Emperor Tomato Ketchup (album)

Last updated

Emperor Tomato Ketchup
Emperortomatoketchup.png
Studio album by
Released18 March 1996 (1996-03-18)
Recorded1995
Studio
Genre
Length57:15
Label
Producer
Stereolab chronology
Cybele's Reverie
(1996)
Emperor Tomato Ketchup
(1996)
Fluorescences
(1996)
Singles from Emperor Tomato Ketchup
  1. "Cybele's Reverie"
    Released: 19 February 1996
  2. "Metronomic Underground"
    Released: 2 December 1996

Emperor Tomato Ketchup is the fourth studio album by English-French rock band Stereolab. It was released on 18 March 1996 and was issued by Duophonic Records and Elektra Records.

Contents

The album is named after the 1971 experimental film Emperor Tomato Ketchup by Japanese author and director Shūji Terayama. [3]

Composition and recording

On Emperor Tomato Ketchup, Stereolab experimented with composing songs around looped sounds instead of traditional riffs. [4] Critic Tom Moon found the band's compositional approach reminiscent of hip hop and electronica music, with loops being layered into "richly textured collages". [2]

Guitarist Tim Gane remarked that the shift in style from previous releases emerged from a year-long bout of writer's block, where the band felt they were "drifting about in a musical landscape that wasn't inspiring or particularly exciting. With nothing on the horizon, everything we tried out seemed to be a dead end". [5] The group began working on a cover of the Godz' "ABC" for a tribute album. The challenge of covering a song that was essentially a free improvisation proved to be invigorating: Gane adapted four notes from the track and looped them, providing the basis for an early take on the song "Percolator". This reliance on loops rather than their earlier drone-based approach provided the blueprint for much of the album's direction. [5] The recording sessions for Emperor Tomato Ketchup were split between working with John McEntire in Chicago and Paul Tipler in London.

Release

Emperor Tomato Ketchup was released on 18 March 1996 in the United Kingdom by Duophonic Records, [6] and on 9 April 1996 in the United States by Elektra Records. [7] The artwork for the album was inspired by the LP cover sleeve of a 1964 recording of composer Béla Bartók's Concerto for Orchestra by the Bamberg Symphony conducted by Heinrich Hollreiser. [8]

Preceding the album's release, the track "Cybele's Reverie" was issued as a single (on 7" vinyl) and as an EP (on CD and 10" vinyl) on 19 February 1996. [9] A second single, "Metronomic Underground", was released on 2 December 1996. [10] "The Noise of Carpet" was also promoted as a single to radio outlets in the United States. [7] [11]

AllMusic writer Heather Phares cites Emperor Tomato Ketchup as "Stereolab's greatest success to date". [12] In the US, the album was especially successful on college radio, [12] and by August 1997, the album had sold over 46,000 units in the country, according to Nielsen SoundScan. [13]

A remastered and expanded edition of Emperor Tomato Ketchup was released by Duophonic and Warp on 13 September 2019. [14]

Critical reception and legacy

Professional ratings
Review scores
SourceRating
AllMusic Star full.svgStar full.svgStar full.svgStar full.svgStar full.svg [15]
Entertainment Weekly B+ [16]
The Guardian Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [17]
Mojo Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [18]
NME 8/10 [19]
Pitchfork 9.4/10 [3]
Record Collector Star full.svgStar full.svgStar full.svgStar full.svgStar full.svg [20]
The Rolling Stone Album Guide Star full.svgStar full.svgStar full.svgStar full.svgStar half.svg [21]
Uncut 9/10 [22]
The Village Voice A− [23]

On its release, Emperor Tomato Ketchup earned positive reviews from music critics. [12]

In 2004's The New Rolling Stone Album Guide , Roni Sarig wrote that Stereolab created their "most well-rounded, confident, and accomplished statement" with Emperor Tomato Ketchup, forgoing their earlier lo-fi aesthetic and crafting "an impeccably produced, creatively mixed collection that's a joy to behold in its full high-fidelity glory." [21] Stephen Thomas Erlewine of AllMusic stated that "Stereolab were poised for a breakthrough" with Emperor Tomato Ketchup given both their growing influence on alternative rock and their increasingly accessible musical direction. [15] He noted that the album saw the band composing hookier songs while incorporating "more avant-garde and experimental influences", resulting in it being their "most complex, multi-layered record." [15] Record Collector 's Oregano Rathbone likewise said that Emperor Tomato Ketchup contained "defining examples of Stereolab's rewardingly oxymoronic tendencies". [20]

Emperor Tomato Ketchup has appeared in numerous lists of the greatest albums. Spin named it the 46th best album of the 1990s. [24] It was ranked 51st on Pitchfork 's list of the decade's best albums, with staff writer Brent DiCrescenzo praising it as Stereolab's "most definitive and recommended statement" and recalling that it "sounded wholly futuristic and alien" at the time of its release. [25] Tom Moon included Emperor Tomato Ketchup in his book 1,000 Recordings to Hear Before You Die (2008), [2] and it was also included in the book 1001 Albums You Must Hear Before You Die . [26]

Track listing

All tracks are written by Tim Gane and Lætitia Sadier, except where noted

No.TitleWriter(s)Length
1."Metronomic Underground" 7:55
2."Cybele's Reverie" 4:42
3."Percolator"
3:47
4."Les Yper-Sound" 4:05
5."Spark Plug" 2:29
6."OLV 26" 5:42
7."The Noise of Carpet" 3:05
8."Tomorrow Is Already Here" 4:56
9."Emperor Tomato Ketchup" 4:37
10."Monstre Sacre" 3:44
11."Motoroller Scalatron" 3:48
12."Slow Fast Hazel" 3:53
13."Anonymous Collective" 4:32
Total length:57:15
Japanese edition bonus track
No.TitleLength
14."Brigitte"5:45
Total length:63:00
2019 expanded edition bonus disc [27]
No.TitleLength
1."Freestyle Dumpling"3:57
2."Noise of Carpet" (original mix)3:07
3."Old Lungs"8:00
4."Percolator" (original mix)4:54
5."Cybele's Reverie" (demo)2:06
6."Spark Plug" (demo)1:29
7."Spinal Column" (demo)0:54
8."Emperor Tomato Ketchup" (demo)2:14
9."Les Yper-Sound" (demo)0:53
10."Metronomic Underground" (demo)2:49
11."Percolator" (demo)1:00
12."Tomorrow Is Already Here" (demo)2:35
13."Brigitte" (demo)3:08
14."Motoroller Scalatron" (demo)1:48
15."Anonymous Collective" (demo)2:20
Total length:41:14

Personnel

Credits are adapted from the album's liner notes. [28]

Stereolab

Additional musicians

  • Ray Dickarty – alto saxophone on "Percolator"
  • Mandy Drummond – strings
  • Meg Gates – strings
  • Sally Herbert – strings
  • Marcus Holdaway – strings
  • John McEntire – analogue synthesizer, electronics, maracas, tambourine, vibraphone and guitar on "Tomorrow Is Already Here"
  • Sean O'HaganWurlitzer piano, Vox organ, vibraphone, string arrangements

Production

  • John McEntire – production, engineering, mixing
  • Stereolab (credited as "The Groop") – production, mixing
  • Paul Tipler – production, engineering, mixing

Charts

Chart (1996)Peak
position
European Top 100 Albums ( Music & Media ) [29] 61
Scottish Albums (OCC) [30] 50
UK Albums (OCC) [31] 27
UK Independent Albums (OCC) [32] 5
US Heatseekers Albums (Billboard) [33] 27
Chart (2019)Peak
position
Scottish Albums (OCC) [34] 29
US Top Album Sales (Billboard) [35] 67

Related Research Articles

<span class="mw-page-title-main">Stereolab</span> English-French avant-pop band

Stereolab are an Anglo-French avant-pop band formed in London in 1990. Led by the songwriting team of Tim Gane and Lætitia Sadier, the group's sound features influences from krautrock and 1960s pop music, often incorporating a repetitive motorik beat with the use of vintage electronic keyboards and female vocals sung in English and French. Their lyrics have political and philosophical themes influenced by the Surrealist and Situationist movements. On stage, they play in a more feedback-driven and guitar-oriented style. The band also draw from funk, jazz and Brazilian music, and were one of the first bands to be dubbed "post-rock".

<span class="mw-page-title-main">Sean O'Hagan</span> Musical artist

Sean O'Hagan is an Irish singer and songwriter who leads the avant-pop band the High Llamas, which he founded in 1992. He is also known for being one half of the songwriting duo in Microdisney and for his work during the early 1990s with the English-French band Stereolab.

<i>Dots and Loops</i> 1997 studio album by Stereolab

Dots and Loops is the fifth studio album by English-French rock band Stereolab. It was released on 22 September 1997 and was issued by Duophonic Records and Elektra Records. The band co-produced the album with John McEntire and Andi Toma, and recording took place at their respective studios in Chicago and Düsseldorf. It was their first album to be recorded straight to Digital Audio Tape and produced with Pro Tools. The album explores jazz and electronic sounds, and is influenced by bossa nova and 1960s pop music. Its lyrics address matters such as consumerism, the "spectacle", materialism, and human interaction.

<i>Peng!</i> 1992 studio album by Stereolab

Peng! is the debut studio album by English-French band Stereolab. It was released on 26 May 1992 by Too Pure in the United Kingdom. The album was issued in the United States on 13 June 1995 by Too Pure and American Recordings. A remastered edition of the album was released on 9 November 2018 by Too Pure and Beggars Arkive.

<span class="mw-page-title-main">Tim Gane</span> Musical artist

Timothy John Gane is an English songwriter and guitarist who co-founded Stereolab with his then-partner Lætitia Sadier.

Duophonic Ultra High Frequency Disks Limited is a British independent record label formed by English-French rock band Stereolab in 1991. The label has two imprints: Duophonic Ultra High Frequency Disks for UK Stereolab releases licensed to various labels worldwide, and Duophonic Super 45s for releases of other artists and certain Stereolab UK-only releases. Duophonic's first release was Stereolab's debut EP Super 45 (1991), limited to 880 copies; of these, forty copies had handmade covers that were produced by Martin Pike in his father's garage.

<span class="mw-page-title-main">Lætitia Sadier</span> French singer

Lætitia Sadier, sometimes known as Seaya Sadier, is a French musician best known as a founding member of the London-based avant-pop band Stereolab. In 1996, while Stereolab was still active, she formed the side project Monade. In 2009 – the same year Stereolab became inactive – she ended the Monade project and began to perform solo work under her own name; her current band is known as the Lætitia Sadier Source Ensemble. She has frequently performed guest vocals and collaborations with other artists.

<i>Mars Audiac Quintet</i> 1994 studio album by Stereolab

Mars Audiac Quintet is the third studio album by English-French rock band Stereolab. It was released on 2 August 1994 and was issued by Duophonic Records and Elektra Records.

<i>Cobra and Phases Group Play Voltage in the Milky Night</i> 1999 studio album by Stereolab

Cobra and Phases Group Play Voltage in the Milky Night is the sixth studio album by English-French rock band Stereolab. It was released on 21 September 1999 and was issued by Duophonic Records and Elektra Records. The album was largely co-produced by Stereolab, John McEntire, and Jim O'Rourke.

<i>Sound-Dust</i> 2001 studio album by Stereolab

Sound-Dust is the seventh studio album by English-French rock band Stereolab. It was released on 28 August 2001 in North America by Elektra Records and on 3 September 2001 internationally by Duophonic Records. The album was produced by John McEntire and Jim O'Rourke and recorded at McEntire's Chicago studio Soma. It was Stereolab's last album to feature singer and guitarist Mary Hansen, who died in a biking accident the following year.

<i>Margerine Eclipse</i> 2004 studio album by Stereolab

Margerine Eclipse is the eighth studio album by English-French rock band Stereolab. It was released on 27 January 2004 in the United States by Elektra Records and on 2 February 2004 in the United Kingdom by Duophonic Records. The album is in large part a eulogy to former band member Mary Hansen, who died in 2002.

<i>The First of the Microbe Hunters</i> 2000 EP by Stereolab

The First of the Microbe Hunters is the fifth EP by English-French rock band Stereolab. It was released on 16 May 2000 in the United Kingdom by Duophonic Records and in the United States by Elektra Records. Its title makes reference to the book Microbe Hunters by Paul de Kruif, in which the first chapter is dedicated to Dutch scientist Anton van Leeuwenhoek, named "the first of the microbe hunters". Its tracks were re-released in the band's 2021 compilation Electrically Possessed.

<span class="mw-page-title-main">The High Llamas</span> Anglo-Irish avant-pop band

The High Llamas are an Anglo-Irish avant-pop band formed in London circa 1991. They were founded by singer-songwriter Sean O'Hagan, formerly of Microdisney, with drummer Rob Allum and ex-Microdisney bassist Jon Fell. O'Hagan has led the group since its formation. Their music is often compared to the Beach Boys, a band he acknowledges as an influence, although more prominent influences were drawn from bossa nova and European film soundtracks.

<i>Crumb Duck</i> 1993 EP by Stereolab & Nurse With Wound

Crumb Duck is the first collaboration between Anglo-French indie band Stereolab and cult avant-garde unit Nurse With Wound, first released on 10" vinyl on the Clawfist label in 1993.

<i>Cybeles Reverie</i> 1996 EP by Stereolab

Cybele's Reverie is an EP by English-French rock band Stereolab, released on 19 February 1996 by Duophonic Records. Its title track serves as the lead single from their fourth studio album Emperor Tomato Ketchup. The four-track EP is the only one by Stereolab on which none of the songs are in English: the title track, "Brigitte", and "Young Lungs" are in French, and "Les Yper-Yper Sound" is an instrumental.

<i>Serene Velocity</i> (album) 2006 compilation album by Stereolab

Serene Velocity is a compilation album by Stereolab, released in late 2006. It focuses on material released during the band's Elektra years.

<i>Chemical Chords</i> 2008 studio album by Stereolab

Chemical Chords is the ninth studio album by English-French rock band Stereolab, released on 18 August 2008 by 4AD and Duophonic Records.

<i>Not Music</i> 2010 studio album by Stereolab

Not Music is the tenth and most recent studio album by English-French rock band Stereolab, released on 16 November 2010 by Drag City and Duophonic Records. The album is a collection of unreleased material recorded at the same time as their previous album, Chemical Chords (2008).

<i>Transient Random-Noise Bursts with Announcements</i> 1993 studio album by Stereolab

Transient Random-Noise Bursts with Announcements is the second studio album by English-French rock band Stereolab, released on 10 August 1993 and was issued by Duophonic Records and Elektra Records. It was recorded with an expanded line-up, and is generally considered to be the band's noisiest release due to its emphasis on distorted guitars and keyboard sounds.

<i>Electrically Possessed</i> 2021 compilation album by Stereolab

Electrically Possessed is a compilation album by the English-French band Stereolab, released on 26 February 2021 under Duophonic Records and Warp Records. It collects the band's rarities, and is the fourth of their "Switched-On" compilation series. The track "Dimension M2" was released following the compilation's announcement, followed by "Household Names", taken from the mini album The First of the Microbe Hunters.

References

  1. "Stereolab: Cobra and Phases Group Play Voltage in the Milky Night (Elektra)". OC Weekly . 16 September 1999. Retrieved 28 January 2021.
  2. 1 2 3 Moon, Tom (2008). "Life in a Blender: Emperor Tomato Ketchup – Stereolab". 1,000 Recordings to Hear Before You Die. Workman Publishing. pp. 739–740. ISBN   978-0-7611-3963-8 . Retrieved 1 June 2020.
  3. 1 2 Dorris, Jesse (18 July 2019). "Stereolab: Emperor Tomato Ketchup". Pitchfork . Retrieved 18 July 2019.
  4. Beaumont-Thomas, Ben (4 September 2019). "Stereolab: 'There was craziness in getting lost and dizzy'". The Guardian . Retrieved 1 June 2020.
  5. 1 2 Emperor Tomato Ketchup [Expanded Edition]. Stereolab. Duophonic Ultra High Frequency Disks. 2019. D-UHF-D11R.{{cite AV media}}: CS1 maint: others in cite AV media (notes) (link)
  6. "New Releases: Albums" (PDF). Music Week . 16 March 1996. pp. 34–35. Retrieved 12 May 2021.
  7. 1 2 Wolk, Douglas (April 1996). "Stereolab: Emperor Tomato Ketchup". CMJ New Music Monthly . No. 32. p. 13. Retrieved 1 June 2020.
  8. Foster, John (31 July 2019). "The evolution of Stereolab's analogue-inspired record sleeves". The Vinyl Factory . Retrieved 1 June 2020.
  9. "New Releases: Singles" (PDF). Music Week . 17 February 1996. p. 31. Retrieved 12 May 2021.
  10. Ankeny, Jason. "Metronomic Underground – Stereolab". AllMusic . Retrieved 25 January 2021.
  11. The Noise of Carpet (press advertisement). Elektra Records. 1996. Archived from the original on 24 January 2021. Retrieved 25 January 2021.
  12. 1 2 3 Phares, Heather. "Stereolab". AllMusic . Retrieved 1 December 2020.
  13. Reece, Doug (23 August 1997). "Elektra Connects Stereolab's 'Dots' With Larger Base". Billboard . Vol. 109, no. 34. pp. 16–17. Retrieved 3 September 2018.
  14. "Part II Expanded & Remastered Album Reissues". Warp . Retrieved 25 January 2021.
  15. 1 2 3 Erlewine, Stephen Thomas. "Emperor Tomato Ketchup – Stereolab". AllMusic . Retrieved 31 May 2016.
  16. Wiederhorn, Jon (12 April 1996). "Emperor Tomato Ketchup". Entertainment Weekly . Archived from the original on 22 December 2016. Retrieved 31 May 2016.
  17. Romney, Jonathan (22 March 1996). "Stereolab: Emperor Tomato Ketchup (Duophonic)". The Guardian .
  18. Segal, Victoria (December 2019). "Stereolab: Emperor Tomato Ketchup". Mojo . No. 313. p. 105.
  19. "Stereolab: Emperor Tomato Ketchup". NME . 16 March 1996. p. 49.
  20. 1 2 Rathbone, Oregano (October 2019). "Stereolab: Emperor Tomato Ketchup". Record Collector . No. 497. p. 106.
  21. 1 2 Sarig, Roni (2004). "Stereolab". In Brackett, Nathan; Hoard, Christian (eds.). The New Rolling Stone Album Guide (4th ed.). Simon & Schuster. pp.  779–781. ISBN   0-7432-0169-8.
  22. Pattison, Louis (October 2019). "Stereolab: Emperor Tomato Ketchup / Dots and Loops / Cobra and Phases Group Play Voltage in the Milky Night". Uncut . No. 269. p. 50.
  23. Christgau, Robert (23 July 1996). "Consumer Guide". The Village Voice . Retrieved 31 May 2016.
  24. Wolk, Douglas (September 1999). "The 90 Greatest Albums of the '90s – 46. Stereolab: Emperor Tomato Ketchup". Spin . Vol. 15, no. 9. p. 142. Retrieved 1 June 2020.
  25. "Top 100 Albums of the 1990s". Pitchfork . 17 November 2003. p. 5. Retrieved 21 October 2012.
  26. Chow, Jason (2006). "Stereolab: Emperor Tomato Ketchup". In Dimery, Robert (ed.). 1001 Albums You Must Hear Before You Die. Universe Publishing. p. 775. ISBN   978-0-7893-1371-3.
  27. "Stereolab – Emperor Tomato Ketchup (Expanded Edition)". Duophonic Ultra High Frequency Disks . Retrieved 25 January 2021.
  28. Emperor Tomato Ketchup (liner notes). Stereolab. Duophonic Records. 1996. D-UHF-CD11.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  29. "European Top 100 Albums" (PDF). Music & Media . Vol. 13, no. 14. 6 April 1996. p. 21. Retrieved 17 May 2021.
  30. "Official Scottish Albums Chart Top 100". Official Charts Company. Retrieved 1 December 2020.
  31. "Official Albums Chart Top 100". Official Charts Company. Retrieved 8 November 2017.
  32. "Independent Albums" (PDF). Music Week . 6 April 1996. p. 30. Retrieved 28 May 2021.
  33. "Stereolab Chart History (Heatseekers Albums)". Billboard. Retrieved 3 September 2018.
  34. "Official Scottish Albums Chart Top 100". Official Charts Company. Retrieved 26 June 2021.
  35. "Stereolab Chart History (Top Album Sales)". Billboard. Retrieved 1 June 2020.