"Always" | ||||
---|---|---|---|---|
Single by Blink-182 | ||||
from the album Blink-182 | ||||
B-side | "I Miss You (Live In Minneapolis)" | |||
Released | November 15, 2004 | |||
Recorded | 2003 [1] | |||
Genre | ||||
Length | 4:12 (album version) 4:18 (Greatest Hits version) | |||
Label | Geffen | |||
Songwriter(s) | ||||
Producer(s) | Jerry Finn | |||
Blink-182 singles chronology | ||||
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"Always" is a song by American rock band Blink-182, released on November 15, 2004 as the fourth and final single from the group's untitled fifth studio album. The song was the lowest charting single from the album, but the song's music video received extensive play on music video channels. Like much of the album, the song shows the band's 1980s influences, with the multiple-layered, heavily effected guitars and new wave synthesizers.
The song can also be found on the band's 2005 compilation Greatest Hits .
All three of the band members associated the song with the music of the 1980s. Tom DeLonge, in an interview with MTV News, described the song as a "love song." [2]
In another interview with MTV News, DeLonge explained the song and addressed the lyrics of the choruses, jokingly:
The song is about wanting to hold a chick all night long and kiss her and touch her and taste her and feel her and all these great adjectives. Verbs actually, there's some adjectives in there, but mostly verbs and nouns. Some pronouns too, but not too many of those. [3]
"Always" was written by bassist Mark Hoppus, drummer Travis Barker, and guitarist Tom DeLonge, while sung by DeLonge and Hoppus and produced by Jerry Finn. [4] The song is composed in the key of B major and is set in time signature of common time with a tempo of 158 beats per minute. The vocal range spans from A3 to D7. [5] Referred to as "the '80s song" during production, "Always" features an uptempo backbeat combined with a New Romantic-era keyboard, and pulls from new wave influences. [2] [4] Mike Rampton of Louder Sound described the song as "power-pop perfection". [6] Andrew Sacher of BrooklynVegan felt that "Always" was the most "Cure-sounding song" on the album, rather than "All of This" which featured Robert Smith. Sacher noted the track as a "a truly sweet post-punk love song". [7] The song's outro features four separate bass guitars being played; Hoppus uses a Fender Bass VI, a Fender Precision Bass "doing two different things," and a Roland Synth Bass. [4] Barker pulled from Missing Persons for inspiration whilst creating the song's percussion. [4]
Journalist Joe Shooman pointed out that the song's central guitar riff is remescient of The Only Ones' "Another Girl, Another Planet" (1979). [8] He called it "the thickest-textured Blink track of all-time," and acknowledged its tribute to 1980s synth-driven pop. [8]
"Always" was announced as the fourth and final single from Blink-182 in August 2004. "It's gonna change people's lives and might actually change the world forever," guitarist Tom DeLonge jokingly predicted. [3] It was first serviced to radio in mid-November 2004. [2]
The song was only performed twice in its original release, prior to the band's "indefinite hiatus." [9] It has nonetheless been performed regularly since the band's return.
A.D. Amorosi of The Philadelphia Inquirer , in his 2003 review of Blink-182 , called the song "contagious." [10] Consequence of Sound , in a 2015 top 10 of the band's best songs, ranked it as number four, calling it "far and away the best track on the album." [11] Stereogum and Kerrang both named "Always" as Blink-182's eighth-best song. [12] [13]
The music video for "Always" was directed by Joseph Kahn. The group shot it while on tour in Australia in mid-2004, at the same studio space used by the Wiggles. [14] It features Australian pop singer Sophie Monk. The video is displayed as three horizontal panels, [9] in which Monk flirts with DeLonge, Hoppus and Barker. However, the panels sever the onscreen participants in three. Monk appears as a fractured whole, while parts of the band members combine to make one character. [2] The trio's characters attempt to plead with Monk, trying to repair a damaged relationship, which are depicted through fights, arguments, and "the occasional making-up/making-out," which is handled by Barker. [9] In reference to the video, DeLonge said "It's like doing an algebraic formulation on paper when you watch it. It's the same kind of feeling [...] but it's rad." [2] Bassist Mark Hoppus called it the most technically complicated video the band ever had to shoot, as it required choreographed positioning in real time. [14] The video was photographed by Brad Rushing and edited by David Blackburn who won the MVPA Best Editing Award for his work.
The song was a hit on music video channels, [9] where it was among the most-played on Fuse, MTV2 and MuchMusic into January 2005. [15]
All tracks are written by Blink-182
No. | Title | Length |
---|---|---|
1. | "Always" | 4:11 |
2. | "I Miss You" (Live in Minneapolis) | 3:58 |
3. | "The Rock Show" (Live in Minneapolis) | 3:37 |
Chart (2004) | Peak position |
---|---|
Australia (ARIA) [16] | 45 |
Germany (Official German Charts) [17] | 96 |
Scotland (OCC) [18] | 33 |
UK Singles (OCC) [19] | 36 |
UK Rock & Metal (OCC) [20] | 2 |
US Modern Rock Tracks ( Billboard ) [21] | 39 |
Region | Certification | Certified units/sales |
---|---|---|
United Kingdom (BPI) [22] | Silver | 200,000‡ |
‡ Sales+streaming figures based on certification alone. |
Country | Date | Format | Label | Ref. |
---|---|---|---|---|
United States | August 16, 2004 | Alternative radio | Geffen | [23] |
November 15, 2004 |
Take Off Your Pants and Jacket is the fourth studio album by American rock band Blink-182, released on June 12, 2001, by MCA Records. The band had spent much of the previous year traveling and supporting their previous album Enema of the State (1999), which launched their mainstream career. The album's title is a tongue-in-cheek pun on male masturbation, and its cover art has icons for each member of the trio: an airplane, a pair of pants, and a jacket. It is the band's final release through MCA.
Enema of the State is the third studio album by American rock band Blink-182, released on June 1, 1999, by MCA Records. After a long series of performances at various clubs and festivals and several indie recordings throughout the 1990s, Blink-182 first achieved popularity on the Warped Tour and in Australia following the release of their second album Dude Ranch (1997) and its rock radio hit "Dammit." To record their third album, Blink-182 turned to veteran punk rock producer Jerry Finn, who previously worked on Green Day's breakthrough album Dookie (1994). Enema was the band's first album to feature drummer Travis Barker, who replaced original drummer Scott Raynor.
"The Rock Show" is a song by American rock band Blink-182 for the group's fourth studio album, Take Off Your Pants and Jacket (2001). It was released as the lead single from the album on May 7, 2001. The track was composed primarily by bassist Mark Hoppus about meeting a girl at a rock concert. It was inspired by the band's early days touring punk rock clubs, mainly Soma in their hometown of San Diego.
The Mark, Tom, and Travis Show is a live album by American rock band Blink-182. It was released on November 7, 2000, by MCA Records. Blink-182 had risen to fame at the turn of the millennium on the strength of its third album, Enema of the State, which went multiplatinum. Capturing the band's stage show—known for its irreverent humor—with a live release was designed to satisfy fans between new studio albums. The album was recorded over two nights at performances in their native California, on the group's inaugural arena tour.
Dude Ranch is the second studio album by American rock band Blink-182, released on June 17, 1997, by Cargo Music and MCA Records, making it their major record label debut. MCA signed the band in 1996 following moderate sales of their 1995 debut Cheshire Cat and their growing popularity in Australia. Dude Ranch was the band's final recording released on Cargo and the last to feature their full original lineup as drummer Scott Raynor was dismissed from the band in 1998.
Box Car Racer is the only studio album by American rock band Box Car Racer. Produced by Jerry Finn, the album was released on May 21, 2002, through MCA Records. The band was a side-project of Blink-182 members Tom DeLonge and Travis Barker, with David Kennedy completing the band's studio lineup. A bassist and friend of Barker, Anthony Celestino, later joined as the band's bassist after DeLonge recorded the bass tracks for the record.
Blink-182 is the fifth studio album by American rock band Blink-182, released on November 18, 2003, by Geffen Records. Following their ascent to stardom and success of their prior two releases, the trio was compelled to take a break and participated in various side projects. When they regrouped, they felt inspired to approach song structure and arrangements differently on their next effort together.
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"Man Overboard" is a song by the American rock band Blink-182. It was first released on September 2, 2000, through MCA Records as the lead single from the band's live album The Mark, Tom, and Travis Show (2000). It is the sole studio recording on the release, and was recorded as a bonus track to help promote its release. The song's lyrics, credited to bassist Mark Hoppus and guitarist Tom DeLonge, are about losing their original drummer Scott Raynor to alcohol abuse. In the song, Hoppus repeats the refrain "so sorry it's over," and goes on to highlight occasions in which a friend was too intoxicated to be dependable.
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All of the tracks were recorded over the past six months...
{{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link)Feeling This is both wistful and horny, I Miss You features Tom DeLonge's ever-evolving accent at its best and Always is power-pop perfection.