| Here 'Tis | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 1961 | |||
| Recorded | January 23, 1961 | |||
| Studio | Van Gelder Studio, Englewood Cliffs, NJ | |||
| Genre | Jazz | |||
| Length | 39:13 | |||
| Label | Blue Note BST 84066 | |||
| Producer | Alfred Lion | |||
| Lou Donaldson chronology | ||||
| ||||
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [1] |
| All About Jazz | (favorable) [2] |
Here 'Tis is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label in 1961 and performed by Donaldson with organist Baby Face Willette, guitarist Grant Green and drummer Dave Bailey. [3]
An AllMusic review by Stephen Thomas Erlewine states: "Here 'Tis is in the front rank of Lou Donaldson records, an exceptionally funky soul-jazz session that finds the saxophonist swinging harder than usual. As he moves from hard bop to soul-jazz, Donaldson reveals a bluesy streak to his playing while keeping the vigorous attack that defined his best bop. Donaldson's playing is among his finest in the soul-jazz vein, but what makes Here 'Tis such an enjoyable session is his interaction with his supporting trio... As support, all three know how to keep a groove gritty and flexible, following Lou's lead and working a swinging beat that keeps flowing, never growing static... Their talent, combined with Donaldson at a peak, results in a terrific record". [1]
All compositions by Lou Donaldson except where noted.
Grant Green was an American jazz guitarist and composer.
Soul jazz or funky jazz is a subgenre of jazz that incorporates strong influences from hard bop, blues, soul, gospel and rhythm and blues. Soul jazz is often characterized by organ trios featuring the Hammond organ and small combos including saxophone, brass instruments, electric guitar, bass, drums, piano, vocals and electric organ. Its origins were in the 1950s and early 1960s, with its heyday with popular audiences preceding the rise of jazz fusion in the late 1960s and 1970s. Prominent names in fusion ranged from bop pianists including Bobby Timmons and Junior Mance to a wide range of organists, saxophonists, pianists, drummers and electric guitarists including Jack McDuff, Eddie "Lockjaw" Davis, and Grant Green.
Roosevelt "Baby Face" Willette was an American hard bop and soul-jazz musician who played the Hammond organ.
Samuel David Bailey is an American jazz drummer.
Light-Foot is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label and performed by Donaldson's Quintet with pianist Herman Foster, bassist Peck Morrison, drummer Jimmy Wormworth and congalero Ray Barretto.
LD + 3 is an album by jazz saxophonist Lou Donaldson and The Three Sounds recorded for the Blue Note label and performed by Donaldson with Gene Harris, Andrew Simpkins, and Bill Dowdy.
Sunny Side Up is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label and performed by Donaldson with Bill Hardman, Horace Parlan, Sam Jones, Al Harewood, with Laymon Jackson replacing Jones on four tracks.
Midnight Sun is an album by jazz saxophonist Lou Donaldson, recorded for the Blue Note label in 1960, but not released until 1980 and performed by Donaldson with pianist Horace Parlan, bassist George Tucker, drummer Al Harewood and congalero Ray Barretto.
A Man With a Horn is an album by jazz saxophonist Lou Donaldson featuring 1961 & 1963 sessions recorded for the Blue Note label, one performed by Donaldson with organist Brother Jack McDuff, guitarist Grant Green and drummer Joe Dukes, and the other with Grant Green, trumpeter Irvin Stokes, Big John Patton and drummer Ben Dixon.
The Natural Soul is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label in 1962 and performed by Donaldson with Grant Green, Tommy Turrentine, Big John Patton, and Ben Dixon.
Good Gracious! is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label in 1963 and performed by Donaldson with Grant Green, Big John Patton, and Ben Dixon.
Lush Life is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label in 1967 and featuring Donaldson with Freddie Hubbard, Garnett Brown, Jerry Dodgion, Wayne Shorter, Pepper Adams, McCoy Tyner, Ron Carter, and Al Harewood performing arrangements by Duke Pearson. Due to the success of Donaldson's Alligator Bogaloo (1967) the album was not released until 1980 in Japan under the title Sweet Slumber and then finally released decades later internationally.
Midnight Creeper is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label in 1968 and featuring Donaldson with Blue Mitchell, Lonnie Smith, George Benson, and Leo Morris.
Say It Loud! is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label in 1968 and featuring Donaldson with Blue Mitchell, Charles Earland, Jimmy Ponder, and Leo Morris.
Grant's First Stand is the debut album by American jazz guitarist Grant Green featuring performances by Green recorded and released on the Blue Note label in 1961. He is featured in a trio with organist Baby Face Willette and drummer Ben Dixon. Earlier recordings made by Green for Blue Note were released as First Session in 2001.
Stop and Listen is the second album by American jazz organist Baby Face Willette featuring performances recorded and released on the Blue Note label in 1961. It features a version of the 1941 Harry Warren song "At Last," which at the time of the Stop and Listen recording sessions was on the R&B and Billboard Hot 100 record charts through Etta James' hit recording of the song.
Ben Dixon was an American jazz drummer.
Straight Life is an album by American jazz organist Jimmy Smith featuring performances recorded in 1961 but not released on the Blue Note label until 2007.
Fred Jackson is an American rhythm and blues and jazz tenor saxophonist.
This is the discography for American jazz musician Grant Green.