"Disco 2000" | ||||
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![]() vinyl single, CD single (part one) | ||||
Single by Pulp | ||||
from the album Different Class | ||||
B-side | "Ansaphone" | |||
Released | 27 November 1995 | |||
Genre | Britpop | |||
Length |
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Label | Island | |||
Songwriter(s) | ||||
Producer(s) |
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Pulp singles chronology | ||||
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Music video | ||||
"Disco 2000" on YouTube | ||||
Alternative cover | ||||
![]() CD single (part two) |
"Disco 2000" is a song by British band Pulp,included on the band's fifth album, Different Class (1995). Featuring a disco-inspired musical performance,the song was based on Pulp singer Jarvis Cocker's childhood memories of his friend Deborah Bone,who he had "fancied" in his youth but could never impress.
"Disco 2000" was released as a single on 27 November 1995 by Island Records,the third from Different Class. The single reached number seven in the UK and charted in several others. The release was accompanied by a music video directed by Pedro Romhanyi,which was based on the story told on the single's sleeve artwork. The song has since become one of Pulp's most famous tracks and has seen critical acclaim.
"Disco 2000" tells the story of a narrator falling for a childhood friend called Deborah,who is more popular than he is and wondering what it would be like to meet again when they are older. Pulp frontman Jarvis Cocker based the lyrics on a girl he knew as a child and recalled,"the only bit that isn't true is the woodchip wallpaper." [1] He elaborated:
There was a girl called Deborah—she was born in the same hospital as me. Not within an hour—I think it was like three hours—but you can't fit three hours into the song without having to really rush the singing! ... But basically you know the whole thing was the same—I fancied her for ages and then she started to become a woman and her breasts began to sprout so then all the boys fancied her then. I didn't stand a 'cat-in-hell's chance'. But then I did use to sometimes hang around outside her house and stuff like that. [1]
Deborah was based on a real-life childhood friend of Cocker's, Deborah Bone, who moved away from Sheffield to Letchworth when she was 10. As the lyrics suggest, she did marry and have children. [2] Bone later reflected, "My claim to fame is growing up and sleeping with Jarvis Cocker, well someone had to do it, and it was all perfectly innocent! I have been told and like to believe that I am the Deborah in the Number 1 hit 'Disco 2000,' but we never did get to meet up by the fountain down the road." [2] The fountain referred to as the meeting place was Goodwin Fountain, formerly located on Fargate, in Sheffield city centre. [3]
"Disco 2000" took inspiration from disco music. Martin Aston of Attitude described the song as "seventies à go-go: the stamp of Elton John's 'Saturday Night's Alright For Fighting', Marc Bolan's glittery guitar, ABBA's sweeping gait and a huge swipe from Laura Branigan's Hi-NRG epic 'Gloria'." [4] Drummer Nick Banks said of this influence, "We are very much influenced by disco, yeah. And of course in the late '80s we got into raves a bit, and music did take on more of a disco thump in places. Yeah, I'm always going down the disco, I love it." [5]
"Disco 2000" was released as the third single from Different Class on 27 November 1995. [6] The single reached number seven on the UK Singles Chart, becoming the third top-10 single from Different Class, following "Common People" and the double A-side "Mis-Shapes" / "Sorted for E's & Wizz", both of which reached number two. The song also charted highly in Austria, Finland, Hungary, Iceland and Ireland, and it became Pulp's only top-50 hit in Australia. [7] On 7 October 1996, an orange 7-inch vinyl single was released in the United Kingdom. [8]
Due to its millennial subject matter, Pulp removed the song's synchronisation licence, effectively banning the song from being used in TV and radio trailers throughout 1999 and 2000. [9]
"Disco 2000" has seen critical acclaim and has been labeled by many as one of Pulp's greatest songs. Stephen Thomas Erlewine of AllMusic praised its "glitzy, gaudy stomp." [10] James Masterton for Dotmusic said it "is easily the best track from the Different Class album, the closest they have ever come to an out-and-out pop stormer and certainly a floor-filler at office parties this holiday with its chorus of 'Let's all meet up in the year 2000/Won't it be strange when we're all fully grown.'" [11] A reviewer from Music Week rated it three out of five, adding, "A bouncing disco beat, based on the riff from Laura Branigan's 'Gloria,' sees a pumped-up Pulp and Jarvis doing his usual talking bit. But it may disappoint fans of their recent epics." [12] Simon Price from Melody Maker named it Single of the Week, writing, "But 'Disco 2000', like 'Pink Glove' before it, shows that what fuels his vindictive bitterness is actually a deep romanticism. Like The Human League's 'Louise' or Hot Chocolate's 'It Started with a Kiss', 'Disco 2000' — the second best track on Different Class after 'F.E.E.L.I.N.G.S Called Love' — is Jarvis' fantasy of meeting an old flame and reversing time (romanticism, remember, is equal parts dreaming of what could be, and what could have been)." [13] Ben Willmott from NME said it "is probably not their finest moment of late but it's typical on-form Pulp with an achingly gooey chorus and sexual frustration by the lorryload. Which is good enough for most of us." [14] Adrien Begrand of PopMatters called it a "fabulous single". [15] David Fricke of Rolling Stone wrote, "As a singer and writer, Cocker specializes in hapless pining and geeky self-obsession, desperately holding on to a childhood crush in 'Disco 2000'." [16] Barry Walters of Spin wrote, "This band has quoted disco riffs before, but the way it alludes here to Laura Branigan's 'Gloria' approaches genius." [17]
NME readers ranked the song as Pulp's third best in a fan vote, [18] while Orange County Weekly named the song as the number one Pulp song for beginners. [19] Stereogum's Ryan Leas ranked it as the band's second best, calling it "one of the ultimate Pulp songs" and concluding, "It's about youth and romanticism, but filtered through the perspective of a man already in his early 30s. That's what makes it a classic pop single by Pulp." [20]
In a 1996 interview, Elvis Costello praised the lyricism in the song, stating, "He's [Jarvis] very smart and I like his songs. I love the detail, like the thing in 'Disco 2000': 'There was woodchip on the wall.' I get the feeling that was a real memory." [21]
Pedro Romhanyi directed the music video for "Disco 2000". He adapted the story portrayed on the cover sleeve of the single, designed by Donald Milne. A boy and a girl, played by models Patrick Skinny and Jo Skinny, respectively, meet at a Saturday night disco and hook up. [22] The video uses the 7-inch mix of the song. The members of Pulp are represented on cardboard cutouts and on televisions throughout (for this reason, drummer Nick Banks called the song "the easiest video [they] ever did"). [23] Romhanyi explains:
So, in the video we duplicate the photo shoot, changing the order in a couple of cases, and of course add a lot of new stuff - the track is over five minutes long. Donald Milne's work for the album and single is like an artificial version of the real world, where all its mundane features have been removed. So this is what we had to recreate - the Pulp world - without Pulp being in it. The idea for the cutouts came from an old copy of Nova owned by [bassist] Steve Mackey. Jarvis and Steve like things quite crafted and with a sense of structure. A lot of work and a lot of talk that goes on before a frame is shot. [24]
All lyrics are written by Jarvis Cocker; all music is composed by Jarvis Cocker, Nick Banks, Steve Mackey, Russell Senior, Candida Doyle and Mark Webber
No. | Title | Length |
---|---|---|
1. | "Disco 2000" (7-inch mix) | 4:51 |
2. | "Disco 2000" (album mix) | 4:33 |
3. | "Ansaphone" | 4:01 |
4. | "Live Bed Show" (extended) | 4:10 |
No. | Title | Length |
---|---|---|
1. | "Disco 2000" (album mix) | 4:33 |
2. | "Disco 2000" (7-inch mix) | 4:51 |
3. | "Disco 2000" (Motiv 8 Discoid mix) | 7:31 |
4. | "Disco 2000" (Motiv 8 Gimp dub) | 6:31 |
No. | Title | Length |
---|---|---|
1. | "Disco 2000" (album mix) | 4:33 |
2. | "Ansaphone" | 4:01 |
No. | Title | Length |
---|---|---|
1. | "Disco 2000" (7-inch mix) | 4:51 |
2. | "Disco 2000" (Motiv 8 Discoid mix) | 7:31 |
No. | Title | Length |
---|---|---|
1. | "Disco 2000" (7-inch mix) | 4:51 |
2. | "Ansaphone" | 4:01 |
3. | "Disco 2000" (Motiv 8 Gimp dub) | 6:31 |
4. | "Disco 2000" (Motiv 8 Discoid mix) | 7:31 |
Weekly charts
| Year-end charts
|
Region | Certification | Certified units/sales |
---|---|---|
United Kingdom (BPI) [46] | Platinum | 600,000‡ |
‡ Sales+streaming figures based on certification alone. |
Irish singer Joe Dolan covered the song for his album Joe's 90s in 1998. Following his death, the RTÉ Concert Orchestra added a string accompaniment to a number of his recordings. They were released on the albums Orchestrated and Orchestrated, Vol. 2. A version of the song appears on the latter album.
The song was covered by Nick Cave as a B-side for Pulp's single "Bad Cover Version" (2002), and again as a "pub rock" version on the deluxe edition of Different Class (2006). [47] Keane covered the song in 2008.
"Disco 2000" was featured in Episode 7 of the first series of Life on Mars , where DI Sam Tyler hears it come on the radio in 1973, and mentions to DCI Gene Hunt that he had seen Pulp play the Manchester Nynex in 1996, to Hunt's bemusement. The song also appeared in a party scene in the 2013 Seth Rogen film This Is the End , and again in "The End of the Tour" in 2015.
In 1996, it featured on the UEFA Euro 1996 official album, The Beautiful Game .
The budget airline EasyJet used the song in a 2015 UK commercial celebrating their twenty years of revenue service. [48]
The song is featured on the soundtrack of the 2018 independent adventure game KURSK, [49] and can be heard on the radio at multiple points.
Pulp are an English rock band formed in Sheffield in 1978. At their critical and commercial peak, the band consisted of Jarvis Cocker, Russell Senior, Candida Doyle (keyboards), Nick Banks, Steve Mackey (bass) and Mark Webber.
"Professional Widow" is a song written by the American singer-songwriter Tori Amos, released on her third album, Boys for Pele (1996). It is a harpsichord-driven rock song and its lyrics are rumored to have been inspired by the American songwriter Courtney Love. The song was released on July 2, 1996, by Atlantic and EastWest, as the third single from the Boys for Pele album in the US, containing remixes by the house music producers Armand van Helden and MK. The single reached number one on the US Billboard Hot Dance Music/Club Play chart. In Italy, the original version peaked at number two in October 1996. An edited version of the Armand's Star Trunk Funkin' Mix of "Professional Widow" was originally released as a double A-side single with "Hey Jupiter" in Europe and Australia.
Different Class is the fifth studio album by English rock band Pulp, released on 30 October 1995 by Island Records.
Hits is a greatest hits collection by the English rock band Pulp, released in November 2002.
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"Parklife" is a song by the English rock band Blur, released in August 1994 by Food and Parlophone as the third single from the band's third studio album, Parklife (1994). The song contains spoken-word verses by the actor Phil Daniels, who also appears in the music video, which was directed by Pedro Romhanyi.
"Common People" is a song by English alternative rock band Pulp, released in May 1995 by Island Records as the lead single from their fifth studio album, Different Class (1995). It reached No. 2 on the UK Singles Chart, becoming a defining track of the Britpop movement as well as Pulp's signature song. In 2014, BBC Radio 6 Music listeners voted it their favourite Britpop song in an online poll. In a 2015 Rolling Stone readers' poll it was voted the greatest Britpop song.
"Sorted for E's & Wizz" is a song written and performed by the English band Pulp for their 1995 album Different Class. Based lyrically on a phrase that lead singer Jarvis Cocker overheard at a rave, the song features lyrics examining the hollow and artificial nature of drug culture. Because of its subject matter, the song sparked controversy in the UK, where several tabloids attacked the song.
"Saturday Night" is the third single from English rock band Suede's third studio album, Coming Up (1996), released on 13 January 1997 through Nude Records. The single continued the success of Suede's previous two hits by entering the top 10 of the UK Singles Chart, peaking at number six. Outside the UK, the song peaked at number one in Iceland, number seven in Finland, number eight in Denmark, and number 11 in Sweden.
"I Want That Man" is a song by American singer Deborah Harry. The song was released as the lead single from her third solo album, Def, Dumb & Blonde, and was the first record Harry released in which she reverted to using Deborah as her name instead of Debbie. "I Want That Man" became a hit in several territories, reaching number two in Australia and on the US Billboard Modern Rock Tracks chart. It also became a top-20 hit in Ireland, New Zealand, and the United Kingdom.
"Help the Aged" is a song by British alternative rock band Pulp from their 1998 album, This Is Hardcore. Written as a sarcastic reflection of Pulp singer Jarvis Cocker's ageing, the song was disliked by Pulp guitarist Russell Senior who left the band before the song's release and sought to prevent it from being released as a single.
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"Cosmic Girl" is the second single from British funk and acid jazz band Jamiroquai's third studio album, Travelling Without Moving (1996). The song was released in the United Kingdom on 25 November 1996 via Sony Soho Square and in the United States in 1997 via Work Group. It was written by Jay Kay and Derrick McKenzie, and produced by Rick Pope, achieving great chart success, peaking at No. 6 on the UK Singles Chart. The song also reached No. 3 in Italy, No. 4 in Iceland, and No. 10 in Finland. The accompanying music video was directed by Adrian Moat and filmed in Spain. The B-side to the single is an instrumental, "Slipin' 'N' Slidin'", a song originating from another Jamiroquai track called "Mr Boogie", which was a live-only song. "Slipin 'N' Slidin'", just like "Mr Boogie", also has a vocal version.
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"Ain't No Love (Ain't No Use)" is a song by British dance music act Sub Sub, released on 29 March 1993 by independent label Rob's Records as the second single from their debut album, Full Fathom Five (1994). It features Temper Temper's Melanie Williams on vocals. The song was the act's biggest single, reaching number three on the UK Singles Chart and number one on the UK Dance Singles Chart; it became one of many dance singles in 1993 to cross over into mainstream popularity in the UK. In the accompanying music video, Jimi Goodwin plays bass, Jez Williams plays keyboards and percussion, and Jez' twin brother Andy Williams plays keytar. After struggling to repeat the success of the single, and after a fire destroyed the band's Ancoats studio in 1996, the group eventually reformed with a radically different sound as Doves in 1998.
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