"All Tomorrow's Parties" | ||||
---|---|---|---|---|
Single by the Velvet Underground and Nico | ||||
from the album The Velvet Underground & Nico | ||||
B-side | "I'll Be Your Mirror" | |||
Released | July 1966 | |||
Recorded | April 1966 | |||
Studio | Scepter, New York City | |||
Genre | Psychedelic rock, [1] art rock | |||
Length | 5:55 (album version) 2:55 (single version) | |||
Label | Verve | |||
Songwriter(s) | Lou Reed | |||
Producer(s) | Andy Warhol | |||
The Velvet Underground and Nico singles chronology | ||||
| ||||
Audio sample | ||||
Beginning of 3rd verse, with Nico's double-tracked lead vocals |
"All Tomorrow's Parties" is a song by the Velvet Underground and Nico, written by Lou Reed and released as the band's debut single in 1966. The song is from their 1967 debut studio album, The Velvet Underground & Nico .
Inspiration for the song came from Reed's observation of Andy Warhol's clique—according to Reed, the song is "a very apt description of certain people at the Factory at the time. ... I watched Andy. I watched Andy watching everybody. I would hear people say the most astonishing things, the craziest things, the funniest things, the saddest things." [2] In a 2006 interview, Reed's VU bandmate John Cale stated: "The song was about a girl called Darryl, a beautiful petite blonde with three kids, two of whom were taken away from her." [3] The song was Andy Warhol's favorite by The Velvet Underground. [4]
The song has notably lent its name to a music festival, a William Gibson novel, and a Yu Lik-wai film.
The song was recorded at Scepter Studios in Manhattan during April 1966. It features a piano motif played by Cale (initially written as an exercise) based largely on tone clusters. The repetitive keyboard part was inspired by the style of Cale's musician friend Terry Riley, with whom Cale had played in La Monte Young's mid-1960s group Theatre of Eternal Music. It was one of the first pop songs to make use of prepared piano [5] (a chain of paper clips were intertwined with the piano strings to change their sounds). The song also features the ostrich guitar tuning by Reed, by which all of the guitar strings were tuned to D. [6] [4] Drummer Maureen Tucker plays tambourine and bass drum while guitarist Sterling Morrison plays bass, an instrument that he professed to hate, despite his proficiency as a bassist. [7] [8]
Nico provides lead vocals. The song was originally recorded with only one track of her vocals; they were later double-tracked for the final album version. Most versions of the album use this version of the song, though the initial 1987 CD release uses the original mix without the double-tracking.
The earliest known recorded version of "All Tomorrow's Parties" was recorded on reel to reel tape by Lou Reed, John Cale and Sterling Morrison in a New York apartment loft on Ludlow Street. With Reed on acoustic guitar, the song displays a strong influence from the American folk music revival—particularly in Cale and Morrison's harmony vocals—which critic David Fricke [9] suggests demonstrates Reed's fondness for Bob Dylan. This version, released on the Peel Slowly and See box set, is composed of multiple takes, which add up to a time of 18:26.
An edited version of the song was released in July 1966 as a single with "I'll Be Your Mirror" as a B-side. The song cuts out about half of the studio version at just under three minutes. It did not chart.
This version later became available in 1995 on the Peel Slowly and See boxset and appeared on the "Deluxe Edition" of The Velvet Underground & Nico released in 2002.
An anniversary reissue of the album included an "alternate single voice version" and an "alternate instrumental mix."
"All Tomorrow's Parties" | ||||
---|---|---|---|---|
Single by Japan | ||||
B-side | "In Vogue" (Live in Tokyo) (7") | |||
Released | 27 February 1983 | |||
Recorded | June 1979 | |||
Studio | DJM Studios, London | |||
Genre | ||||
Length | 5:43 (album version) 3:32 (remix version) | |||
Label | Hansa | |||
Songwriter(s) | Lou Reed | |||
Producer(s) |
| |||
Japan singles chronology | ||||
|
English new wave band Japan originally covered the song on their 1979 album Quiet Life . However, several months after the band split, a version of the song, remixed in 1981 by Steve Nye, was released as a single in February 1983. [11] The song peaked at number 38 on the UK Singles Chart. [12]
The 7-inch single was released with the B-side "In Vogue", which was originally featured on the Quiet Life album. However, this version is a live version from Tokyo in March 1980, with the single stating that it was taken from the 1982 ' Assemblage Special Edition Cassette' (however, it was originally released on the Live in Tokyo EP in 1980). [13] [14] The 12-inch single features two B-sides, also live versions from Tokyo: "Deviation" and "Obscure Alternatives", both of which originally featured on the band's second album Obscure Alternatives . A limited edition bonus 12-inch single "European Son" was also released. [14]
A total of 4 differently labelled 12-inch singles were released and along with the 7-inch single, none of them correctly credited the producers as Simon Napier Bell and Japan. The 7-inch single and 3 versions of the 12-inch single credited Giorgio Moroder as the producer, whilst the other 12-inch single credited the producer as John Punter. [14]
7": Hansa / HANSA 18 (UK) [15]
12": Hansa / HANSA 1218 (UK) [15]
Double 12": Hansa / HANSA 1218 (UK, Limited Edition) [16] [15]
Japan
Technical
Chart (1983) | Peak position |
---|---|
UK Singles (OCC) [12] | 38 |
The Velvet Underground & Nico is the debut studio album by the American rock band the Velvet Underground and the German singer Nico. Released by Verve Records in March 1967, the album underperformed in sales and polarized critics upon release due to its abrasive, unconventional sound and controversial lyrical content. It later became regarded as one of the most influential albums in rock and pop music and one of the greatest albums of all time.
Peel Slowly and See is a five-disc box set of material by the Velvet Underground. It was released in September 1995 by Polydor.
Maureen Ann "Moe" Tucker is an American musician, singer, and songwriter who achieved international fame as the drummer of the rock band the Velvet Underground. Tucker occasionally sang lead vocals with the group, including the songs "After Hours" and "I'm Sticking With You".
Holmes Sterling Morrison Jr. was an American guitarist, best known as one of the founding members of the rock band the Velvet Underground, usually playing electric guitar, occasionally bass guitar, and singing backing vocals.
The Very Best of The Velvet Underground is a compilation album by The Velvet Underground. It was released in Europe on March 31, 2003, by Polydor, the record label that oversees the band's Universal Music Group back catalog.
Live MCMXCIII is a live album by the American rock band the Velvet Underground, released in 1993 by Sire Records. It was released simultaneously in single and double CD/cassette formats on October 26, 1993. In 2006, a DVD version of the concert was released as Velvet Redux Live MCMXCIII by Warner Music Vision and Rhino Home Video.
Gold is a two-CD compilation album by the Velvet Underground. It was released for the North American market on June 14, 2005, by Polydor, the record label that oversees the band's Universal Music Group back catalogue.
"Femme Fatale" is a song by American rock band the Velvet Underground from their 1967 debut album The Velvet Underground & Nico, with lead vocals by Nico.
"White Light/White Heat" is a song recorded by the American rock band the Velvet Underground. It was released as a single in late November 1967 with the B-side "Here She Comes Now". The following year it appeared as the title track on their second studio album of the same name.
"Sunday Morning" is a song by the Velvet Underground. It is the opening track on their 1967 debut album The Velvet Underground & Nico. It was first released as a single in December 1966. The song is written in the key of F major.
"European Son", also known as "European Son ", is a song written and performed by the American experimental rock band The Velvet Underground. It appears as the final track on their 1967 debut album The Velvet Underground & Nico. It is also the album's longest track at more than seven and a half minutes.
"I'll Be Your Mirror" is a song by the Velvet Underground and Nico. It appeared on their 1967 debut album The Velvet Underground & Nico. It also surfaced as a single a year earlier with "All Tomorrow's Parties" in 1966.
"There She Goes Again" is a song by American rock band the Velvet Underground. It first appeared on their debut studio album, The Velvet Underground & Nico (1967). The syncopated guitar riff is taken from the 1962 Marvin Gaye song "Hitch Hike". Guitarist Sterling Morrison has stated:
Metronomically, we were a pretty accurate band. If we were speeding up or slowing down, it was by design. If you listen to the solo break on "There She Goes Again," it slows down—slower and slower and slower. And then when it comes back into the "bye-bye-byes" it's double the original tempo, a tremendous leap to twice the speed.
"Venus in Furs" is a song by the Velvet Underground, written by Lou Reed and originally released on the band's 1967 debut album The Velvet Underground & Nico. Inspired by the book of the same name by Leopold von Sacher-Masoch, the song includes sexual themes of sadomasochism and bondage.
"Here She Comes Now" is a song released by the American rock band the Velvet Underground in January 1968, from their second studio album White Light/White Heat. As the shortest song on the album, the performance and mix of the song are both considered simple and traditional, making it somewhat distinct from the other five songs on the album, all of which contain some degree of experimental or avant-garde elements in terms of sound.
The discography of the American rock band The Velvet Underground consists of five studio albums, six live albums, 14 compilation albums, six box sets and eleven singles.
Assemblage is a compilation album by the British band Japan, released in September 1981 by Hansa Records.
The Velvet Underground was an American rock band formed in New York City in 1964. It originally comprised singer and guitarist Lou Reed, Welsh multi-instrumentalist John Cale, guitarist Sterling Morrison and drummer Angus MacLise. In 1965, MacLise was replaced by Moe Tucker, who played on most of the band's recordings. Though their integration of rock and the avant-garde earned them little commercial success, they are now widely regarded as one of the most influential bands in rock, underground, experimental, and alternative music. Their provocative subject matter, experimentation, and nihilistic attitude were also instrumental in the development of punk rock, new wave and several other genres.
The Velvet Underground and Nico: A Symphony of Sound is a 1966 American film by Andy Warhol and Paul Morrissey. The film was made at The Factory on January 3, 1966. It is 67 minutes long and was filmed in 16mm black and white.
Andy Warhol's Velvet Underground featuring Nico is a compilation album of the Velvet Underground released by MGM Records in 1971 that features selections from the band's first three studio albums. Originally released as a double LP, the cover artwork and inside gatefold sleeve feature imitations of Andy Warhol's paintings of Coca-Cola bottles, but are credited to other artists on the back sleeve of the album. The album was released in the UK to capitalise on the interest from Warhol's Pork.
When I had to play viola, Sterling had to play bass, which he hated.According to the website, the quote is from John Cale's autobiography, What's Welsh for Zen (NY: St. Martin's Press (2000).