Here's to Future Days | ||||
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Studio album by | ||||
Released | 20 September 1985 | |||
Recorded | 1984–1985 | |||
Studio |
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Genre | ||||
Length | 42:52 | |||
Label | Arista | |||
Producer | ||||
Thompson Twins chronology | ||||
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Singles from Here's to Future Days | ||||
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Review scores | |
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Source | Rating |
AllMusic | [1] |
Encyclopedia of Popular Music | [2] |
Record Collector | [3] |
Rolling Stone | Favourable [4] |
The Rolling Stone Album Guide | [5] |
Smash Hits | 5/10 [6] |
Here's to Future Days is the fifth studio album by the British pop group Thompson Twins, released on 20 September 1985 by Arista Records. [7] It was the third and final release for the band as a trio, which was their most successful and recognisable line-up. It peaked at No. 5 on the UK Albums Chart and No. 20 on the US Billboard 200.
Before the album's release, the Thompson Twins performed at Live Aid in July 1985, where they revealed their new material by playing a rock-oriented version of the Beatles' song "Revolution". The band were also joined onstage for this number by Nile Rodgers (who co-produced the album), Madonna, and guitarist Steve Stevens, perhaps best known for his work with Billy Idol.
Although the album was a chart success in the UK and the US, it was considerably less successful than their previous studio album Into the Gap (1984). Subsequent singles from the album also met with mixed results. The new Nile Rodgers-produced version of "Lay Your Hands on Me" (now with a more distinct gospel sound) reached No. 6 in the United States, while the next UK single "Don't Mess with Doctor Dream" reached No. 15. "King for a Day" followed in both markets, peaking at No. 8 in the US and becoming their third and final Top 10 hit there, but only reaching No. 22 in the UK. The aforementioned "Revolution" was also released as a single in the UK, but failed to make the top 40, signifying an end to the Thompson Twins' commercial viability there.
The US and Canadian pressing of the vinyl album does not include the track "Breakaway" but contained a new, Nile Rodgers-produced version of the track "Roll Over", though the song was omitted altogether in all other countries. The US and Canadian cassette and CD versions of the album contain both "Roll Over" and "Breakaway".
Following on from the band's highly successful fourth studio album, Into the Gap (1984), the writing and recording of Here's to Future Days began in late 1984 with the single "Lay Your Hands on Me", which was co-produced by Alex Sadkin and lead vocalist and guitarist Tom Bailey. Sadkin had produced the last two Thompson Twins studio albums, which were the band's biggest commercial successes to date, and the new single climbed to No. 13 on the UK Singles Chart. However, the band subsequently decided to part company with Sadkin and set about working on the new studio album with Bailey taking sole responsibility as producer at Marcadet Studios in Paris, using a 3M digital 32-track recorder. [8] It was there that most of the backing tracks were put together.
In March 1985, with the album nearing completion and the next single "Roll Over" just about to be released in the UK, Tom Bailey suddenly fell ill. After collapsing in his hotel room, he was diagnosed with nervous exhaustion and ordered to rest by doctors. The incident prompted the band to recall all copies of "Roll Over", despite the fact that some of them had already been shipped to retail outlets. Bailey then took time off in Barbados to recuperate. [8] Holding off on the album's release led the band to reconsider the entire project, and they began work on it again following Bailey's recovery. This time they enlisted Nile Rodgers to co-produce and help salvage the project at Bailey's suggestion, after having met him in New York during the break and discovering how well they both got on creatively. [8] The new recordings were more strongly oriented toward the use of electric guitars.
From early June to early August 1985, additional overdubs and mixing of Here's to Future Days took place at Skyline Studios in New York City with Rodgers assisting as co-producer; the only two major interruptions to recording were the US Independence day celebrations on 4 July and Live Aid on 13 July. [9] [10] Since the band had recorded on more than 24 tracks, two synchronized 24-track tape machines were used for transferring the Marcadet recordings. [8] [10] Concerning the use of electric guitars, Bailey commented:
"I knew before we went into the studio for this album that we'd avoided guitars for long enough, and that now was the time to use them. It was almost as if I wanted to make something that was more of a rock album and less of an electronic pop one." [11]
All tracks are written by Tom Bailey, Alannah Currie and Joe Leeway, except where noted
No. | Title | Writer(s) | Length |
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1. | "Don't Mess with Doctor Dream" | 4:25 | |
2. | "Lay Your Hands on Me" | 4:22 | |
3. | "Future Days" | 3:00 | |
4. | "You Killed the Clown" | 4:54 | |
5. | "Revolution" | 4:06 |
No. | Title | Length |
---|---|---|
1. | "King for a Day" | 5:22 |
2. | "Love Is the Law" | 4:45 |
3. | "Emperor's Clothes (Part 1)" | 4:46 |
4. | "Tokyo" | 3:39 |
5. | "Breakaway" | 3:34 |
Some UK copies came with a "free 5-track album of re-mixes" (this disc having cat. no. FRE TT 1). The remixes were also included as bonus tracks on the cassette version of the album.
No. | Title | Remixer | Length |
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1. | "Shoot Out" (Engineered by Jay Mark) | Tom Bailey | 6:23 |
2. | "Alice" |
| 4:59 |
3. | "Heavens Above!" | Jay Mark | 3:20 |
No. | Title | Remixer | Length |
---|---|---|---|
1. | "The Kiss" | Jay Mark | 5:44 |
2. | "Desert Dancers" | Jay Mark | 7:05 |
On 4 August 2008, Here's to Future Days was digitally remastered and reissued as a 2-disc set by Edsel Records . The reissue includes the five bonus remixes that originally appeared on the cassette version of the album in 1985, and also features most of the major 12" versions and B-sides, some of which appear on CD for the very first time.
Disc one
Disc two
Thompson Twins
Additional musicians
Weekly charts
| Year-end charts
|
Region | Certification | Certified units/sales |
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Canada (Music Canada) [28] | Platinum | 100,000^ |
New Zealand (RMNZ) [29] | Platinum | 15,000^ |
United Kingdom (BPI) [30] | Gold | 100,000^ |
United States (RIAA) [31] | Gold | 500,000^ |
^ Shipments figures based on certification alone. |
Nile Gregory Rodgers Jr. is an American musician, songwriter and record producer. The co-founder of Chic, he has written, produced, and performed on records that have sold more than 500 million albums and 75 million singles worldwide.
Thompson Twins were a British pop band, formed in 1977 in Sheffield. Initially a new wave group, they switched to a more mainstream pop sound and achieved considerable popularity during the early and mid-1980s, scoring a string of hits in the United Kingdom, the United States, and around the world. In 1993, they changed their name to Babble, to reflect their change in music from pop to dub-influenced chill-out. They continued as Babble until 1996, at which point the group permanently broke up.
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The following is the complete discography of English pop band Thompson Twins.
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Into the Gap is the fourth studio album by British pop group Thompson Twins, released on 17 February 1984 by Arista Records. The album was recorded during 1983 at Compass Point Studios, in Nassau, Bahamas, and was produced by Alex Sadkin who had produced the band's previous studio album, Quick Step & Side Kick (1983).
Greatest Hits is a compilation album by British pop band Thompson Twins, released in 1996 on the Arista Records label.
Chic, currently called Nile Rodgers & Chic, is an American disco band founded in 1972 mainly by guitarist Nile Rodgers and bassist Bernard Edwards. It recorded many commercially successful disco songs, including "Dance, Dance, Dance " (1977), "Everybody Dance" (1977), "Le Freak" (1978), "I Want Your Love" (1978), "Good Times" (1979), and "My Forbidden Lover" (1979). The group regarded themselves as a rock band for the disco movement "that made good on hippie peace, love and freedom". In 2017, Chic was nominated for induction into the Rock and Roll Hall of Fame for the eleventh time.
"Hold Me Now" is a 1983 song by British band the Thompson Twins. Written by the band members, the song was produced by Alex Sadkin and the group's lead vocalist Tom Bailey. The song is a mid-tempo new wave song that uses a varied instrumentation, including keyboards, a xylophone, a piano and Latin percussion. It was released in November 1983 as the first single from their fourth studio album, Into the Gap.
King of the World is the final album by French disco act Sheila and B. Devotion, released on June 27, 1980. The album which was both written and produced by Bernard Edwards and Nile Rodgers of American R&B band Chic includes the hit "Spacer" which reached No. 18 on the UK charts in early 1980 and was a Top 10 hit in most of Europe, selling more than 5 million copies worldwide. The album displays some elements unusual in Chic productions, such as prominent guitar solos in place of the breakdowns that were normally a staple part of the Chic sound, and some unusual lyrical subject matter, such as the sci-fi themed "Spacer" and a humorous song about credit cards.
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"Doctor! Doctor!" is a song performed by the British new wave band Thompson Twins. It is the second single from the band's fourth studio album, Into the Gap (1984). It was written by Tom Bailey, Alannah Currie and Joe Leeway, and prominently features a keyboard solo. Following the successful chart performances of the Into the Gap single "Hold Me Now", "Doctor! Doctor!" was released in the UK on 27 January 1984 as the album's second single.
"Long Goodbye" is a song by the British pop group Thompson Twins, released in 1987 as the second and final single from their sixth studio album Close to the Bone. It was written by Alannah Currie and Tom Bailey, and produced by Rupert Hine and Bailey. "Long Goodbye" peaked at No. 89 in the UK.
"Lay Your Hands on Me" is a song by the British band Thompson Twins, written by Tom Bailey, Alannah Currie, and Joe Leeway. Released as a single in the UK in 1984, a different version of the song appeared on their 1985 album Here's to Future Days.
"King For A Day" is a 1985 song by the British band the Thompson Twins. It was released as the third single from the band's fifth album Here's to Future Days.
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Roll Over is a 1985 song by the Thompson Twins. It was intended for release as a single from the band's album Here's To Future Days, but was recalled and withdrawn from shelves the same day of release with the remaining copies destroyed. Some copies made it onto the market before being recalled. After a bout with nervous exhaustion which left him with no reflexes, lead vocalist Tom Bailey took it as a bad omen and decided against the release of the song. Subsequently, it was only released on the North American versions of the album. The versions found on the single are different mixes than the final album version which was co-produced by Nile Rodgers.
"You Take Me Up" is a song by British pop group Thompson Twins, released as the third single from their fourth studio album, Into the Gap (1984), on 19 March 1984. It was written by Tom Bailey, Alannah Currie and Joe Leeway and prominently features the harmonica and a melodica solo. In addition to the regular 7-inch and multiple 12-inch releases, Arista Records also released four different shaped picture discs for the single, three of which were part of a jigsaw.
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