Balinese architecture is a vernacular architecture tradition of Balinese people that inhabits the volcanic island of Bali, Indonesia. Balinese architecture is a centuries-old architectural tradition influenced by Balinese culture developed from Hindu influences through ancient Javanese intermediary, as well as pre-Hindu elements of native Balinese architecture. [1]
Today, the contemporary Balinese style is known as one of the most popular Asian tropical architecture, [2] due largely to the growth of the tourism industry in Bali that has created a demand for Balinese-style houses, cottages, villas, and hotels. Contemporary Balinese architecture combines traditional aesthetic principles, the island's abundance of natural materials, the famous artistry and craftsmanship of its people, as well as international architectural influences, new techniques, and trends.
Traditional Balinese buildings seek to be in harmony with the environment. Traditional Balinese houses are built almost entirely of organic materials. [2] They use natural materials such as thatch roofing, bamboo poles, woven bamboo, coconut wood, teak wood, brick, and stone. The thatched roof usually uses ijuk (black aren fibers), dried coconut or rumbia leaves, or sirap (hardwood shingles arranged like tiles) roof. [3] Stones and red bricks are usually used as foundations and walls, while sandstone and andesite stone are usually carved as ornamentation.
Balinese people are known for their artistry. They have developed a sophisticated sculpting tradition that manifests in architecture rich with ornamentation and interior decoration. Balinese temples and palaces are exquisitely decorated with rich ornamentations, both wooden and stone sculpting, which usually depict floral patterns. Balinese sculpture often served as gate guardians as twin dvarapalas flanking entrances. The gates themselves are richly decorated with kala's head, floral ornaments, and vajra or ratna pinnacles. Other sculptures often serve as ornamentation, such as goddess or dragon waterspouts in bathing places.
Balinese architecture is developed from Balinese ways of life, their spatial organization, their communal-based social relationships, as well as philosophy and spirituality influenced its design; much owed to Balinese Hinduism. The common theme that often occurs in Balinese design is the tripartite divisions. [2]
Traditional Balinese architecture, adheres to strict and sacred building laws, allowing much open space and consisting of a spacious courtyard with many small pavilions, ringed by walls to keep out evil spirits and decorated with guardian statues. [4] The philosophical and conceptual basis underlining the development of Balinese traditional architecture includes several concepts such as: [5]
Other than artistic and technical mastery, all Balinese architects (Balinese:Undagi) are required to master these Balinese philosophical concepts concerning form, architecture, and spatial organization.
Balinese temples or pura (Sanskrit for: "walled city") are designed as open-air places of worship within enclosed walls, connected with a series of intricately decorated gates between their compounds. This walled compound contains several shrines, meru (towers), and bale (pavilions). The design, plan, and layout of the pura follow the Tri Mandala concept of Balinese space allocation. [6] The three mandala zones are Nista Mandala (jaba pisan): the outer zone, Madya Mandala (jaba tengah): the middle zone, and Utama Mandala (jero): the holiest and the most sacred zone.
Balinese temple usually contains a padmasana , the towering lotus throne of the highest god, Acintya (Sang Hyang Widhi Wasa in modern Balinese), the pelinggih meru, (a multiple-roofed tower similar in design to the Nepali or Japanese pagoda), and various pavilions, including bale pawedan (vedic chanting pavilion), bale piyasan, bale pepelik (offering pavilion), bale panggungan, bale murda, and gedong penyimpenan (storehouse of the temple's relics).
Unlike European architecture, Balinese houses and puri (palaces) are not created as a single huge building, but rather a collection of numerous structures within walled enclosures each with a special function; such as a front open pavilion to receive guests, main bedroom, other bedrooms, pelinggihan or pemrajan is a small family shrine, living areas, and kitchen. The kitchen and living areas that hold everyday mundane activities are usually separated from a family shrine. Most of these pavilions are created in Balinese balé architecture, a thatched roof structure with or without walls similar to Javanese pendopo . The walled enclosure is connected by a series of gates. Balinese architecture recognizes two types of gates, the candi bentar split gate, and paduraksa or kori roofed gates.
Compared to common Balinese houses, Balinese palace architecture features larger structures, richer ornamentation, and more elaborate decoration. The balé gede is a pavilion of 12 columns, where the oldest male of the family sleeps, while wantilan is a rectangular wall-less public building, where people convene or hold cockfighting. The bale kulkul is an elevated towering structure, topped with a small pavilion where the kulkul (Balinese slit drum) is placed. The kulkul would be sounded as an alarm during a village, city, or palace emergency, or a sign to congregate villagers. In Balinese villages, there is a bale banjar, a communal public building where the villagers congregate.
Balinese gardens are usually created in a natural tropical style filled with tropical decorative plants in harmony with the environment. The garden is usually designed according to natural topography and hardly altered from its natural state. Some water gardens however are laid out in a formal design, with ponds and fountains, such as Taman Ayun and Tirta Gangga water gardens. Bale kambang, which literary means "floating pavilion", is a pavilion surrounded with ponds usually filled with water lilies. Petirtaan is a bathing place, consisting of a series of ponds and fountains used for recreation as well as for ritual purification bathing. Examples of petirtaan are the bathing structures in Goa Gajah and Tirta Empul.
The prominence of Bali as a popular island resort with cultural significance has stimulated demand for modern Balinese architecture applied to tourism-related buildings. Hotels, villas, cottages, restaurants, shops, museums, and airports have incorporated Balinese themes, style, and design in their architecture.
Subak is the water management (irrigation) system for the paddy fields on Bali island, Indonesia. It was developed in the 9th century. For the Balinese, irrigation is not simply providing water for the plant's roots, but water is used to construct a complex, pulsed artificial ecosystem. The system consists of five terraced rice fields and water temples covering nearly 20,000 hectares. The temples are the main focus of this cooperative water management, known as subak.
A candi is a Hindu or Buddhist temple in Indonesia, mostly built during the Zaman Hindu-Buddha or "Hindu-Buddhist period" between circa the 4th and 15th centuries.
Pura Ulun Danu Batur is a Hindu Balinese temple located in the island of Bali, Indonesia. As one of the Pura Kahyangan Jagat, Pura Ulun Danu Batur is one of the most important temples in Bali which acted as the maintainer of harmony and stability of the entire island. Pura Ulun Danu Batur represents the direction of North and is dedicated to the god Vishnu and the local goddess Dewi Danu, goddess of Lake Batur, the largest lake in Bali. Following the destruction of the original temple compound, the temple was relocated and rebuilt in 1926. The temple, along with 3 other sites in Bali, form the Cultural Landscape of Bali Province which was inscribed as World Heritage Site by UNESCO in 2012.
A Pura is a Balinese Hindu temple, and the place of worship for adherents of Balinese Hinduism in Indonesia. Puras are built following rules, style, guidance, and rituals found in Balinese architecture. Most puras are found on the island of Bali, where Hinduism is the predominant religion; however many puras exist in other parts of Indonesia where significant numbers of Balinese people reside. Mother Temple of Besakih is the most important, largest, and holiest temple in Bali. Many Puras have been built in Bali, leading it to be titled "the Island of a Thousand Puras".
The bale kulkul or bale kul-kul is a Balinese pavilion where a slit-log drum is placed. It is essentially a drum tower or a watch tower. A bale kulkul can has a civic function, such as those used in villages as a mean of communication; or for religious function, an integral part of Balinese temple architecture.
Candi bentar, or split gateway, is a classical Javanese and Balinese gateway entrance commonly found at the entrance of religious compounds, palaces, or cemeteries in Indonesia. It is basically a candi-like structure split perfectly in two to create a passage in the center for people to walk through. In contrast to the very ornate shape and decoration of the main faces, the sides of the passage are left completely plain. The passage is usually elevated with a flight of stairs to reach it. A candi bentar is commonly found in Java, Bali, and Lombok.
A wantilan is a Balinese pavilion (bale) used for activities involving large crowds. A wantilan is the largest type of bale in Balinese architecture. A wantilan is basically a large wall-less hall placed under a large multi-tiered roof. A wantilan as a public building is usually located at a village's main square or main junction and functions as an open hall to hold large community activities such as meeting halls or a public musical gamelan performance. A wantilan is also a religious building, an integral part of Balinese temples used to hold the Balinese cockfighting ceremony.
Paduraksa, also known as kori is a type of gateway covered with towering roof that can be found in the island of Java and Bali, Indonesia. This architectural feature is commonly found in buildings from the classical Hindu-Buddhist period of Indonesia. Paduraksa marks the threshold into the most sacred space within a religious compound, a cemetery, or a palace. In Balinese architecture, an elaborately decorated towering paduraksa is often built as the temple's most imposing structure.
Pura Griya Sakti is a Balinese Hindu temple located in the village of Manuaba, Kenderan administrative village, Tegalalang subdistrict, Gianyar Regency, Bali. The district is known for its woodcarving and its terraced rice field. The small village of Manuaba is about 4 km north of Kenderan or about 2.5 km southwest of the town of Tampaksiring with its famed Gunung Kawi temple. Pura Griya Sakti is the main temple of a powerful Brahman caste in the area.
Pura Kehen is a Balinese Hindu temple located in Cempaga, Bangli Regency, Bali. The temple is set on the foot of a wooded hill, about 2 kilometres (1.2 mi) north of the town center. Established at least in the 13th-century, Pura Kehen was the royal temple of the Bangli Kingdom, now the Regency of Bangli.
Pura Goa Lawah is a Balinese Hindu temple or a pura located in Klungkung, Bali, Indonesia. Pura Goa Lawah is often included among the Sad Kahyangan Jagad, or the "six sanctuaries of the world", the six holiest places of worship on Bali. Pura Goa Lawah is noted for built around a cave opening which is inhabited by bats, hence its name, the Goa Lawah or "bat cave".
Pura Dalem Sakenan is a pura located at the north-western shore of Serangan, a small island about 10 kilometres (6.2 mi) south of Denpasar, Bali. Pura Dalem Sakenan is dedicated to [rambut sedhana] and is associated with prosperity. Pura Dalem Sakenan is the focus temple of the 210-day Piodalan festival where in the past processions of pilgrims visited the island on foot or by traditional colorful wooden boats called jukung. With the construction of the bridge connecting the Serangan island with Bali as well as the reclamation of the island, the use of colorful jukung for pilgrimage has died out.
Pura Pulaki is a Balinese Hindu temple or a pura located to the west of Singaraja, Bali, Indonesia. The temple is set on flat land with rocky outcrops as the backdrop. Pura Pulaki is a pura segara or Balinese sea temples, set around the island to form a chain of temples which protect the island.
Pura Beji Sangsit is a Balinese temple or pura located in Sangsit, Buleleng, on the island of Bali, Indonesia. The village of Sangsit is located around 8 kilometres (5.0 mi) east of Singaraja. Pura Beji is dedicated to the rice goddess Dewi Sri, and is revered especially by the farmers around the area. Pura Beji is an example of a stereotypical northern Balinese architecture with its relatively heavier decorations than it is southern Balinese counterpart, and its typical foliage-like carvings.
Pura Penataran Agung Lempuyang is a Balinese Hindu temple or pura located in the slope of Mount Lempuyang in Karangasem, Bali. Pura Penataran Agung Lempuyang is considered as part of a complex of pura surrounding Mount Lempuyang, one of the highly regarded temples of Bali. The temples of Mount Lempuyang, represented by the highest pura at the peak of Mount Lempuyang, Pura Lempuyang Luhur, is one of the Sad Kahyangan Jagad, or the "six sanctuaries of the world", the six holiest places of worship on Bali.
Pura Maospahit is a Balinese Hindu temple or pura located in Denpasar, Bali. The pura is known for its bare red brick architecture, reminiscent of the architecture of the 13th-century Majapahit Kingdom, hence the name. Pura Maospahit is the only pura in Bali which was built using a concept known as Panca Mandala where the most sacred area is situated at the center instead of at the direction of the mountain.
Pura Dalem Segara Madhu also known as Pura Dalem Jagaraga is a northern Balinese Hindu temple or pura located in the village of Jagaraga, Buleleng in northern Bali. It is about 11 km east of Singaraja. The village of Jagaraga is known historically as the place where the Dutch colonial government witnesses puputan or Balinese mass-suicide following their military attack on the kingdom of Bali in 1849. Pura Dalem Segara Madhu is known for its intensive wall decoration typical of northern Balinese architecture and for its unique western-influenced relief e.g. motifs of early 20th-century airplanes and automobiles.
Pura Dasar Buana is a Balinese Hindu temple or pura located in Gelgel, Bali, about 3 kilometres (1.9 mi) from Semarapura. Pura Dasar Buana is one of the Pura Dang Kahyangan Jagat, a temple which was built to honor a holy teacher of Hindu teaching. Pura Dasar Buana honored Mpu Ghana, a Brahmin who arrived to Bali from Javanese Majapahit to teach Hinduism in the island.
Penglipuran Village is one of the traditional villages located in Bangli Regency, Bali Province, Indonesia. Penglipuran village is famous as one of the tourist destinations in Bali because of its society who still preserve their traditional culture in their daily lives. The architecture of buildings and land processing still follows the concept of Tri Hita Karana, the philosophy of Balinese society regarding the balance of relations between God, humans and their environment. Penglipuran Village succeeded in building tourism that benefited all of their communities without losing their culture and traditions. In 1995, Penglipuran Village also received a Kalpataru award from the Indonesian Government for its efforts to protect the Bamboo Forest in their local ecosystem.