Balls | ||||
---|---|---|---|---|
Studio album by | ||||
Released | August 22, 2000 | |||
Recorded | 1998–1999 | |||
Studio | Sparks Studios, Los Angeles, California | |||
Genre | ||||
Length | 48:45 | |||
Label |
| |||
Producer | ||||
Sparks chronology | ||||
| ||||
Singles from Balls | ||||
|
Balls is the 18th album by the American rock band Sparks, released in 2000. [2]
Balls was a continuation of the techno-pop style that the duo had first explored on 1994's Gratuitous Sax & Senseless Violins , but employed harder, more uptempo beats, as well as a direct, aggressive approach derived from acts such as The Prodigy. [3] The album was packaged in a translucent jewel case that came in a variety of colours (red, yellow, green, blue, orange, black, and turquoise), with a reflective die-cut silver slipcase.
"It's a Knockoff" was recorded for the movie Knock Off , starring Jean-Claude Van Damme, directed by the acclaimed Hong Kong–based producer–director Tsui Hark [4] (who had appeared on his own tribute song by the band on Gratuitous Sax & Senseless Violins). It is featured over the closing credits.
Whilst critical reception of Balls was moderately positive, it was not a success in terms of chart performance and failed to match the performance of Gratuitous Sax & Senseless Violins. It did not chart in Germany, UK or US. "More Than a Sex Machine", "The Calm Before the Storm" and "The Angels" were released as singles but did not pick up any significant sales or radio play. The duo had already written a follow-up to Balls in a similar vein. However, the album's poor reception convinced them to abandon it and pursue a new direction entirely on 2002's Lil' Beethoven .
Review scores | |
---|---|
Source | Rating |
AllMusic | [5] |
Mojo | [6] |
NME | [6] |
Q | [6] |
Critical reception to Balls was mixed. Mojo offered a positive summary describing the album as "highly listenable and equally danceable, a kind of Pet Shop Boys meet Gary Numan at the gates of Georgio (sic) Moroder." [6] AllMusic rated the album three stars out of five noting that: "This being Sparks' 18th album, the Mael brothers clearly know what they're doing. Though both the lyrics and the production are quirky, there is nothing dumb about them", and highlighting "the melodies [which] have brilliant pop hooks and Russell's [soaring] voice." [5]
Q panned the album describing it as: "a profound disappointment... few songs lift themselves above pedestrian tedium." [6] NME also reviewed the album unfavourably remarking: "age has inexplicably withered Sparks' bow-legged muse; where once was genre-bending acid eclecticism and inspired wit, Sparks now seem content to dole out tired, tinny electro-pop and unfunny puns." [6]
In 2008, Sparks' own record label Lil' Beethoven Records reissued the album in a digipak sleeve, featuring different sleeve-art and with two bonus tracks; "The Calm Before the Opera" and "The Calm Before the Storm" (full-length instrumental).
In 2022 the album was remastered and released on vinyl for the first time, as part of the "21st Century Sparks" remaster series. CD and digital issues again contain "The Calm Before The Opera" as well as seven new bonus tracks including the concert opener "It's a Sparks Show", music from the Kuntzel+Deygas short film A Cute Candidate, and an unused theme song for animated series The Oblongs . [7]
This reissue entered the UK Independent Albums Chart at number 16. [8]
All tracks are written by Ron Mael and Russell Mael; except where indicated
No. | Title | Length |
---|---|---|
1. | "Balls" | 4:24 |
2. | "More than a Sex Machine" | 5:04 |
3. | "Scheherazade" | 4:29 |
4. | "Aeroflot" | 4:28 |
5. | "The Calm Before the Storm" | 4:03 |
6. | "How to Get Your Ass Kicked" | 4:19 |
7. | "Bullet Train" | 4:20 |
8. | "It's a Knockoff" | 3:42 |
9. | "Irreplaceable" | 5:06 |
10. | "It's Educational" | 4:02 |
11. | "The Angels" | 4:48 |
No. | Title | Length |
---|---|---|
12. | "Now That I Own the ABC" (omitted from some editions) | 3:56 |
13. | "Balls" (excerpt from Sparks Live in London) | 4:59 |
14. | "Ron Levitates Baby Leroy" (excerpt from Sparks Live in London) | 1:09 |
15. | "Bullet Train" (excerpt from Sparks Live in London) | 5:18 |
16. | "Beat the Clock" (excerpt from Sparks Live in London) | 5:07 |
17. | "This Town Ain't Big Enough" (Ron Mael; excerpt from Sparks Live in London) | 4:49 |
No. | Title | Length |
---|---|---|
12. | "Calm Before the Opera" | 3:09 |
13. | "Calm Before the Storm" (full-length instrumental) | 5:03 |
No. | Title | Length |
---|---|---|
12. | "It's a Sparks Show" | 1:20 |
13. | "Calm Before the Opera" | 3:06 |
14. | "The Angels" (Sparks alternative version) | 3:43 |
15. | "More Than a Sex Machine" (Sparks definitive version – radio edit) | 3:40 |
16. | "The Angels" (Tony Visconti version) | 3:49 |
17. | "The Oblongs" | 0:57 |
18. | "A Cute Candidate Opening Theme" | 1:59 |
19. | "The Race for President" | 1:50 |
Chart (2022) | Peak position |
---|---|
Scottish Albums (OCC) [9] | 22 |
UK Independent Albums (OCC) [8] | 16 |
Russell Craig Mael is an American singer best known as the lead singer for the band Sparks, which he formed in 1971 with his elder brother Ron Mael. Mael is known for his wide vocal range, in particular his far-reaching falsetto. He has a flamboyant and hyperactive stage presence which contrasts sharply with Ron Mael's inexpressive demeanour. The band released an album with British rock band Franz Ferdinand, as the supergroup FFS, titled FFS, released in 2015. The Mael brothers are the founders of Lil' Beethoven Records.
Sparks is an American pop and rock duo formed by brothers Ron (keyboards) and Russell Mael (vocals) in Los Angeles. The duo is noted for their quirky approach to songwriting; their music is often accompanied by sophisticated and acerbic lyrics—often about women, and sometimes containing literary or cinematic references—and an idiosyncratic, theatrical stage presence, typified by the contrast between Russell's animated, hyperactive frontman antics and Ron's deadpan scowling. Russell Mael has a distinctive wide-ranging voice, while Ron Mael plays keyboards in an intricate and rhythmic style. Their frequently changing styles and visual presentations have kept the band at the forefront of modern, artful pop music.
Kimono My House is the third studio album by American rock band Sparks, released on May 1, 1974, by Island Records. The album is considered to be their commercial breakthrough, and was met with widespread acclaim.
A Woofer in Tweeter's Clothing is the second studio album by the American rock band Sparks. It was released in 1973 and includes the single "Girl from Germany". It was the last release by the original five-member incarnation of Sparks.
Indiscreet is the fifth album by Sparks. It was released in 1975 and later re-released with three bonus tracks. The album was a departure from the glam rock sound of Kimono My House and Propaganda, and emphasised the theatrical elements of their work, with greater use of orchestral arrangements and drawing from non-rock orientated styles such as jazz, big band, swing, vaudeville, and classical music. The album was produced by Tony Visconti, with whom the group reunited in 1997 to produce several tracks for their retrospective album Plagiarism. The song "How Are You Getting Home?" was used in Leos Carax's film Holy Motors.
Introducing Sparks is the seventh album by the American rock band Sparks, released in 1977 by Columbia Records.
Nº 1 in Heaven is the eighth studio album by American rock band Sparks. Recorded with Italian disco producer Giorgio Moroder, the album marked a change of musical direction for the group and became influential on later synth-pop bands.
Music That You Can Dance To is the fourteenth studio album by American pop band Sparks, released in September 1986 by MCA Records in the US and Consolidated Allied Records in the UK, two years after their previous studio album, Pulling Rabbits Out of a Hat (1984).
Interior Design is the fifteenth studio album by the American rock band Sparks, released in August 1988 by Fine Art Records.
Gratuitous Sax & Senseless Violins is the 16th album by American rock band Sparks. It was released in 1994, after an absence from the music industry of 6 years, and marked the duo's transition into a more techno/Eurobeat-influenced sound, which earned them popularity in Germany.
Plagiarism is the 17th album by American rock band Sparks. It is a tribute album of sorts featuring new alternate versions of some of their best known songs.
Lil' Beethoven is the 19th album by the American rock band Sparks, released on November 26, 2002. The album was a radical musical departure compared to their previous works. The band only used strings, piano, and voices but sporadic drums: the result was both classical and pop music.
Hello Young Lovers is the 20th album by American pop and rock duo Sparks, released in 2006. A continuation of the repetitious, orchestral sound of their previous album Lil' Beethoven, though with a much greater emphasis on guitar and drums, it is a concept album which addresses aspects of modern love.
Exotic Creatures of the Deep is the 21st album by the American rock band Sparks.
The Seduction of Ingmar Bergman is the 22nd album by American rock group Sparks, released in August 2009. The duo's first work in the radio musical genre, the album is built around an imaginary visit to Hollywood by Swedish film director Ingmar Bergman in the mid-1950s. Its storyline focuses on the divides between European and American culture, between art and commerce. Unlike other Sparks albums, the work is conceived as a single piece, to be listened to as a whole, rather than a collection of stand-alone songs.
Tammy Glover is an American television producer, film producer, and musician. She served as the VP of Production for Comedy Central from 2007 to 2011, Senior Vice President of Production for FremantleMedia and is currently the Head of Physical Production for TNT, TBS, and TruTV, part of Warner Bros Discovery. Glover was on the Board of Governors for the Academy of Television Arts & Sciences representing Production Executives. She played drums for Sparks from 1997 to 2011 and contributed to BBC Radio 6 Music's This Town Ain't Big Enough For Both Of Us: The Story Of Sparks presented by Mark Radcliffe. She also performs with Billy Zimmer as the duo Thorcraft Cobra. Modern Drummer has done a number of features on Glover. and she has contributed session work for many projects, including solo work for David Dattner, and playing live drums for the Peter G Adams soundtrack of CodeGirl.
Hippopotamus is the 23rd studio album by American rock group Sparks. It was released on September 8, 2017, through BMG Rights Management and The End Records, their first record issued on a major label for decades.
"When Do I Get to Sing 'My Way'" is a song by American band Sparks, released in October 1994 by Logic Records as the first single from their 1994 album Gratuitous Sax & Senseless Violins. Written and produced by band members Russell and Ron Mael, the song references Frank Sinatra's signature song "My Way" and was a number seven hit in Germany. In the United States, it reached number nine on the Billboard Hot Dance Club Play chart, and it was also a top 40 hit in the United Kingdom. The song was re-released as a single the following year, this time peaking at number 32 in the UK. Its accompanying music video was directed by Sophie Muller.
"When I Kiss You (I Hear Charlie Parker Playing)" is a song by American rock band Sparks, released in February 1995 by Logic Records as the second single from their 16th album, Gratuitous Sax & Senseless Violins (1994). Written and produced by the Mael brothers, it references American jazz saxophonist Charlie Parker. The song peaked at number 36 in the UK, number 61 in Germany and number 24 on the Billboard Hot Dance Club Play chart in the US. Originally it was released as "(When I Kiss You) I Hear Charlie Parker Playing", before being re-named to its present title. Sophie Muller directed its music video.
"Now That I Own the BBC" is a song by American pop and rock duo Sparks, which was released in Europe in 1995 and the UK in 1996 as the third and final single from their sixteenth studio album Gratuitous Sax & Senseless Violins (1994). The song was written and produced by Ron Mael and Russell Mael, with additional production by Linus Burdick.