In a Balinese temple architecture, a Bhoma is a carved or formed grotesque which decorates certain parts in the Balinese temple complex. The statue is similar to the Javanese Kala, and was intended to protect the temple complex from malevolent spirits.
 |
In Balinese mythology, Bhoma is the son of Dewa Wisnu and Dewi Pertiwi, the god of rain and the goddess of earth. One day, when Wisnu was digging the earth in the form of Varaha, his avatar in the form of a wild boar, he encountered a beautiful earth goddess named Dewi Pertiwi. The encounter leads to a union between Wisnu and Pertiwi, which produces a terrifying son named Bhoma.
The story of Wisnu as a wild boar digging up to the bottom of the earth to meet Pertiwi symbolizes torrents of stormy rainwater entering the earth. The figure of Bhoma that was produced by this union is seen as the growth of vegetation or forest (Vanaspati) as a result of the earth receiving the (rain) water. In Javanese and Balinese culture, Vanaspati is the king of the plant, not different from the European Green Man. The word Bhoma came from the Sanskrit word bhaumá, which means something that grows or is born from earth or something related to the earth.
Bhoma is basically the Balinese kirtimukha. In Balinese temple architecture, Bhoma has the same function as the Javanese Kala who acts as the guardian spirit of the temple complex. The head of Bhoma can be found carved at the temple gate which marks the entrance to the holiest part of the shrine (paduraksa) and at the base of the padmasana, the holiest and most central shrine in the Balinese temple.
The Padmasana is the holiest shrine in a Balinese temple complex. The padmasana is attributed to the Supreme God, the Sang Hyang Widhi Wasa). Like many religious constructions in Indonesia, the shrine padmasana is divided into three sections, from the base to the top, the bhur (world of demons), bhuwah (world of men), and swah (world of gods). The head figure of Bhoma normally added the base of the padmasana, together with other monstrous figures e.g. the Bedawang Nala, the world-supporting turtle, and the two snakes, Anantaboga, and Basuki, a symbol of man's earthly needs. In this context, the head of Bhoma at the base of the padmasana symbolizes the forest which surrounds the foot of a mountain (batur pepalihan). [1]
In some Balinese houses, the doorway to some enclosed pavilion (e.g. the bale meten ) is decorated with ornaments to form ventilation grill which is sometimes paneled. This is usually topped with a decorative frieze, which is sometimes carved in the form of the Bhoma's head. [2]
The head of Bhoma is also seen in the Balinese cremation towers. [3]
Prambanan is a 9th-century Hindu temple compound in the Special Region of Yogyakarta, in southern Java, Indonesia, dedicated to the Trimūrti, the expression of God as the Creator (Brahma), the Preserver (Vishnu) and the Destroyer (Shiva). The temple compound is located approximately 17 kilometres (11 mi) northeast of the city of Yogyakarta on the boundary between Central Java and Yogyakarta provinces.
Balinese Hinduism is the form of Hinduism practised by the majority of the population of Bali. This is particularly associated with the Balinese people residing on the island, and represents a distinct form of Hindu worship incorporating local animism, ancestor worship or Pitru Paksha, and reverence for Buddhist saints or Bodhisattava.
Kritimukha head, not Kala, on over the niche at Jabung, East Java
Hinduism is the third-largest religion in Indonesia, based on civil registration data in 2022 from Ministry of Home Affairs, is practised by about 1.69% of the total population, and almost 87% of the population in Bali. Hinduism was the dominant religion in the country before the arrival of Islam and is one of the six official religions of Indonesia today. Hinduism came to Indonesia in the 1st-century through Indian traders, sailors, scholars and priests. A syncretic fusion of pre-existing Javanese folk religion, culture and Hindu ideas, that from the 6th-century also synthesized Buddhist ideas as well, evolved as the Indonesian version of Hinduism. These ideas continued to develop during the Srivijaya and Majapahit empires. About 1400 CE, these kingdoms were introduced to Islam from coast-based Muslim traders, and thereafter Hinduism, which was previously the dominant religion in the region, mostly vanished from many of the islands of Indonesia.
Besakih Temple is a pura complex in the village of Besakih on the slopes of Mount Agung in eastern Bali, Indonesia. It is the most important, largest, and holiest temple of Balinese Hinduism, and one of a series of Balinese temples. Perched nearly 1000 meters up the side of Gunung Agung, it is an extensive complex of 23 separate but related temples with the largest and most important being Pura Penataran Agung. The temple is built on six levels, terraced up the slope. The entrance is marked by a candi bentar, and beyond it, the Kori Agung is the gateway to the second courtyard.
Uluwatu Temple is a Balinese Hindu sea temple located in Uluwatu, on the south-western tip of the Bukit Peninsula of Bali, Indonesia. The temple is regarded as one of the sad kahyangan and is dedicated to Sang Hyang Widhi Wasa in his manifestation as Rudra.
A candi is a Hindu or Buddhist temple in Indonesia, mostly built during the Zaman Hindu-Buddha or "Hindu-Buddhist period" between circa the 4th and 15th centuries.
Goa Gajah, or Elephant Cave, is located on the island of Bali near Ubud, in Indonesia. Built-in the 9th century, it served as a sanctuary.
A Pura is a Balinese Hindu temple and the place of worship for adherents of Balinese Hinduism in Indonesia. Puras are built following rules, style, guidance, and rituals found in Balinese architecture. Most puras are found on the island of Bali, where Hinduism is the predominant religion; however many puras exist in other parts of Indonesia where significant numbers of Balinese people reside. Mother Temple of Besakih is the most important, largest, and holiest temple in Bali. Many Puras have been built in Bali, leading it to be titled "the Island of a Thousand Puras".
Banyunibo is a 9th-century Buddhist temple located in Cepit hamlet, Bokoharjo village, Prambanan, Sleman Regency, Special Region of Yogyakarta, Indonesia. The temple, dating from the era of Mataram Kingdom, sits in a narrow valley surrounded by paddy fields about two kilometers southeast of the Ratu Boko archaeological park on the east side of modern Yogyakarta. Further north is the Prambanan temple, and to the south are the Gunung Sewu Hills, an extension of Gunung Kidul Hills.
Dewi Sri or Shridevi is the Javanese, Sundanese, and Balinese Hindu Goddess of rice and fertility, still widely worshiped on the islands of Java, Bali and Lombok, Indonesia. She is often associated or equated with the Hindu goddess Lakshmi, the shakti (consort) of Vishnu.
Balinese architecture is a vernacular architecture tradition of Balinese people that inhabits the volcanic island of Bali, Indonesia. Balinese architecture is a centuries-old architectural tradition influenced by Balinese culture developed from Hindu influences through ancient Javanese intermediary, as well as pre-Hindu elements of native Balinese architecture.
The bale kulkul or bale kul-kul is a Balinese pavilion where a slit-log drum is placed. It is essentially a drum tower or a watch tower. A bale kulkul can has a civic function, such as those used in villages as a mean of communication; or for religious function, an integral part of Balinese temple architecture.
Candi bentar, or split gateway, is a classical Javanese and Balinese gateway entrance commonly found at the entrance of religious compounds, palaces, or cemeteries in Indonesia. It is a candi-like structure split perfectly in two to create a passage in the center for people to walk through. In contrast to the very ornate shape and decoration of the main faces, the sides of the passage are left completely plain. The passage is usually elevated with a flight of stairs to reach it. A candi bentar is commonly found in Java, Bali, and Lombok.
A wantilan is a Balinese pavilion (bale) used for activities involving large crowds. A wantilan is the largest type of bale in Balinese architecture. A wantilan is basically a large wall-less hall placed under a large multi-tiered roof. A wantilan as a public building is usually located at a village's main square or main junction and functions as an open hall to hold large community activities such as meeting halls or a public musical gamelan performance. A wantilan is also a religious building, an integral part of Balinese temples used to hold the Balinese cockfighting ceremony.
Paduraksa, also known as kori is a type of gateway covered with towering roofs that can be found in the island of Java and Bali, Indonesia. This architectural feature is commonly found in buildings from the classical Hindu-Buddhist period of Indonesia. Paduraksa marks the threshold into the most sacred space within a religious compound, a cemetery, or a palace. In Balinese architecture, an elaborately decorated towering paduraksa is often built as the temple's most imposing structure.
A Meru tower, or pelinggih meru, is the principal shrine of a Balinese temple. It is a wooden, pagoda-like structure with a masonry base, a wooden chamber, and multi-tiered thatched roofs. The height of Meru towers represents the Hindu Mount Meru. Meru towers are usually dedicated to either the highest gods of the Hindu pantheon, the local pantheon, or a deified person.
Pura Beji Sangsit is a Balinese temple or pura located in Sangsit, Buleleng, on the island of Bali, Indonesia. The village of Sangsit is located around 8 kilometres (5.0 mi) east of Singaraja. Pura Beji is dedicated to the rice goddess Dewi Sri, and is revered especially by the farmers around the area. Pura Beji is an example of a stereotypical northern Balinese architecture with its relatively heavier decorations than it is southern Balinese counterpart, and its typical foliage-like carvings.
Pura Dalem Segara Madhu also known as Pura Dalem Jagaraga is a northern Balinese Hindu temple or pura located in the village of Jagaraga, Buleleng in northern Bali. It is about 11 km east of Singaraja. The village of Jagaraga is known historically as the place where the Dutch colonial government witnesses puputan or Balinese mass-suicide following their military attack on the kingdom of Bali in 1849. Pura Dalem Segara Madhu is known for its intensive wall decoration typical of northern Balinese architecture and for its unique western-influenced reliefs featuring early 20th-century airplanes and automobiles.
A Padmasana is a shrine in the form of a tower, crowned with an empty throne to worship Ida Sang Hyang Widhi Wasa, a manifestation of Supreme God in Balinese Hindu belief. The term padmasana is derived from the Sanskrit, meaning lotus throne.
