The table contains a comparison of karate styles. Some of the distinguishing features are listed, such as lineage, general form of stances, the balance of hard and soft techniques, and the number and names of kata forms.
The four major karate styles developed in Japan, especially in Okinawa are Shotokan, Wado-ryu, Shito-ryu, and Goju-ryu; many other styles of Karate are derived from these four. [1] The first three of these styles find their origins in the Shorin-Ryu style from Shuri, Okinawa, while Goju-ryu finds its origins in Naha. Shuri karate is rather different from Naha karate, drawing on different predecessor influences. Shito-ryu can be regarded as a blend of Shuri and Naha traditions as its kata incorporate both Shuri and Naha kata. [2]
The formal application within the four major karate styles are as follows:
Some later styles of karate have been derived from blending techniques from the four main branches, while others have added techniques from other martial arts. For example Kyokushin, which is an extremely hard style derived from Shotokan and Gōjū-ryū, involves much more breaking and full contact, knockdown sparring as a main part of training. [3]
This section needs additional citations for verification .(June 2022) |
Styles | Origin | Derived From | Hard and soft techniques | Stances | Representative Kata | Number of kata | References |
---|---|---|---|---|---|---|---|
Chitō-ryū | Okinawa | Shōrei-ryū or Naha-te, Shōrin-ryū | both elements exist but more soft than hard | natural | Shi Ho Hai, Seisan, Ro Hai Sho, Niseishi, Bassai, Chinto, Sochin, Tenshin, Ro Hai Dai, Sanshiryu, Ryushan, Kusanku, Sanchin | 15 kata not including kihon and Bo kihon/kata | |
Genseiryū | Okinawa | Shuri-te and possibly Tomari-te. | both, but mostly soft | deep/natural | Ten-i no Kata, Chi-i no Kata, Jin-i no Kata, Sansai, (Koryu) Naifanchi, (Koryu) Bassai, (Koryu) Kusanku or Koshokun (dai) | 64 | |
Gōjū-ryū | Okinawa | Fujian White Crane and Naha-te. | both | deep/natural | Sanchin, Tensho, Gekisai Dai/Sho, Seipai, Saifa, Suparinpei | 12 | |
Gosoku-ryu | Japan | Gōjū-ryū, Shotokan | both | deep (beginner), natural (advanced) | Gosoku, Rikyu, Denko Getsu, Tamashi | 46 including weapons kata | |
Isshin-ryū | Okinawa | Gōjū-ryū, Shōrin-ryū, Kobudō | both, fast & hard | natural | Seisan, Seiunchin, Naihanchi, Wansu, Chinto, Sanchin, Kusanku, Sunsu | 15 including weapons kata | |
Kyokushin | Japan | Shotokan, Gōjū-ryū | extremely hard | natural | Sokogi, Pinan + ura, | 33 | [3] |
Motobu-ryū | Japan and Okinawa | Shuri-te and Tomari-te | both | natural | Naihanchi (shodan and nidan), Shirokuma, Seisan, Passai, Ufukun, Motode (ichi and ni), Kasshindī (san, yon, go) | 11 | |
Shindō jinen-ryū | Japan and Okinawa | primarily Shuri-te like Shitō-ryū, but also Naha-te and Tomari-te | both | deep/natural | Shimpa, Taisabaki 1-3, Sunakake no Kon | More than 60 counting all kobudo kata | |
Shitō-ryū | Japan and Okinawa | Shuri-te and Naha-te | both | deep/natural | Pinan, Bassai Dai, Seienchin, Saifa, Rōhai, Nipaipo | 94 | [2] |
Shōrin-ryū | Okinawa | Shuri-te, Tomari-te, Chinese martial arts | both, primarily fast & soft | natural | Fukyu, Pinan, Naihanchi, passai, kanku, seisan | 21 | |
Shotokan | Japan and Okinawa | Shōrin-ryū and Shōrei-ryū | 70% hard, 30% soft/fast | deep (formal) and natural | Taikyoku Shodan, 5 Heian, 3 Tekki, Bassai Dai and Sho, Jion, Empi, Kanku Dai and Sho, Hangetsu, Jitte, Gankaku, Sochin, Nijushiho, Chinte, Ji'in, Meikyo, Wankan, Unsu, Gojushiho Dai and Sho | 27 | [2] |
Shūkōkai | Japan | Gōjū-ryū & Shitō-ryū | 60% hard, 40% soft | natural | Pinan, Bassai Dai, Seienchin, Saifa, Rōhai | 44 | |
Uechi-Ryū | Fuzhou, Fujian Province & Okinawa | Huzun Quan kung fu [4] Naha-te | half-hard, half-soft | mainly natural | Sanchin, Seisan, Sanseirui | 8 | |
Wadō-ryū | Japan and Okinawa | Shindō Yōshin-ryū Jujutsu, Tomari-te, Shotokan and Motobu-ryū | both, primarily soft | mainly natural | Primary: Pinan, Kushanku, Naihanchi, Seishan, and Chintō. Secondary: Jion, Wanshu, Jitte, Rohai, Bassai, and Niseishi [5] | 15 |
Karate (空手), also karate-do, is a martial art developed in the Ryukyu Kingdom. It developed from the indigenous Ryukyuan martial arts under the influence of Chinese martial arts. While, Modern Karate is primarily a striking art that uses punches and kicks, traditional karate also employs throwing and joint locking techniques. A karate practitioner is called a karate-ka (空手家).
Gōjū-ryū (剛柔流), Japanese for "hard-soft style", is one of the main traditional Okinawa styles of karate, featuring a combination of hard and soft techniques. Both principles, hard and soft, come from the famous martial arts book used by Okinawan masters during the 19th and 20th centuries, the Bubishi. Gō, which means hard, refers to closed hand techniques or straight linear attacks; jū, which means soft, refers to open hand techniques and circular movements. Gōjū-ryū incorporates both circular and linear movements into its curriculum, combining hard striking attacks such as kicks and close hand punches with softer open hand circular techniques for attacking, blocking, and controlling the opponent, including joint locks, grappling, takedowns, and throws.
Shitō-ryū (糸東流) is a form of karate that was founded in 1934 by Kenwa Mabuni. Shitō-ryū is synthesis of the Okinawan Shuri-te and Naha-te schools of karate and today is considered one of the four main styles of the art.
Isshin-Ryū is a style of Okinawan karate created by Tatsuo Shimabuku in approximately 1947/1948. Isshin-Ryū karate is largely a synthesis of Shorin-ryū karate, Gojū-ryū karate, and kobudō. The name means, literally, "one heart method". In 1989 there were 336 branches of Isshin-ryū throughout the world, most of which were concentrated in the United States.
Shōrei-ryū is a style of Okinawan karate and is one of the two oldest karate styles, alongside Shōrin-ryū. It was developed at the end of the 19th century by Higaonna Kanryō in Naha, Okinawa, Japan.
Ji'in, Jion, and Jitte form a group of kata used in Shotokan and other karate styles, beginning with the same characteristic kamae of the left hand covering the right, which apparently has roots in ancient Chinese boxing. Their origin is thought to be from the Tomari-te school, however Hirokazu Kanazawa speculates that the Jion kata were devised in the Jionji 慈恩寺, the Jion temple, where martial arts were famously practiced. From there, Kanazawa believes the Jion kata were spread into the Tomari region.
Sōchin (壯鎭) is a kata practiced in several styles of karate. It may have derived from Dragon style kung fu, and was taught in the Naha-te school in Okinawa by Seisho Arakaki. It was then passed down to Shitō-ryū. Later, a variation of it was introduced into the Shotokan style by Gichin Funakoshi's son, Yoshitaka. Some branches of Tang Soo Do have added it to their curriculum under the name "Sojin".
Hironori Ōtsuka[a] was a Japanese master of karate who created the Wadō-ryū style of karate. He was the first Grand Master of Wadō-ryū karate, and received high awards within Japan for his contributions to karate.
Chōjun Miyagi was an Okinawan martial artist who founded the Gōjū-ryū school of karate by blending Okinawan and Chinese influences.
Shuri-ryū (首里流) karate is an eclectic martial arts system developed by Robert Trias (1923–1989), reportedly the first Hispanic to teach a form of karate in the mainland United States, and also opened his public first dojo in 1946 in Phoenix, Arizona.
Gosoku-ryū (剛速流) is a style of karate which was founded by Takayuki Kubota. Gosoku stands for hard and fast, which suggests a combination of techniques both from the fast and dynamic Shōtōkan style as well as from the strength-focused Gōjū-ryū style.
The karate kataSeisan (十三) literally means '13'. Some people refer to the kata as '13 Hands', '13 Fists', '13 Techniques', '13 Steps' or even '13 killing positions'; however, these names have no historical basis.
Kenwa Mabuni was one of the first karateka to teach karate in mainland Japan and is credited as developing the style known as Shitō-ryū. Originally, he chose the name Hanko-ryu, literally "half-hard style", to imply that the style used both hard and soft techniques. Finally, Mabuni chose Shito-ryu, the first characters of the names Itosu and Higaonna, his two primary teachers.
Chitō-ryū (千唐流) is a style of karate founded by Dr. Tsuyoshi Chitose, (1898-1984). The name of the style translates as: chi (千) - 1,000; tō (唐) - China; ryū (流) - style, school, "1,000 year old Chinese style." The character tō (唐) refers to the Tang dynasty of China. The style was officially founded in 1946.
Chintō (鎮東) is an advanced kata practiced in many styles of karate. According to legend, it is named after a stranded Chinese sailor, sometimes referred to as Annan, whose ship crashed on the Okinawan coast. To survive, Chintō kept stealing from the crops of the local people. Matsumura Sōkon, a Karate master and chief bodyguard to the Ryūkyūan king, was sent to defeat Chintō. In the ensuing fight, however, Matsumura found himself equally matched by the stranger, and consequently sought to learn his techniques.
Shinpan Gusukuma, read as Shinpan Shiroma in standard Japanese, was an Okinawan martial artist who studied Shōrin-ryū karate as a student of Ankō Itosu. Gusukuma also trained under Higaonna Kanryō in the Naha-te style. Gusukuma went on to establish Shitō-ryū with Kenwa Mabuni.
Arakaki Seishō was a prominent Okinawan martial artist and master of Tōde who influenced the development of several major karate styles. He was known by many other names, including Aragaki Tsuji Pechin Seisho.
Okinawan martial arts refers to the martial arts, such as karate, tegumi and kobudō, which originated among the indigenous people of Okinawa Island. Due to its central location, Okinawa was influenced by various cultures with a long history of trade and cultural exchange, including Japan, China and Southeast Asia, that greatly influenced the development of martial arts on Okinawa.
Shisochin (四向戦) is a kata of naha-te karate style, whose authorship has been mentioned as Kanryo Higaonna.