Richard Wayne Penniman, known professionally as Little Richard, was an American singer, pianist, and songwriter. He was an influential figure in popular music and culture for seven decades. Described as the "Architect of Rock and Roll", Richard's most celebrated work dates from the mid-1950s, when his charismatic showmanship and dynamic music, characterized by frenetic piano playing, pounding back beat and powerful raspy vocals, laid the foundation for rock and roll. Richard's innovative emotive vocalizations and uptempo rhythmic music played a key role in the formation of other popular music genres, including soul and funk. He influenced singers and musicians across musical genres from rock to hip hop; his music helped shape rhythm and blues for generations.
"Good Golly, Miss Molly" is a rock 'n' roll song first recorded in 1956 by American musician Little Richard and released in January 1958 as Specialty single 624, and later on Little Richard in July 1958. The song, a jump blues, was written by John Marascalco and producer Robert "Bumps" Blackwell. Although it was first recorded by Little Richard, Blackwell produced another version by the Valiants, who imitated the fast first version recorded by Little Richard, not released at that time. Although the Valiants' version was released first, Little Richard had the hit, reaching No. 4. Like all his early hits, it quickly became a rock 'n' roll standard and has subsequently been recorded by hundreds of artists. The song is ranked No. 92 on the Rolling Stone magazine's list of the 500 Greatest Songs of All Time.
"Long Tall Sally", also known as "Long Tall Sally (The Thing)", is a rock and roll song written by Robert "Bumps" Blackwell, Enotris Johnson, and Little Richard. Richard recorded it for Specialty Records, which released it as a single in March 1956, backed with "Slippin' and Slidin'".
"Tutti Frutti" is a song written by Little Richard and Dorothy LaBostrie, recorded in 1955, which was his first major hit. With its energetic refrain, often transcribed as "A-wop-bop-a-loo-mop-a-lop-bam-boom!", and its hard-driving sound and wild lyrics, it became not only a model for many future Little Richard songs, but also for rock and roll itself. The song introduced several of rock music's most characteristic musical features, including its loud volume, powerful vocal style, and distinctive beat and rhythm.
Eskew Reeder, Jr., usually known by the stage name Esquerita, and occasionally as S.Q. Reeder or The Magnificent Malochi, was an American R&B singer, songwriter and pianist, known for his frenetic performances. He has been credited with influencing rock and roll pioneer Little Richard.
Arthur Newton Rupe was an American music executive and record producer. He founded Specialty Records, known for its rhythm and blues, blues, gospel and early rock and roll music recordings, in Los Angeles in 1946.
Robert Alexander "Bumps" Blackwell was an American bandleader, songwriter, arranger, and record producer, best known for his work overseeing the early hits of Little Richard, as well as grooming Ray Charles, Quincy Jones, Ernestine Anderson, Lloyd Price, Sam Cooke, Herb Alpert, Larry Williams, and Sly and the Family Stone at the start of their music careers.
Playin' Possum is the 1982 debut solo album by Moe Tucker, who was the drummer in the Velvet Underground. The album includes a number of renditions of classic rock and roll songs,, as well as renditions of more modern rock songs. Tucker performs every instrument on the album and recorded it in her living room, dubbed "Trash Records". "Ellas" was dedicated to Bo Diddley.
Together: Edgar Winter and Johnny Winter Live is a 1976 album by brothers Johnny Winter and Edgar Winter. Released just three months after Johnny Winter's Captured Live!, it is composed entirely of rock and roll and soul standards. This album is a chance to hear The Edgar Winter Group playing with Johnny Winter's band together on a same stage.
"Slippin' and Slidin' (Peepin' and Hidin')" is an R&B/rock 'n' roll song performed by Little Richard. The song is credited to Little Richard, Edwin Bocage (Eddie Bo), Al Collins, and James Smith.
Little Richard's Greatest Hits - Recorded Live! is the second and last album by Little Richard for the Okeh label. A live album, it was recorded in the CBS Studios at Hollywood.
The Rill Thing is Little Richard's first album for Reprise Records, released in August 1970. It was considered a comeback album for Richard, following a three-year hiatus on new albums and an acclaimed performance at Atlantic City Pop Festival. The album utilizes a soul-influenced sound and contains Little Richard's biggest post-Specialty single in "Freedom Blues", which broke the Billboard top 50. The follow-up single, "Greenwood, Mississippi" made the top 100 and number 56 on Cashbox Black Singles. Despite the success of the singles, the album failed to chart.
Little Richard's Greatest Hits is an album of Little Richard songs re-recorded in 1964 and first released in the US by Vee-Jay Records in January 1965. It features updated versions of twelve of his best-known songs originally recorded in the 1950s for Specialty Records. Some of these re-recordings use different musical arrangements, including unusual syncopation, tambourine and jazz horns.
The Incredible Little Richard Sings His Greatest Hits – Live! is the first of two albums Little Richard made for the Modern Records label. A live recording from the Domino Club in Atlanta compiled from more than one concert, all the tracks on the album have overdubbed audience noises. Ace Records has yet to release these on CD. Ace reports a legal entanglement prohibiting such . unreleased songs: Good bye, so long ; Try Me; Roll Over Beethoven ; High-Heeled Sneakers; I Got a Woman
Little Richard Live! 20 Super Hits is a recording of a live-in-studio performance by Little Richard. Recorded at the Jack Clement Studio in Nashville before an audience, the album featured remakes of twenty of his Specialty Records tracks. Counting the live takes on this album, this was the second time that Richard had rerecorded his 1950s hits in studio. These August 1976 sessions and an early 1990s session with Japanese guitarist Masayoshi Takanakka are the last times that Penniman would re-record his 1950s hits for an album before his death in May 2020. Alternate takes from these sessions are found on a full stereo "Audiophile" album from 1980.
This page is a discography for American musician Little Richard (1932–2020). Described as "the architect of rock and roll", Little Richard was a pioneering singer-songwriter whose career also encompassed rhythm and blues, soul, and gospel. He began his recording career in 1951, signing to RCA Victor, releasing his first singles, and his first album in 1957, although he released his last album in 1992, he continued to tour into the 21st century. He attained international success after signing with Specialty Records in 1955.
Little Richard is the second album by American musician Little Richard, released in July 1958, ten months after Richard announced a retirement from rock and roll to pursue a life in the ministry. Like his first album, it largely contains previously released A-sides and B-sides including several which reached Billboard's Rhythm & Blues and Hot 100 charts. Nine of its twelve tracks charted in the US including Richard's fourth million-seller "Lucille", the rock and roll standard "Good Golly, Miss Molly" and "The Girl Can't Help It", the title song from the motion picture of the same name. Among the previously unreleased tracks are two Tin Pan Alley songs recorded in Richard's frantic style.
The Johnny Winter Anthology is the first collection to include songs from blues musician Johnny Winter's entire career, from his start at Imperial Records, to his rise to worldwide fame on Columbia and Blue Sky, to his late-career renaissance at Alligator, Pointblank and Virgin.
Dorothy LaBostrie, later Dorothy LaBostrie Black, was an American songwriter, best known for co-writing Little Richard's 1955 hit "Tutti Frutti".
The Upsetters were a band that played with American musician and poet Little Richard from 1953 to the early 1960s. They would continue to tour and record through the late 1960s as a backing band with Otis Redding and as a solo group as well. They have been credited by James Brown and others with first putting the 'funk' in the rock and roll beat.
