The following is the list of 222 paintings indexed as autograph by Frans Hals, written by the art historian and Hals specialist Seymour Slive in 1974. The list is by catalogue number and is more or less in order of creation, starting from around 1610 when Hals began painting on his own. Most of these works are still considered autograph, but in the intervening half-century since Slive's work began, several others have been added to the list, including a few from Slive's "L" list of 20 lost paintings and a few from his "D" list of 81 doubtful attributions. In addition to these 101 rejections, Slive occasionally mentions other engravings and paintings in various catalogue entries, including as much provenance as possible, which has enabled scholars to make a few attributions based on those as well. The full number of paintings referenced in the Slive 1974 catalogue, whether by catalogue entry, illustration, or publication reference, is over 400. The autograph catalogue entries are as follows:
Cat. no. | Image | Title | Year | Size | Inventory no. | Gallery | Location |
---|---|---|---|---|---|---|---|
1 | Portrait of Jacobus Zaffius (fragment of original?) | 1611 | 54.6 x 41.2 cm | OSI-511/486 | Frans Hals Museum | Haarlem | |
2 | Portrait of an unknown man with a skull in his hand | c.1611 | 94 × 72.5 cm | 38.6 (pendant to 267) | The Barber Institute of Fine Arts | Birmingham | |
3 | Portrait of a Woman Standing | c.1611 | 94.2 × 71.1 cm | 267 (pendant to 38.6) | Devonshire Collection | Chatsworth House | |
4 | Portrait of an unknown man | 1612–1616 | 73.7 × 55.2 cm | 32.821 | Brooklyn Museum | New York City, NY | |
5 | Shrovetide Revellers | 1616–1617 | 131.4 × 99.7 cm | 14.40.605 | The Metropolitan Museum of Art | New York City, NY | |
6 | Portrait of Pieter Cornelisz van der Morsch | 1616 | 88.1 x 69.5 cm | 61.42.2 | Carnegie Museum of Art | Pittsburgh, PA | |
7 | The Banquet of the Officers of the St George Militia Company in 1616 | 1616 | 175 × 324 cm | OSI-109 | Frans Hals Museum | Haarlem | |
8 | Portrait of Theodorus Schrevelius | 1617 | 14.5 x 12 cm | OS 2003–18 | Frans Hals Museum | Haarlem | |
9 | Portrait of an unknown man | 1619 | 89 x 76 cm | 1366 | Musée des Beaux-Arts de Dijon | Dijon | |
10 | Portrait of a Man Standing (Kassel) | 1618–1620 | 102.5 × 79 cm | 213 (pendant to 214) | Museum Schloss Wilhelmshöhe | Kassel, DE | |
11 | Portrait of a Woman Standing (Kassel) | 1618–1620 | 103 × 82.5 cm | 214 (pendant to 213) | Museum Schloss Wilhelmshöhe | Kassel, DE | |
12 | Portrait of Paulus van Beresteyn | 1620s | 137.1 x 104 cm | R.F. 424 (pendant to R.F. 425) | Musée du Louvre | Paris | |
13 | Portrait of Catharina Both van der Eem, possibly finished by Pieter Soutman | 1620s | 137.2 x 99.8 cm | R.F. 425 (pendant to R.F. 424) | Musée du Louvre | Paris | |
14 | Portrait of Catharina Hooft with her Nurse | 1619–1620 | 86 x 65 cm | 801G | Gemäldegalerie | Berlin | |
15 | Portrait of the family Gijsbert Claesz van Campen (fragment; baby in lower left added by Salomon de Bray in 1628) | c. 1620 | 151 × 163.6 cm | left part of 4732 | Toledo Museum of Art | Toledo, OH | |
16 | Portrait of Three Children with a Goat Cart (fragment of Gijsbert Claesz van Campen family group) | c. 1620 | 152 x 107.5 cm | 4732 (right fragment) | Koninklijke Musea voor Schone Kunsten of Belgium | Brussels | |
17 | Marriage Portrait of Isaac Massa and Beatrix van der Laen | 1622 | 140 x 166.5 cm | A 133 | Rijksmuseum, Amsterdam | Amsterdam | |
18 | (Possibly) portrait of Isaac Massa | 1622 | 107 × 85 cm | Devonshire Collection | Chatsworth House | ||
19 | The Lute Player (Hals) | c. 1623–1624 | 70 x 62 cm | R.F. 1984-32 | Musée du Louvre | Paris | |
20 | Young Man and Woman in an Inn ("Yonker Ramp and His Sweetheart") | c.1623 | 105 x 79 cm | The Metropolitan Museum of Art | New York City, NY | ||
21 | The Smoker, also known as "Three Heads" | 1623–1625 | 46.7 x 49.5 cm | 89.15.34 | The Metropolitan Museum of Art | New York City, NY | |
22 | A young woman with a glass and flagon | c.1635 | 77.3 x 63.5 cm | private collection; on long term loan to FHM | Haarlem | ||
23 | Two singing boys with a lute and a music book | 1620–1625 | 76 x 52 cm | GK 215 | Museum Schloss Wilhelmshöhe | Kassel, DE | |
24 | Boy with a glass and a lute (The Fingernail Test) | 1625–1630 | 72.1 × 59.1 cm | 14.40.604 | The Metropolitan Museum of Art | New York City, NY | |
25 | Boy with flute | 1623–1625 | 62 x 55 cm | 801A | Gemäldegalerie | Berlin | |
26 | Boy with a Glass and a Lute | 1625–1630 | 100 x 90 cm | Guildhall Art Gallery | London | ||
27 | Head of a boy facing left with a flute | 1620–1625 | 27.94 cm diameter | Private collection | unknown | ||
28 | Laughing boy | 1625 | 27.94 cm diameter | AC1992.152.144 | Los Angeles County Museum of Art | Los Angeles, CA | |
29 | Laughing boy | c. 1625 | 30.45 cm diameter | 1032 | Mauritshuis | The Hague | |
30 | Portrait of Tieleman Roosterman (the Laughing Cavalier ) | 1624 | 83 x 67 cm | 84 | The Wallace Collection | London | |
31 | Portrait of Willem van Heythuysen posing with a sword | 1625–1630 | 204.5 x 134.5 cm | 14101 | Alte Pinakothek | Munich | |
32 | Portrait of Jacob Pietersz Olycan | 1625 | 124.6 x 97.3 cm | 459 (pendant to 460) | Mauritshuis | The Hague | |
33 | Portrait of Aletta Hanemans (1606–1653) | 1625 | 124.8 x 98.2 cm | 460 (pendant to 459) | Mauritshuis | The Hague | |
34 | Portrait of a Bearded Man with a Ruff | 1625 | 76.2 x 63.5 cm | 49734 | The Metropolitan Museum of Art | New York City, NY | |
35 | Portrait of a man facing left | 1625 | 26.2 x 20 cm | 801F | Staatliche Museen Berlin-Dahlem | Berlin | |
36 | Portrait of Petrus Scriverius | 1626 | 22.2 x 16.5 cm | 29.100.8 (pendant to 29.100.9) | The Metropolitan Museum of Art | New York City, NY | |
37 | Portrait of Anna van der Aar (born 1576/77, died after 1626) | 1626 | 22.2 x 16.5 cm | 29.100.9 (pendant to 29.100.8) | The Metropolitan Museum of Art | New York City, NY | |
38 | Portrait of Michiel Jansz van Middelhoven (1562–1638) | 1610–1626 | 87 x 70 cm | Collection Adolphe Schloss | unknown | ||
39 | Portret van Sara Andriesdr Hessix | 1626 | 87 x 70 cm | Museu Calouste Gulbenkian | Lisbon | ||
40 | Portrait of an unknown man | c.1633 | 102.9 × 88.9 cm | Tokyo Fuji Art Museum | Tokyo | ||
41 | Portrait of a preacher | c.1635 | 62 x 52 cm | 1930.186 | Fogg Art Museum | Cambridge, MA | |
42 | Portrait of Isaak Abrahamsz. Massa | 1626 | 79.7 × 65.1 cm | 54/31 | The Art Gallery of Ontario | Toronto, Canada | |
43 | The evangelist Luke | 1625 | 70 x 55 cm | 181 | Odessa Museum of Western and Eastern Art | Odessa | |
44 | The evangelist Matthew | 1625 | 70 x 55 cm | 180 | Odessa Museum of Western and Eastern Art | Odessa | |
45 | The Banquet of the Officers of the St Adrian Militia Company in 1627 | 1627 | 183 × 266.5 cm | OSI-111 (1913) | Frans Hals Museum | Haarlem | |
46 | The Banquet of the Officers of the St George Militia Company in 1627 | 1627 | 179 × 257.5 cm | OSI-110 | Frans Hals Museum | Haarlem | |
47 | Portrait of Johannes Acronius | 1627 | 19.4 x 17.2 cm | 767 | Gemäldegalerie | Berlin | |
48 | Portrait of an unknown man | c.1627 | 20 × 14.2 cm | 766 | Gemäldegalerie | Berlin | |
49 | Portrait of (probably) Johannes Saekma | 1628 | 22 x 17.5 cm | Private collection | unknown | ||
50 | Portrait of (possibly) Johannes Saekma or Theodorus Schrevelius | 1628 | 22.8 cm diameter | Private collection | unknown | ||
51 | Portrait of (possibly) Hylcke Boner or Maria van Teylingen | 1628 | 22.8 cm diameter | Private collection | unknown | ||
52 | Portrait of a Woman in a Chair | 1627 | 87 x 67 cm | 1954.287 | The Art Institute of Chicago | Chicago, IL | |
53 | Boy playing a violin | 1625–1630 | 18.4 × 18.8 cm | Private collection | unknown | ||
54 | Singing Girl | 1626–1630 | 18.2 × 18.4 cm | Private collection | unknown | ||
55 | Laughing Fisherboy | 1627–1630 | 82 x 60.2 cm | Schloss Burgsteinfurt | Steinfurt, Westphalia | ||
56 | Violin playing man in a dune landscape | c. 1630 | 86.4 x 70 cm | 178 | Museo Thyssen-Bornemisza | Madrid, Spain | |
57 | Portrait of a man with the jawbone of a cow in his hand (Pieter Verdonck) | c. 1627 | 46.7 x 35.6 cm | NG1200 | National Gallery of Scotland | Edinburgh | |
58 | Boy with a glass and a pewter jug | 1625–1630 | 38 cm diameter | G2476 | Staatliches Museum Schwerin | Schwerin | |
59 | Laughing boy with a flute | 1625–1630 | 37.3 cm diameter | G2475 | Staatliches Museum Schwerin | Schwerin | |
60 | Two laughing boys with mug of beer | 1626–1627 | 68 x 56.5 cm | Br.L.4 | Museum Boijmans Van Beuningen | Rotterdam | |
61 | Young Man with a Skull | c. 1626–28 | 92.2 x 80.8 cm | NG6458 | National Gallery | London | |
62 | Young woman (The Gypsy Girl - Malle Babbe) | c. 1625 | 57.8 x 52.1 cm | M.I. 926 | Musée du Louvre | Paris | |
63 | The Merry Drinker | 1630 | 81 x 66.5 cm | SK A 135 | Rijksmuseum | Amsterdam | |
64 | Laughing man with crock, known as 'Peeckelhaeringh' | c. 1628–1630 | 75 x 61.5 cm | 216 | Museum Schloss Wilhelmshöhe | Kassel, DE | |
65 | The 'Mulatto' | 1628–1630 | 72 x 57.5 cm | 1017 | Museum der bildenden Künste | Leipzig | |
66 | Portrait of a seated young man with a broad brim hat | 1626–1929 | 29.3 × 23.2 cm | 1940.1.12 | National Gallery of Art | Washington, D.C | |
67 | Portrait of an unknown man | 1625–1649 | 115.5 x 91.5 cm | 1910.1.69 | The Frick Collection | New York City, NY | |
68 | Portrait of an unknown man with gloves | 1630 | 116,8 x 90,2 cm | RCIN 405349 | Royal Collection | London | |
69 | Portrait of a man with a pleated collar | 1634 | 68 x 58 cm | Museo Nacional de San Carlos | Mexico City | ||
70 | Young woman (by Frans Hals) with a display of fruit and vegetables (by Claes van Heussen) | 1630 | 157 x 200 cm | private collection | London | ||
71 | Fisher boy in a landscape | c. 1630 | 74 cm x 61 cm | 188 | Royal Museum of Fine Arts, Antwerp | Antwerp | |
72 | Smiling Fishergirl | 1630–1632 | 80.6 x 66.7 cm | Private collection | unknown | ||
73 | Fisher boy with basket | c. 1630 | 28.3 × 22.8 in | 193 | National Gallery of Ireland | Dublin | |
74 | Portrait of a man with a beer jug | c.1630–1635 | 83 × 66 cm | Private collection | unknown | ||
75 | Drinking woman (Malle Babbe) with an owl on her shoulder | 1630–1635 | 75 x 64 cm | 801C | Gemäldegalerie | Berlin | |
76 | Portrait of Samuel Ampzing | 1630 | 16.2 x 12.3 cm | Private collection | unknown | ||
77 | Portrait of Nicolaes Woutersz van der Meer | 1631 | 128 x 100.5 cm | OSI-117 (pendant to OSI-118) | Frans Hals Museum | Haarlem | |
78 | Portrait of Cornelia Claesdr Vooght | 1631 | 126.5 x 101 cm | OSI-118 (pendant to OSI-117) | Frans Hals Museum | Haarlem | |
79 | The Officers of the St Adrian Militia Company in 1633 | 1633 | 207 x 337 cm | OSI-112 | Frans Hals Museum | Haarlem | |
80 | The company of Captain Reinier Reael and Lieutenant Cornelis Michielsz. Blaeuw, known as the ‘Meagre Company’ | 1633–1637 | 209 x 429 cm | SK C 374 | Rijksmuseum | Amsterdam | |
81 | Portrait of a Man in his Thirties | 1633 | 64.8 x 50.2 cm | cat.1251 | National Gallery | London | |
82 | Portrait of an Elderly Lady | 1633 | 102.5 × 86.9 cm | 1937.1.67 | National Gallery of Art | Washington, D.C | |
83 | Portrait of an officer | 1631 | 88 × 66 cm | Museo de Arte de São Paulo | São Paulo | ||
84 | Portrait of Pieter van der Broecke | 1633 | 71.2 x 61 cm | cat.51 | Kenwood House | London | |
85 | Portrait of Michiel de Wael | 1625 | 121 x 95.8 cm | 1931.45O | Taft Museum of Art | Cincinnati, OH | |
86 | Portrait of Nicolaes Hasselaer (1593–1635). Brewer, Captain-major of the Amsterdam civic guard | c. 1630–1633 | 79.5 × 66.5 cm | SK A 1246 (pendant to SK A 1247) | Rijksmuseum | Amsterdam | |
87 | Portrait of Sara Wolphaerts van Diemen (1593–1667 | c. 1630–1633 | 79.5 × 66.5 cm | SK-A-1247 (pendant to SK A 1246) | Rijksmuseum | Amsterdam | |
88 | Portrait of an unknown man | 1630–1633 | 75 × 58 cm | 800 (pendant of 801) | Gemäldegalerie | Berlin | |
89 | Portrait of an unknown woman | 1630–1633 | 75 × 58 cm | 801 (pendant of 800) | Gemäldegalerie | Berlin | |
90 | Portrait of a man in a Yellowish-gray Jacket | c.1633 | 24.5 × 19.5 cm | 1358 | Gemäldegalerie Alte Meister | Dresden | |
91 | Portrait of a man in a Black Jacket | c.1633 | 24.5 x 20 cm | 1359 | Gemäldegalerie Alte Meister | Dresden | |
92 | Portrait of a man with hat | c. 1634 | 24.5 x 19.5 cm | 618 | Mauritshuis | The Hague | |
93 | Portrait of Tieleman Roosterman | 1634 | 117 × 87 cm | 1999.173 | The Cleveland Museum of Art | Cleveland, OH | |
94 | Portrait of Catharina Brugmans | 1634 | 115 x 85 cm | (pendant to 1999.173) | private collection | The Hague | |
95 | Portrait of an unknown man | 1634 | 82.5 × 70 cm | 4158 | Szépmüvészeti Múzeum | Budapest | |
96 | Portrait of a young woman aged 28 | 1634 | 112.2 x 83.2 cm | 51.107 | Baltimore Museum of Art | Baltimore, MD | |
97 | Portrait of a woman with a cartwheel ruff | 1630–1640 | 80 x 64.1 cm | private collection | New York City, NY | ||
98 | Portrait of a woman facing right and holding a fan | 1637 | 67.5 x 57 cm | Staatsgalerie Stuttgart | Stuttgart | ||
99 | Portrait of a man facing left | 1637 | 67.5 x 57 cm | Stuttgart Staatsgalerie | Stuttgart | ||
100 | Portrait of an unknown man | 1634 | 73 x 54 cm | Timken Museum of Art | San Diego, CA | ||
101 | Portrait of an unknown woman | 1634 | 73.0 x 56.2 cm | 23.27 | Detroit Institute of Arts | Detroit, MI | |
102 | Portrait of a family | c.1635 | 111.8 × 89.9 cm | 1927-399 | Cincinnati Art Museum | Cincinnati, OH | |
103 | Portrait of Isaac Massa | 1635 | 20.3 x 18.6 cm | 1946–74 | San Diego Museum of Art | San Diego, CA | |
104 | Portrait of Lucas de Clercq (....-1652) | c. 1635 | 126.5 x 93 cm | SK-C-556 (pendant to SK-C-557) | Rijksmuseum | Amsterdam | |
105 | Portrait of Feyntje van Steenkiste (....-1640) | 1635 | 123 x 93 cm | SK-C-557 (pendant to SK-C-556) | Rijksmuseum | Amsterdam | |
106 | Portrait of a man, incorrectly called Johannes Saeckma (1572–1636) | c.1635 | 121 x 90 cm | 1276 (possible pendant of 72) | Museum Boijmans Van Beuningen | Rotterdam | |
107 | Portrait of a woman, incorrectly called Hylck Boner | 1635 | 116.5 x 93.3 cm | 1910.1.72 | The Frick Collection | New York City, NY | |
108 | Portrait of Pieter Tjarck | 1635–1638 | 85.25 x 69.09 cm | M.74.31 | Los Angeles County Museum of Art | Los Angeles, CA | |
109 | Portrait of a standing man holding a glove | 1637 | 93 x 67 cm | private collection | unknown | ||
110 | Portrait of a standing woman holding a glove | 1637 | 93 x 67 cm | private collection | unknown | ||
111 | Portrait of a man in oval frame | c.1635 | 94 x 72.4 cm | Woburn Abbey | Bedfordshire | ||
112 | Portrait of (possibly) Maria Larp ( -1675) | 1635–1638 | 83.4 x 68.1 cm | 6413 | National Gallery | London | |
113 | Portrait of an unknown 38-year-old man | 1638 | 89 x 69.8 cm | Nationalmuseum | Stockholm | ||
114 | Portrait of an unknown 41-year-old woman | 1638 | 89.1 x 70.2 cm | Nationalmuseum | Stockholm | ||
115 | Portrait of an unknown man | 1638 | 94.4 × 70.5 cm | 77 (pendant of 78) | Städel Museum | Frankfurt am Main | |
116 | Portrait of an unknown woman | 1638 | 94.4 × 70.5 cm | 78 (pendant of 77) | Städel Museum | Frankfurt am Main | |
117 | Portrait of Captain Andries van Hoorn | 1638 | 86 × 67 cm | 185 P (pendant to 186 P) | São Paulo Museum of Art | São Paulo | |
118 | Portrait of Maria Pietersdr Olycan | 1638 | 86 × 67 cm | 186 P (pendant to 185 P) | São Paulo Museum of Art | São Paulo | |
119 | Portrait of Claes Duyst van Voorhout | c.1638 | 80.6 x 66 cm | The Metropolitan Museum of Art | New York City, NY | ||
120 | Portrait of Cunera van Baersdorp | 1625 | 116.7 x 91.5 cm | Private collection | England | ||
121 | Portrait of Aeltje Dircksdr. Pater (1597–1678) | 1638 | 66.5 × 52.3 cm | 1948.137 | The Cleveland Museum of Art | Cleveland, OH | |
122 | Portrait of Jean de la Chambre | 1638 | 20.6 x 16.8 cm | 6411 | National Gallery | London | |
123 | Portrait of Willem van Heythuysen (copy 20 years later by the artist) | 1653 | 46.5 x 37.5 cm | 2247 | Koninklijke Musea voor Schone Kunsten of Belgium | Brussels | |
124 | The Officers of the St George Militia Company in 1639 | 1639 | 218 × 421 cm | OSI-113 | Frans Hals Museum | Haarlem | |
125 | Portrait of a Member of the Haarlem Civic Guard | 1636–1638 | 86 × 69 cm | 1937.1.68 | National Gallery of Art | Washington, D.C | |
126 | Portrait of Hendrik Swalmius ( -1649) | 1639 | 27 x 20 cm | 49.347 (pendant of 2498) | Detroit Institute of Arts | Detroit, MI | |
127 | Portrait of a woman, (possibly) Judith van Breda | 1639 | 29.5 x 21 cm | 2498 (pendant of 49.347) | Museum Boijmans Van Beuningen | Rotterdam | |
128 | Portrait of Pieter Jacobsz Olycan | c. 1639 | 111.1 x 86.7 cm | sn251 | The John and Mable Ringling Museum of Art | Sarasota, FL | |
129 | Portrait of Maritge Claesdr. Voogt (1572–1644) | 1639 | 128 x 94.5 cm | SK-C-139 | Rijksmuseum | Amsterdam | |
130 | portrait of a 52-year-old man with ruff collar holding a hat | 1639 | 115 x 89.5 cm | private collection | unknown | ||
131 | Portrait of an unknown woman with folded hands | 1644–1645 | 61.4 x 47 cm | National Gallery | London | ||
132 | Portrait of a sitting woman in a painted oval | 1639 | 69.5 x 58 cm | stolen from Kunstmuseum Düsseldorf | unknown | ||
133 | Portrait of a young man | 1638–1640 | 81 × 59 cm | GG_709 | Kunsthistorisches Museum | Vienna | |
134 | Portrait of a Young Man Holding a Glove | c. 1650 | 80 x 66.5 cm | 982 | Hermitage Museum | St. Petersburg (Russia) | |
135 | Portrait of Daniel van Aken | 1630–1666 | 67 x 57 cm | NM 1567 | National Museum | Stockholm | |
136 | Portrait of an unknown woman | 1640 | 85.2 × 68.1 cm | 1898B | Museum of Fine Arts, Ghent | Ghent | |
137 | Portrait of an unknown man, possibly Albert van Nierop | c.1640 | 120 x 95 cm | WRM 2529 (pendant of WRM 2530) | Wallraf-Richartz-Museum | Cologne | |
138 | Portrait of an unknown woman, possibly Cornelia van der Meer | c.1640 | 120 x 94.5 cm | WRM 2530 (pendant of WRM 2529) | Wallraf-Richartz-Museum | Cologne | |
139 | Portrait of a 56-year-old man, possibly Willem van Warmondt | 1640 | 114 x 99 cm | 1038 | Collectie Nederland | Amsterdam | |
140 | Regenten of the Grote of St. Elisabeth Gasthuis, Haarlem 1641 | 1641 | 153 x 252 cm | OSI-114 | Frans Hals Museum | Haarlem | |
141 | Portrait of a Woman Holding a Fan | c. 1640 | 79.8 x 59 cm | National Gallery | London | ||
142 | Portrait of a man, possibly Johan de Wael (1594–1663) | 1638 | 69.7 x 54 cm | (pendant of 1948.137) | Private collection | Germany | |
143 | Portrait of an unknown man holding a book | 1640s | 66 x 48.3 cm | private collection | Paris | ||
144 | Portrait of Paulus Verschueren (1606–1667) | 1643 | 118.7 × 94 cm | 26.101.11 | The Metropolitan Museum of Art | New York City, NY | |
145 | Portrait of an elderly man facing right with hat and ruff collar | 1643 | 92.7 x 75 cm | private collection | unknown | ||
146 | Portrait of a man holding a watch | 1643 | 82.6 x 66.7 cm | BF262 (pendant of NM6421) | Museum Barnes Foundation | Philadelphia, PA | |
147 | Portrait of an unknown woman | 1643 | 82,6 x 67,3 cm | NM6421 (pendant of BF262) | Nationalmuseum Stockholm | Stockholm | |
148 | Portrait of a man | 1640–1642 | 79.2 x 65.3 cm | Kiel, Schloss Museum | Kiel | ||
149 | Portrait of Mr. Bodolphe | 1643 | 122.4 × 97.5 cm | 1961.18.23 (pendant to 1961.18.24) | Yale University Art Gallery | New Haven, CT | |
150 | Portrait of Mrs. Bodolphe | 1643 | 122.4 × 97.5 cm | 1961.18.24 (pendant to 1961.18.23) | Yale University Art Gallery | New Haven, CT | |
151 | Portrait of a man dressed in black with a white collar and cuffs and holding a silver-topped cane | 1643 | 31.7 x 27.2 cm | Private collection | unknown | ||
152 | Portrait of Conradus Viëtor | 1644 | 82.5 x 66 cm | private collection | New York City, NY | ||
153 | Portrait of a man facing right | 1640–1642 | 29.5 x 23.5 cm | Staatliche Kunstsammlungen | Kassel, DE | ||
154 | Portrait of a man facing left | 1640–1642 | 30.5 x 24.5 cm | Staatliche Kunstsammlungen | Kassel, DE | ||
155 | Portrait of a man | c.1645 | 42.4 × 33 cm | 15.901 | National Gallery of Canada | Ottawa, Canada | |
156 | A Dutch Gentleman | 1643–1645 | 115 x 86.1 cm | NG691 (pendant of NG692) | National Gallery of Scotland | Edinburgh | |
157 | A Dutch Lady | 1643–1645 | 115 x 85.8 cm | NG692 (pendant of NG691) | National Gallery of Scotland | Edinburgh | |
158 | Portrait of a standing man holding a glove | 1644–1645 | 88 x 65 cm | private collection | unknown | ||
159 | Portrait of a man, possibly the doctor Nicolaes Tulp | 1644 | 70 × 55 cm | collectie Six | Six collection | Amsterdam | |
160 | Portrait of Joseph Coymans | 1644 | 33 x 27 1/2 in | (pendant to 1938.231) | Wadsworth Atheneum | Hartford, CT | |
161 | Portrait of Dorothea Berck | 1644 | 83.8 × 69.6 cm | 1938.231 | Baltimore Museum of Art | Baltimore, MD | |
162 | Portrait of a 35-year-old woman with a millstone collar | 1644 | 75.9 × 62.5 cm | 14/21 | Michaelis Collection | Cape Town, S.A. | |
163 | Portrait of an unknown man | c. 1645 | 78.5 × 67.3 cm | NG2528 | National Gallery | London | |
164 | Portrait of an artist (possibly Harmen Hals) | 1644 | 82.6 x 64.8 cm | 94.1023 | The Art Institute of Chicago | Chicago, IL | |
165 | Portrait of Johannes Hoornbeeck | 1645 | 80 x 68 cm | 2245 | Koninklijke Musea voor Schone Kunsten of Belgium | Brussels | |
166 | Portrait of Willem Coymans, a.k.a. Balthasar Coymans | 1645 | 77 × 64 cm | 1937.1.69 | National Gallery of Art | Washington, D.C | |
167 | Portrait of a man leaning over the back of a chair with a black hat | 1646–1648 | 68 x 56 cm | 1937.1.71 | National Gallery of Art | Washington, D.C | |
168 | Portrait of Jasper Schade van Westrum | 1645 | 80 × 67.5 cm | O638 | National Gallery in Prague | Prague | |
169 | Portrait of a man | 1643 | 76 x 66 | Herzoglisches Museum, Gotha | Gotha | ||
170 | Portrait of a woman | c. 1644 | 84.3 by 68 cm | private collection | unknown | ||
171 | Portrait of an unknown woman | 1648–1650 | 108 × 80 cm | MI 927 | Musée du Louvre | Paris | |
172 | Portrait of an unknown woman | 1648–1650 | 35 x 29 cm | Aurora Art Fund | Bucharest | ||
173 | Portrait of a Seated Man Holding a Hat | 1648–1650 | 109.8 x 82.5 cm | 1931.451 (pendant of 1931.455) | Taft Museum of Art | Cincinnati, OH | |
174 | Portrait of a seated Woman Holding a Fan | 1648–1650 | 109.5 x 82.5 cm | 1931.455 (pendant of 1931.451) | Taft Museum of Art | Cincinnati, OH | |
175 | Portrait of the French philosopher and mathematician René Descartes (1596–1650) | 1649 | 19 x 14 cm | DEP7 | Statens Museum for Kunst | Copenhagen | |
176 | Portrait of a family | c. 1645–1650 | 148.5 x 251 cm | 2285 | National Gallery | London | |
177 | Family group in landscape | 1645–1648 | 202 x 285 cm | 179 (1934.8) | Museo Thyssen-Bornemisza | Madrid, Spain | |
178 | Portrait of (possibly) John Livingston (1603–1672) | 1650–1655 | 58.4 x 47 cm | Private collection | unknown | ||
179 | Portrait of Nicolaas Stenius (1605–1670) | 1650 | 100 x 75.5 cm | BMH s662 | Museum Catharijneconvent | Utrecht | |
180 | Portrait of a man aged 73 | 1650 | 83.7 x 64.7 cm | Greystoke Castle | Penrith, Cumbria | ||
181 | Portrait of a woman | 1650 | 84.6 x 69.2 cm | 51.3 | Museum of Fine Arts, Houston | Houston,TX | |
182 | Portrait of a Man | 1650 | 104 x 90 cm | Nelson-Atkins Museum | Kansas City, MO | ||
183 | Portrait of an unknown woman | 1650–1652 | 102.6 × 88.9 cm | 272:1955 | Saint Louis Art Museum | Saint Louis, MO | |
184 | Portrait of an unknown man | 1650–1652 | 108 × 80 cm | lot 37A | Liechtenstein Museum | Vienna | |
185 | Portrait of an unknown woman | 1650–1652 | 100.3 × 81.3 cm | 9092 | Kunsthistorisches Museum | Vienna | |
186 | Portrait of a man | after 1650 | 100.3 x 82.9 cm | 1906.1.71 (pendant to 912610) | The Frick Collection | New York City, NY | |
187 | Portrait of a woman | after 1650 | 100 x 81.9 cm | 91.26.10 (pendant to 1906.1.71) | The Metropolitan Museum of Art | New York City, NY | |
188 | Portrait of Stephanus Geeraerdts ( -1671) | 1648–1650 | 115.4 × 87.5 cm | 674 | Royal Museum of Fine Arts, Antwerp | Antwerp | |
189 | Portrait of Isabella Coymans ( -1689) | 1648–1650 | 116 × 86 cm | (pendant to 674) | Private collection | unknown | |
190 | Portrait of an unknown man | 1650–1652 | 110.5 x 86.3 cm | 91.26.9 | The Metropolitan Museum of Art | New York City, NY | |
191 | Portrait of an unknown man | 1650–1652 | 115 x 84.5 cm | 1942.9.29 | National Gallery of Art | Washington, D.C | |
192 | Portrait of a man, possibly Adriaen Jansz. van Ostade (1610–1685) | 1645–1648 | 94 × 75 cm | 1937-1-70 | National Gallery of Art | Washington, D.C | |
193 | Portrait of a man with long hair and a mustache | 1650–1652 | 84.7 x 67 cm | 816 | Hermitage Museum | St. Petersburg (Russia) | |
194 | Portrait of Jan Asselyn | 1634 | 64.5 x 46.3 cm | 4158 | Szépmüvészeti Múzeum | Budapest | |
195 | Portrait of a man facing forward | 1650–1652 | 65 x 56.5 cm | Private collection | unknown | ||
196 | Portrait of an unknown woman | 1655–1660 | 60 x 55.6 cm | KINCM:2005.5003 | Ferens Art Gallery | Hull | |
197 | Portrait of a Man | 1655–1660 | 77.47 cm x 64.77 cm | 68.101 | Memorial Art Gallery | Rochester, NY | |
198 | Portrait of an unknown man | 1648–1650 | 63.5 x 53.5 cm | 1942.9.28 | National Gallery of Art | Washington, D.C | |
199 | The Traveller | 1655–1660 | 35 x 26 cm | Heinz Kuckei Collection | Berlin | ||
200 | Portrait of a young man | 1650–1655 | 67.3 x 50.8 cm | M.1972.4.P | Norton Simon Museum | Pasadena, CA | |
201 | Portrait of Tyman Oosdorp | c. 1656 | 89 x 70 cm | 801H | Gemäldegalerie | Berlin | |
202 | Portrait of a Man | 1655–1660 | 104 x 84.5 | KMS3847 | Statens Museum for Kunst | Copenhagen | |
203 | Portrait of Vincent Laurensz van der Vinne | 1655 | 64.8 x 49 cm | The Art Gallery of Ontario | Toronto, Canada | ||
204 | Portrait of an unknown man | 1655–1660 | 65 × 45 cm | Museo Thyssen-Bornemisza | Madrid, Spain | ||
205 | Portrait of an unknown woman | 1655–1660 | 65 × 45 cm | Museo Thyssen-Bornemisza | Madrid, Spain | ||
206 | Portrait of Frans Jansz Post (1612–1680) | c. 1655 | 27.5 × 23 cm | Worcester Art Museum | Worcester, MA | ||
207 | Portret van Adrianus Tegularius | 1650–1654 | 27.9 x 22.8 cm | private collection | unknown | ||
208 | Portrait of a man, possibly a minister | 1660 | 37 x 29.8 cm | SK A 2859 | Rijksmuseum | Amsterdam | |
209 | Portrait of an unknown man | 1658–1660 | 35.5 x 29.5 cm | Yale University Art Gallery | New Haven, CT | ||
210 | Portrait of a man | c. 1660 | 31.6 x 25.5 cm | 928 | Mauritshuis | The Hague | |
211 | Portrait of an unknown woman | 1660–1666 | 44.5 x 34.3 cm | PO589 | Christ Church Picture Gallery | Oxford, Engeland | |
212 | Portrait of Cornelis Guldewagen (1599–1663) | 1660–1663 | 40 x 30.5 cm | Krannert Art Museum | Urbana, IL | ||
213 | Portrait of Willem Croes (d.1666) | 1662–1666 | 47.1 × 34.4 cm | 8402 | Alte Pinakothek | Munich | |
214 | Portrait of an unknown man | after 1650 | 113 × 81.9 cm | 1917.1.70 | The Frick Collection | New York City, NY | |
215 | Portrait of Herman Langelius | c.1660 | 76 x 63.5 cm | Musée de Picardie | Amiens | ||
216 | Portrait of a Seated Man | 1660–1666 | 69 x 60.5 cm | Musée Jacquemart-André | Paris | ||
217 | Portrait of Isaac Massa with a large floppy hat | 1661–1663 | 79.5 × 66.5 cm | 219 | Museum Schloss Wilhelmshöhe | Kassel, DE | |
218 | Portrait of a man in a gray cloak with wide brim hat perched at an angle on his head | 1660–1663 | 80 × 67 cm | 150 | Fitzwilliam Museum | Cambridge | |
219 | Portrait of a man with a tassle collar | 1660–1666 | 70 x 58.5 cm | Kunsthaus Zurich | Zurich | ||
220 | Portrait of an unknown man | 1660–1666 | 85.8 x 66.9 cm | 66.1054 | Museum of Fine Arts | Boston, MA | |
221 | Group portrait of the Regents of the Old Men's Almshouse | 1664 | 172.5 x 256 cm | OSI-115 | Frans Hals Museum | Haarlem | |
222 | Group portrait of the Regentesses of the Old Men's Almshouse | 1664 | 170.5 x 249.5 cm | OSI-116 | Frans Hals Museum | Haarlem |
Wikimedia Commons has media related to Frans Hals catalog raisonné, 1974 . |
Frans Hals the Elder was a Dutch Golden Age painter, normally of portraits, who lived and worked in Haarlem.
Isabella Coymans, was the Dutch wife of Stephanus Geraerdts best known for her portrait painted by Frans Hals.
Shrovetide Revellers, also known as Merrymakers at Shrovetide, is a painting by the Dutch Golden Age painter Frans Hals, painted in around 1616–17. It is one of the earliest surviving works by Hals, and has been held by the Metropolitan Museum of Art, New York City since 1913. The painting shows people festivities at Shrovetide, an annual carnival of food and jollity which takes place before the Christian fasting season of Lent.
Claes Duyst van Voorhout is a portrait painting by the Dutch Golden Age painter Frans Hals, painted in 1638 and now in the Metropolitan Museum of Art, New York City.
St. Mark is a painting by the Dutch Golden Age painter Frans Hals, painted in 1625. It was purchased from the art dealer Colnaghi, London in September 2013 for the Pushkin Museum and donated to that museum in November that year, where it still hangs.
Portrait of a Woman Standing is a painting by the Dutch Golden Age painter Frans Hals, painted in 1610–1615 and now in Chatsworth House. It is considered a pendant portrait, but the sitter is unknown and therefore the pendant is not certain.
Portrait of a Woman Standing (Kassel) is a painting by the Dutch Golden Age painter Frans Hals, painted in 1618–1620 and now in Gemäldegalerie Alte Meister (Kassel). It is considered a pendant portrait to the Portrait of a Man Standing, in the same museum.
Catharina Both van der Eem is a painting by the Dutch Golden Age painter Frans Hals, painted in 1620 and now in Louvre Museum. It is considered a pendant portrait to the Portrait of Paulus van Beresteyn, in the same museum.
Portrait of Cunera van Baersdorp is a painting by the Dutch Golden Age painter Frans Hals, painted in 1625 and now in a private collection. It is considered a pendant portrait to the Portrait of a Man Standing, now identified as Cunera's husband Michiel de Wael.
Portrait of a Woman in a Chair is a painting by the Dutch Golden Age painter Frans Hals, painted in 1627 and now in the Art Institute of Chicago. It is considered a pendant portrait, but the sitter is unknown and therefore the pendant is not certain.
Portrait of Maritge Claesdr. Vooght is a painting by the Dutch Golden Age painter Frans Hals, painted in 1639 and now in a private collection. It is considered a pendant portrait to that of her husband, the Haarlem brewer and mayor Pieter Jacobsz Olycan.
Portrait of Cornelia Claesdr. Vooght is a painting by the Dutch Golden Age painter Frans Hals, painted in 1631 and now in the Frans Hals Museum. It is considered a pendant portrait to that of her husband, the Haarlem brewer and mayor Nicolaes Woutersz van der Meer.
Portrait of Anna van der Aar is a painting by the Dutch Golden Age painter Frans Hals, painted in 1626 and now in the Metropolitan Museum of Art. It is considered a pendant portrait to that of her husband, the writer Petrus Scriverius.
Portrait of Catharina Brugmans is a painting by the Dutch Golden Age painter Frans Hals, painted in 1634 and now in a private collection. It is considered a pendant to the portrait of Catharina's husband Tieleman Roosterman.
Portrait of Sara Wolphaerts van Diemen is a painting by the Dutch Golden Age painter Frans Hals, painted around 1630-1633 and now in the Rijksmuseum. It is considered a pendant to the portrait of Sara's husband Nicolaes Hasselaer.
Portrait of Feyntje van Steenkiste is a painting by the Dutch Golden Age painter Frans Hals, painted around 1635 and now in the Rijksmuseum. It is considered a pendant to the portrait of Feyntje's husband Lucas de Clercq.
Portrait of Maria Pietersdochter Olycan is a painting by the Dutch Golden Age painter Frans Hals, painted in 1638, now in the São Paulo Museum of Art. It is considered a pendant to the portrait of Maria's husband Andries van Hoorn.
Portrait of Hylck Boner is a painting by the Dutch Golden Age painter Frans Hals, painted in 1635 and now in the Frick Collection. It is considered a pendant to the portrait of Hylck's husband Johannes Saeckma.
The following is the list of 145 paintings indexed as autograph by Frans Hals, written by the art historian and Hals specialist Claus Grimm in 1989. The list is by catalogue number and is more or less in order of creation, starting from around 1610 when Hals began painting on his own. Most of these works are still considered autograph, though one has since been reattributed to Judith Leyster. In addition to this list, Grimm added comments and additional entries to Seymour Slive's lists of lost and doubtful paintings. He also rejected several Slive attributions, making his list is considerably shorter. The autograph catalogue entries are as follows: