In Balinese temple architecture, a Bhoma is a carved or formed grotesque which decorates certain parts of the Balinese temple complex. The statue is similar to the Javanese Kala, and was intended to protect the temple complex from malevolent spirits.
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In Balinese mythology, Bhoma is the son of Dewa Wisnu and Dewi Pertiwi, the god of rain and the goddess of earth. One day, when Wisnu was digging the earth in the form of Varaha, his avatar in the form of a wild boar, he encountered a beautiful earth goddess named Dewi Pertiwi. The encounter leads to a union between Wisnu and Pertiwi, which produces a terrifying son named Bhoma.
The story of Wisnu as a wild boar digging up to the bottom of the earth to meet Pertiwi symbolizes torrents of stormy rainwater entering the earth. The figure of Bhoma that was produced by this union is seen as the growth of vegetation or forest (Vanaspati) as a result of the earth receiving the (rain) water. In Javanese and Balinese culture, Vanaspati is the king of the plant, not different from the European Green Man. The word Bhoma came from the Sanskrit word bhaumá, which means something that grows or is born from earth or something related to the earth.
Bhoma is basically the Balinese kirtimukha. In Balinese temple architecture, the Bhoma has the same function as the Javanese Kala who acts as the guardian spirit of the temple complex. The head of Bhoma can be found carved at the temple gate which marks the entrance to the holiest part of the shrine (paduraksa) and at the base of the padmasana, the holiest and most central shrine in the Balinese temple.
The Padmasana is the holiest shrine in a Balinese temple complex. The padmasana is attributed to the Supreme God, the Sang Hyang Widhi Wasa). Like many religious constructions in Indonesia, the shrine padmasana is divided into three sections, from the base to the top, the bhur (world of demons), bhuwah (world of men), and swah (world of gods). The head figure of Bhoma normally added the base of the padmasana, together with other monstrous figures e.g. the Bedawang Nala, the world-supporting turtle, and the two snakes, Anantaboga, and Basuki, a symbol of man's earthly needs. In this context, the head of Bhoma at the base of the padmasana symbolizes the forest which surrounds the foot of a mountain (batur pepalihan). [1]
In some Balinese houses, the doorway to some enclosed pavilion (e.g. the bale meten ) is decorated with ornaments to form a ventilation grill which is sometimes paneled. This is usually topped with a decorative frieze, which is sometimes carved in the form of the Bhoma's head. [2]
The head of Bhoma is also seen in the Balinese cremation towers. [3]
Prambanan is a 9th-century Hindu temple compound in the Special Region of Yogyakarta, in southern Java, Indonesia, dedicated to the Trimūrti, the expression of God as the Creator (Brahma), the Preserver (Vishnu) and the Destroyer (Shiva). The temple compound is located approximately 17 kilometres (11 mi) northeast of the city of Yogyakarta on the boundary between Central Java and Yogyakarta provinces.
Balinese Hinduism also known in Indonesia as Agama Hindu Dharma; Agama Tirtha; Agama Air Suci; Agama Hindu Bali is the form of Hinduism practised by the majority of the population of Bali. This is particularly associated with the Balinese people residing on the island, and represents a distinct form of Hindu worship incorporating local animism, ancestor worship or Pitru Paksha, and reverence for Buddhist saints or Bodhisattava.
Kritimukha head, not Kala, on over the niche at Jabung, East Java
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Balinese architecture is a vernacular architecture tradition of Balinese people that inhabits the volcanic island of Bali, Indonesia. Balinese architecture is a centuries-old architectural tradition influenced by Balinese culture developed from Hindu influences through ancient Javanese intermediary, as well as pre-Hindu elements of native Balinese architecture.
The bale kulkul or bale kul-kul is a Balinese pavilion where a slit-log drum is placed. It is essentially a drum tower or a watch tower. A bale kulkul can has a civic function, such as those used in villages as a mean of communication; or for religious function, an integral part of Balinese temple architecture.
Candi bentar, or split gateway, is a classical Javanese and Balinese gateway entrance commonly found at the entrance of religious compounds, palaces, or cemeteries in Indonesia. It is a candi-like structure split perfectly in two to create a passage in the center for people to walk through. In contrast to the very ornate shape and decoration of the main faces, the sides of the passage are left completely plain. The passage is usually elevated with a flight of stairs to reach it. A candi bentar is commonly found in Java, Bali, and Lombok.
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Paduraksa, also known as kori is a type of gateway covered with towering roofs that can be found in the island of Java and Bali, Indonesia. This architectural feature is commonly found in buildings from the classical Hindu-Buddhist period of Indonesia. Paduraksa marks the threshold into the most sacred space within a religious compound, a cemetery, or a palace. In Balinese architecture, an elaborately decorated towering paduraksa is often built as the temple's most imposing structure.
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A Padmasana is a shrine in the form of a tower, crowned with an empty throne to worship Ida Sang Hyang Widhi Wasa, a manifestation of Supreme God in Balinese Hindu belief. The term padmasana is derived from the Sanskrit, meaning lotus throne.
