"Down in the Depths (on the Ninetieth Floor)" is a torch song written by Cole Porter, for his 1936 musical Red, Hot and Blue , in which it was introduced by Ethel Merman. [1] The lyric scheme juxtaposes images of high and low. It is a lament from the point of view of a rich woman in a penthouse apartment higher than any building but the Empire State Building, who looks down on the busy city life below her but nevertheless feels she is at the lowest and poorest point of her life because she is lonely. [2] Porter's melody is musically intertwined with the lyric scheme in a similar manner to his song "Ev'ry Time We Say Goodbye."
The song was a late edition to the show only being added during the Boston tryout. [3]
In Mart Crowley's play The Boys in the Band one of the gay characters refers to the song as "the gay national anthem."
Cole Albert Porter was an American composer and songwriter. Many of his songs became standards noted for their witty, urbane lyrics, and many of his scores found success on Broadway and in film.
"Too Darn Hot" is a song written by Cole Porter for his musical Kiss Me, Kate (1948). In the stage version, it is sung at the start of Act 2, and in the 1948 original Broadway production, it was sung by Lorenzo Fuller and Eddie Sledge and Fred Davis, leading the full company.
"All of You" is a popular song written by Cole Porter and published in 1954.
"You Do Something to Me" is a song written by Cole Porter. It is notable in that it was the first number in Porter's first fully integrated-book musical Fifty Million Frenchmen (1929). In the original production, the song was performed by Genevieve Tobin and William Gaxton, performing the roles of Looloo Carroll and Peter Forbes, respectively.
"Lullaby of Broadway" is a popular song with music written by Harry Warren and lyrics by Al Dubin, published in 1935. The lyrics salute the nightlife of Broadway and its denizens, who "don't sleep tight until the dawn."
Ella Loves Cole is a 1972 studio album by Ella Fitzgerald, arranged by Nelson Riddle, of songs written by Cole Porter.
"My Heart Belongs to Daddy" is a song written by Cole Porter, for the 1938 musical Leave It to Me! which premiered on November 9, 1938. It was originally performed by Mary Martin, who played Dolly Winslow, the young "protégée" of a rich newspaper publisher.
"If I Were a Bell" is a song composed by Frank Loesser for his 1950 musical Guys and Dolls.
"It's De-Lovely" is one of Cole Porter's hit songs, originally appearing in his 1936 musical, Red Hot and Blue. It was introduced by Ethel Merman and Bob Hope. The song was later used in the musical Anything Goes, first appearing in the 1956 film version ; in the 1962 revival where it was sung by Hal Linden and Barbara Lang, and in the 2004 biographical film De-Lovely, where it was performed by Robbie Williams.
"Don't Fence Me In" is a popular American song written in 1934, with music by Cole Porter and lyrics by Robert Fletcher and Cole Porter. Members of the Western Writers of America chose it as one of the Top 100 Western songs of all time.
"This Can't Be Love" is a show tune and a popular song from the 1938 Rodgers and Hart musical The Boys from Syracuse when it was sung by Eddie Albert and Marcy Westcott. The lyrics poke fun at the common depiction of love in popular songs as a host of malignant symptoms, saying, "This can't be love because I feel so well."
"I Love Paris" is a popular song written by Cole Porter and published in 1953. The song was introduced by Lilo in the role of La Mome in the musical Can-Can. A line in the song's lyrics inspired the title of the 1964 movie Paris When It Sizzles.
"Miss Otis Regrets" is a song about the lynching of a society woman after she murders her unfaithful lover. It was composed by Cole Porter in 1934, and first performed by Douglas Byng in Hi Diddle Diddle, a revue that opened on October 3, 1934, at London's Savoy Theatre.
"It's All Right with Me" is a popular song written by Cole Porter, for his 1953 musical Can-Can, where it was introduced by Peter Cookson as the character Judge Aristide Forestier.
"Do I Love You?" is a 1939 popular song written by Cole Porter, for his musical Du Barry Was a Lady, where it was introduced by Ronald Graham and Ethel Merman.
"From This Moment On" is a 1950 popular song written by Cole Porter, which has since become a jazz standard. It was originally written for the 1950 musical Out of This World, but director George Abbott dropped it from the musical before its Broadway premiere, possibly due to lackluster singing by cast member William Eythe. It was then included in MGM's 1953 film Kiss Me Kate, an adaptation of Porter's stage musical Kiss Me, Kate when it was sung by Ann Miller, Tommy Rall, Bob Fosse and Bobby Van. In theatrical versions of Kiss Me, Kate it goes now as a duet of Harrison Howell and Lilli Vanessi.
"Ridin' High" is a 1936 popular song written by Cole Porter, for his musical Red, Hot and Blue, where it was introduced by Ethel Merman.
"(You'd Be So) Easy to Love" is a popular song written by Cole Porter for William Gaxton to sing in the 1934 Broadway show Anything Goes. However Gaxton was unhappy about its wide vocal range and it was cut from the musical. Porter re-wrote it for the 1936 film Born to Dance, where it was introduced by Eleanor Powell, James Stewart, and Frances Langford under its alternate title, "Easy to Love". The song was later added to the 1987 and 2011 revivals of Anything Goes under the complete title "You’d Be So Easy to Love".
"After You, Who?" is a popular song written by Cole Porter for his 1932 musical Gay Divorce, where it was introduced by Fred Astaire. Astaire played the character Guy, and opened the musical with "After You, Who?"
"Mean to Me" is a popular song with music by Fred E. Ahlert and lyrics by Roy Turk, published in 1929. Hit versions that year were by Ruth Etting and by Helen Morgan. Ben Bernie and the Hotel Roosevelt Orchestra also recorded what might be the first male version in February 1929 with vocals by Scrappy Albert.