Free Peace Sweet | ||||
---|---|---|---|---|
Studio album by | ||||
Released | 17 June 1996 | |||
Studio |
| |||
Genre | Britpop | |||
Length | 64:28 | |||
Label | A&M | |||
Producer | Hugh Jones | |||
Dodgy chronology | ||||
| ||||
Singles from Free Peace Sweet | ||||
|
Free Peace Sweet is the third studio album by English rock band Dodgy. It was released on 17 June 1996 through A&M Records. Following frequent touring in the support of their second studio album Homegrown (1994), the band recorded its follow-up in Wessex Sound Studios in London with producer Hugh Jones. Additional recording was later done at Battery and Orinoco Studios.
Free Peace Sweet received generally favourable reviews from critics, some of who saw it as a strong but underwhelming collection of songs. The album reached number seven in the UK Albums Chart, eventually being certified platinum by the British Phonographic Industry (BPI). Out of all its singles, "Good Enough" peaked the highest at number 4 in the UK. Bookending a three month UK tour, "In a Room" and "Good Enough" was released as the album's first two singles in May and July 1996, respectively. "If You're Thinking of Me" and "Found You" followed as the third and fourth singles in November 1996 and March 1997. "Good Enough" would be certified silver by the BPI in 2015.
Dodgy released their second studio album Homegrown in October 1994. [1] It peaked at number 28 on the UK Albums Chart; all of its singles peaked within the UK top 40, with an alternative version of "Staying Out for the Summer" reaching the highest at number 19. [2] The album was promoted with a UK tour at the end of 1994, and constant touring throughout 1995, which included their first tour to mainland Europe and Japan, as well as supporting the Cranberries in the UK. [1] [3] [4] Frontman Nigel Clark lived in a flat in Primrose Hill with his pregnant wife; he wrote new material and demoed songs on a TASCAM four-track recorder. [5] They had 35 songs in the running for inclusion on their next album, which were eventually whittled down. [6] Free Peace Sweet was produced by Hugh Jones at Wessex Sound Studios in London with engineer Robin Evans. [7]
They picked this studio so that Clark could return to his family each night, having moved to the Stoke Newington district of London. [8] The close proximity also enabled Clark to spend evenings writing more material with the intention of showing the other members his work the very next day. [5] While Homegrown was recorded with a basic band set up, for Free Peace Sweet, they used different methods of recording. [9] For "Ain't No Longer Asking", this meant set up with a PA system, playing the drum track through this and recording the output. [10] Additional recording was done at Battery and Orinoco Studios, both which served as the mixing locations for the recordings. Jones did the mixes with engineer Helen Woodward, before the album was mastered by Ian Cooper at Metropolis Studios with digital editing done by Crispin Murray. [7]
Free Peace Sweet is a Britpop album that takes influence from the works of Beastie Boys, Crosby, Stills & Nash and Dr. John. [11] Long-term live member Richard Payne contributed keyboards throughout the album. Jerome de Pietro did additional programming and remixing on interlude pieces and "Intro". An ensemble of brass players, under the name The Kick Horns, appeared on "In a Room", "Good Enough", "Jack the Lad" and "Homegrown". They consisted of Tim Sanders, Neil Sidwell, Roddy Lorimer and Simon Clarke. Janet Ramus and Michele Douglas of the London Community Gospel Choir sung additional vocals on "You've Gotta Look Up", "If You're Thinking of Me" and "Prey for Drinking". Nick Ingman arranged the strings that are heard on "If You're Thinking of Me", "One of Those Rivers" and "Long Life". [7]
"In a Room" originally had a slower tempo, giving the song Neil Young-esque feel to it, until one of the members suggested playing it faster. [9] Both it and "Trust in Time" incorporate influence from the work of the Who. [12] The band came up with the drum pattern for "You've Gotta Look Up" after visiting a go-go club. [9] Guitarist Andy Miller theorised that the vibraphone solo, which was performed by Teena Lyle, might have been inspired by "A Girl Like You" (1994) by Edwyn Collins. [7] [9] The track was an example of Clark coming up with the chorus and version lyrics and drummer Matthew Priest would help finish them; Miller said this happened previously with the Homegrown songs "Making the Most Of..." and "So Let Me Go Far". [9]
The final version of "Good Enough" evolved from a demo that Clark made, which featured a Lee Dorsey drum loop. Clark wanted the song to have a positive atmosphere akin to Kaya (1978) by Bob Marley, which is one of Clark's favourite albums. He also drew influence from the music of Karen Carpenter and George Harrison. [5] Priest came up with the drum pattern during a break at Wessex Sound Studios, which Clark, Miller and Jones overheard. They promptly expanded on this to a full song. [9] "Ain't No Longer Asking" comes across as a mix of "Loser" (1993) by Beck and "Rocks" (1994) by Primal Scream. [13]
Discussing "One of Those Rivers", Miller said when they were driving through Scotland, their tour manager would take an alternate route via Northumberland. On one occasion, Priest commented on the view he was witnessing; Clark wrote some words down and showed Priest a few months later. He came up with the first verse of what would become "One of Those Rivers", with Priest writing the other verses. [8] Tim Kent of the Rockingbirds contributed banjo to the song. [7] "Prey for Drinking", "Jack the Lad" and "Long Life" form a musical suite. "Jack the Lad" dated from five years prior, when their manager once sent the band to a farmhouse in Hendre-Ddu, Wales, where they came up with the basic form of the song. [10] Consumable Online writer Tim Kennedy said the song's lyrics "appear to refer to a certain lad's excess and bad behaviour leading to the inevitable". [14]
Miller thought Clark had his son in mind when writing "Long Life", alongside Animal Farm (1944) by George Orwell. "U.K.R.I.P." retreads the lyrical theme of "Grand Old English Oak Tree" from their debut studio album The Dodgy Album (1993), with an emphasis on what Miller saw as "trying to distance ourselves from the jingoistic, xenophobic bullshit that Britpop was throwing up". He thought they were evoking the Clash "via Future Sound of London and maybe Senser". Priest wrote the song's chorus and second verse, while Clark wrote the first verse. The album's closing track "Homegrown" was written before the band's album of the same name and did not fit within the rest of that material. They had previously recorded a version of the song at the Tardis studio in Liverpool; as they were unable to replicate of it during the Free Peace Sweet sessions, they opted to take portions of that original recording. [8]
"In a Room" was released as the lead single from Free Peace Sweet on 27 May 1996. [15] The 7-inch vinyl version included "Out Clubbing", while the CD version featured "Self Doubt", an acoustic version of "Long Life" and a remix of "U.K.R.I.P." renamed "Jungle UK (No Rest in Peace)", which was done by Pietro and Phil Mossman. [16] [17] The single was promoted with a short, four date tour of the UK, running into early June 1996. [18] Free Peace Sweet was released on 17 June 1996 through A&M Records. [19] [20] The artwork features a tree, which is a reference to "Grand Old English Oak Tree". [11] The vinyl version included two extra songs, namely, "Is It Me?" (at the end) and "Grateful Moon" (after "Good Enough"). [21] Between July and September 1996, the band embarked on The Summer Big Top Trip tour across the UK, which included an appearance on the main stage of the Reading Festival, with a variety of supporting acts. [22] [23] "Good Enough" was released as a single on 29 July 1996. [24] The 7-inch vinyl version included "Nutters", while the CD version featured "Speaking in Tongues" and "Lovebirds on Katovit". [25] [26] The music video for "Good Enough" was planned to be filmed in India, before it was ultimately shot in Jamaica. [9] "If You're Thinking of Me" was released as a single on 4 November 1996. [27] The 7-inch vinyl version included a live acoustic version of "In a Room", while the CD version featured "Pebblemilljam", "Forever Remain" and an alternative version of "Good Enough". [28] [29] The music video for "If You're Thinking of Me" was filmed in Malta in a pool that was set up specially for filming. [9]
"Found You" was released as a single on 3 March 1997; "You've Gotta Look Up" was in the running to be the fourth single, until "Found You" was ultimately chosen. [9] [30] The 7-inch vinyl version included a cover of the Small Faces' song "I Can't Make It" (1967) and a cover of the Beatles' "Revolution" (1968), while the CD version featured "I Can't Make It", a live version of "Stand by Yourself" and an alternative version of "Found You". [31] [32] The music video for "Found You" was filmed in Andorra and centred around snowboarding. [10] Mercury Records was planning on releasing the album in the US in March 1997, before being pushed back to May to eventually being shelved. [20] Dodgy's co-manager Dave Crompton commented that Mercury planned on releasing a single first but the band was against it, saying: "We think their attitude was, 'We'll put it out and see what happens,' and we said, 'We want to have a career. We've got one in England and Europe, and we want one in the U.S. as well.'" [20] The band eventually parted ways with Mercury; Crompton and partner Andrew Winters were aiming to find a new label to release the album later in the year. [20]
A&M Records released the Free Peace Sweet: The Singles Collection in 1997, which was a box set that encouraged fans to collect all of the singles on CD. It included an exclusive live CD; "In a Room" was recorded at MTV, while "Trust in Time", "Big Brown Moon" and "Homegrown" were recorded at the University of East Anglia in Norwich. [33] "In a Room", "If You're Thinking of Me", "Good Enough", "Ain't No Longer Asking" and "Found You" were included on the band's first compilation album Ace A's + Killer B's (1999). [34] "In a Room", "Good Enough", "Found You" and "Homegrown" were included on the band's second compilation album The Collection (2004). [35] "In a Room", "If You're Thinking of Me", "Good Enough", "Ain't No Longer Asking", "Found You" and "Homegrown" were included on the band's third compilation album Good Enough: The Very Best Of (2013). [36]
Review scores | |
---|---|
Source | Rating |
AllMusic | [37] |
The Encyclopedia of Popular Music | [38] |
NME | 7/10 [11] |
Free Peace Sweet was met with generally favourable reviews from music critics. In a review for AllMusic, critic Stephen Thomas Erlewine found Free Peace Sweet to not be as "consistently engaging" as its predecessor, and while their "style is beginning to sound a bit formulaic," he could not deny that they had an "infectious, exciting sound that makes the similarities between their albums forgivable". [37] NME writer Paul Moody thought it was an "exact DNA progression" from their previous two releases; he noted that while there was a variety of musical influences, the album "never threatens to be anything other than a superior example of Bandus Britpopus". [11]
Melody Maker journalist Caitlin Moran said the album had "enough eclecticism" throughout the songs to "keep even the most gnat-brained, Tartrazine-addled pop-kid stuck in for the full 64 minutes". [13] Kennedy said it was a "super effort from the Dodgy chaps, proving their versatility, their chart worthiness, but most of all that they can be evil rock beasts like the best of 'em". [14] Kevin Courtney of The Irish Times said the band had "traded in their fried out old transit van in a hid to get a seat on the bright, shiny Britpop bus, and there's no longer a faint whiff of Crust wafting in the air around them". [12] In his collection The Encyclopedia of Popular Music , Colin Larkin considered it a "solid album containing some memorable songs", though it "fell short of the greatness that many had expected". [38]
Free Peace Sweet charted at number seven in the UK, being certified platinum by the British Phonographic Industry (BPI) in November 1996. [39] [40] By March 1997, the album had sold 400,000 copies in the UK. [20] All of its singles charted highly in the UK: "In a Room" at number 12, "Good Enough" at number four, "If You're Thinking of Me" at number 11 and "Found You" at number 19. [2] "Good Enough" was certified silver by the BPI in 2015. [41] Select ranked Free Peace Sweet at number five on their best albums of 1996, and "Good Enough" at number ten on their list of the best songs of the same year. [42] [43]
All songs written by Nigel Clark, Mathew Priest and Andy Miller. [7]
Personnel per booklet. [7]
Dodgy
Production and design
| Additional musicians
|
Dodgy are an English rock band formed in Hounslow in 1990. The band rose to prominence during the Britpop era of the 1990s. They are best known for their hits "Staying Out for the Summer", "If You're Thinking of Me", and "Good Enough". Good Enough was their biggest hit, reaching No. 4 on the UK Singles Chart. They released their latest album, What Are We Fighting For, in September 2016.
The Back Room is the debut studio album of British rock band Editors; it was released on 25 July 2005 through Kitchenware Records. The Editors formed while attending university and later moved to Birmingham, where they played club shows and made demos. After signing to Kitchenware in late 2004, the band recorded their debut album at studios in Lincolnshire, London and Wolverhampton. Jim Abbiss produced all but one of the tracks; the exception was produced by Gavin Monaghan. The Back Room is a post-punk revival, gothic rock and indie pop album that has been compared to the works of Echo & the Bunnymen, Elbow and Interpol.
"You're the One" is a song recorded by American female R&B vocal trio SWV for their second studio album, New Beginning (1996). RCA Records released the song on March 29, 1996, as the lead single from New Beginning. "You're the One" topped the US Billboard Hot R&B Singles chart and became a top-10 hit on the Billboard Hot 100 and in New Zealand, receiving gold certifications in both countries. A sample of this song can be heard in South Korean boy group EXO's song "Ya Ya Ya" from their seventh studio album, Obsession (2019).
"Sweet Little Mystery" is a song by Scottish soft rock band Wet Wet Wet. It is the fifth single from the band's debut album Popped In Souled Out (1987), released on Phonogram Inc. Records. The success of the song drove it to number five on the weekly UK Singles Chart the same year as its release. The following year, the song became an international hit, entering the top 20 in Belgium, France, Ireland, Netherlands and New Zealand. Its peak positioning in numerous weekly charts around the globe marked its contributions to the soft-rock genre which dominated the era.
"Sweet Surrender" is the first single from British band Wet Wet Wet's third studio album, Holding Back the River (1989). It was released on 18 September 1989 and reached number six on the UK Singles Chart. In Ireland, "Sweet Surrender" peaked at number one, becoming the group's second of three number-one singles there. In Australia, "Sweet Surrender" reached number seven on the ARIA Singles Chart in May 1990 and was certified gold.
"Strong Enough" is a song by American singer-songwriter Sheryl Crow from her debut album, Tuesday Night Music Club (1993). The song reached number five on the US Billboard Hot 100 for three consecutive weeks, number three in Australia, and number one in Canada, becoming her second chart-topper there following "All I Wanna Do". In Australia, the song received a double-platinum certification for sales and streams exceeding 140,000 units.
"Love Is Strong" is a song by English rock band the Rolling Stones, released as the opening track, and first single, from their 20th British and 22nd American studio album, Voodoo Lounge (1994). Issued as a single on 4 July 1994 by Virgin, the song preceded the release of Voodoo Lounge by a week. "Love Is Strong" peaked at No. 14 in the band's native United Kingdom and at No. 2 in Canada and Finland but stalled at No. 91 on the US Billboard Hot 100. Despite this, it peaked at No. 2 on the Billboard Album Rock Tracks chart. The song's accompanying music video received heavy rotation on MTV Europe.
The Dodgy Album is the debut album by the British indie group Dodgy.
"Vision of You" is a song by American singer Belinda Carlisle, released as the fifth single from her third solo album, Runaway Horses (1989). The song was released on May 14, 1990, in the United Kingdom and reached number 41. A year later, it was remixed and re-released on 12-inch vinyl with a live version of "Heaven Is a Place on Earth", but this release charted lower, at number 71.
"Happy When It Rains" is a song by Scottish alternative rock group the Jesus and Mary Chain, released as the second single from their second studio album, Darklands (1987). It was issued through Blanco y Negro Records on 3 August 1987 and reached number 25 on the UK Singles Chart. It was released across three different formats; the 10-inch single is labelled as an extended play (EP).
"Free to Decide" is a song by Irish rock band the Cranberries, released as the second single from their third studio album, To the Faithful Departed (1996), on 1 July 1996. The song achieved minor chart success in Europe but became a top-10 hit in Canada, peaking at number two on the RPM 100 Hit Tracks chart. In the United States, it peaked at number 22 on the Billboard Hot 100 and number eight on the Modern Rock Tracks chart. In 2017, the song was released as an acoustic version on the band's Something Else album.
"Do You Believe in Miracles" is a song by English rock band Slade, released in 1985 as a single. It was also included on the band's studio/compilation album Crackers (1985). The song was written by lead vocalist Noddy Holder and bassist Jim Lea, and was produced by John Punter. It reached number 54 in the UK Singles Chart and remained in the top 100 for six weeks.
"Good Enough" is a single released by English Britpop band Dodgy. The single was released on 29 July 1996 and was the band's highest-charting single, reaching number four in the United Kingdom. In 1997, the song charted in Canada, peaking at number 20 on the RPM 100 Hit Tracks chart.
Ace A's and Killer B's is a compilation album by the English band Dodgy, released in 1998.
"Heartbeat Like a Drum" is a song by English new wave band A Flock of Seagulls, released by Jive in 1986 as the second and final single from their fourth studio album Dream Come True. The song was written by Mike Score, Ali Score and Frank Maudsley, and produced by Mike Score and Wayne Brathwaite.
"The Other End (Of the Telescope)" is a song by American band 'Til Tuesday, which was released in 1988 on their third and final studio album Everything's Different Now. The song was written by Aimee Mann and Elvis Costello. Costello recorded his own version of the song for his 1996 album All This Useless Beauty.
Beam of Light is the second studio album from Dutch singer Patricia Paay, which was released by EMI in 1975.
"Now You're Gone" is a song by English singer-songwriter Black, which was released by A&M in 1988 as the third single from his second studio album Comedy. The song was written by Black and produced by Dave "Dix" Dickie. "Now You're Gone" reached number 66 in the UK Singles Chart and remained in the top 100 for four weeks.
"Heart of Gold" is a song by English band Johnny Hates Jazz, released by Virgin in 1988 as the fourth single from their debut studio album Turn Back the Clock (1987). The song was written by Clark Datchler and produced by Calvin Hayes and Mike Nocito. It reached number 19 in the UK Singles Chart and remained in the top 100 for seven weeks.
"Rattlesnakes" is a song by British band Lloyd Cole and the Commotions, released in 1984 as the third and final single from their debut studio album of the same name. The song was written by Lloyd Cole and produced by Paul Hardiman. It peaked at number 65 in the UK Singles Chart and remained in the top 100 for three weeks.
Citations
{{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link)Sources