Atlas/Seaboard Comics

Last updated
Seaboard Periodicals
Industry Publishing
FoundedJune 1974;50 years ago (June 1974)
Defunct1975;49 years ago (1975)
Fate Dissolved
Headquarters717 Fifth Avenue, Manhattan, ,
Key people
Products Comic books
Owner Martin Goodman

Atlas/Seaboard Comics is a line of comic books published by the American company Seaboard Periodicals in the 1970s. Though the line was published under the brand Atlas Comics, comic book historians and collectors refer to it as Atlas/Seaboard Comics to differentiate it from the 1950s Atlas Comics, a predecessor of Marvel Comics. [1] Seaboard was located on Fifth Avenue in Manhattan, New York City.

Contents

History

Company creation

Marvel Comics founder and Magazine Management publisher Martin Goodman left Marvel in 1972, having sold the company in 1968. He created Seaboard Periodicals, which opened its office on June 24, 1974, [2] to compete in a field then dominated by Marvel and DC Comics. Goodman hired Warren Publishing veteran Jeff Rovin to edit the color comic-book line, [3] and writer-artist Larry Lieber, brother of Marvel editor-in-chief Stan Lee, as editor of Atlas' black-and-white comics magazines.

Rovin said in 1987 he became involved after answering an ad in The New York Times :

I was one of several people Martin interviewed, and I got the job because I'd had experience not only in comics but in mail order, the latter of which was to contribute significantly to Seaboard's cash flow. Sharing editorial duties on the comics was writer-artist Larry Lieber, whom Martin had long wanted to transplant from under the shadow of Larry's brother.... Larry ended up handling about a quarter of Atlas' output — primarily the police, Western [and] war [comics], and color anthologies of horror stories. [4]

Lieber became editor of the color comics following Rovin's departure. Steve Mitchell was the comics' production manager, and John Chilly the black-and-white magazines' art director. Goodman offered an editorial position to Roy Thomas, who had recently stepped down as Marvel Comics editor-in-chief, but Thomas turned it down, recalling in 1981 that, "[I] didn't have any faith in his lasting it out. The field was too shaky for a new publisher." [5]

Lieber recalled in a 1999 interview,

When I went there, Martin put out two kinds of books. He was putting out color comics, and he was also going to put out black-and-white comics like Warren and Marvel. Now, I knew nothing about black-and-white comics, right? My only experience was in the color comics. Jeff Rovin came from Warren, and he knew nothing about color comics. Martin unfortunately put Jeff in charge of all the color comics and put me in charge of the black-and-white books. It was an unfortunate thing, and basically what happened was that Jeff's books didn't turn out so well... Martin had to pay high freelance rates, because otherwise nobody would work for a new and unproven company... It didn't work out too well, and Jeff finally left angrily or something, and I had to take over all his books. At this point, business was bad, and I tried to do what I could. One of the things I had to do was to cut rates and tell people they were going to make less money, which was not an enviable position. [6]

Dissolution

Atlas/Seaboard offered some of the highest rates in the industry, plus return of original artwork to artists and author rights to original character creations. [7] [ page needed ] [1] These perks attracted such top names as Neal Adams, Steve Ditko, Russ Heath, John Severin, Alex Toth and Wally Wood, as well as such up-and-coming talents as Howard Chaykin and Rich Buckler.

However, the line was plagued by distribution problems which prevented the comics from reaching many regions. [1] Moreover, readers quickly lost interest in the books, finding them to be obvious knock-offs of what Marvel Comics was publishing at the time; The Brute, for instance, was an obvious clone of the Hulk, while Blazing Battle Tales imitated Sgt. Fury and his Howling Commandos . [1]

With the Atlas line losing money across the board and the already insufficient sales dropping, Martin Goodman dissolved the company in the fourth quarter of 1975. [1] A total of 23 comics titles and five comics magazines were published before the company folded. No title lasted more than four issues. [1] Of the characters, Chaykin's Scorpion would inspire his Dominic Fortune at Marvel [8] and Rich Buckler's Demon Hunter would inspire his Devil-Slayer at Marvel. [9]

Chip Goodman

Some reports at the time suggested Goodman was angered that Cadence, the new Marvel owners, had reneged on a promise to keep his son, Charles "Chip" Goodman, as Marvel's editorial director. Marvel and Atlas writer Gary Friedrich recalled: "I never really felt that [Martin] did it for that reason. I think he did it to make money and that he thought with Larry in charge and paying good rates that he could do it. Now, he probably wouldn't have minded if it would have taken a bite out of Marvel's profits, but I don't think it was done out of revenge. I think Martin was too smart for that." [10] Marvel art director John Romita, however, believed, "Chip was supposed to take his place. But that part of it must not have been on paper, because as soon as Martin was gone, they got rid of Chip. That's why Martin started Atlas Comics. It was pure revenge". [11]

Although Chip Goodman was also in charge of the Seaboard comics, he had little to no interest in comic books, according to Rovin. [12] Historian and one-time Marvel editor-in-chief Roy Thomas recalled: "One of the problems was just being Martin Goodman's son. I don't think that Martin respected Chip very much—he put Chip in charge but would treat him with less than benign contempt in front of other people. Martin was a little cruel sometimes." [13]

This father-son conflict was fictionalized by a Magazine Management staffer, Ivan Prashker, who wrote a short story with a thinly disguised, unflattering portrait of a character based on Chip Goodman. When this story, "The Boss's Son", was published in the February 1970 issue of Playboy , Prashker expected he might be fired, but instead, as comics historian Jon B. Cooke wrote, he "was rewarded with his own editorship of a magazine as Martin was apparently more impressed that one of his staffers was published in the premier men's magazine than with any insult made to his son." [14]

Revival

Circa 2010, Martin Goodman's grandson Jason Goodman announced a partnership with Ardden Entertainment to relaunch Atlas Comics starting with two "#0" issues featuring the Grim Ghost and Phoenix. [15] With another character, Wulf the Barbarian, they were the stars of a miniseries, Atlas Unified, announced in September 2011 for publication that November. [16]

Jason Goodman's Nemesis Group Inc. belatedly discovered that one Jeffrey Stevens had acquired the trademark "Atlas Comics" for comic books in October 2005. Nemesis filed suit in 2010, arguing that Stevens had no demonstrated use of the trademark. [17] On March 13, 2012, the Trademark Trial and Appeal Board allowed the case to proceed to trial, but as a result of Nemesis Group Inc. failing to file a brief on the case in the required time, the petition was dismissed with prejudice in 2013. [18] Stevens assigned the trademark to Dynamite Characters LLC in August 2014. [19] In February 2016, Nemesis Group filed a new Atlas Comics logo at the United States Patent and Trademark Office for a possible challenge to Dynamite's registration. [17]

A new Atlas company was formed by May 2019 with SP Media Group owning a majority and Goodman retaining an interest.

Titles

George Torjussen's cover to Devilina #2 (May 1975), one of Atlas/Seaboard's black-and-white comics magazines Devilina2.jpg
George Torjussen's cover to Devilina #2 (May 1975), one of Atlas/Seaboard's black-and-white comics magazines
The Scorpion #1 (Feb. 1975), cover art by Howard Chaykin Scorpion-Chaykin1.jpg
The Scorpion #1 (Feb. 1975), cover art by Howard Chaykin

Comics

Source unless otherwise noted: [20]

Magazines

Film adaptations

After purchasing the Atlas characters and IPs from Nemesis Group in May 2019, the company announced plans for theatrical releases starting in 2021. Akiva Goldsman and his Weed Road Pictures were hired to run a writers' room to develop 10 story outlines with one to be selected for further development. Paramount Pictures signed a first-look contract. Atlas appointed Goodman as head of publishing and executive producer, and Spike Seldin as president of production. [23] On August 28, 2024, it was announced that Paramount will launch a cinematic universe based on characters from Atlas Comics starting with Devilina. [24]

Related Research Articles

Marvel Comics is a New York City-based comic book publisher, a property of The Walt Disney Company since December 31, 2009, and a subsidiary of Disney Publishing Worldwide since March 2023. Marvel was founded in 1939 by Martin Goodman as Timely Comics, and by 1951 had generally become known as Atlas Comics. The Marvel era began in August 1961 with the launch of The Fantastic Four and other superhero titles created by Stan Lee, Jack Kirby, Steve Ditko, and numerous others. The Marvel brand, which had been used over the years and decades, was solidified as the company's primary brand.

<i>The Avengers</i> (comic book) Comic book titles by Marvel Comics

The Avengers is a comic book title featuring the team the Avengers and published by Marvel Comics. The original The Avengers comic book series debuted in 1963.

<span class="mw-page-title-main">Timely Comics</span> American comic book publisher

Timely Comics is the common name for the group of corporations that was the earliest comic book arm of American publisher Martin Goodman, and the entity that would evolve by the 1960s to become Marvel Comics.

<span class="mw-page-title-main">Gil Kane</span> American comic book artist (1926–2000)

Gil Kane was a Latvian-born American comics artist whose career spanned the 1940s to the 1990s and virtually every major comics company and character.

<span class="mw-page-title-main">Larry Lieber</span> American comic book artist and writer

Lawrence D. Lieber is an American comic book writer and artist best known as co-creator of the Marvel Comics superheroes Iron Man, Thor, and Ant-Man. He is also known for his long stint both writing and drawing the Marvel Western Rawhide Kid and for illustrating the newspaper comic strip The Amazing Spider-Man from 1986 to 2018. From 1974 to 1975, he was editor of Atlas/Seaboard Comics. Lieber is the younger brother of Stan Lee, who had been a writer, editor, and publisher of Marvel Comics.

<i>Marvel Mystery Comics</i> American comic book series

Marvel Mystery Comics is an American comic book series published during the 1930s–1940s period known to fans and historians as the Golden Age of Comic Books. It was the first publication of Marvel Comics' predecessor, Timely Comics, a division of Timely Publications.

<span class="mw-page-title-main">Howard Chaykin</span> American comic book artist and writer (born 1950)

Howard Victor Chaykin is an American comic book artist and writer. Chaykin's influences include his one-time employer and mentor, Gil Kane, and the mid-20th century illustrators Robert Fawcett and Al Parker.

<span class="mw-page-title-main">Atlas Comics (1950s)</span> US comic book publisher (1951–1957)

Atlas Comics was the 1950s comic-book publishing label that evolved into Marvel Comics. Magazine and paperback novel publisher Martin Goodman, whose business strategy involved having a multitude of corporate entities, used Atlas as the umbrella name for his comic-book division during this time. Atlas evolved out of Goodman's 1940s comic-book division, Timely Comics, and was located on the 14th floor of the Empire State Building. This company is distinct from the 1970s comic-book company, also founded by Goodman, that is known as Atlas/Seaboard Comics.

<span class="mw-page-title-main">Martin Goodman (publisher)</span> Publisher; founder of Marvel Comics

Martin Goodman was an American publisher of pulp magazines, digest sized magazines, paperback books, men's adventure magazines, and comic books, who founded the comics magazine company Timely Comics in 1939. Timely Comics would go on to become Marvel Comics, one of the United States' two largest comic book publishers along with rival DC Comics.

<i>Savage Tales</i> Three different American comics series

Savage Tales is the title of three American comics series. Two were black-and-white comics-magazine anthologies published by Marvel Comics, and the other a color comic book anthology published by Dynamite Entertainment.

<span class="mw-page-title-main">Academy of Comic Book Arts</span> Professional organization

The Academy of Comic Book Arts (ACBA) was an American professional organization of the 1970s that was designed to be the comic book industry analog of such groups as the Academy of Motion Picture Arts and Sciences. Composed of comic-book professionals and initially formed as an honorary society focused on discussing the comic-book craft and hosting an annual awards banquet, the ACBA evolved into an advocacy organization focused on creators' rights.

<span class="mw-page-title-main">Scorpion (Atlas/Seaboard Comics)</span>

The Scorpion is the name of two fictional characters who starred successively in an eponymous comic book series published by Atlas/Seaboard Comics in the 1970s.

<span class="mw-page-title-main">Steve Lieber</span> American illustrator

Steve Lieber is an American comic book illustrator known for his work on books such as Detective Comics and Hawkman, and the critically acclaimed miniseries Whiteout, which was adapted into a 2009 feature film starring Kate Beckinsale. His other works include the Eisner Award-winning sequel Whiteout: Melt, and the thrillers Shooters and Underground. With writer Nat Gertler, he co-authored The Complete Idiot's Guide to Creating a Graphic Novel.

Magazine Management Co., Inc. was an American publishing company lasting from at least c. 1947 to the early 1970s, known for men's-adventure magazines, risqué men's magazines, humor, romance, puzzle, celebrity/film and other types of magazines, and later adding comic books and black-and-white comics magazines to the mix. It was the parent company of Atlas Comics, and its rebranded incarnation, Marvel Comics.

<i>Uncanny Tales</i> (comics)

Uncanny Tales is the name of two American science-fiction / horror comic-book series, published in the 1950s and the 1970s. The first volume was by Atlas Comics, the 1950s precursor of Marvel Comics, and the second volume by Marvel. It is also the title of a British comics digest.

The Amazing Spider-Man is a daily comic strip featuring the character Spider-Man which has been syndicated for more than 40 years. It is a dramatic, soap opera-style strip with story arcs which typically run for 8 to 12 weeks. While the strip uses many of the same characters as the Spider-Man comic book, the storylines are nearly all originals and do not share the same continuity. A consistently popular strip, new material was published from 1977 to 2019, with the strip going into reruns afterwards.

<i>Chamber of Chills</i>

Chamber of Chills is the name of two anthology horror comic books, one published by Harvey Publications in the early 1950s, the other by Marvel Comics in the 1970s.

<i>The Rampaging Hulk</i>

The Rampaging Hulk is a comic book series published by Marvel Comics. The first volume was a black and white magazine published by Curtis Magazines from 1977–1978. With issue #10, it changed its format to color and its title to The Hulk!, and ran another 17 issues before it was canceled in 1981. It was a rare attempt by Marvel to mix their superhero characters with the "mature readers" black-and-white magazine format.

<i>Rawhide Kid</i> (comic book) Western comic book title

Rawhide Kid is a comic book series featuring the character Rawhide Kid originally published by Atlas Comics, and later by Marvel Comics. In ran from 1955 to 1979, with a hiatus during the late 1950s.

References

  1. 1 2 3 4 5 6 Vaughan, Don (June 2021). "Atlas/Seaboard's Savage Soldiers". Back Issue! . No. 127. Raleigh, North Carolina: TwoMorrows Publishing. pp. 31–34.
  2. Rovin, Jeff (February 1987). "How Not to Run a Comic Book Company". The Comics Journal . No. 114. Fantagraphics. p. 97. Archived from the original on May 25, 2024.
  3. Sacks, Jason; Dallas, Keith (2014). American Comic Book Chronicles: The 1970s. TwoMorrows Publishing. p. 149. ISBN   978-1605490564.
  4. Rovin, pp. 96 to 97.
  5. "Interview with Roy Thomas". The Comics Journal. No. 61. Fantagraphics. Winter 1981. p. 87.
  6. "A Conversation with Artist-Writer Larry Lieber". Alter Ego . 3 (2). TwoMorrows Publishing: 19 in print version. Fall 1999. Archived from the original on March 24, 2010. Retrieved 2008-01-31.
  7. Steranko, Jim (February 1975). Mediascene. No. 11. Goodman's David and Goliath strategy is insidiously simple and outrageous—possibly even considered dirty tactics by the competition—[and consists of] such [things] as higher page rates, artwork returned to the artist, rights to the creation of an original character, and a certain amount of professional courtesy.{{cite news}}: Missing or empty |title= (help)
  8. Ekstrom, Steve (July 10, 2009). "Return to Fortune: Chaykin on Dominic Fortune MAX". Newsarama.com. Archived from the original on June 4, 2011.
  9. Cooke, Jon B. (2005). "CBA Interview: Rich Buckler Breaks Out! The Artist on Deathlok, T'Challa and Other Marvel Tales". Comic Book Artist Collection. Vol. 3. TwoMorrows Publishing. p. 79.
  10. Gary Friedrich interview: "Groovy Gary & the Marvel Years", Comic Book Artist #13 (May 2001)[ page needed ]
  11. John Romita interview, "Fifty Years on the 'A' List", Alter Ego vol. 3, #9 (July 2001), p. 35
  12. Cooke, Jon B. (December 2001). "Rise & Fall of Rovin's Empire". Comic Book Artist . No. 16. Archived from the original on December 1, 2010.
  13. Comic Book Artist #2, Summer 1998[ page needed ]
  14. Comic Book Artist #16[ page needed ]
  15. Fleming, Mike Jr. (September 14, 2010). "'70s Marvel Rival Atlas Comics Relaunches". Deadline Hollywood . Archived from the original on September 20, 2014. Retrieved February 10, 2014.
  16. ""Atlas Unified" is an Event Thirty-Five Years in the Making" (Press release). Atlas Comics via ComicBookResources.com. September 20, 2011. Archived from the original on October 26, 2014. Retrieved February 10, 2014.
  17. 1 2 Johnston, Rich (February 18, 2016). "Is Martin Goodman's Grandson Trying To Get The Name Of Atlas Comics Back?". Bleeding Cool. Retrieved May 16, 2019.
  18. Nemesis Group Inc. v. Jeffrey Stevens, USPTOCancellation No. 92053072 (Trademark Trial and Appeal BoardJune 11, 2013).
  19. Johnston, Rich (November 20, 2014). "Dynamite Buys The Atlas Comics Trademark From Jeffrey Stevens". Bleeding Cool. Archived from the original on January 26, 2021.
  20. Seaboard (publisher) at the Grand Comics Database
  21. Buxton, Marc (July 2018). "The Hands of the Dragon". Back Issue! (105). Raleigh, North Carolina: TwoMorrows Publishing: 54–55.
  22. 1 2 "Timeline". The Atlas Archives. Gemstone Publishing. Archived from the original on May 14, 2011. Retrieved May 10, 2011. Additional WebCitation archive.
  23. Frater, Patrick (May 16, 2019). "Steven Paul Buys Atlas Comics Library, Sets Paramount Production Deal". Variety. Retrieved February 10, 2021.
  24. Hamman, Cody (August 28, 2024). "Devilina aims to launch an Atlas Comics cinematic universe at Paramount". JoBlo.com. Retrieved August 28, 2024.