Art Deco, short for the French Arts décoratifs, and sometimes referred to simply as Deco, is a style of visual arts, architecture, and product design, that first appeared in Paris in the 1910s, and flourished in the United States and Europe during the 1920s to early 1930s. Through styling and design of the exterior and interior of anything from large structures to small objects, including how people look, Art Deco has influenced bridges, buildings, ships, ocean liners, trains, cars, trucks, buses, furniture, and everyday objects like radios and vacuum cleaners.
Art Nouveau is an international style of art, architecture, and applied art, especially the decorative arts. It was often inspired by natural forms such as the sinuous curves of plants and flowers. Other characteristics of Art Nouveau were a sense of dynamism and movement, often given by asymmetry or whiplash lines, and the use of modern materials, particularly iron, glass, ceramics and later concrete, to create unusual forms and larger open spaces. It was popular between 1890 and 1910 during the Belle Époque period, and was a reaction against the academicism, eclecticism and historicism of 19th century architecture and decorative art.
René Jules Lalique was a French jeweller, medallist, and glass designer known for his creations of glass art, perfume bottles, vases, jewellery, chandeliers, clocks, and automobile hood ornaments.
Studio glass is the modern use of glass as an artistic medium to produce sculptures or three-dimensional artworks. The glass objects created are intended to make a sculptural or decorative statement. Though usage varies, the term is properly restricted to glass made as art in small workshops, typically with the personal involvement of the artist who designed the piece. This is in contrast to art glass, made by craftsmen in factories, and glass art, covering the whole range of glass with artistic interest made throughout history. Both art glass and studio glass originate in the 19th century, and the terms compare with studio pottery and art pottery, but in glass the term "studio glass" is mostly used for work made in the period beginning in the 1960s with a major revival in interest in artistic glassmaking.
A chandelier is a branched ornamental light fixture designed to be mounted on ceilings or walls. Chandeliers are often ornate, and normally use incandescent light bulbs, though some modern designs also use fluorescent lamps and recently LEDs.
Lalique is a French luxury glassmaker, founded by renowned glassmaker and jeweller René Lalique in 1888. Lalique is best known for producing glass art, including perfume bottles, vases, and hood ornaments during the early twentieth century. Following the death of René, Lalique transitioned to producing lead glass (crystal) works during the 1950s while under the direction of René's son, Marc Lalique. Since 2010, Lalique has been owned by Swiss company Art and Fragrance.
Ding ware, Ting ware or Dingyao are Chinese ceramics, mostly porcelain, that were produced in the prefecture of Dingzhou in Hebei in northern China. The main kilns were at Jiancicun or Jianci in Quyang County. They were produced between the Tang and Yuan dynasties of imperial China, though their finest period was in the 11th century, under the Northern Song. The kilns "were in almost constant operation from the early eighth until the mid-fourteenth century."
Leadlights, leaded lights or leaded windows are decorative windows made of small sections of glass supported in lead cames. The technique of creating windows using glass and lead came to be known as came glasswork. The term 'leadlight' could be used to describe any window in which the glass is supported by lead, but traditionally, a distinction is made between stained glass windows and leadlights; the former is associated with the ornate coloured-glass windows of churches and similar buildings, while the latter is associated with the windows of vernacular architecture and defined by its simplicity.
Bohemian glass, also referred to as Bohemia crystal, is glass produced in the regions of Bohemia and Silesia, now parts of the Czech Republic. It has a centuries long history of being internationally recognised for its high quality, craftsmanship, beauty and often innovative designs. Hand-cut, engraved, blown and painted decorative glassware ranging from champagne flutes to enormous chandeliers, ornaments, figurines and other glass items are among the best known Czech exports and immensely popular as tourist souvenirs. The Czech Republic is home to numerous glass studios and schools attended by local and foreign students.
Engraved glass is a type of decorated glass that involves shallowly engraving the surface of a glass object, either by holding it against a rotating wheel, or manipulating a "diamond point" in the style of an engraving burin. It is a subgroup of glass art, which refers to all artistic glass, much of it made by "hot" techniques such as moulding and blowing melting glass, and with other "cold" techniques such as glass etching which uses acidic, caustic, or abrasive substances to achieve artistic effects, and cut glass, which is cut with an abrasive wheel, but more deeply than in engraved glass, where the engraving normally only cuts deeply enough into the surface to leave a mark. Usually the engraved surface is left "frosted" so a difference is visible, while in cut glass the cut surface is polished to restore transparency. Some pieces may combine two or more techniques.
Moser a.s. is a luxury glass manufacturer based in Karlovy Vary, Czech Republic. The company is known for manufacturing stemware, decorative glassware, glass gifts and various art engravings. Moser is one of the most collected of 20th century decorative glass and has been used everywhere from palaces to local restaurants. From its beginnings in 1857, as a polishing and glass engraving workshop, it developed into a lead-free glass manufacturer lasting through the 20th century until the present. It is considered as the most luxurious Czech brand as well as one of the world's most famous brands of luxury crystal. Every piece of glass that is made by Moser is hand made.
Art pottery is a term for pottery with artistic aspirations, made in relatively small quantities, mostly between about 1870 and 1930. Typically, sets of the usual tableware items are excluded from the term; instead the objects produced are mostly decorative vessels such as vases, jugs, bowls and the like which are sold singly. The term originated in the later 19th century, and is usually used only for pottery produced from that period onwards. It tends to be used for ceramics produced in factory conditions, but in relatively small quantities, using skilled workers, with at the least close supervision by a designer or some sort of artistic director. Studio pottery is a step up, supposed to be produced in even smaller quantities, with the hands-on participation of an artist-potter, who often performs all or most of the production stages. But the use of both terms can be elastic. Ceramic art is often a much wider term, covering all pottery that comes within the scope of art history, but "ceramic artist" is often used for hands-on artist potters in studio pottery.
Factory glass is a term used by collectors of art glass to distinguish relevant items, mostly of decorative rather than utilitarian glass, from the more individual or unique studio glass and by studio glass artists to distinguish their work from the more standardised items which are generally made in larger glassworks. It can be an equivalent for the 20th century of the term art glass, which is largely applied to 19th-century or early 20th-century pieces.
Glass art refers to individual works of art that are substantially or wholly made of glass. It ranges in size from monumental works and installation pieces to wall hangings and windows, to works of art made in studios and factories, including glass jewelry and tableware.
The Royal Porcelain Factory in Berlin, also known as the Royal Porcelain Manufactory Berlin and whose products are generally called Berlin porcelain, was founded in 1763 by King Frederick II of Prussia. Its actual origins, however, lie in three private enterprises which, under crown patronage, were trying to establish the production of "white gold" in Berlin from the mid-18th century onwards.
École de Nancy, or the Nancy School, was a group of Art Nouveau artisans and designers working in Nancy, France between 1890 and 1914. Major figures included the furniture designer Louis Majorelle, ebonist and glass artist Jacques Grüber, the glass and furniture designer Émile Gallé, and the crystal manufactory of Daum. Their work was largely inspired by floral and vegetal forms found in the region. The goal of the group was to produce in series ordinary objects, such as furniture, glassware, and pottery, with fine craftsmanship and in original forms, making art objects available for people's homes.
Enamelled glass or painted glass is glass which has been decorated with vitreous enamel and then fired to fuse the glasses. It can produce brilliant and long-lasting colours, and be translucent or opaque. Unlike most methods of decorating glass, it allows painting using several colours, and along with glass engraving, has historically been the main technique used to create the full range of image types on glass.
The Art Nouveau movement of architecture and design flourished in Paris from about 1895 to 1914, reaching its high point at the 1900 Paris International Exposition. with the Art Nouveau metro stations designed by Hector Guimard. It was characterized by a rejection of historicism and traditional architectural forms, and a flamboyant use of floral and vegetal designs, sinuous curving lines such as the whiplash line, and asymmetry. It was most prominent in architecture, appearing in department stores, apartment buildings, and churches; and in the decorative arts, particularly glassware, furniture, and jewelry. Besides Guimard, major artists included René Lalique in glassware, Louis Majorelle in furniture, and Alphonse Mucha in graphic arts, It spread quickly to other countries, but lost favor after 1910 and came to an end with the First World War.
Art Nouveau glass is fine glass in the Art Nouveau style. Typically the forms are undulating, sinuous and colorful art, usually inspired by natural forms. Pieces are generally larger than drinking glasses, and decorative rather than practical, other than for use as vases and lighting fittings; there is little tableware. Prominently makers, from the 1890s onwards, are in France René Lalique, Emile Gallé and the Daum brothers, the American Louis Comfort Tiffany, Christopher Dresser in Scotland and England, and Friedrich Zitzman, Karl Koepping and Max Ritter von Spaun in Germany. Art Nouveau glass included decorative objects, vases, lamps, and stained glass windows. It was usually made by hand, and was usually colored with metal oxides while in a molten state in a furnace.
Cut glass or cut-glass is a technique and a style of decorating glass. For some time the style has often been produced by other techniques such as the use of moulding, but the original technique of cutting glass on an abrasive wheel is still used in luxury products. On glassware vessels, the style typically consists of furrowed faces at angles to each other in complicated patterns, while for lighting fixtures, the style consists of flat or curved facets on small hanging pieces, often all over. Historically, cut glass was shaped using "coldwork" techniques of grinding or drilling, applied as a secondary stage to a piece of glass made by conventional processes such as glassblowing.
