Dedication | ||||
---|---|---|---|---|
Studio album by | ||||
Released | 11 July 2011 | |||
Genre | Electronic | |||
Length | 35:30 | |||
Label | 4AD | |||
Producer | Zomby | |||
Zomby chronology | ||||
|
Dedication is the second studio album by British electronic music producer Zomby, released on 11 July 2011 through 4AD.
The album's first single "Natalia's Song" was embroiled in controversy in early 2012. Electronic producer Reark claims he wrote the loop that comprises the main portion of the song in 2007, and that he was not credited by Zomby for his contribution; in response, 4AD later amended the track credits to include Reark's name. [1]
Aggregate scores | |
---|---|
Source | Rating |
AnyDecentMusic? | 7.6/10 [2] |
Metacritic | 79/100 [3] |
Review scores | |
Source | Rating |
AllMusic | [4] |
The A.V. Club | B+ [5] |
Consequence of Sound | B [6] |
The Guardian | [7] |
The Independent | [8] |
Los Angeles Times | [9] |
No Ripcord | 6/10 [10] |
Pitchfork | 7.6/10 [11] |
Spin | 8/10 [12] |
XLR8R | 9/10 [13] |
Dedication received positive reviews from music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album received an average score of 79, based on 28 reviews, indicating "generally favorable reviews". [3]
Dave Simpson of The Guardian gave note of the "pensive, thought-provoking sadness" throughout the record's production, highlighting the melodies as being reminiscent of the "dark, inverted negative[s]" synthpop of the Human League and the "minimal pianos and bare clonks" having a mixture of Keith Jarrett and Spooky that's "somewhere between dubstep and contemporary classical", concluding with, "But however you define it, its beautiful atmosphere of sadness and decay is hard to deny." [7] The Independent 's Andy Gill praised Zomby for utilizing a minimalist approach to electronic music throughout the track listing, while also adding substance to them, concluding that "there's a pervasive haunted sense of loss and melancholy that links these 16 tracks together, giving Dedication a depth and elegance not often found in more dance-focused dubstep." [8] Randall Roberts of the Los Angeles Times said that, "Each of the thousands of individual beats, bumps, dots and dashes on Dedication sound forged with a sculptor's eye for form and shape, crafted and shined until they glisten." [9] Alex Young of Consequence of Sound felt that "this latest offering from the spectral producer proves much more enduring a record than he seemed capable of a couple of years back and one that makes as solid a case as is imaginable for integrating dubstep into the mainstream as one of the genre's first great releases on a label not named Hyperdub or NinjaTune." [6]
Pitchfork contributor Jess Harvell said that despite lacking elements from previous works she commended Zomby for crafting "the most stylistically wide-ranging record he's released yet," giving praise to his evolution from "game cartridge kitsch" to rhythms that are reminiscent of Boards of Canada, saying that its "in many ways the work of a producer pushing himself to see how hard and how far he can push his music into new places." She added that listeners might be put off by the musically varied tracks containing two- or three-minute runtimes that hint at something lengthier and more fleshed out. [11] Matt Oliver of Clash wrote that, "His quill inviting tomes of humbling electronic stealth to lash out in cold blood (the pure grime 'Vortex' is an open invite for emcees to taunt and insult over), and as skittish as the suspicion of his persona affords, 'Dedication' will raise more questions than provide answers. Exactly the 'out of the palm' manoeuvre Zomby wants you to eat from." [14] Mark Davison, writing for No Ripcord, said, "Zomby may have the potential to be the most brilliant, versatile British electronic musician since Richard D. James, but his distant, maverick act does him few favours here – what he needed was somebody to sit him down and tell him to focus on one idea at a time. As it is, Dedication seems like a bit of a missed opportunity; as a collection of ideas it may be incredible, but as an album it's just insubstantial." [10]
It ranked at number 8 on Spin 's "20 Best Dance Albums of 2011" list. The magazine's writer Michaelangelo Matos said that "Dedication has plenty of bang in its back end, but its early, slower tracks are what lodge in your mind's ear, whether it's Zomby cutting a Russian pop singer into haunted phenomes on "Natalia's Song" or Panda Bear crooning over the squiggly skank of "Things Fall Apart."" [15]
No. | Title | Length |
---|---|---|
1. | "Witch Hunt" | 1:46 |
2. | "Natalia's Song" (with Reark) | 4:03 |
3. | "Alothea" | 2:49 |
4. | "Black Orchid" | 1:33 |
5. | "Riding with Death" | 2:02 |
6. | "Vortex" | 1:58 |
7. | "Things Fall Apart" | 2:50 |
8. | "Salamander" | 0:51 |
9. | "Lucifer" | 0:56 |
10. | "Digital Rain" | 3:29 |
11. | "Vanquish" | 0:58 |
12. | "A Devil Lay Here" | 2:51 |
13. | "Florence" | 1:39 |
14. | "Haunted" | 2:18 |
15. | "Basquiat" | 2:15 |
16. | "Mozaik" | 3:12 |
No. | Title | Length |
---|---|---|
17. | "Haunted Part 2" | 1:37 |
18. | "Hexxx" | 2:06 |
19. | "Gates of Hell" | 1:55 |
20. | "Labyrinth" | 3:10 |
21. | "Digital Fractal" | 3:55 |
22. | "Sens" | 1:59 |
23. | "It Was All a Dream" | 3:51 |
24. | "Trapdoor" | 3:27 |
25. | "Stargate 5" | 3:29 |
26. | "Ecstasy Versions" | 2:42 |
Chart (2011) | Peak position |
---|---|
Belgian Albums (Ultratop Flanders) [16] | 91 |
UK Dance Albums (OCC) [17] | 26 |
UK Independent Albums (OCC) [18] | 35 |
US Heatseekers Albums (Billboard) [19] | 42 |
US Top Dance/Electronic Albums (Billboard) [20] | 20 |
UK bass, also called bass music, is club music that emerged in the United Kingdom during the mid-2000s under the influence of diverse genres such as house, grime, dubstep, Future garage, R&B, and UK funky. The term "UK bass" came into use as artists began ambiguously blending the sounds of these defined genres while maintaining an emphasis on percussive, bass-led rhythm.
LCD Soundsystem is the debut studio album by American rock band LCD Soundsystem. It was released on January 24, 2005, jointly through DFA and Capitol Records in the United States and EMI elsewhere. The album encompasses genres that range from dance-punk to electronica to indie rock to dance music. The album was critically acclaimed upon release and was nominated for the 2006 Grammy Award for Best Electronic/Dance Album. Many singles were released to promote the album, including the band's breakout "Daft Punk Is Playing at My House", which reached number one on the UK Dance Chart in March, 2005.
Dubstep is a genre of electronic dance music that originated in South London in the early 2000s. The style emerged as a UK garage offshoot that blended 2-step rhythms and sparse dub production, as well as incorporating elements of broken beat, grime, and drum and bass. In the United Kingdom, the origins of the genre can be traced back to the growth of the Jamaican sound system party scene in the early 1980s.
Cross is the debut studio album by French electronic music duo Justice, first released on 11 June 2007 through Ed Banger Records and Because Music. Recorded during 2005 and 2006 in Paris, Cross was composed as an "opera-disco" album. It features many samples and "microsamples" throughout, with about 400 albums being used as sampled material. These include samples from Prince, Britney Spears and Madonna. The song "D.A.N.C.E." is a tribute to Michael Jackson. French musician Mehdi Pinson appears on "DVNO", and vocalist Uffie appears on "Tthhee Ppaarrttyy". The album was supported by the singles "Waters of Nazareth", "D.A.N.C.E.", "DVNO", "Phantom Pt. II", and "Tthhee Ppaarrttyy". A controversial music video was also released for "Stress".
Oliver Dene Jones, known professionally as Skream, is an English electronic music producer based in Croydon. Skream has released records on several British record labels, such as Tempa, Tectonic, and Big Apple Records, and has performed throughout Europe, the US, Canada, Australia, and Japan, as well as the UK. Skream is known as an early and influential architect of the dubstep genre.
Magnetic Man is an English electronic music project from London, consisting of dubstep producers and DJs Benga, Skream and Artwork. The trio first met in the late 1990s at the Big Apple Records store in Croydon. They performed using three computers, one playing drum samples, one playing basses and the third playing leads and other samples. Artwork controlled the master laptop, to which the other two are synchronized via MIDI. Their sets usually consisted of a mix of original tracks produced together, and live remixes of Benga and Skream's tracks, accompanied by synchronized projected visuals by Novak Collective. They signed to Columbia Records in 2010. Magnetic Man completed their first full-length sellout tour on 5 November 2010. Their self-titled debut studio album, Magnetic Man, was released through Sony by Columbia Records on 10 October 2010.
Zomby is a British electronic musician who began releasing music in 2007. He has released music on several labels, including Hyperdub, Werk Discs, and 4AD. Zomby's influences include oldschool jungle music and Wiley's eskibeat sound.
Nero are a British electronic music trio composed of members Dan Stephens, Joe Ray and Alana Watson. On 12 August 2011, they released their debut studio album, Welcome Reality, which reached number one in the UK Albums Chart. In August 2012, "Promises" received a Gold certification in the United States. On 10 February 2013, Nero won a Grammy Award for their collaborative remix of "Promises" with Skrillex. Their second studio album, Between II Worlds, was released on 11 September 2015.
Liam Sylvester McLean, better known by his stage name Joker, is a British record producer who creates music in genres such as dubstep and grime and was known for creating the subgenre "purple sound". He was named "2009 king of bass music" by XLR8R magazine and was featured in the September 2009 issue of The Wire magazine. He has contributed to two releases produced by the London-based record company Hyperdub. He also runs his own label known as Kapsize Recordings. His debut album, The Vision, was released on 31 October 2011 through independent label 4AD. His sophomore LP, The Mainframe, was released on 16 February 2015 through his own Kapsize imprint.
The Path of Totality is the tenth studio album by American nu metal band Korn. It was released on December 2, 2011, in Europe and December 6, 2011, in the US. The album was produced by various electronic music producers such as Skrillex, Noisia, Excision and various other independent producers. "Get Up!", is one of three tracks produced by Skrillex, and was released as a digital download on May 6, 2011. "Narcissistic Cannibal" was released as the second single on October 18, 2011.
"Scary Monsters and Nice Sprites" is a song recorded by the American producer Skrillex. It is the second track from his second extended play, Scary Monsters and Nice Sprites, released on October 22, 2010, through Mau5trap and Big Beat. The song began as a test for the Native Instruments synthesizer FM8 and was the first written for the EP. A dubstep track, critics noted the contrast between the beginning of the song and its drop. In 2012, it was used in multiple media and won the Best Dance Recording category at the 54th Grammy Awards. The song charted in multiple countries and received a double platinum certification in Australia, Sweden, and the United States (RIAA). It has since been named as an influential electronic dance music (EDM) song that brought dubstep to a mainstream audience.
Bangarang is the fourth EP by American electronic music producer Skrillex. It was released on December 23, 2011, via Beatport while being released on other digital retailers on December 27, 2011. It was released on January 24, 2012, as a physical CD. It was announced via Skrillex's Twitter page on December 12, 2011, that the album was completed, while the release date was also announced on December 21. The record is mostly a collection of songs that have been previously performed during The Mothership Tour. It features collaborations with the Doors, Sirah, Wolfgang Gartner, 12th Planet, Kill the Noise and Ellie Goulding. Musically, Bangarang has multiple influences of electro, dubstep and techno, while also incorporating elements of eurodance, drum and bass, rap rock, experimental rock and ska. It features syncopated rhythmic build-ups, technical breakdowns and "chopped-up" vocal hooks, as well as multiple vocal samples. An orchestral song was also featured as a bonus track on the iTunes edition.
Shrines is the debut studio album by Canadian electronic music duo Purity Ring. It was released on July 20, 2012, by 4AD. Purity Ring recorded the album separately at home over several months, sending their parts via email. Shrines has been described as an electropop, synth-pop, dream pop, and indie pop album, incorporating hip hop-inspired production and "striking" lyrics. It was produced by Purity Ring, with additional production by Jon Hopkins.
Spitfire is the debut extended play (EP) by American electronic music producer Porter Robinson, released on September 13, 2011, through Owsla. After releasing his 2010 single "Say My Name", Robinson expressed desire to explore different musical genres by producing an EP, diverging from his traditional eurodance style. Spanning a range of genres, Spitfire marked the inaugural release on Owsla and caused Beatport to crash following its promotion by musicians Skrillex and Tiësto. The EP charted at UK Dance Albums, Dance/Electronic Albums and Heatseekers Albums, with Robinson subsequently embarking on a tour to promote it. Songs "The State" and "Unison" received particular attention for their libertarian themes and use in DJ sets, respectively.
With Love is the third studio album by British electronic music producer Zomby. It was released on 17 June 2013 through 4AD.
EDM trap is a fusion genre of hip hop, rave music and EDM, that originated in the early 2010s on peaking popularity of big room house and hip hop trap genres. It blends elements of hip hop trap, which is an offshoot of Southern hip hop, with elements of EDM like build-ups, drops, dense production with rave music synthesizers, and breakdowns. As it was popularized, it increasingly began incorporating more pop elements.
Riddim is a subgenre of dubstep known for its heavy use of repetitive and minimalist sub-bass and triplet percussion arrangements. It shares the same name as the Jamaican genre that influenced both it and dubstep, which originally derived from dub, reggae, and dancehall. Originating in the United Kingdom, specifically Croydon, in the early 2010s as a resurgence of the style used by early dubstep works, riddim started to gain mainstream presence in the electronic music scene around 2015.
Jesse Kardon, better known by his alias Subtronics, is an American dubstep DJ and producer from Philadelphia, United States. He is best known for his song "Griztronics", a collaboration with Michigan-based electronic music artist GRiZ that peaked on Billboard's Hot Dance/Electronic Songs at the No. 9 position in late 2019. Kardon peaked at No. 10 on Billboard's Next Big Sound chart in September 2019. Kardon is married to fellow producer and Dubstep DJ, Sonya Broner, also known by her alias Level Up.
Austin Collins, better known as Au5, is an American electronic musician from New Jersey. Au5's music encompasses a range of electronic genres such as dubstep, house, trance, drum and bass, drumstep and ambient, and he is known for fusing the characteristics of trance and dubstep in his music. Au5 is best known for his releases on Canadian label Monstercat, some of which have received millions of views on YouTube.