Audrey Rose | |
---|---|
Directed by | Robert Wise |
Screenplay by | Frank De Felitta |
Based on | Audrey Rose by Frank De Felitta |
Produced by |
|
Starring | |
Cinematography | Victor J. Kemper |
Edited by | Carl Kress |
Music by | Michael Small |
Distributed by | United Artists |
Release date |
|
Running time | 113 minutes |
Country | United States |
Language | English |
Budget | $4 million [1] |
Box office | $2 million [2] |
Audrey Rose is a 1977 American psychological horror drama film directed by Robert Wise and starring Marsha Mason, Anthony Hopkins, and John Beck. Its plot follows a New York City couple who are sought out by a stranger who believes their adolescent daughter is a reincarnation of his deceased one. It is based on the 1975 novel of the same name by Frank De Felitta, who also adapted the screenplay.
Bill and Janice Templeton live a privileged life in Manhattan's Upper West Side with their 11-year-old daughter, Ivy. They begin to notice a stranger following them in public places and grow alarmed when the man follows Janice and Ivy home one afternoon. The man reaches out to the couple by phone, revealing himself as Elliot Hoover, a widower who lost his wife and daughter, Audrey Rose, in a car accident in Pittsburgh. The couple agree to have dinner with Elliot, during which he explains that he believes Ivy is a reincarnation of Audrey, and that psychics confirmed his suspicions; he learned from them intimate knowledge of the couple's apartment and that Ivy was born only minutes after Audrey died.
Bill believes Elliot is extorting the family. He invites Elliot to their apartment, and arranges for his attorney friend, Russ, to listen covertly from upstairs. When Elliot speaks Audrey's name, Ivy enters a state of panic, which is only calmed by Elliot's presence. In this state, she bangs her hands against the cold window, and it leaves inexplicable burns. Elliot comforts her, after which she recognizes him as "Daddy" and falls asleep. Elliot insists that Ivy's burns are evidence of her reincarnation, as Audrey burned to death in the car accident. Bill grows enraged by Elliot and forces him out, punching him, but Janice and even Russ are sympathetic to the strange man's plea.
One night while Bill is working late, Ivy experiences another night terror, in which she thrashes around violently. Janice is surprised by Elliot's appearance at her door and allows him in to help calm Ivy. During Ivy's next episode, Elliot again arrives, and Bill attacks him. After a struggle, Elliot locks the couple out of their apartment and disappears with Ivy through a service exit. An attendant informs them that Elliot rented an apartment in the building. Police discover him and Ivy in the apartment and charge him with child abduction.
A trial ensues, during which Janice and Bill have Ivy sent to a Catholic boarding school in upstate New York to shield her from the public. Elliot attempts to persuade the jury that his actions were necessary to grant peace to Audrey's spirit. The trial becomes an international news story, with a Hindu holy man testifying about their religious belief in reincarnation. On the stand, Janice admits that she believes Elliot. The judge grants a recess in the trial, and Janice and Bill are informed that Ivy has injured herself at her school by crawling toward a fire pit during a Christmas celebration.
After Ivy is treated for burns, Janice remains in upstate New York in a hotel. In the middle of the night, Janice finds Ivy repeatedly greeting herself as Audrey Rose in the mirror. In a motion to complete Elliot's trial, Bill and Janice's attorney requests that Ivy be hypnotized as a means of proving she is not a reincarnation of Audrey. The hypnotist employs a past life regression hypnosis, which is observed in a hospital by the jury. Ivy revisits the traumatic car crash that took Audrey's life and reacts violently. She loses consciousness, and Elliot scrambles in to attempt to calm her but she dies in his arms.
Sometime later, Janice writes a letter to Elliot, thanking him for transporting Ivy's cremated remains to India, and expressing her hope that Bill will come to accept her and Elliot's belief that Ivy was a reincarnation of Audrey. A closing intertitle quotes the Bhagavad-Gita :
There is no end. For the soul there is never birth nor death. Nor, having once been, does it ever cease to be. It is unborn, eternal, ever-existing, undying and primeval...
Director Robert Wise began an extensive search to cast the title role, initially auditioning young actresses in major cities such as Los Angeles and New York. [1] Susan Swift was eventually cast in the role after auditioning in Austin, Texas. [1] The film marked her feature debut. [1]
Principal photography of Audrey Rose began on July 26, 1976, on sound stages in Los Angeles and Culver City, California. [1] Filming continued through November, when the production moved to New York City, where exterior sequences were shot on location. [1] The film had a production budget of approximately $4 million. [1]
As of May 2023 [update] , the film has a score of 57% on Rotten Tomatoes based on 21 reviews. [3]
Vincent Canby of The New York Times wrote: "The soul of the movie is that of The Exorcist instantly recycled." [4] Gene Siskel of the Chicago Tribune gave the film three stars out of four and called the first hour "excellent" but the second half "pretty bad ... The picture falls apart as it turns into a dumb legal melodrama replete with cross-examination and a hypnotized key witness." [5] Charles Champlin of the Los Angeles Times praised the "first-rate acting" but added "In a way, 'Audrey Rose' may go too far in denying the mystery and proclaiming the certainty of reincarnation. The handling denies the story of some of the spookiness of an exercise in style like Don't Look Now, and the literalness has a way of putting off those who might be willing to go along for the ride." [6]
For Newsweek, Janet Maslin wrote that Audrey Rose lacked "not only any sign of intelligence, but also that other prerequisite of a good horror movie - fast pacing"; [7] and Judith Crist in the Saturday Review wrote that the film "starts out as a titillating little thriller, but after 20 minutes, it bogs down in a series of minilectures on reincarnation that wipe out whatever dramatic potential the story might have had." [8] Rex Reed wrote that the film "will finish off whatever segment of the populace is still breathing after The Exorcist and its progeny left most people maimed and kicking.... The actors appear to be mortified by the material. Anthony Hopkins fakes his way through it, John Beck ignores it completely, and Marsha Mason weeps and thrashes her way through it with so much tragic suffering she seems to be expecting a hatchet murderer to crash through the window at every jingle of the telephone. Robert Wise's direction milks what little suspense there is for laughs instead of either reality or terror." [9]
Clyde Gilmour of the Toronto Star described the direction as "untypically sluggish in style" but said that it "may attract a lot of customers who are zealously interested in reincarnation." [10] Martin Malina, who reviewed the film alongside similar films Demon Seed and Rabid in the same column of the Montreal Star , said that "the screenplay that De Felitta has fashioned from his own bestselling potboiler is thoroughly inept and the film's cast makes the worst of this trashy material". [11]
More mixed was Richard Combs writing for The Monthly Film Bulletin : "Before the film collapses into [...] bathetic nonsense [...] it displays a dramatic rationale and figurative substance that makes it at least as diverting as Rosemary's Baby, and a cut above the special effects hocus-pocus of its nearer predecessors in the demonology genre." [12] Paul Petlewski for Cinefantastique was measured in his assessment: "Although Audrey Rose is an honourable film, it isn't particularly memorable or even an important one [...] Its interest is partly historical the [Val] Lewton connection and partly aesthetic - the pleasure derived from watching a talented director attempt to transcend his silly material." [13] Les Wedman of The Vancouver Sun wrote that "those convinced of the immortality of the soul and its freedom to live on in different bodies will find their beliefs substantiated through Audrey Rose. The scoffers will, despite overwhelming dramatic evidence presented in the movie, come away unconverted, perhaps wishing they could have been won over by this first-rate try." [14]
Romola Costantino of the Sun-Herald in Sydney, Australia, wrote that "for a movie of this kind, the queasy suspense is on a far superior level to either The Exorcist or Carrie ." [15]
MGM Home Entertainment released the film on DVD on August 28, 2001. [16] In October 2014, Twilight Time released a Blu-ray edition limited to 3,000 copies. [17] [18]
Breakfast at Tiffany's is a 1961 American romantic comedy film directed by Blake Edwards, written by George Axelrod, adapted from Truman Capote's 1958 novella of the same name, and starring Audrey Hepburn as Holly Golightly, a naïve, eccentric café society girl who falls in love with a struggling writer while attempting to marry for money. It was theatrically released by Paramount Pictures on October 5, 1961, to critical and commercial success.
The Goodbye Girl is a 1977 American romantic comedy-drama film directed by Herbert Ross, written by Neil Simon and starring Richard Dreyfuss, Marsha Mason, Quinn Cummings and Paul Benedict. The film, produced by Ray Stark, centers on an odd trio of characters: a struggling actor who has sublet a Manhattan apartment from a friend, the current occupant, and her precocious young daughter.
Rabid is a 1977 independent body horror film written and directed by David Cronenberg. An international co-production of Canada and the United States, the film stars Marilyn Chambers in the lead role, supported by Frank Moore, Joe Silver, and Howard Ryshpan. Chambers plays a woman who, after being injured in a motorcycle accident and undergoing a surgical operation, develops an orifice under one of her armpits that hides a phallic/clitoral stinger she uses to feed on people's blood. Those she bites become infected, and then feed upon others, spreading the disease exponentially. The result is massive chaos, starting in the Quebec countryside, and ending up in Montreal. Rabid made $1 million in Canada, making it one of the highest-grossing Canadian films of all time. A remake of the same name, directed by Jen and Sylvia Soska, was released in 2019.
Ghost Dad is a 1990 American fantasy comedy film directed by Sidney Poitier and starring Bill Cosby, in which a widower's spirit is able to communicate with his children after his death. It was a box office disaster.
Something Wild is a 1986 American comedy thriller film directed by Jonathan Demme, written by E. Max Frye, and starring Melanie Griffith, Jeff Daniels and Ray Liotta. It was screened out of competition at the 1987 Cannes Film Festival. The film has some elements of a road movie combined with screwball comedy.
Templeton may refer to:
Demon Seed is a 1977 American science fiction–horror film directed by Donald Cammell. It stars Julie Christie and Fritz Weaver. The film was based on the 1973 novel of the same name by Dean Koontz, and concerns the imprisonment and forced impregnation of a woman by an artificially intelligent computer. Gerrit Graham, Berry Kroeger, Lisa Lu and Larry J. Blake also appear in the film, with Robert Vaughn uncredited as the voice of the computer.
Noel is a 2004 American Christmas-themed drama film written by David Hubbard and directed by Chazz Palminteri. It stars Penélope Cruz, Susan Sarandon, Paul Walker, Alan Arkin, Daniel Sunjata and an uncredited Robin Williams. The film focuses on intersecting storylines taking place on Christmas Eve in New York City. It was filmed partly in Montreal, Quebec, Canada.
The Sentinel is a 1977 American supernatural horror film directed by Michael Winner, and starring Cristina Raines, Chris Sarandon, Ava Gardner, Burgess Meredith, Sylvia Miles and Eli Wallach. The plot focuses on a young model who moves into a historic Brooklyn brownstone that has been sectioned into apartments, only to find that the building is owned by the Catholic diocese and is a gateway to Hell. It is based on the 1974 novel of the same name by Jeffrey Konvitz, who also co-wrote the screenplay with director Winner. It also features Christopher Walken, Jeff Goldblum, John Carradine, Jerry Orbach, Tom Berenger, Nana Visitor and Beverly D'Angelo in supporting roles.
Regan Teresa MacNeil is a fictional character in the 1971 novel The Exorcist and one of the supporting characters in its 1973 film adaptation and the 1977 film Exorcist II: The Heretic, while being one of the main protagonists in the first season of the television series The Exorcist (2016–2017). She was portrayed by Linda Blair in both films and by Geena Davis in the television series. Blair reprised the role in the 2023 film, The Exorcist: Believer.
For Love of Audrey Rose is a 1982 horror novel and the sequel to the novel Audrey Rose and its film version. Both books were written by Frank De Felitta.
Audrey Rose is a novel written by Frank De Felitta, published in 1975, about a couple confronted with the idea that their young daughter might be the reincarnation of another man's child. The book was inspired by an incident in which De Felitta's young son began displaying unusual talents and interests, leading an occultist to suggest to De Felitta that the child might be remembering a previous life. The book was followed by a 1982 sequel, For Love of Audrey Rose.
Bhoot (transl. Ghost) is a 2003 Indian Hindi-language supernatural horror film directed by Ram Gopal Varma and stars an ensemble cast of Ajay Devgn, Urmila Matondkar, Nana Patekar, Rekha, Fardeen Khan and Tanuja. It is the second horror film made by Ram Gopal Verma after Raat. The film was perceived to be different from a typical Hindi film as it did not feature the songs composed for it. The film was later dubbed in Telugu as 12 Va Anthasthu and remade in Tamil as Shock.
John Beck is an American retired actor, known best for his role as Mark Graison in the television series Dallas during the mid-1980s.
Susan Swift is an American actress best known for her work as a child actress and her role as Ivy Templeton in Audrey Rose (1977).
The Reincarnation of Peter Proud is a 1975 American psychological horror film directed by J. Lee Thompson, and starring Michael Sarrazin, Margot Kidder, and Jennifer O'Neill. It follows a university professor who, after experiencing a series of bizarre nightmares, comes to believe he is the reincarnation of someone else. It is based on the 1973 novel of the same title by Max Ehrlich, who adapted the screenplay.
A Letter for Evie is a 1946 American comedy film directed by Jules Dassin and starring Marsha Hunt, John Carroll and Hume Cronyn. It was produced by Metro-Goldwyn-Mayer. The story is a spinoff of Cyrano de Bergerac, updated to a modern setting.
Goodbye, Norma Jean is a 1976 film by Larry Buchanan based on the life of Marilyn Monroe. Misty Rowe plays the title role.
Frank Paul De Felitta was an author, producer, pilot and film director. He was most well known for his novels Audrey Rose and The Entity.
Chapter Two is a 1979 American Metrocolor romantic comedy-drama film directed by Robert Moore, produced by Ray Stark, and based on Neil Simon's 1977 Broadway play of the same name. It has a 124-minute running time. It stars James Caan and Marsha Mason, in an Academy Award-nominated performance.