Cobra and Phases Group Play Voltage in the Milky Night

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Cobra and Phases Group Play Voltage in the Milky Night
Cobraandphasesgroupplayvoltageinthemilkynight.png
Studio album by
Released21 September 1999 (1999-09-21)
RecordedFebruary 1998 – February 1999
Studio
Genre
Length75:37
Label
Producer
Stereolab chronology
The Free Design
(1999)
Cobra and Phases Group Play Voltage in the Milky Night
(1999)
The First of the Microbe Hunters
(2000)
Singles from Cobra and Phases Group Play Voltage in the Milky Night
  1. "The Free Design"
    Released: 6 September 1999
  2. "Come and Play in the Milky Night"
    Released: 5 September 2019

Cobra and Phases Group Play Voltage in the Milky Night is the sixth studio album by English-French rock band Stereolab. It was released on 21 September 1999 and was issued by Duophonic Records and Elektra Records. The album was largely co-produced by Stereolab, John McEntire, and Jim O'Rourke.

Contents

Recording

Stereolab produced Cobra and Phases Group Play Voltage in the Milky Night with John McEntire, who had co-produced the band's previous two studio albums Emperor Tomato Ketchup (1996) and Dots and Loops (1997), [5] [6] and Jim O'Rourke. [7] Assisted by McEntire and O'Rourke, Stereolab recorded the bulk of Cobra and Phases Group between November 1998 and February 1999, [8] at Wolf Studios in London. [7] As band members Tim Gane and Lætitia Sadier were occupied with raising their infant son at the time, Stereolab opted to record in London instead of Chicago, where McEntire and O'Rourke were typically based. [8] The only material on the album that does not date to these sessions is one section of the song "Italian Shoes Continuum"; this section was produced by Stereolab and Fulton Dingley and recorded in February 1998 at Blackwing Studios in London. [7]

Release

Cobra and Phases Group was released on 21 September 1999 in the United States by Elektra Records, [9] and on 27 September 1999 in the United Kingdom by Duophonic Records. [10] The track "The Free Design" was previously released on 6 September 1999; [10] it was issued as a single (on 7" vinyl) and as an EP (on CD and 12" vinyl). [11]

A remastered and expanded edition of Cobra and Phases Group was released by Duophonic and Warp on 13 September 2019. [12] Coinciding with the re-release, "Come and Play in the Milky Night" was issued as a digital single on 5 September 2019. [13]

Critical reception and legacy

Professional ratings
Review scores
SourceRating
AllMusic Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [14]
Alternative Press 4/5 [4]
Entertainment Weekly B+ [15]
Exclaim! 8/10 [16]
Pitchfork 3.4/10 [17]
Q Star full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [18]
Rolling Stone Star full.svgStar full.svgStar half.svgStar empty.svgStar empty.svg [3]
Spin 6/10 [19]
Uncut 6/10 [20]
USA Today Star full.svgStar full.svgStar full.svgStar empty.svg [21]

Cobra and Phases Group was released to middling reviews from music critics. [16] [20] Pitchfork 's Brent DiCrescenzo wrote that Stereolab's "socialist cocktail jazz schtick" had become predictable and "soulless", and that despite the album's eclectic nature, "it all sounds exactly the same." [17] NME writer Johnny Cigarettes stated that the music was reminiscent of "bad jazz and progressive rock" and scathingly accused Stereolab of "borrowing credibility by indulgently showing off their stylistic dexterity, thinking that odd time signatures and weird sounds are clever in their own right, [and] being deliberately obscure and unlistenable". [22] James Hunter of Rolling Stone dismissed the first five songs as uneventful and felt that only from "Infinity Girl" onward does the album capture the band's "fashionable post-rock charm". [3] Barry Walters of Spin found the more drone-oriented songs tepid but noted that "the melodic bits are dreamier than ever", concluding that the album would benefit from "ruthless home-listener editing". [19]

Among more positive appraisals, Alternative Press remarked that "few bands make sweetly psychedelic pop as enduring as [Stereolab] do." [4] USA Today critic Edna Gundersen said that although "ponderous drones such as 'Blue Milk' border on grating, the aggressively unorthodox band lapses into coherent melodies as effortlessly as Burt Bacharach." [21] Elisabeth Vincentelli of Entertainment Weekly wrote that the album "takes time to work its charm, but it's well worth the effort." [15]

In a retrospective review for AllMusic, Tim Sendra stated that while "difficult at times, Cobra is Stereolab at their near best", effectively balancing the band's experimental and pop sensibilities. [14] Reviewing the album in 2019 for Uncut , Louis Pattison commented that in hindsight, "its charms are more evident". [20] The same year, Tim Gane cited Cobra and Phases Group and its follow-up Sound-Dust (2001) as his favourite Stereolab albums in an interview with The Guardian : "I like things that are sprawling and not identified really easily, not easy to digest but there's a lot of possibilities in them." [23]

Track listing

All tracks are written by Tim Gane and Lætitia Sadier.

No.TitleLength
1."Fuses"3:40
2."People Do It All the Time"3:42
3."The Free Design"3:47
4."Blips Drips and Strips"4:28
5."Italian Shoes Continuum"4:36
6."Infinity Girl"3:56
7."The Spiracles"3:40
8."Op Hop Detonation"3:32
9."Puncture in the Radax Permutation"5:48
10."Velvet Water"4:24
11."Blue Milk"11:29
12."Caleidoscopic Gaze"8:09
13."Strobo Acceleration"3:55
14."The Emergency Kisses"5:53
15."Come and Play in the Milky Night"4:38
Total length:75:37
Japanese edition bonus track
No.TitleLength
16."Galaxidion"3:15
Total length:78:52
Limited edition bonus disc
No.TitleLength
1."Escape Pod (From the World of Medical Observations)"3:55
2."With Friends Like These"5:51
3."Les Aimies des memes"5:54
Total length:15:40
2019 expanded edition bonus disc [24]
No.TitleLength
1."Galaxidion"3:17
2."With Friends Like These Pt. 2"2:53
3."Backwards Shug"3:58
4."Continuum" (unreleased original version)2:05
5."Continuum Vocodered" (unreleased)1:13
6."People Do It All the Time" (demo)1:54
7."Op Hop Detonation" (demo)0:59
8."The Spiracles" (demo)1:41
9."Latin Cobra Coda" (demo)0:47
10."Infinity Girl" (demo)2:35
11."Blips, Drips & Strips" (demo)2:35
12."Blue Milk" (demo)3:38
13."Italian Shoes Continuum" (demo)2:17
14."Come and Play in the Milky Night" (demo)2:01
15."Strobo Acceleration" (demo)2:21
16."Caleidoscopic Gaze" (demo)2:07
17."Galaxidion" (demo)1:47
Total length:38:08

Personnel

Credits are adapted from the album's liner notes. [7]

Stereolab

Additional musicians

Production

Design

Charts

Chart (1999–2019)Peak
position
Scottish Albums (OCC) [25] 46
UK Albums (OCC) [26] 92
UK Dance Albums (OCC) [27] 5
UK Independent Albums (OCC) [28] 12
US Billboard 200 [29] 154
US Heatseekers Albums (Billboard) [30] 8

Related Research Articles

Stereolab English-French avant-pop band

Stereolab are an English-French avant-pop band formed in London in 1990. Led by the songwriting team of Tim Gane and Lætitia Sadier, the group's music combines influences from krautrock, lounge and 1960s pop music, often incorporating a repetitive motorik beat with heavy use of vintage electronic keyboards and female vocals sung in English and French. Their lyrics have political and philosophical themes influenced by the Surrealist and Situationist movements. On stage, they play in a more feedback-driven and guitar-oriented style. The band also draw from funk, jazz and Brazilian music, and were one of the first artists to be dubbed "post-rock". They are regarded among the most innovative and influential groups of the 1990s.

Mary Hansen Musical artist

Mary Therese Hansen was an Australian-born guitarist and singer. She joined the London-based avant-pop band Stereolab in 1992. As a member, Hansen recorded six studio albums from Transient Random-Noise Bursts with Announcements to Sound-Dust.

<i>Dots and Loops</i> 1997 studio album by Stereolab

Dots and Loops is the fifth studio album by English-French rock band Stereolab. It was released on 22 September 1997 and was issued by Duophonic Records and Elektra Records. The band co-produced the album with John McEntire and Andi Toma, and recording took place in Chicago and Düsseldorf. The album explores jazz and electronic sounds, and is influenced by bossa nova and 1960s pop music. Its lyrics address matters such as consumerism, the "spectacle", materialism, and human interaction.

<i>Peng!</i> 1992 studio album by Stereolab

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Tim Gane Musical artist

Timothy John Gane is an English songwriter and guitarist who co-founded Stereolab with his then partner Lætitia Sadier.

Duophonic Ultra High Frequency Disks Limited is a British independent record label formed by English-French rock band Stereolab in 1991. The label has two imprints: Duophonic Ultra High Frequency Disks for UK Stereolab releases licensed to various labels worldwide, and Duophonic Super 45s for releases of other artists and certain Stereolab UK-only releases. Duophonic's first release was Stereolab's debut EP Super 45 (1991), limited to 880 copies; of these, forty copies had handmade covers that were produced by Martin Pike in his father's garage.

Lætitia Sadier French singer

Lætitia Sadier is a French musician, best known as a founding member of the London-based avant-pop band Stereolab. In 1996, while Stereolab was still active, she formed the side project Monade. In 2009 — the same year Stereolab became inactive — she ended the Monade project and began to perform solo work under her own name; her current band is known as the Lætitia Sadier Source Ensemble. She has frequently performed guest vocals and collaborations with other artists.

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<i>Emperor Tomato Ketchup</i> (album) 1996 studio album by Stereolab

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<i>Sound-Dust</i> 2001 studio album by Stereolab

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<i>The First of the Microbe Hunters</i> 2000 EP by Stereolab

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