Erasure | ||||
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Studio album by | ||||
Released | 24 October 1995 | |||
Recorded | 1995 | |||
Studio | ||||
Genre | ||||
Length | 71:25 | |||
Label | Mute | |||
Producer | ||||
Erasure chronology | ||||
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Singles from Erasure | ||||
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Review scores | |
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Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
Cash Box | (favorable) [3] |
Music & Media | (favorable) [4] |
NME | 6/10 [5] |
Erasure is the seventh studio album by English synth-pop duo Erasure, released on 23 October 1995 by Mute Records. It was produced by Thomas Fehlmann (of the Orb) and Gareth Jones.
An overtly experimental and introspective album, Erasure contains 11 mostly mid-tempo tracks that differed from their past output of shiny, three-minute pop songs. Most tracks clock in at five minutes or more, several contain long synth interludes, and guest artists include the London Community Gospel Choir and performance artist Diamanda Galás.
Although appreciated for its experimental nature, Erasure marked the beginning of Erasure's slide from the peak of their popularity in the mainstream music world.[ citation needed ] Coming off four consecutive number-one albums in the UK, this album failed to hit the top 10, and two single releases also missed the UK top ten. After a successful top 20 debut on the Billboard 200 for their previous album I Say I Say I Say , Erasure debuted and peaked at number 82 in the US and generated no Hot 100 singles. In Germany the album also peaked lower than previous albums, at number 87.
In an interview with DJ Ron Slomowicz circa 2006, Erasure were asked for their favourite album from their own catalogue. Bell stated "it's a toss-up between Chorus and the self-titled Erasure album from 1995." [6]
Upon its release, Paul Moody of NME considered Erasure to be "almost more of the same" from the duo, except "there's a darker hue to their electronic meanderings this time around". He felt Clarke was "intent on making [a] serious-minded electronic piece" which, in turn, "makes their more heart-warming indulgences altogether less accessible" and resulted in "neither a ground-breaking slide into ambience or a fan-pleasing stomp over familiar ground". He concluded, "The overall impression is of Clarke spending endless weeks in his studio fully believing himself to be orbiting Ursa Minor while Bell blubs and bellows his way through the tormented pages of his diary whenever he gets the chance." [5] Paul Lester of Melody Maker was negative in his review, calling the album "cheesy" and "a bit flat". He remarked the album was like "a Tim Rice/Andrew Lloyd Webber extravaganza set to an electro beat", "soundtrack music for Star Wars 6" and "handbag techno-pop featuring Bell's I-wanna-be-Judy-Garland impressions". He singled out "Stay with Me" as the exception, commenting that "you forget about Bell's grating neo-operatic warble and wonder instead at one of those breathtaking chord sequences Clarke seems to contrive every few years". [7]
Subsequent to their acquisition of Erasure's back catalog, and in anticipation of the band's 30th anniversary in 2016, BMG commissioned reissues of all previously released UK editions of Erasure albums up to and including 2007's Light at the End of the World . All titles were pressed and distributed by Play It Again Sam on 180-gram vinyl and shrinkwrapped with a custom anniversary sticker.
In September 2022, Erasure announced the re-release of their self-titled 7th album in a special hardback book edition, with a bonus CD of remixes, released on 18 November 2022 through Mute/BMG records. [8]
All tracks are written by Andy Bell and Vince Clarke
No. | Title | Length |
---|---|---|
1. | "Intro: Guess I'm into Feeling" | 3:38 |
2. | "Rescue Me" | 6:10 |
3. | "Sono Luminus" | 7:51 |
4. | "Fingers & Thumbs (Cold Summer's Day)" | 6:44 |
5. | "Rock Me Gently" | 10:01 |
6. | "Grace" | 5:54 |
7. | "Stay with Me" | 6:43 |
8. | "Love the Way You Do So" | 6:43 |
9. | "Angel" | 5:32 |
10. | "I Love You" | 6:29 |
11. | "A Long Goodbye" | 5:34 |
Total length: | 71:25 |
No. | Title | Length |
---|---|---|
1. | "Fingers & Thumbs (Cold Summer's Day)" (SoundFactory remix radio edit) | |
2. | "Angel" (Love Eternal remix by TSF) | |
3. | "Rock Me Gently" (Stubbleman remix) | |
4. | "Stay with Me" (guitar mix) | |
5. | "Sono Luminus" (live acoustic version) | |
6. | "True Love Wars" | |
7. | "Hi NRG" | |
8. | "Chertsey Endlos" | |
9. | "Fingers & Thumbs (Cold Summer Day)" (Daybreakers mix) | |
10. | "Stay with Me" (NY mix) | |
11. | "True Love Wars" (Omni mix) | |
12. | "Rock Me Gently" (demo) | |
13. | "Sono Luminus" (demo) | |
14. | "Cold Summer's Day" (Wigstock version) | |
15. | "Rock Me Gently" (Glen Nicholls & Nick Squires remix) |
Chart (1995) | Peak position |
---|---|
Australian Albums (ARIA) [9] | 175 |
Austrian Albums (Ö3 Austria) [10] | 33 |
Canada Top Albums/CDs ( RPM ) [11] | 43 |
European Albums ( Music & Media ) [12] | 80 |
German Albums (Offizielle Top 100) [13] | 87 |
Scottish Albums (OCC) [14] | 25 |
Swedish Albums (Sverigetopplistan) [15] | 26 |
UK Albums (OCC) [16] | 14 |
UK Independent Albums (OCC) [17] | 2 |
US Billboard 200 [18] | 82 |
Region | Certification | Certified units/sales |
---|---|---|
United Kingdom (BPI) [19] | Silver | 60,000‡ |
‡ Sales+streaming figures based on certification alone. |
Wonderland is the debut studio album by English synth-pop duo Erasure, released on 1 May 1986 by Sire Records in the United States and on 2 June 1986 by Mute Records in the United Kingdom and Germany. Not an immediate success, the three singles released from it failed to crack the top 40 in the UK. "Who Needs Love Like That" would eventually make the UK top 10 in 1992, and "Oh L'amour" reached the UK top 20 in 2003, both in remixed form promoting their Pop! The First 20 Hits and Hits! compilations respectively. However, the album fared better in both Germany and Sweden, where it charted within the top 20.
Other People's Songs is a cover album by English synth-pop duo Erasure released on 27 January 2003.
Chorus is the fifth studio album by English synth-pop duo Erasure, released on 14 October 1991 by Mute Records in Germany and the UK and on 15 October 1991 by Sire/Reprise Records in the United States. In 1999, Ned Raggett ranked the album at number 45 in his list of "The Top 136 or So Albums of the Nineties".
I Say I Say I Say is the sixth studio album by English synth-pop duo Erasure, released in 1994 by Mute Records in the UK and Elektra Records in the US. The album was produced by Martyn Ware, who was a founding member of veteran synth-pop groups the Human League and Heaven 17.
Wild! is the fourth studio album by English synth-pop duo Erasure. Released in October 1989, the album was produced by the band, along with Gareth Jones and Mark Saunders, and released by Mute Records in the UK and Sire Records in the U.S.
Cowboy is the eighth studio album by English synth-pop duo Erasure, released on 31 March 1997 by Mute Records. In the United States, it was released by Madonna's former label Maverick Records. Cowboy was produced by Gareth Jones and Neil McLellan and marked the band's return to more simplistic three-minute synth-pop music.
Loveboat is the ninth full-length studio album by English synth-pop duo Erasure. Released in the UK by Mute Records in 2000, it was produced by Erasure and Flood. It proved to be their least successful in terms of sales and charts since their debut Wonderland in 1986.
Hits! The Very Best of Erasure is the second greatest hits album by English synth-pop duo Erasure, released on 20 October 2003 by Mute Records. Capitalising on a resurgence of Erasure's music after their successful covers album Other People's Songs, Mute released Hits! in order to reintroduce people to the duo's music and to give an update to their 1992 singles compilation Pop! The First 20 Hits.
"Who Needs Love Like That" is the debut single of English synth-pop duo Erasure. The song was released in the UK on Mute Records in 1985 as a prelude to their debut album, Wonderland (1986). The accompanying music video was directed by John Scarlett Davies and produced by Nick Verden for Aldabra. While the original 1985 release enjoyed only minor success, the later "Hamburg Mix" version reached the top 10 in both the UK and Ireland.
"A Little Respect" is a song written and recorded by British synth-pop duo Erasure, released in September 1988 by Mute. It was written by Vince Clarke and Andy Bell. The lyrics are a plea to a lover to show compassion and respect. The heavily synthesized instrumentation is accentuated by acoustic guitar and Bell's vocal falsetto in the chorus. It was their tenth single and was taken from their third studio album, The Innocents (1988). Known as one of their signature songs, the single reached number four on the UK Singles Chart and was Erasure's second consecutive top-20 hit on the US Billboard Hot 100, where it made number 14, and reached number two on the US Billboard Dance Club Play chart.
"Drama!" is the first single released from English synth-pop duo Erasure's fourth studio album, Wild! (1989). Written by Vince Clarke and Andy Bell, the song begins with a low-key keyboard line and a subdued vocal from Bell. As the song progresses, the instrumentation and vocals become more hectic, ultimately ending as a full-blown dance track. "Drama!" contains a "Guilty!" exclamation throughout, provided by Scottish band the Jesus and Mary Chain, who were recording in the studio next door. The song was met with critical acclaim from both music critics and fans.
"Am I Right?" is a song by English synth-pop duo Erasure, released in November 1991 in Europe and Canada as the third single from their fifth studio album, Chorus (1991). Written by Erasure members Vince Clarke and Andy Bell, the ballad peaked at number 15 on the UK Singles Chart.
"Stay with Me" is a song by English synth-pop duo Erasure, released in September 1995 by Mute Records as the lead single from their self-titled, seventh studio album, Erasure (1995). Written by Vince Clarke and Andy Bell, it is a slow love ballad. Starting with simple synth chords from Clarke and subdued vocal from Bell, the song builds to a mid-tempo gospel-influenced conclusion, complete with vocal contributions from the London Community Gospel Choir. Like the other two singles from this album, it was edited for its release. In an interview with John Marshall from Lincs FM in 2009, Bell stated that "Stay With Me" was one of his favourite Erasure songs.
"Rock Me Gently" is a song by English synth-pop duo Erasure. It was written by group members Vince Clarke and Andy Bell, and appears on their seventh studio album, Erasure (1995). Mute Records released it in February 1996 as a single in selected European countries, including Germany and Czech Republic. It was not released in the UK or the US. In its album form, the song is an extended, ten-plus minutes mid-tempo synth ballad with ambient elements and a free-form vocal performance by American singer Diamanda Galás, during the song's breakdown. Bell's lead vocals were accentuated by the London Community Gospel Choir, who sang background. "Rock Me Gently" was significantly altered for its single release, adding a radio-friendly drum track to the mix and editing out most of the Galás interlude. An extended version of this mix was included on the CD single, retaining the Galás section while keeping the new instrumentation.
"In My Arms" is a synth-pop ballad by English duo Erasure. Written by Vince Clarke and Andy Bell, the song was released in 1997, as the lead single from their album Cowboy. The album version was released as the single version in both the UK and the US, and the lead synthesizer melody performed during the song's middle eight section was mixed lower for the American version. It was issued by Mute Records in the UK and by Maverick Records in the US. The cover for the US single release was used as an example in the book The 7 Essentials of Graphic Design by Allison Goodman.
Light at the End of the World is the thirteenth studio album by English synth-pop duo Erasure, released on 14 May 2007 by Mute Records. The album's release was announced on the band's website on 26 January 2007 in a video message from members Vince Clarke and Andy Bell. It reached the UK top 30 upon its release.
Tomorrow's World is the fourteenth studio album by English synth-pop duo Erasure, released by Mute Records in the United Kingdom on 3 October 2011 and in North America on 11 October 2011. As with their previous album, Light at the End of the World (2007), Tomorrow's World reached number 29 on the UK Albums Chart.
World Be Gone is the seventeenth studio album by English synth-pop duo Erasure, released by Mute Records on 19 May 2017 in the United Kingdom and on 20 May 2017 in North America. The album reached number six on the UK Albums Chart, dropping out of the chart the next week.
World Be Live is a live album by the English synthpop duo Erasure, released by Mute Records in 2018. The album is the third in a trilogy of releases, following studio albums World Be Gone in 2017 and World Beyond in 2018.
The Neon is the eighteenth studio album by English synth-pop duo Erasure, released on 21 August 2020 by Mute Records. The album debuted at number four on the UK Albums Chart with 8,394 copies sold in its first week.