Don Juan und Faust is a German stage play by Christian Dietrich Grabbe, published in 1828, with music by Albert Lortzing. As its title suggests, it involves a meeting between Faust and Don Juan, with Grabbe intentionally seeking comparisons with Goethe's Faust and Mozart's Don Giovanni . Its 1829 premiere at the Landestheater Detmold made it the only work of Grebbe's to be performed in his own lifetime - contemporaries criticized its pessimism, though it was praised by Kierkegaard in his Either/Or for being "founded on evil" in an extraordinary way.
Don Juan goes on several amorous adventures in Rome with his servant Leporello. He courts Donna Anna, daughter of the Spanish ambassador, and provokes a duel with her naïve noble fiancé Octavio due to his own selfish desire and lust for genius. He stabs Octavio and then Anna's father after the latter tries to avenge Octavio's death. However, before Don Juan can re-capture Donna Anna, she is abducted by the magician Faust. The devil had appeared to Faust in the form of a knight and bought his soul in return for a promise of supernatural knowledge and power. However, the devil has not made good on the promise but instead inflamed Faust's soul with love of Donna Anna.
Faust thus takes Donna Anna to a castle in the Alps and tries to win her love, but she resists him just as she has already resisted Don Juan and calls on Faust to release her. Don Juan and Leporello attempt to get Anna back, but Faust hurls them both through the air back to Rome. In anger at her steadfastness, Faust kills Anna with his magic but then starts to mourn her and loses all his vitality now she is dead. As she was just another challenge to him, Don Juan sets out on a new conquest, but when he refuses to repent of his sins he is dragged to hell by the devil/knight.
Peter Barnes produced a modernized English-language adaptation for the BBC.
Moritz Moszkowski wrote incidental music, from which Six Airs De Ballet, Opus 56, have been recorded.
Don Giovanni is an opera in two acts with music by Wolfgang Amadeus Mozart to an Italian libretto by Lorenzo Da Ponte. Its subject is a centuries-old Spanish legend about a libertine as told by playwright Tirso de Molina in his 1630 play El burlador de Sevilla y convidado de piedra. It is a dramma giocoso blending comedy, melodrama and supernatural elements. It was premiered by the Prague Italian opera at the National Theatre, now called the Estates Theatre, on 29 October 1787. Don Giovanni is regarded as one of the greatest operas of all time, and has proved a fruitful subject for commentary in its own right; critic Fiona Maddocks has described it as one of Mozart's "trio of masterpieces with librettos by Da Ponte".
Faust is the protagonist of a classic German legend based on the historical Johann Georg Faust. The erudite Faust is highly successful yet dissatisfied with his life, which leads him to make a pact with the Devil at a crossroads, exchanging his soul for unlimited knowledge and worldly pleasures. The Faust legend has been the basis for many literary, artistic, cinematic, and musical works that have reinterpreted it through the ages. "Faust" and the adjective "Faustian" imply sacrificing spiritual values for power, knowledge, or material gain.
Gustav Albert Lortzing was a German composer, librettist, actor and singer. He is considered to be the main representative of the German Spieloper, a form similar to the French opéra comique, which grew out of the Singspiel.
Christian Dietrich Grabbe was a German dramatist of the Vormärz era. He wrote many historical plays conceiving a disillusioned and pessimistic world view, with some shrill scenes. Heinrich Heine saw him as one of Germany's foremost dramatists, calling him "a drunken Shakespeare" and Sigmund Freud described Grabbe as "an original and rather peculiar poet."
Faust is a tragic play in two parts by Johann Wolfgang von Goethe, usually known in English as Faust, Part One and Faust, Part Two. Nearly all of Part One and the majority of Part Two are written in rhymed verse. Although rarely staged in its entirety, it is the play with the largest audience numbers on German-language stages. Faust is considered by many to be Goethe's magnum opus and the greatest work of German literature.
Melmoth the Wanderer is an 1820 Gothic novel by Irish playwright, novelist and clergyman Charles Maturin. The novel's titular character is a scholar who sold his soul to the devil in exchange for 150 extra years of life, and searches the world for someone who will take over the pact for him, in a manner reminiscent of the Wandering Jew.
The Phantom of the Opera is a 1989 American horror film directed by Dwight H. Little and based on Gaston Leroux's novel of the same name. The film is an updated and gorier version of Leroux's classic tale and stars Robert Englund as the titular character. The film was a critical and commercial failure.
The Stone Guest is an opera in three acts by Alexander Dargomyzhsky from a libretto taken almost verbatim from Alexander Pushkin's 1830 play of the same name which had been written in blank verse and which forms part of his collection Little Tragedies.
A deal with the Devil, also known as a Faustian bargain, is a cultural motif exemplified by the legend of Faust and the figure of Mephistopheles, as well as being elemental to many Christian traditions. According to traditional Christian belief about witchcraft, the pact is between a person and the Devil or another demon, trading a soul for diabolical favours, which vary by the tale, but tend to include youth, knowledge, wealth, fame and power.
Lāčplēsis is an epic poem by Andrejs Pumpurs, a Latvian poet, who wrote it between 1872 and 1887 based on local legends. It is set during the Livonian Crusades telling the story of the mythical hero Lāčplēsis "the Bear Slayer". Lāčplēsis is regarded as the Latvian national epic.
Faust: A Tragedy is the first part of the tragic play Faust by Johann Wolfgang von Goethe, and is considered by many as the greatest work of German literature. It was first published in 1808.
Don Giovanni is a 1979 French-Italian film directed by Joseph Losey. It is an adaptation of Mozart's classic 1787 opera Don Giovanni, based on the Don Juan legend of a seducer, destroyed by his excesses. The opera itself has been called one of Mozart's "trio of masterpieces". The film stars Ruggero Raimondi in the title role, and the conductor is Lorin Maazel. Nearly three decades after the film's release, Nicholas Wapshott called it a "near perfect amalgamation of opera and the screen".
The Trickster of Seville and the Stone Guest is a play traditionally attributed to Tirso de Molina, although several scholars now attribute it to Andrés de Claramonte. Its title varies according to the English translation, and it has also been published under the titles The Seducer of Seville and the Stone Guest and The Playboy of Seville and the Stone Guest. The play was first published in Spain around 1630, though it may have been performed as early as 1616. Set in the 14th century, the play is the earliest fully developed dramatisation of the Don Juan legend.
Doktor Faust is an opera by Ferruccio Busoni with a German libretto by the composer, based on the myth of Faust. Busoni worked on the opera, which he intended as his masterpiece, between 1916 and 1924, but it was still incomplete at the time of his death. His pupil Philipp Jarnach finished it. More recently, in 1982, Antony Beaumont completed the opera using sketches by Busoni that were previously thought to have been lost. Nancy Chamness published an analysis of the libretto to Doktor Faust and a comparison with Goethe's version.
Faust has inspired artistic and cultural works for over four centuries. The following lists cover various media to include items of historic interest, enduring works of high art, and recent representations in popular culture. The entries represent works that a reader has a reasonable chance of encountering rather than a complete catalog.
The Private Life of Don Juan is a 1934 British comedy-drama film directed by Alexander Korda and starring Douglas Fairbanks, Merle Oberon and Benita Hume. At the age of 51, it was the final role of Fairbanks, who died five years later. The film is about the life of the aging Don Juan, based on the 1920 play L'homme à la Rose by Henry Bataille. It was made by Korda's London Film Productions at British & Dominion Studios in Elstree/Borehamwood and distributed by United Artists.
Little Tragedies is a 1979 Soviet television miniseries directed by Mikhail Schweitzer, based on works by Alexander Pushkin. Dedicated to Pushkin's 180th birthday and 150th anniversary of Boldino Autumn, it was Vladimir Vysotsky's last movie role.
Flammen (Flames) is an opera in two acts and ten scenes composed by Erwin Schulhoff, his only opera. The original libretto in Czech was written by Karel Josef Beneš. The opera had its world premiere at the old National Theatre in Brno on 27 January 1932 in Czech under the title Plameny. It was not heard again until the mid-1990s, when it was performed in its German translation by Max Brod as Flammen. Its story is a surrealist retelling of the Don Juan legend with elements from the legend of the Wandering Jew, and heavily influenced by Freudian psychology. Unlike the title character in Mozart's Don Giovanni based on the same legend, Don Juan is not punished by being dragged down to Hell, but instead is condemned to live forever.
Elisabeth Kohut-Mannstein, also Elisabeth Kohut-Manstein, real name Elisabeth Steinmann was a German operatic soprano and voice teacher.
Don Juan is a 1812 short story by E. T. A. Hoffmann, which was first published on 31 March 1813 in the Allgemeine musikalische Zeitung and later republished in Hoffmann's 1814 collection Fantasiestücke in Callots Manier.