A folk dance is a dance that reflects the life of the people of a certain country or region. Not all ethnic dances are folk dances. For example, ritual dances or dances of ritual origin are not considered to be folk dances. Ritual dances are usually called "religious dances" because of their purpose.
Tarantella is a group of various southern Italian folk dances originating in the regions of Calabria, Campania and Puglia. It is characterized by a fast upbeat tempo, usually in 6
8 time, accompanied by tambourines. It is among the most recognized forms of traditional southern Italian music. The specific dance-name varies with every region, for instance Sonu a ballu in Calabria, tammurriata in Campania, and pizzica in Salento. Tarantella is popular in Southern Italy, Greece, Malta, and Argentina. The term may appear as tarantello in a linguistically masculine construction.
Zampogna is a generic term for a number of Italian double chantered bagpipes that can be found as far north as the southern part of the Marche, throughout areas in Abruzzo, Latium, Molise, Basilicata, Campania, Calabria, Apulia and Sicily. The tradition is now mostly associated with Christmas, and the most famous Italian carol, "Tu scendi dalle stelle" is derived from traditional zampogna music. However, there is an ongoing resurgence of the instrument in secular use seen with the increasing number of folk music festivals and folk music ensembles.
In Italy, music has traditionally been one of the cultural markers of Italian national and ethnic identity and holds an important position in society and in politics. Italian music innovation – in musical scale, harmony, notation, and theatre – enabled the development of opera, in the late 16th century, and much of modern European classical music – such as the symphony and concerto – ranges across a broad spectrum of opera and instrumental classical music and popular music drawn from both native and imported sources.
The Music of Sicily refers to music created by peoples from the isle of Sicily. It was shaped by the island's history, from the island's great presence as part of Magna Grecia 2,500 years ago, through various historical incarnations as a part of the Roman Empire, then as an independent state as the Emirate of Sicily then as an integral part of the Kingdom of Sicily and later the Kingdom of the Two Sicilies, and, finally, as an autonomous region of the modern nation state of Italy.
Sardinia is probably the most culturally distinct of all the regions in Italy and, musically, is best known for the tenore polyphonic singing, sacred chants called gosos, the launeddas, an ancient instrument that consists of a set of three single-reed pipes, all three mouth-blown simultaneously using circular breathing, with two chanters and one drone and the cantu a chiterra, a monodic song that is accompanied by guitar, widespread mainly in the center and north of the island.
The saltarello is a musical dance originally from Italy. The first mention of it is in Add MS 29987, a late-fourteenth- or early fifteenth-century manuscript of Tuscan origin, now in the British Library. It was usually played in a fast triple meter and is named for its peculiar leaping step, after the Italian verb saltare. This characteristic is also the basis of the German name Hoppertanz or Hupfertanz ; other names include the French pas de Brabant and the Spanish alta or alta danza.
Italo-Western is, in some classifications, the largest branch of the Romance languages. It comprises two of the branches of Romance languages: Italo-Dalmatian and Western Romance. It excludes the Sardinian language and Eastern Romance.
Italian folk music has a deep and complex history. National unification came quite late to the Italian peninsula, so its many hundreds of separate cultures remained un-homogenized until quite recently. Moreover, Italian folk music reflects Italy's geographic position at the south of Europe and in the center of the Mediterranean Sea: Celtic, Slavic, Arabic, Greek, Spanish and Byzantine influences are readily apparent in the musical styles of the Italian regions. Italy's rough geography and the historic dominance of small city states has allowed quite diverse musical styles to coexist in close proximity.
The cantu a tenòre is a style of polyphonic folk singing characteristic of the island of Sardinia, particularly the region of Barbagia, though some other Sardinian sub-regions bear examples of such tradition.
The music of Calabria is part of the Italian musical tradition. Like other regions in southern Italy, Calabria for many centuries was an integral part of the kingdom of Naples, and, as with other regions, the musical life tended to be overshadowed by the important activities in the capital city to the north—the conservatories there, the composers, the vast amount of music performed in churches. Yet, modern Calabria has developed a vibrant musical life based on its history and, as well, a dedication to building new musical and theatrical facilities, many of which are of the type termed polivalenti in Italian—that is, multi-purpose.
Lazio is a region in central Italy that includes the city and province of Rome and the other provinces of Frosinone, Latina, Rieti, and Viterbo. Generally speaking, the Lazio Symphony, which has its base in Rome, itself, "plays the provinces," so to speak, and puts on regular concerts throughout Latium. Other than that, the provinces offer:
San Gregorio Magno is a town and comune in the province of Salerno in the Campania region of southern Italy.
Maria Carta was a Sardinian folk music singer-songwriter. She also performed in film and theatre. In 1975 she wrote a book of poetry, Canto rituale.
A carnival song or canto carnascialesco was a late fifteenth- and early sixteenth-century song used to celebrate the carnival season in Florence, mainly the weeks preceding Lent and the Calendimaggio, which lasted from May 1 to June 24. The festivities included song and dance, usually performed or led by masked professionals.
Italian folk dance has been an integral part of Italian culture for centuries. Dance has been a continuous thread in Italian life from Dante through the Renaissance, the advent of the tarantella in Southern Italy, and the modern revivals of folk music and dance.
Calabrian Tarantella is a generic term to include different musical-dancing expressions spread in Calabrian peninsula and different from other southern Italian dances called simply Tarantella. It is played and danced during religious festivals and other social occasions. In recent times the tradition has been revived as new groups are taking an interest in instruments which had been falling into obscurity; they played "ad usu anticu" or they modernised the sound adding a bassline or new sounds.
Alessandra Belloni is an Italian musician, singer, dancer, actress, choreographer, teacher, and ethnomusicologist. Her instrument is the Southern Italian tambourine and her music and dance are focused on the traditional roots of tarantella. Her studies of tarantism are rooted in the culture of Apulia and Calabria, expressing it from women's point of view. Her work has gained international appreciation, especially in the United States and Brazil. She is artist in residence at the Cathedral of St. John the Divine.
