The J.B.'s was James Brown's band from 1970 through the early 1980s. On records the band was sometimes billed under alternate names such as Fred Wesley and the JBs, The James Brown Soul Train, Maceo and the Macks, A.A.B.B., Fred Wesley and the New JBs, The First Family, and The Last Word. In addition to backing Brown, the J.B.'s played behind Bobby Byrd, Lyn Collins, and other singers associated with the James Brown Revue, and performed and recorded as a self-contained group. In 2015, they were nominated for induction into the Rock and Roll Hall of Fame but failed to be inducted and can be considered for Musical Excellence in the future. They have been eligible since 1995.
"Nowhere to Run" is a 1965 song by Martha and the Vandellas for the Gordy (Motown) label and is one of the group's signature songs. The song, written and produced by Motown's main production team of Holland–Dozier–Holland, depicts the story of a woman trapped in a bad relationship with a man she cannot help but love.
The Payback is the 37th studio album by American musician James Brown. The album was released in December 1973, by Polydor Records. It was originally scheduled to become the soundtrack for the blaxploitation film Hell Up in Harlem, but was rejected by the film's producers, who dismissed it as "the same old James Brown stuff." A widely repeated story—including by Brown himself—that director Larry Cohen rejected the music as "not funky enough" is denied by Cohen. On the DVD commentary track for Black Caesar, Cohen states that executives at American International Pictures were already unhappy with Brown for delivering songs much longer than expected on Black Caesar and Slaughter's Big Rip-Off and opted for a deal with Motown Records instead. Cohen said the absence of Brown's music from Harlem still "breaks [his] heart."
"Cold Sweat" is a song performed by James Brown and written with his bandleader Alfred "Pee Wee" Ellis. Brown recorded it in May 1967. An edited version of "Cold Sweat" released as a two-part single on King Records was a No. 1 R&B hit, and reached number seven on the Pop Singles chart. The complete recording, more than seven minutes long, was included on an album of the same name.
"Super Bad", originally titled Call Me Super Bad, is a 1970 song by James Brown. Originally released as a three-part single, it went to #1 on the R&B chart and number 13 on the Billboard Hot 100. The song's lyrics include the refrain "I've got soul and I'm super bad." The positive use of the word "bad" is an example of linguistic reappropriation, which Brown had done before in "Say It Loud - I'm Black and I'm Proud".
"Hot Pants (She Got to Use What She Got to Get What She Wants)" is a 1971 song by American singer James Brown, released as a single on his People Records label (then distributed by King Records) in July of that year with "Pt. 1" on the A-side and "Pt. 2 and 3" on the B-side. It was a number-one hit on the Billboard R&B chart, and reached number fifteen on the Hot 100 and number ten on the Cashbox magazine charts. "Hot Pants" was Brown's final release under King's purview before he and the People label moved to Polydor Records.
"Get on the Good Foot" is a funk song performed by James Brown. It was released in 1972 as a two-part single that charted #1 R&B and #18 Pop. It also appeared on an album of the same name released that year. Partly due to the unwillingness of Brown's record labels to certify sales of his previous hits, "Get on the Good Foot" was his first gold record. Billboard ranked it as the No. 99 song for 1972.
"Give It Up or Turnit a Loose" is a funk song recorded by James Brown. Released as a single in 1969, the song was a #1 R&B hit and also made the top 20 pop singles chart. "Give It Up or Turnit a Loose" appeared as an instrumental on the Ain't It Funky (1970) album, removing Brown's vocals and adding guitar overdubs, while the vocal version was released on It's a New Day – Let a Man Come In (1970).
"Make It Funky" is a jam session recorded by James Brown with The J.B.'s. It was released as a two-part single in 1971, which reached No. 1 on the U.S. R&B chart and No. 22 on the U.S. Pop chart.
"Papa Don't Take No Mess" is a funk song performed by James Brown. An edited version of the song released as a two-part single in 1974 was Brown's 17th and final number one R&B hit and peaked at number thirty-one on the Hot 100. The full-length version, nearly 14 minutes long, appeared on the double album Hell.
"Doing It to Death", also known as "Gonna Have a Funky Good Time", is a funk song recorded by The J.B.'s featuring James Brown. A 10-minute, two-part version of "Doing It to Death" was included on a J.B.'s album of the same name. The complete, unedited and nearly 13-minute-long original recording of the song was first issued on the 1995 J.B.'s compilation Funky Good Time: The Anthology. Performances of the song also appear on the albums Live at Chastain Park and Live at the Apollo 1995.
"Lost Someone" is a song recorded by James Brown in 1961. It was written by Brown and Famous Flames members Bobby Byrd and Baby Lloyd Stallworth. Like "Please, Please, Please" before it, the song's lyrics combine a lament for lost love with a plea for forgiveness. The single was a #2 R&B hit and reached #48 on the pop chart. According to Brown, "Lost Someone" is based on the chord changes of the Conway Twitty song "It's Only Make Believe". Although Brown's vocal group, The Famous Flames did not actually sing on this tune, two of them, Bobby Byrd, and "Baby Lloyd " Stallworth, co-wrote it with Brown, and Byrd plays organ on the record, making it, in effect, a James Brown/Famous Flames recording.
"Talkin' Loud and Sayin' Nothing" is a funk song written by James Brown and Bobby Byrd. Recorded in 1970 by Brown and the original J.B.'s with Byrd on backing vocals and updated with a new melody, it was twice released as a two-part single in 1972. It also appeared on the album There It Is.
Doing It to Death is an album by The J.B.'s, released in 1973 by People Records. The album includes a ten-minute version of the #1 R&B hit "Doing It to Death", which is led by Danny Ray's introduction to simulate his MC in concerts.
Andy is the thirty-sixth studio album by American pop singer Andy Williams, released in the fall of 1976 by Columbia Records. Williams is not as focused on covering pop hits and standards on this album and instead relies mainly on original or lesser-known songs. In the liner notes for the album's 2002 CD release, writer Richard M. Erickson explains that the album "was recorded at six different studios to accommodate Andy's touring schedule. One recording session was at a portable studio set up at a Marriott hotel."
"(I'm a) Road Runner" is a hit song by Junior Walker & the Allstars, and was the title track of the successful 1966 album Road Runner. Written by the team of Holland–Dozier–Holland, it was released on the Tamla (Motown) label in 1966 and reached number 20 in the U.S. and in 1969 number 12 in the UK.
"King Heroin" is an anti-drug song by James Brown, David Matthews, Manny Rosen and Charles Bobbit. Brown recorded this poem set to music at a studio in New York with session musicians in January 1972 and released it as a single in March. It was his fifth single for Polydor Records and reached number six on the U.S. Hot Soul Singles chart and number 40 on the Billboard Hot 100 in the spring. The song was included on Brown's 1972 album There It Is.
"Pass the Peas" is a 1972 funk instrumental by The J.B.'s. Released as a single on People Records, it charted #29 R&B and #95 Pop. It was included on the 1972 album Food for Thought.
Once in a While is an album by American pop singer Johnny Mathis that was released on May 23, 1988, by Columbia Records and found him returning to the practice of covering contemporary hits but also mixing in lesser-known songs already recorded by other artists along with a few new ones.
In the Still of the Night is an album by American pop singer Johnny Mathis that was released on August 8, 1989, by Columbia Records and continues the trend that began with his 1986 collaboration with Henry Mancini, The Hollywood Musicals, in that the project is devoted to a specific theme that ties the songs together. Mathis hints at the theme for this album in the liner notes for his 1993 box set The Music of Johnny Mathis: A Personal Collection, where he gives his thoughts on the 1964 Little Anthony and the Imperials song "I'm on the Outside Looking In" that he covered for his 1988 album Once in a While: "That was group singers' kind of material. I was singing other stuff. It wasn't the picture of the lone crooner standing in the spotlight. That's what I was doing when all this other stuff was going on. I never listened to it until it was brought to my attention by [that album's producers] Peter Bunetta and Rick Chudacoff." Mathis chose to continue his work with Bunetta and Chudacoff on this project, which focuses on "this other stuff" that Mathis refers to: pop and R&B hits from the 1950s and 1960s.
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