicated to Jesus' companion, Mary Magdalene.
St Gwinear's Church, Gwinear is a Grade I listed church in the Church of England in Gwinear, Cornwall.
St Gothian's Church, Gwithian is a Grade II* listed parish church in the Church of England Diocese of Truro in Gwithian, Cornwall, England, UK. Nothing is known about St Gothian, Gocianus or Gwithian.
William Robert Stuart-White is a British Anglican priest. He was Archdeacon of Cornwall from 2012 until 15 May 2018, when he was installed rector of All Saints', Falmouth.
Hugh Edmund Nelson is a British Anglican bishop and former charity worker. Since July 2020 he has been Bishop of St Germans, the suffragan bishop of the Diocese of Truro.
St Mary the Virgin Church is a parish church in Welling in the London Borough of Bexley. It is dedicated to the Virgin Mary. The church is in the Archdeaconry of Lewisham & Greenwich, in the Diocese of Southwark. It is notable for the range of 20th-century art contained within it.
St Mary and All Saints Church is the parish church of Little Walsingham in the English county of Norfolk. It is dedicated to the Virgin Mary and All Saints. Little Walsingham was the location of the shrine of Our Lady of Walsingham, destroyed at the Dissolution. The Anglican shrine was revived by Alfred Hope Patten, the Vicar of Little Walsingham, in 1922, and the image of Our Lady of Walsingham was in the church until its translation to the new priory in 1931.
St Anne's Church is a former Church of England parish church in the village of Hessenford in Cornwall. It is dedicated to St Anne, the mother of the Virgin Mary. The church is in the Archdeaconry of Bodmin, in the Diocese of Truro. The church is largely the work of J P St Aubyn, and is Grade II listed.
The Pinwill sisters were British professional woodcarvers in Devon from 1890 onwards. Although in their era there were women who produced stained glass, sculpture, wood and metalwork for churches, those women were largely unacclaimed and regarded as amateurs. The profession of ecclesiastical wood carving was one entirely carried out by men. The sisters not only became skilled at the craft, but also set up a professional workshop business. Despite the challenges of two world wars, two fires and the departure of two of the sisters, the Pinwill workshop produced innovative ecclesiastical carvings in wood and stone for more than 60 years and for over 180 churches in Devon, and Cornwall and further afield, becoming one of the most successful wood carving businesses in the South-West of England. Their vast body of work, gradually adapting from the complex, intricate designs of the Gothic Revival through to the pared-down, plainer style of twentieth-century Modern, is recognised as being of great skill, flair and worth.