High Energy | ||||
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Studio album by | ||||
Released | 1 April 1976 | |||
Genre | Soul, disco | |||
Length | 32:35 | |||
Label | Motown | |||
Producer | Brian Holland, Edward Holland, Jr. | |||
The Supremes chronology | ||||
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Singles from High Energy | ||||
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High Energy is the twenty-eighth studio album by American girl group the Supremes, released in 1976 on the Motown label. The album is the first to feature Susaye Greene; former member of Stevie Wonder's Wonderlove; [1] and is notable for featuring the last Billboard Hot 100 Top 40 pop hit for the group, "I'm Gonna Let My Heart Do the Walking". [2] Of their 1970s releases, High Energy is the second-highest charting album on the US Billboard 200, the first being Right On (1970). [3] In Canada, High Energy is the highest-charting Supremes album since TCB (1968). [4]
The entire album was released for the first time on CD on May 17, 2011, on the three-disc set, Let Yourself Go: The '70s Albums, Vol 2 – 1974–1977: The Final Sessions , which also includes the complete album in a different mix by Russ Terrana. The set also includes alternate versions, including; a Wilson-led version of "You’re What’s Missing In My Life", a Payne-led "You’re What’s Missing In My Life" and a Greene-led "I’m Gonna Let My Heart Do The Walking". [5]
Review scores | |
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Source | Rating |
AllMusic | [2] |
Cashbox | (Favorable) [6] |
Record World | (Favorable) [7] |
The Rolling Stone Album Guide | [8] |
In a contemporary review Cashbox published: [6]
'The Supremes have developed a strong reputation for being number one in the field of sweet soul music and "High Energy" only serves to strengthen and broaden that reputation. The album is a pleasing offering of disco. soul and balladry that should find a universal appeal within the r&b. pop and MOR markets. The immaculate production is a tribute to the work of Brian Holland the strings are full and clean — the entire rhythm section tight and punchy. Prime AM material includes the disco feel of "I'm Gonna Let My Heart Do The Walking" and "You're What's Missing In My Life." The Supremes' gentle touch with a ballad should not be overlooked. "Till The Boat Sails Away" is a case in point.'
In a contemporary review for Record World , Vince Aletti writes: [7]
'The Supremes' "High Energy" (Motown) is their glossiest and most satisfying album in some time. Like The Temptations, the Supremes are usually referred to as an "institution," a euphemism for a group that has gone through multiple personnel changes. But the myth, the spirit and Mary Wilson remain and all feel a lot fresher under the direction of Brian Holland, who produced, and Eddie Holland, executive producer; it's almost like old times again. The prime cut, already on two top 10 lists this week (Tony Smith's from Barefoot Boy and Richie Kaczor's from the new Top Floor), is "I'm Gonna Let My Heart Do the Walkin," a sassy, exhilerating song that sounds like a natural single. The title cut, with its shimmering, slow instrumental build-up, is the album's show piece production number, a beautiful job, and three other upbeat cuts—"You're What's Missing in My Life", "Only You (Can Love Me Like You Love Me)" and "You Keep Me Moving On"—should be tested out too' [7]
John Lowe of AllMusic, similarly writes, High Energy is, 'Perhaps the most vigorous (and best) album of their latter-day career', helped by Brian and Eddie Holland at 'the production helm', Scherrie Payne's establishment 'as the centerpiece of the group' and Susaye Greene's 'multi-octative-voiced [...] though producers used her voice more for coloration than for substance.' Lowe describes the album as 'sturdy' and 'dance-oriented [...] highlighted by the hard-driving dance hit "I'm Gonna Let My Heart Do the Walking," which became their last Top 40 hit in 1976.' [2]
Cashbox published in their July 17, 1976 issue, 'The Supremes album “High Energy," and single, "I'm Gonna Let My Heart Do The Walking" are national break-outs, with tremendous sales claimed on the East Coast.' [9]
Weekly charts
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Scherrie Ann Payne is an American singer. Payne is best known as a member and the final lead singer of the R&B/Soul vocal group the Supremes from 1973 until 1977. Payne is the younger sister of singer Freda Payne. Payne continues to perform, both as a solo act and as a part of the "Former Ladies of the Supremes" (FLOS).
American girl group The Supremes has released 29 studio albums, four live albums, two soundtrack albums, 32 compilation albums, four box sets, 66 singles and three promotional singles. The Supremes are the most successful American group of all time, and the 26th greatest artist of all time on the US Billboard charts; with 12 number-one songs on the Billboard Hot 100 and three number-one albums on the Billboard 200. The Supremes were the first artist to accumulate five consecutive number-one singles on the US Hot 100 and the first female group to top the Billboard 200 albums chart with The Supremes A' Go-Go (1966). In 2017, Billboard ranked The Supremes as the number-one girl group of all time, publishing, 'although there have been many girl group smashes in the decades since the Supremes ruled the Billboard charts, no collective has yet to challenge their, for lack of a better word, supremacy.' In 2019, the UK Official Charts Company placed 7 Supremes songs—"You Can't Hurry Love" (16), "Baby Love" (23), "Stop! In the Name of Love" (56), "Where Did Our Love Go?" (59), "You Keep Me Hangin' On" (78), "Come See About Me" (94) and "Stoned Love" (99)—on The Official Top 100 Motown songs of the Millennium chart, which ranks Motown releases by their all-time UK downloads and streams.
"I'm Gonna Make You Love Me" is a soul song most popularly released as a joint single performed by Diana Ross & the Supremes and the Temptations for the Motown label. This version peaked for two weeks at No. 2 on the Hot 100 in the United States, selling 900,000 copies in its first two weeks, and at No. 3 on the UK Singles Chart in January 1969.
The Supremes is a 2000 box set compilation of the material by Motown's most popular act of the 1960s, The Supremes. The set covers The Supremes' entire recording history, from its first recordings as The Primettes in 1960 to its final recordings in 1976.
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Reflections is the twelfth studio album recorded for Motown by Diana Ross & the Supremes. Released in 1968, it was the first regular studio LP to display the new billing of the group formerly known as "The Supremes." It contains the singles "Reflections", "In and Out of Love" and "Forever Came Today". Also included are covers of songs made famous by Martha and the Vandellas and The 5th Dimension. Also present are songs written by other famous names, including "Bah-Bah-Bah" co-written by Motown singer Brenda Holloway with her younger sister, Patrice, an original Smokey Robinson composition titled "Then", and "What the World Needs Now Is Love" by Burt Bacharach and Hal David, which Motown planned to release as a single in the spring of 1968, but cancelled. It also contains a cover of Bobbie Gentry's "Ode to Billie Joe," whose original recording kept the single #2 "Reflections" from peaking at the top spot on the Billboard Hot 100 in September 1967, and it hit #2 on Cashbox.
The '70s Anthology is a 2002 two compact disc set of many of the songs recorded by the 1970s groupings of The Supremes. The set features 42 tracks, of which 10 had never been released, and 6 were appearing in extended or unedited forms.
Where Did Our Love Go is the second studio album by Motown singing group the Supremes, released in 1964. The album includes several of the group's singles and B-sides from 1963 and 1964. Included are the group's first Billboard Pop Singles number-one hits, "Where Did Our Love Go", "Baby Love", and "Come See About Me", as well as their first Top 40 hit, "When the Lovelight Starts Shining Through His Eyes", and the singles "A Breathtaking Guy" and "Run, Run, Run".
The Supremes Sing Holland–Dozier–Holland is the tenth studio album released by The Supremes for Motown in 1967. It includes the number-one hit singles "You Keep Me Hangin' On" and "Love Is Here and Now You're Gone". As the title states: all songs on the album were written and produced by Motown's main songwriting team of Holland–Dozier–Holland. Most of the album was recorded during the spring and summer of 1966; however several songs date back to the summer of 1964.
More Hits by The Supremes is the sixth studio album by Motown singing group the Supremes, released in 1965. The album includes two number-one hits: "Stop! In the Name of Love" and "Back in My Arms Again", as well as the Top 20 single "Nothing but Heartaches".
The Supremes is the twenty-seventh studio album by The Supremes, released in 1975 on Motown Records.
Mary, Scherrie & Susaye is the twenty-ninth and final studio album by The Supremes, released in 1976 on the Motown label. It featured the final line-up for the Supremes, composed of original Supreme Mary Wilson and latter-day members Scherrie Payne and Susaye Greene. All three Supremes take leads on the album. The album was a mixture of disco dance tracks (Hi-NRG) and R&B ballads. Payne and Greene mostly took over the dance tracks while Wilson performed the ballads. The album was released in October 1976, nine months before the trio disbanded.
Mary Wilson is the debut solo album by the founding Supremes member, Mary Wilson, released on the Motown label in 1979.
Anthology, also known as Anthology: The Best of Diana Ross and the Supremes, first released in May 1974, is a series of same or similarly titled compilation albums by The Supremes. Motown released revised versions in 1986, 1995 and 2001. In its initial version, a 35-track triple record collection of hits and rare material, the album charted at No. 24 on Billboard's "Black Albums" and No. 66 on "Pop Albums".
"I'm Gonna Let My Heart Do the Walking" is a disco-styled soul single composed by the Holland brothers Eddie and Brian, members of the former Holland–Dozier–Holland team and was released as a single by Motown vocal group The Supremes in 1976 on the Motown label. It was the first single since "Your Heart Belongs to Me" in 1962 to feature four Supremes. It is also notable for being the last top forty single the group would score before they disbanded in 1977.
At Their Best is a 1978 album by The Supremes. It includes most of their singles from 1970 through 1976 and featured, at the time, two never-before released songs: "The Sha-La Bandit" and "Love Train". It was released first in the United Kingdom in February 1978, including 14 tracks. It was later released in the US in June 1978, with some of the tracks removed and the track order amended.
The Supremes ('70s): Greatest Hits and Rare Classics is a 1991 compilation album by The Supremes, released on the Motown label. The compilation features a majority of the group's 1970's hits, as well as one solo song by Jean Terrell "I Had To Fall In Love", which was released in 1978 on A&M Records, and two solo tracks by Scherrie Payne, "When I Looked At Your Face" and "Another Life From Now". Three tracks "Everybody's Got the Right to Love" "Floy Joy" and "Automatically Sunshine" also appear in alternate versions.
Let Yourself Go, the follow-up box set to This Is the Story: The '70s Albums, Vol. 1 – 1970–1973: The Jean Terrell Years, comprises The Supremes' albums from 1974 to 1977, featuring original member Mary Wilson, longtime member Cindy Birdsong, newest member Scherrie Payne, and final Supreme Susaye Greene. Included in this set are The Supremes' final three studio albums released in their entirety on CD for the first time. Also included are several unreleased and alternate takes.
"You're My Driving Wheel" is a dance/disco song by The Supremes. The song was released on September 30, 1976 as the first single from their album Mary, Scherrie & Susaye. Along with the tracks, "Let Yourself Go" and "Love I Never Knew", "You're My Driving Wheel" peaked at number five on the disco chart. On the Soul chart, the single peaked at number fifty and number eighty-five on the Hot 100.
"Let Yourself Go" is a disco song recorded by the Supremes. It was written by Harold Beatty, Eddie Holland and Brian Holland. The song was released on January 25, 1977 as the second single from The Supremes' Mary, Scherrie & Susaye album, and the last one by the group officially released in the US, ever. The song peaked at #83 on the US R&B charts.