"Bon Ton Roula" | ||||
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Single by Clarence Garlow | ||||
B-side | "In a Boogie Mood" | |||
Released | 1950 | |||
Recorded | Houston, Texas, 1949 | |||
Genre | Blues, zydeco | |||
Length | 3:19 | |||
Label | Macy's | |||
Songwriter(s) | Clarence Garlow | |||
Clarence Garlow singles chronology | ||||
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"Bon Ton Roula" (alternatively "Bon Ton Roulet") is a zydeco-influenced blues song first recorded by Clarence Garlow in 1949. The following year, it became a hit, reaching number seven in Billboard magazine's Rhythm & Blues chart [1] and introduced the style to a national audience. [2]
"Bon ton roula" (pronounced "bahn tahn roolay") is a phonetical approximation of "bons temps rouler", [3] Louisiana Creole French for "good times roll" as in "Laissez les bons temps rouler" or "Let the good times roll", a regional invitation to join in a festive celebration. [4] A song with a similar theme, "Let the Good Times Roll", was recorded by Louis Jordan in 1946, [4] that became a R&B chart hit. [5]
In 1949, Garlow recorded "Bon Ton Roula", using a different arrangement and lyrics. The song was recorded as a sixteen-bar blues [6] with "an insistent, swirling rhumba rhythm". [4] Singer and music writer Billy Vera commented on the song's lyrics: "The song featured some of the same kind of broken Cajun-isms as Hank Williams's 'Jambalaya'": [7]
Eh toi ...
You see me there, well I ain't no fool
I'm one smart Frenchman never been to school
Wanna get somewhere in a Creole town
You stop and let me show you your way 'round
You let the bon ton roula, you let the moolay boolay
Now don't you be no fool-ay, you let the bon ton roula
The song's success prompted Garlow to record subsequent renditions. [4] A newer version with singer Emma Dell Lee titled "New Bon Ton Roola" was released on Feature Records and in 1953, he recorded a version with the Maxwell Davis Orchestra for Aladdin Records, titled "New Bon Ton Roulay". [8] The song retains most of the elements of the original song, but some new lyrics are added and the arrangement does not include a progression to the IV chord.
"Bon Ton Roula" (with a variety of spellings) has been recorded by several artists often associated with Louisiana music, including Bo Dollis and the Wild Magnolias, Phillip Walker, and BeauSoleil. Blues-rocker Johnny Winter, a native of Garlow's adopted home of Beaumont, Texas, also recorded a version for his Raisin' Cain album in 1980. [9]
A "Bon Ton Roulet" credited to Clifton Chenier was recorded in 1967 and released as the title track of his album Bon Ton Roulet, on Arhoolie Records. [10] Producer Chris Strachwitz notes "You will perhaps recognize the song as 'Let the Good Times Roll', which in recent years has become an R&B standard". [10]
Zydeco is a music genre that was created in rural Southwest Louisiana by Afro-Americans of Creole heritage. It blends blues and rhythm and blues with music indigenous to the Louisiana Creoles, such as la la and juré. Musicians use the French accordion and a Creole washboard instrument called the frottoir.
Sidney Simien, known professionally as Rockin' Sidney, was an American R&B, zydeco, and soul musician who began recording in the late 1950s and continued performing until his death. He is best known for his 1985 single "My Toot-Toot", which reached top 20 on the Billboard Hot Country Songs charts and earned him a Grammy Award.
The music of Louisiana can be divided into three general regions: rural south Louisiana, home to Creole Zydeco and Old French, New Orleans, and north Louisiana. The region in and around Greater New Orleans has a unique musical heritage tied to Dixieland jazz, blues, and Afro-Caribbean rhythms. The music of the northern portion of the state starting at Baton Rouge and reaching Shreveport has similarities to that of the rest of the US South.
BeauSoleil is a Cajun band from Louisiana, United States.
Clifton Chenier, was an American musician known as a pioneer of zydeco, a style of music that arose from Creole music, with R&B, blues, and Cajun influences. He sang and played the accordion. Chenier won a Grammy Award in 1983.
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Arhoolie Records is an American small independent record label that was run by Chris Strachwitz and is based in El Cerrito, California, United States The label was founded by Strachwitz in 1960 as a way for him to record and produce music by previously obscure "down-home blues" artists such as Lightnin' Hopkins, Snooks Eaglin, and Bill Gaither. Strachwitz despised most commercial music as mouse music. Arhoolie still publishes blues and folk music, Tejano music including Lydia Mendoza, Los Alegres de Terán, Flaco Jiménez, regional Mexican music, cajun, zydeco, and bluegrass.
Christian Alexander Maria Graf Strachwitz von Groß-Zauche und Camminetz was a German-born American record label executive and record producer. He was the founder and president of Arhoolie Records, which he established in 1960 and which became one of the leading labels recording and issuing blues, Cajun, norteño, and other forms of roots music from the United States and elsewhere in the world. Strachwitz despised most commercial music as mouse music.
The term Creole music is used to refer to two distinct musical traditions: art songs adapted from 19th-century vernacular music; or the vernacular traditions of Louisiana Creole people which have persisted as 20th- and 21st-century la la and zydeco in addition to influencing Cajun music.
C. J. Chenier is the Creole son of the Grammy Award-winning "King of Zydeco", Louisiana musician, Clifton Chenier. In 1987, Chenier followed in his father's footsteps and led his father's band as an accordion performer and singer of zydeco, a blend of cajun and creole music. With five previous albums to his credit, by 1994, Chenier began to record for Chicago-based Alligator Records.
Ida Lewis "Queen Ida" Guillory is a Louisiana Creole accordionist. She was the first female accordion player to lead a zydeco band. Queen Ida's music is an eclectic mix of R&B, Caribbean, and Cajun, though the presence of her accordion always keeps it traditional.
Raisin' Cain is an album by Johnny Winter, released in 1980 by Blue Sky Records. A retrospective album review for AllMusic by William Ruhlmann notes the mix of rock and roll, Chicago blues, and New Orleans rhythm and blues/New Orleans blues tunes lacks any compositions by Winter. Ruhlmann gave the album three out of five stars and concluded:
The water-treading of Raisin' Cain suggests that a new approach is in order, maybe an outside producer who can bring a different perspective or somebody to look for good songs, if the artist isn't going to write his own material.
"Let the Good Times Roll" is a jump blues song recorded in 1946 by Louis Jordan and his Tympany Five. A mid-tempo twelve-bar blues, the song became a blues standard and one of Jordan's best-known songs.
The expression Laissez les bons temps rouler is a Louisiana French phrase. The phrase is a calque of the English phrase "let the good times roll", that is, a word-for-word translation of the English phrase into Louisiana French Creole.
Cedric Watson is an American musician. He has been nominated four times for Grammy Awards.
Clarence Joseph Garlow was an American guitarist, singer and songwriter who performed in the R&B, jump blues, Texas blues and cajun styles. He is best known for his recording of the song "Bon Ton Roula", which was a hit single on the U.S. Billboard R&B chart in 1950. One commentator called it "a rhythm and blues laced-zydeco song that helped introduce the Louisiana music form to a national audience."
Eh La Bas is a traditional New Orleans song. Originally it was sung with Cajun lyrics but was later given French lyrics and the common title from the French lyrics. There have been numerous versions, including English lyrics that refer to both the Cajun and French versions, and all employ a call and response.
Bogalusa Boogie is a studio album by the American zydeco musician Clifton Chenier. It was released in 1975 via Arhoolie Records. The album was inducted into the Grammy Hall of Fame in 2011. In 2016, the album was inducted into the Library of Congress' National Recording Registry.
Hot Rod is an album by the American musician C.J. Chenier, released in 1990. He is credited with the Red Hot Louisiana Band. Although Chenier grew up listening primarily to R&B, he considered Hot Rod to be a traditional zydeco album.
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