Tour by the Sex Pistols | |
Start date | 21 June 1996 |
---|---|
End date | 7 December 1996 |
No. of shows | 72 |
The Filthy Lucre Tour was a concert tour by English punk rock band Sex Pistols. Announced in March 1996 following speculation and criticism from the band's former manager Malcolm McLaren and a reviewer for The Times , the tour was conducted for financial reasons and named after a 1976 Daily Express headline. The setlist was composed entirely of previously existing material and signature covers and ran from their 21 June 1996 performance at Messila Festival in Finland to their 7 December 1996 performance at Estadio Monumental David Arellano in Chile. Their Finsbury Park appearance was filmed and released as Filthy Lucre Live , while their dates in Ireland were cancelled on moral grounds and their Roskilde Festival performance was truncated after the band were bottled. The tour itself was criticised by reviewers for NME , Melody Maker , The Times, The Herald, the Los Angeles Times , and Variety and later by Skin but praised by reviewers from The New York Times and later by Rolling Stone , while the album was praised by Stephen Thomas Erlewine and a reviewer for The Independent .
The Sex Pistols achieved widespread notoriety after appearing on Bill Grundy's Today programme in December 1976. At the time, the band comprised Johnny Rotten, Steve Jones, Paul Cook, and Glen Matlock, with the band's manager Malcolm McLaren replacing Matlock with Sid Vicious [1] in February 1977. [2] With the latter lineup, the band had a UK number one album with Never Mind the Bollocks, Here's the Sex Pistols [3] and a controversial UK top two single with "God Save the Queen". [4] The band split up in January 1978 after a concert at Winterland Ballroom, with Rotten changing his name back to John Lydon and declining to perform any Sex Pistols songs for several years afterward. [5] Vicious died of a heroin overdose in 1979 while awaiting trial for the murder of Nancy Spungen. [6] After finding he had time on his hands while in Los Angeles, Matlock decided to meet Jones, with whom he decided to meet Lydon, [1] who had mellowed on the idea of performing Sex Pistols songs again after venting his frustrations in his 1994 autobiography Rotten: No Irish, No Blacks, No Dogs. [5]
The band began making arrangements to reunite in summer 1995. [5] Speculation that the band would reunite made the 10 February 1996 issue of Melody Maker, [7] prompting McLaren to describe the band as "being sent out like those old dray horses before they go to pasture" and David Sinclair of The Times to write that for "anyone who recalls with fondness the incandescent glory of the Pistols in their prime, [...] the idea of the band that once set out to bury the rock establishment returning as yet another revivalist cabaret act is almost too sad to contemplate". [8] The four original Sex Pistols announced their reunion at a testy press conference on 18 March 1996, [7] at which Rotten described Vicious as "nothing more than an empty coathanger to fill an empty spot onstage". [9] The band made no attempt to hide the fact that they still hated each other and had reunited solely for financial reasons, with Rotten stating that the band's "common cause" was "your money". [10] They named their tour "Filthy Lucre" after a tabloid headline in the Daily Express ("Punk? Call It Filthy Lucre") shortly after their Today appearance. [11]
No new material was written for the tour, with the band augmenting their discography with covers of "Substitute" by the Who, "No Fun" by the Stooges and "(I'm Not Your) Steppin' Stone" by the Monkees, [9] although their Roseland Ballroom concert in August 1996 comprised Bollocks plus "Did You No Wrong", "Stepping Stone", and "Satellite". [12] Rehearsals took place at Lydon's home in Los Angeles. [13] Their first gig took place in Finland, [5] followed by Germany and then at Finsbury Park, at which they were supported by 60 Ft. Dolls, Goldblade, 3 Colours Red, Fluffy, Stiff Little Fingers, the Buzzcocks, Skunk Anansie, the Wildhearts, and Iggy Pop. [14] Their Finsbury Park performance was released as Filthy Lucre Live shortly after it was recorded [15] and reached number 26 on the UK Albums Chart; around this time, Bollocks was reissued and peaked at number 45. [3] At their Hollywood Palladium concert in August 1996, the band were supported by Goldfinger and Gravity Kills. [16] Many of the tour's venues were significantly larger than during their 1970s run as the band had broken up before they could play any large venues [5] and were kitted out with enlarged headlines from their heyday. [12]
Two dates in Ireland were scheduled, one in Belfast and one in Dublin; [7] these were cancelled after the band were banned from playing in the country on grounds of "blasphemous content" [17] and replaced by a performance at Shepherd's Bush Empire. [7] A performance at Roskilde Festival in Denmark resulted in the band leaving the stage after eighteen minutes after being bottled. Some regarded the band's early departure as hypocritical given that the Sex Pistols had become notorious for misbehaving, [18] however the journalist Denis Decay was sufficiently disgruntled to drug the festivalgoers responsible. [19] In a January 2019 NME interview, Skin of Skunk Anansie stated that she did not enjoy touring with the Sex Pistols due to the racism administered by audiences and criticised Rotten for his failure to address the matter. She also stated that her band had been thrown off the tour after she stood up to a racist fan in Adelaide who had thrown her hat on the floor and thrown beer over her. [20]
Early reviews were not positive. Sinclair criticised their Finsbury Park performance for its "arthritic rhythm section" and its set list for "lacking depth and variety", wrote that it was "hard to ignore the element of pantomime in the performance", and described Lydon as looking "more like a postcard-punk caricature than he ever did in his original incarnation". [7] MJ of Melody Maker compared their Phoenix Festival performance to a cabaret show and Rotten to a "pink and green-haired Liza Minnelli", [7] while the NME described the band as "bloated, dilapidated dinosaurs". [21] Robert Hilburn of the Los Angeles Times wrote of a Red Rocks Amphitheatre performance in July 1996 that the band was not the Sex Pistols but the "Cap Pistols", mocking the "decidedly overweight and apparently out of shape" Rotten's "god-awful red, black and chartreuse outfit that makes him look either like an usher at a midnight screening of The Rocky Horror Picture Show or the next loony villain in a Batman movie". [22]
Jon Pareles of The New York Times wrote that during their August 1996 Roseland Ballroom concert, Rotten "sang as if every bitter, defiant, sarcastic word was exactly what he wanted to say", though wrote that the Pistols played "more slowly than current punks". [12] Reviewing a Hollywood Palladium performance later that month, Troy J. Augusto of Variety wrote that the Pistols "executed a workman-like, hour-long punk show that was short on energy, both on stage and in the sheepish pits that moped on the floor in front of the stage, but long on musical nostalgia". He also criticised Goldfinger for delivering "a half-hearted set that couldnt have interested the audience any less"[ sic ] and described Gravity Kills as "a weak and trendy Nine Inch Nails rip-off whose hyperactive keyboardist should be given a sedative, followed by many piano lessons". [16] Writing retrospectively, The Herald wrote in June 2007 that the band's efforts were "a bit like watching grandpa attempt to emulate Eminem after a one too may sherries on Christmas day"[ sic ], [23] however Andy Greene of Rolling Stone was more positive in January 2013, describing the shows as "absolutely explosive". [9]
Reviewing Filthy Lucre Live, The Independent favourably compared Rotten with Roy Chubby Brown and wrote that the album "springs from the speakers with more spunk and drive than we have any right to expect, sounding just as angry as a two-decade grudge should". [24] Stephen Thomas Erlewine of AllMusic wrote that the band sounded "much heavier and less revolutionary than expected" and wrote that it was "fun to hear a live performance by the Pistols that doesn't degenerate into chaos and is recorded in clean audio". [15] Robert Christgau described the album as "that rare thing, a live album with a life of its own". [25] In March 2014, Matlock released a book about the tour, [26] and in August 2024, Barbara Ellen of The Guardian compared the controversy surrounding the forthcoming Oasis Live '25 Tour to that of Filthy Lucre. [27]
Date | City | Country | Venue |
---|---|---|---|
21 June | Lahti | Finland | Messila Festival |
22 June | Munich | Germany | Helter Skelter Festival |
23 June | London | England | Finsbury Park |
26 June | Stockholm | Sweden | Maritime Museum |
28 June | Roskilde | Denmark | Roskilde Festival |
30 June | St. Gallen | Switzerland | Open-Air Festival |
4 July | Paris | France | Zénith Paris |
6 July | Berlin | Germany | Treptow Arena |
7 July | Prague | Czechia | Sports Hall |
9 July | Ljubljana | Slovenia | Tivoli Hall |
10 July | Rome | Italy | Curva Stadio |
11 July | Milan | Parco Aquatica | |
13 July | Ochtrup | Germany | Munster Festival |
14 July | Frankfurt | F.a.n. Frankenstolz Arena | |
16 July | Glasgow | Scotland | SEC Centre |
17 July | London | England | Shepherd's Bush Empire |
20 July | Zeebrugge | Belgium | Axion Beach Festival |
21 July | Stratford-upon-Avon | England | Phoenix Festival |
31 July | Denver | United States | Red Rocks Amphitheatre |
2 August | Dallas | Music Complex | |
3 August | Houston | International Ballroom | |
4 August | Memphis | Mud Island Amphitheater | |
6 August | Fairfax | EagleBank Arena | |
8 August | New York | Roseland Ballroom | |
9 August | |||
10 August | Boston | Xfinity Center | |
12 August | Toronto | Canada | Budweiser Stage |
13 August | Cleveland | United States | Jacobs Pavilion |
16 August | Detroit | Huntington Place | |
17 August | Chicago | Aragon Ballroom | |
18 August | Milwaukee | The Rave/Eagles Club | |
20 August | Toronto | Canada | The Guvernment |
22 August | Los Angeles | United States | Universal Amphitheatre |
23 August | Hollywood Palladium | ||
25 August | |||
27 August | Mountain View | Shoreline Amphitheatre | |
29 August | Portland | Keller Auditorium | |
30 August | Seattle | Bumbershoot | |
31 August | Vancouver | Canada | Pacific National Exhibition |
5 October | Auckland | New Zealand | Super Top |
9 October | Brisbane | Australia | Brisbane Festival Hall |
11 October | Newcastle | Entertainment Centre | |
12 October | Sydney | Selina's Nitespot | |
14 October | Hordern Pavilion | ||
17 October | Canberra | National Convention Centre Canberra | |
19 October | Melbourne | Festival Hall | |
20 October | Palace Theatre | ||
22 October | Adelaide | Thebarton Theatre | |
24 October | Perth | Entertainment Centre | |
28 October | Kanagawa | Japan | Club Citta |
29 October | |||
31 October | Osaka | Imperial Hall | |
1 November | |||
2 November | |||
4 November | Tokyo | Nippon Budokan | |
5 November | |||
7 November | Fukuoka | Sun Palace | |
9 November | Nagoya | Diamond Hall | |
10 November | |||
11 November | |||
13 November | |||
14 November | |||
16 November | Tokyo | Nippon Budokan | |
17 November | Matsumoto | Syakaibunka Kaikan | |
19 November | Kanagawa | Club Citta | |
21 November | Sapporo | Nitori Culture Hall | |
23 November | Sendai | Sendai Sun Plaza | |
29 November | Rio De Janeiro | Brazil | Praça da Apoteose |
30 November | São Paulo | Pista de Atletismo Darwin Piñeyrúa | |
4 December | Buenos Aires | Argentina | Estadio Obras Sanitarias |
5 December | |||
7 December | Santiago | Chile | Estadio Monumental David Arellano |
Date | City | Country | Venue |
---|---|---|---|
17 July | Belfast | Ireland | Maysfield Centre |
18 July | Dublin | Point Theatre |
The Sex Pistols are an English punk rock band formed in London in 1975. Although their initial career lasted just two and a half years, they became culturally influential in popular music. The band initiated the punk movement in the United Kingdom and inspired many later punk, post-punk and alternative rock musicians, while their clothing and hairstyles were a significant influence on the early punk image.
Simon John Ritchie, better known by his stage name Sid Vicious, was an English musician, best known as the second bassist for the punk rock band Sex Pistols. Despite dying in 1979 at the age of 21, he remains an icon of the punk subculture; one of his friends noted that he embodied "everything in punk that was dark, decadent and nihilistic."
Glen Matlock is an English musician, best known for being the bass guitarist in the original line-up of the punk rock band the Sex Pistols. He is credited as a songwriter on 10 of the 12 songs on the Sex Pistols' only officially released studio album, Never Mind the Bollocks, Here's the Sex Pistols, although he had left the band early in the recording process, credited as bassist and backing vocalist on only one song on the album, "Anarchy in the U.K." However, on the bootleg album Spunk, Matlock played bass on all the songs, which included earlier studio recordings of 10 of the 12 songs that later appeared on the Bollocks album.
Never Mind the Bollocks, Here's the Sex Pistols is the only studio album by English punk rock band the Sex Pistols, released on 28 October 1977 through Virgin Records in the UK and on 11 November 1977 through Warner Bros. Records in the US. As a result of the Sex Pistols' volatile internal relationships, the band's lineup saw changes during the recording of the album. Original bass guitarist Glen Matlock left the band early in the recording process, and while he is credited as a co-writer on all but two of the tracks, he only played bass and sang backing vocals on one track, "Anarchy in the U.K." Recording sessions continued with a new bass player, Sid Vicious, who is credited on two of the songs written by the band after he joined. While Vicious's bass playing appeared on two tracks, his lack of skill on the instrument meant that many of the tracks were recorded with guitarist Steve Jones playing bass instead. Drummer Paul Cook, Jones and singer Johnny Rotten appear on every track. The various recording sessions were led alternately by Chris Thomas or Bill Price, and sometimes both together, but as the songs on the final albums often combined mixes from different sessions, or were poorly documented who was present in the recording booth at the time, each song is jointly credited to both producers.
Sid and Nancy is a 1986 British biographical film directed by Alex Cox, co-written with Abbe Wool, and starring Gary Oldman and Chloe Webb. The film portrays the life of Sid Vicious, bassist of the punk rock band the Sex Pistols, and his destructive relationship with girlfriend Nancy Spungen. The film also features supporting performances from David Hayman, Xander Berkeley, and Courtney Love.
"Anarchy in the U.K." is a song by English punk rock band the Sex Pistols. It was released as the band's debut single on 26 November 1976 and was later featured on their album Never Mind the Bollocks, Here's the Sex Pistols. "Anarchy in the U.K." was number 56 on Rolling Stone magazine's list of the 500 Greatest Songs of All Time and is included in the Rock and Roll Hall of Fame's 500 Songs That Shaped Rock and Roll.
"God Save the Queen" is a song by the English punk rock band the Sex Pistols. It was released as the band's second single and was later included on their only studio album, Never Mind the Bollocks, Here's the Sex Pistols. The song was released during Queen Elizabeth II's Silver Jubilee in 1977.
Flogging a Dead Horse is a compilation album of singles by Sex Pistols, released after their break-up, and includes the four songs issued as singles A-sides that were included on Never Mind the Bollocks, Here's the Sex Pistols, three of their B-sides, and the six A-sides taken from The Great Rock 'n' Roll Swindle and one B-side, "My Way".
"Pretty Vacant" is a song by the English punk rock band the Sex Pistols. It was released on 1 July 1977 as the band's third single and was later featured on their only album, Never Mind the Bollocks, Here's the Sex Pistols, released during that same year. It is the first song written by the band.
"Belsen Was a Gas" is a song by the English punk rock band the Sex Pistols, about one of the Nazi concentration camps in Nazi Germany liberated by British troops in 1945, Bergen-Belsen.
Pankrti are a punk rock band from Ljubljana, Slovenia, active in the late 1970s and 1980s. They were known for provocative and political songs. They billed themselves as The First Punk Band Behind The Iron Curtain. They are one of the most important former Yugoslav punk groups and one of the first punk rock bands ever formed in a communist country.
"Bodies" is a song by the Sex Pistols, from their 1977 album Never Mind the Bollocks, Here's the Sex Pistols. The song tackles the subject of abortion with lyrics described as "some of the most uncompromising, gut-wrenching lyrics imaginable".
Spunk is a bootleg demo album by the English punk rock band the Sex Pistols. It was originally released in the United Kingdom during September or October 1977.
Sex Pistols is a box set anthology of the career of the punk band The Sex Pistols with singer Johnny Rotten. It was released on 3 June 2002. The set comprises three themed CDs and an 80-page booklet.
Filthy Lucre Live is a 1996 live album by the reformed Sex Pistols. The album was recorded live at London's Finsbury Park on 23 June 1996 during the band's Filthy Lucre Tour. BBC Radio 1 broadcast the concert live, featuring the complete show, including the final encore of "No Fun". "No Fun" was not included on the standard edition of the album; however, it was included in as an exclusive bonus track on Filthy Lucre Live's release in Japan, making the EMI-released Japanese edition the only release to include the complete show in its entirety.
D.O.A.: A Right of Passage is a 1980 rockumentary film directed by Lech Kowalski about the origin of punk rock. The rockumentary takes interview and concert footage of some of punk rock's earliest bands of the late 1970s scene. It features live performances by the Sex Pistols, The Dead Boys, Generation X, The Rich Kids, X-Ray Spex, and Sham 69, with additional music from The Clash, Iggy Pop, and Augustus Pablo.
John Joseph Lydon, also known by his former stage name Johnny Rotten, is a British-born singer, songwriter, author, and television personality. He was the lead vocalist of the punk rock band the Sex Pistols, which was active from 1975 to 1978, and again for various revivals during the 1990s and 2000s. He is also the lead vocalist of post-punk band Public Image Ltd (PiL), which he founded and fronted from 1978 until 1993, and again since 2009.
Steve Dior is a British singer, guitarist and songwriter best known for being in bands such as The London Cowboys, Filthy Lucre and The Idols.
Rotten: No Irish, No Blacks, No Dogs is an autobiography by John Lydon, former singer, songwriter, and front man of the punk band Sex Pistols. Co-authors of the autobiography are Keith and Kent Zimmerman. The book was first published in 1994 by St Martin's Press (USA) and Hodder & Stoughton (UK), a second edition became available in 2008 by Plexus Publishing (UK) and Picador (US).
Pistol is a British biographical musical drama television miniseries about British punk band the Sex Pistols. It was created by Craig Pearce for FX and directed by Danny Boyle. The series follows Sex Pistols guitarist Steve Jones and the band's rise to prominence and notoriety. It premiered on FX on Hulu in the US and Disney+ in the UK on May 31, 2022. The series was removed from both streaming services on May 26, 2023 as part of a broader cost cutting initiative under Disney CEO Bob Iger, rendering it lost media by legal means.