American Gothic Fiction

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American gothic fiction is a subgenre of gothic fiction. Elements specific to American Gothic include: rationality versus the irrational, puritanism, guilt, the uncanny (das unheimliche), ab-humans, ghosts, and monsters.

Gothic fiction genre or mode of literature and film that combines fiction and horror, death, and at times romance

Gothic fiction, which is largely known by the subgenre of Gothic horror, is a genre or mode of literature and film that combines fiction and horror, death, and at times romance. Its origin is attributed to English author Horace Walpole, with his 1764 novel The Castle of Otranto, subtitled "A Gothic Story". The effect of Gothic fiction feeds on a pleasing sort of terror, an extension of Romantic literary pleasures that were relatively new at the time of Walpole's novel. It originated in England in the second half of the 18th century where, following Walpole, it was further developed by Clara Reeve, Ann Radcliffe, William Thomas Beckford and Matthew Lewis. The genre had much success in the 19th century, as witnessed in prose by Mary Shelley's Frankenstein and the works of Edgar Allan Poe as well as Charles Dickens with his novella, A Christmas Carol, and in poetry in the work of Samuel Taylor Coleridge, and Lord Byron. Another well known novel in this genre, dating from the late Victorian era, is Bram Stoker's Dracula. The name Gothic, which originally referred to the Goths, and then came to mean "German", refers to the medieval Gothic architecture, in which many of these stories take place. This extreme form of Romanticism was very popular throughout Europe, especially among English- and German-language writers and artists. The English Gothic novel also led to new novel types such as the German Schauerroman and the French Roman Noir.

Religious fanaticism is uncritical zeal or with an obsessive enthusiasm related to one's own, or one's group's, devotion to a religion – a form of human fanaticism which could otherwise be expressed in one's other involvements and participation, including employment, role, and partisan affinities.

Guilt (emotion) cognitive or an emotional experience

Guilt is a cognitive or an emotional experience that occurs when a person believes or realizes—accurately or not—that they have compromised their own standards of conduct or have violated universal moral standards and bear significant responsibility for that violation. Guilt is closely related to the concept of remorse.

Contents

Analysis of major themes

The inability of many Gothic characters to overcome perversity by rational thought is quintessential American Gothic. [1] It is not uncommon for a protagonist to be sucked into the realm of madness because of his or her inclination towards the irrational. A tendency such as this flies in the face of higher reason and seems to mock 18th-century Enlightenment thinking as outlined by "Common Sense (pamphlet)" and The Age of Reason . Also, one cannot ignore the contemporary Gothic themes of mechanism and automation that rationalism and logic lead to.

<i>The Age of Reason</i> English-language compilation of deistic pamphlets by Thomas Paine; accuses that the Christian Church is corrupt, rejects miracles and the sanctity of the Bible, promotes natural religion and argues for a creator-god and reason in favor of revelation

The Age of Reason; Being an Investigation of True and Fabulous Theology is a work by English and American political activist Thomas Paine, arguing for the philosophical position of deism. It follows in the tradition of 18th-century British deism, and challenges institutionalized religion and the legitimacy of the Bible. It was published in three parts in 1794, 1795, and 1807.

Puritan imagery, particularly that of Hell, acted as potent brain candy for 19th-century authors like Edgar Allan Poe and Nathaniel Hawthorne. [2] The dark and nightmarish visions the Puritan culture of condemnation, reinforced by shame and guilt, created a lasting impact on the collective consciousness. Notions of predestination and original sin added to the doom and gloom of traditional Puritan values. This perspective and its underlying hold on American society ripened the blossoming of stories like "The Pit and the Pendulum", "Young Goodman Brown", and The Scarlet Letter .

Hell Afterlife location in which souls are subjected to punitive suffering, often torture

In religion and folklore, Hell is an afterlife location in which evil souls are subjected to punitive suffering, often torture as eternal punishment after death. Religions with a linear divine history often depict hells as eternal destinations, the biggest examples of which are Christianity and Islam, whereas religions with reincarnation usually depict a hell as an intermediary period between incarnations, as is the case in the dharmic religions. Religions typically locate hell in another dimension or under Earth's surface. Other afterlife destinations include Heaven, Paradise, Purgatory, Limbo, and the underworld.

Edgar Allan Poe 19th-century American author, poet, editor and literary critic

Edgar Allan Poe was an American writer, editor, and literary critic. Poe is best known for his poetry and short stories, particularly his tales of mystery and the macabre. He is widely regarded as a central figure of Romanticism in the United States and of American literature as a whole, and he was one of the country's earliest practitioners of the short story. He is generally considered the inventor of the detective fiction genre and is further credited with contributing to the emerging genre of science fiction. He was the first well-known American writer to earn a living through writing alone, resulting in a financially difficult life and career.

Nathaniel Hawthorne American novelist and short story writer

Nathaniel Hawthorne was an American novelist, dark romantic, and short story writer.

The dungeons and endless corridors that are a hallmark of European Gothic are far removed from American Gothic, in which castles are replaced with caves. Lloyd-Smith reinterprets Moby-Dick to make this point convincingly. [3] Early settlers were prone to fear linked to the unexplored territory which surrounded, and in some cases, engulfed them. Fear of the unknown stemming from environmental factors like darkness and vastness is notable in Charles Brockden Brown's Edgar Huntly .

Charles Brockden Brown American novelist, historian and editor

Charles Brockden Brown was an American novelist, historian, and editor of the Early National period. He is generally regarded by scholars as the most important American novelist before James Fenimore Cooper. He is the most frequently studied and republished practitioner of the "early American novel," or the U.S. novel between 1789 and roughly 1820. Although Brown was not the first American novelist, as some early criticism claimed, the breadth and complexity of his achievement as a writer in multiple genres makes him a crucial figure in U.S. literature and culture of the 1790s, and the first decade of the 19th century. Brown was a significant public intellectual in the wider Atlantic print culture and public sphere of the era of the French Revolution.

<i>Edgar Huntly</i> book by Charles Brockden Brown

Edgar Huntly, Or, Memoirs of a Sleepwalker is a 1799 novel by the American author Charles Brockden Brown.

The emergence of the "ab-human" in American gothic fiction was closely coupled with the emergence of Charles Darwin's theories of evolution. [4] Ideas of evolution or devolution of a species, new biological knowledge, and technological advancement created a fertile environment for many to question their essential humanity. Parallels between humans and other living things on the planet were made obvious by the aforementioned. This is manifest in stories like H.P. Lovecraft’s "The Outsider" and Nicholson Baker's "Subsoil". Ghosts and monsters are closely related to this theme; they function as the spiritual equivalent of the abhuman and may be evocative of unseen realities, as in The Bostonians .

The Outsider (short story) short story by American horror writer H. P. Lovecraft

"The Outsider" is a short story by American horror writer H. P. Lovecraft. Written between March and August 1921, it was first published in Weird Tales, April 1926. In this work, a mysterious individual who has been living alone in a castle for as long as he can remember decides to break free in search of human contact and light. "The Outsider" is one of Lovecraft's most commonly reprinted works and is also one of the most popular stories ever to be published in Weird Tales.

Nicholson Baker Novelist, essayist, non-fiction writer

Nicholson Baker is an American novelist and essayist. His fiction generally de-emphasizes narrative in favor of careful description and characterization. He often focuses on minute inspection of his characters' and narrators' stream of consciousness. Baker has written about poetry, literature, library systems, engineering, history, politics, time manipulation, youth, and sex. He has written about libraries getting rid of books and newspapers and created the American Newspaper Repository. He received a National Book Critics Circle Award in 2001 for his nonfiction book Double Fold: Libraries and the Assault on Paper and the International Hermann Hesse Prize (Germany) in 2014. Baker has also written about and edited Wikipedia. A pacifist, he has also written about the buildup to World War II.

<i>The Bostonians</i> tragicomic novel by Henry James, about the struggle between Basil, a political conservative from Mississippi, and Olive, Basil’s cousin and a Boston feminist, for the affection of Verena, Olives protégée in the feminist movement

The Bostonians is a novel by Henry James, first published as a serial in The Century Magazine in 1885–1886 and then as a book in 1886. This bittersweet tragicomedy centres on an odd triangle of characters: Basil Ransom, a political conservative from Mississippi; Olive Chancellor, Ransom's cousin and a Boston feminist; and Verena Tarrant, a pretty, young protégée of Olive's in the feminist movement. The storyline concerns the struggle between Ransom and Olive for Verena's allegiance and affection, though the novel also includes a wide panorama of political activists, newspaper people, and quirky eccentrics.

Julia Kristeva's concepts of jouissance and abjection are employed by American Gothic authors such as Charlotte Perkins Gilman. [5] Kristeva theorizes that the expulsion of all things defiling, much like a corpse, is a common coping mechanism for humanity. [5] Gilman's "The Yellow Wallpaper" exploits this concept. Furthermore, "The Yellow Wallpaper" can be read as a social commentary on the oppressive conditions women suffered in their home lives at the turn of the 20th century.

Julia Kristeva Bulgarian-French philosopher, psychoanalyst & academic

Julia Kristeva is a Bulgarian-French philosopher, literary critic, semiotician, psychoanalyst, feminist, and, most recently, novelist, who has lived in France since the mid-1960s. She is now a professor emeritus at the University Paris Diderot. The author of more than 30 books, including Powers of Horror, Tales of Love, Black Sun: Depression and Melancholia, Proust and the Sense of Time, and the trilogy Female Genius, she has been awarded Commander of the Legion of Honor, Commander of the Order of Merit, the Holberg International Memorial Prize, the Hannah Arendt Prize, and the Vision 97 Foundation Prize, awarded by the Havel Foundation.

In French, jouissance means enjoyment, in terms both of rights and property, and of sexual orgasm. The latter has a meaning partially lacking in the English word "enjoyment".

The term abjection literally means "the state of being cast off". The term has been explored in post-structuralism as that which inherently disturbs conventional identity and cultural concepts. Among the most popular interpretations of abjection is Julia Kristeva's, pursued particularly in her 1980 work Powers of Horror: An Essay on Abjection. Kristeva describes subjective horror (abjection) as the feeling when an individual experiences, or is confronted by, what Kristeva calls one's "corporeal reality", or a breakdown in the distinction between what is Self and what is Other.

Early American Gothic

The first publication of "The Tell-Tale Heart" by Edgar Allan Poe in The Pioneer edited by James Russell Lowell, 1843. The Pioneer 1843 Boston.jpg
The first publication of "The Tell-Tale Heart" by Edgar Allan Poe in The Pioneer edited by James Russell Lowell, 1843.

Early American Gothic writers were particularly concerned with frontier wilderness anxiety and the lasting effects of a Puritanical society. "The Legend of Sleepy Hollow" by Washington Irving is perhaps the most famous example of American Colonial era Gothic fiction. As mentioned above Charles Brockden Brown was deeply affected by these circumstances, as can be seen in Wieland (novel) .

Edgar Allan Poe, Nathaniel Hawthorne and Washington Irving are often grouped together. [2] They present impressive, albeit disturbing, portraits of the human experience. Poe accomplished this through the window of a diseased and depressive fascination with the morose, Irving with the keen charm of a masterful storyteller, and Hawthorne with familial bonds to past abominations like the Salem Witch Trials which he addresses in "The Custom House."

Southern American Gothic

The Southern Gothic includes stories set in the Southern United States, particularly following the Civil War and set in the economic and cultural decline that engulfed the region. Southern Gothic stories tend to focus on the decaying economic, educational and living standards of the post-Civil War South. There is often a heavy emphasis on race and class relations, while the rural environment provides an effective substitute for traditional Old World Gothic settings; for example, plantation estates fill the role of European castles. Some writers of Southern Gothic include William Faulkner, Flannery O'Connor and Eudora Welty.

New American Gothic

Authors who fall under the category of "New American Gothic" include: Flannery O'Connor, John Hawkes and J.D. Salinger. These writers rely on the use of private worlds to weave their Gothic intrigue, as such the destruction of the family unit is commonplace in the New American Gothic. The psyche becomes the setting in the microcosms this particular brand of horror creates. [6] Typically, these stories have a sort of "antihero"; an anxiety riddled individual of little admirable strength. These features are conspicuous in stories such as "A Good Man is Hard to Find", "The Laughing Man", Wise Blood , The Lime Twig and The Beetle Leg.

Note: Flannery O'Connor is cross-referenced as a Southern Gothic author.

Prominent examples

Notes

  1. Allan Lloyd Smith, American Gothic Fiction: An Introduction pp. 65–69 (Continuum International Publishing Group, 2003)
  2. 1 2 George Parsons Lathop, A Study of Hawthorne pp 300-309 (Scholarly Press, 1970)
  3. Allan Lloyd Smith, American Gothic Fiction: An Introduction pp. 79–87 (Continuum International Publishing Group, 2004)
  4. Allan Lloyd Smith, American Gothic Fiction: An Introduction page 114 (Continuum International Publishing Group, 2004)
  5. 1 2 Allan Lloyd Smith, American Gothic Fiction: An Introduction pp. 94–108 (Continuum International Publishing Group, 2004)
  6. Malin, Irving. "New American Gothic" pp.5-12 (Carbondale: Southern Illinois Press, 1962)

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