It has been suggested that Highs in the Mid-Sixties, Volume 6 , Highs in the Mid-Sixties, Volume 7 and Highs in the Mid-Sixties, Volume 8 be merged into this article. (Discuss) Proposed since October 2023. |
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Highs in the Mid-Sixties were a series of compilation albums released in the mid 1980s on AIP Records developed by Greg Shaw. [1] [2] The series was spun off of the similar Pebbles series. [3] Each volume focuses on a specific geographical region. [4]
Highs in the Mid-Sixties, Volume 1 | |
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Compilation album | |
Released | 1983 |
Recorded | Mid-1960s |
Genre | Garage rock, acid rock, psychedelic rock |
Label | AIP |
Highs in the Mid-Sixties, Volume 1: LA '65 / Teenage Rebellion is a compilation album of American garage rock and psychedelic rock recordings from the mid to late 1960s. It was the first in a series that is nearly as long as the earlier Pebbles series of similar music (for which the Highs in the Mid-Sixties series is a companion series), although the Highs albums concentrate strictly on particular regions of the US – in this case, recordings that were released in Los Angeles, California. (Despite the subtitle, however, not all of these records were originally released in 1965).
Highs in the Mid-Sixties, Volume 2 , Highs in the Mid-Sixties, Volume 3 , and Highs in the Mid-Sixties, Volume 20 also showcase music from Los Angeles; while two of the later CDs in the Pebbles series, Pebbles, Volume 8 and Pebbles, Volume 9 feature bands from throughout Southern California.
This album was released in 1983 as an LP by AIP Records (as #AIP-10003).
The Standells were one of the best of the mid-sixties L.A. bands; this is a rare early track that was previously unreleased at this time. The flip side of "Linda" by the Starfires is one of the most valuable and sought after garage rock songs, "I Never Loved Her", which was featured on the Pebbles, Volume 8 LP and CD. The Epics have managed yet another take on the eternal "Louie Louie". Gypsy Trips are actually from Oklahoma but settled in L.A.; this song was later covered by the Electric Prunes. The Lyrics' "So What!" was a featured song on Pebbles, Volume 2 .
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Highs in the Mid-Sixties, Volume 2 | |
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Compilation album | |
Released | 1983 |
Recorded | Mid-1960s |
Genre | Garage rock, psychedelic rock |
Label | AIP |
Highs in the Mid-Sixties, Volume 2: LA '66 / Riot on Sunset Strip features recordings that were released in Los Angeles, California. Despite the subtitle, not all of these records were originally released in 1966. The subtitle is taken from Riot on Sunset Strip (a movie that was actually released in 1967); the film features live performances by two classic garage-rock bands, the Standells (featured on Highs in the Mid-Sixties, Volume 1 ) and the Chocolate Watchband.
Highs in the Mid-Sixties, Volume 1 , Highs in the Mid-Sixties, Volume 3 , and Highs in the Mid-Sixties, Volume 20 also showcase music from Los Angeles; while two of the later CDs in the Pebbles series, Pebbles, Volume 8 and Pebbles, Volume 9 feature bands from throughout Southern California.
This album was released in 1983 as an LP by AIP Records (as #AIP-10004).
The Bees are the band that produced the classic psychedelic rock song, "Voices Green and Purple" (included on Pebbles, Volume 3 ), which is also the color scheme for this album's cover. Side 2 opens with what is probably the earliest recording of the early Monkees hit. The Sandals are best known for providing the score for the legendary surfing movie, the Endless Summer . The Satans appeared on Pebbles, Volume 2 with "Makin' Deals", a song that anticipated "Sympathy for the Devil". "Let Me In", by the Second Helping, featured Kenny Loggins on vocals in his first recording effort; Loggins wrote the song, one of three compositions released by the band as singles. The song is also found on Pebbles, Volume 9 .
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Highs in the Mid-Sixties, Volume 3 | |
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Compilation album | |
Released | 1983 |
Recorded | Mid-1960s |
Genre | Garage rock, psychedelic rock |
Label | AIP |
Highs in the Mid-Sixties, Volume 3: LA '67 / Mondo Hollywood is a compilation album in the Highs in the Mid-Sixties series, featuring recordings that were released in Los Angeles. (Despite the subtitle, not all of these records were originally released in 1967. Also, not all the bands are from Los Angeles; The Search and The Lyrics were from San Diego, California). The subtitle is seemingly taken from Mondo Cane , an influential 1962 documentary film.
Volume 1, Volume 2, and Volume 20 also showcase music from Los Angeles; while two of the later CDs in the Pebbles series, Pebbles, Volume 8 and Pebbles, Volume 9 feature bands from throughout Southern California.
This album was released in 1983 as an LP by AIP Records (as #AIP-10005).
The flip side of "Every Night" by the Human Expression, "Love at Psychedelic Velocity", is better known and appeared several years earlier on the Pebbles, Volume 10 LP. The Grains of Sand (featured on the original Pebbles album), the Lyrics, and Limey & the Yanks also had tracks on Highs in the Mid-Sixties, Volume 1 . The Kim Fowley track is one of his many pseudo-documentary explorations of part of the L.A. scene. The song by the Flower Children, which complains about miniskirts, shows that nearly every possible topic has been covered in one pop song or another.
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Highs in the Mid-Sixties, Volume 4 | |
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Compilation album | |
Released | 1983 |
Recorded | Mid-1960s |
Genre | Garage rock, psychedelic rock |
Label | AIP |
Highs in the Mid-Sixties, Volume 4: Chicago is a compilation album in the Highs in the Mid-Sixties series, featuring recordings that were released in Chicago, Illinois. Two of the later releases among the CDs in the Pebbles series, Pebbles, Volume 6 and Pebbles, Volume 7 also concentrate on Chicago bands.
This album was released in 1983 as an LP by AIP Records (as #AIP-10006).
The A-side of this single by the Foggy Notions, "I Need a Little Lovin'" is included on the Pebbles, Volume 10 LP and the Pebbles, Volume 6 CD. The better known "I Can Only Give You Everything" by the Little Boy Blues is on Pebbles, Volume 2 . "(I) Live in the Springtime" also appears on the Pebbles, Volume 8 LP, credited to The Lemon Drops. "La Da Da" – a takeoff on a Dale Hawkins song called "La Do Da Da" – is the first single by the Malibus; another of their songs is on the Pebbles, Volume 7 CD. The final track is a plea by the band to get a spot on The Ed Sullivan Show, in the style of the 1960 novelty hit by Larry Verne, "Mr. Custer".
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Highs in the Mid-Sixties, Volume 5 | |
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Compilation album | |
Released | 1983 |
Recorded | Mid-1960s |
Genre | Garage rock, psychedelic rock |
Label | AIP Records |
Highs in the Mid-Sixties, Volume 5: Michigan is a compilation album in the Highs in the Mid-Sixties series, featuring recordings that were released in Michigan. Highs in the Mid-Sixties, Volume 6 and Highs in the Mid-Sixties, Volume 19 are later volumes that feature bands from this state.
This album was released in 1983 as an LP by AIP Records (as #AIP-10007).
Other tracks by the Underdogs and the 4 of Us are included on Highs in the Mid-Sixties, Volume 6 , as are others by the Blues Company (though under a slightly different name).
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Pebbles is an extensive series of compilation albums in both LP and CD formats that have been issued on several record labels, though mostly by AIP. Together with the companion Highs in the Mid-Sixties series, the Pebbles series made available over 800 obscure, mostly American "Original Punk Rock" songs recorded in the mid-1960s — primarily known today as the garage rock and psychedelic rock genres — that were previously known only to a handful of collectors. In 2007, the release of the Pebbles, Volume 11: Northern California CD marked the final album in the Pebbles series. The following year, Bomp! marked the 30th anniversary of the original Pebbles album with a spartan, limited-edition, clear-vinyl reissue complete with the original pink cover insert.
Pebbles is a compilation of US underground and garage single record releases from the mid- to late-1960s. It had a limited original release in 1978 and a more general release in 1979. It was followed by several subsequent Pebbles compilations and albums. This album is nowadays known as Pebbles, Volume 1 and was originally issued in 1978 as Pebbles, Volume One: Artyfacts from the First Punk Era, an obvious riff on Nuggets: Original Artyfacts from the First Psychedelic Era, a similar, groundbreaking compilation from 1972.
Pebbles, Volume 6 is a compilation album among the LPs in the Pebbles series. Subtitled The Roots of Mod, Volume 6 is the only album in the Pebbles series that features primarily British music. The Pebbles, Volume 6 CD is not at all related to this LP; instead, the CD featuring the songs on this LP was released as English Freakbeat, Volume 6.
The Pebbles Box is a 5-LP box set of mid-1960s garage rock and psychedelic rock recordings, primarily by American bands. Several years later, a similar 5-CD box set was released that was called the Trash Box. The Pebbles Box purports to collect the first five volumes of the Pebbles series, although there are fewer songs than on the original LPs: 72 total tracks on the five discs, as compared with 86 on the original LPs. Also, as is generally true of the CD reissues of these five volumes, the tracks differ significantly on all five discs as compared to both the original Pebbles LPs and the later Pebbles CDs in the corresponding volumes; and the surf rock rarities on Pebbles, Volume 4 have been eschewed entirely.
Pebbles, Volume 7 is a compilation album among the CDs in the Pebbles series; it is subtitled Chicago 2. The previous CD in the series, Pebbles, Volume 6 also features bands from Chicago, as does the LP Highs in the Mid-Sixties, Volume 4.
Pebbles, Volume 8 is a compilation album among the CDs in the Pebbles series; it is subtitled Southern California 1. The next CD in the series, Pebbles, Volume 9 also feature bands from Southern California; while Highs in the Mid-Sixties, Volume 1, Highs in the Mid-Sixties, Volume 2, and Highs in the Mid-Sixties, Volume 3 showcase music from Los Angeles specifically.
Pebbles, Volume 9 is a compilation album among the CDs in the Pebbles series; it is subtitled Southern California 2. The previous CD in the series, Pebbles, Volume 8 also features bands from Southern California; while Highs in the Mid-Sixties, Volume 1, Highs in the Mid-Sixties, Volume 2, and Highs in the Mid-Sixties, Volume 3 showcase music from Los Angeles specifically.
Essential Pebbles, Volume 2 is a compilation album in the Essential Pebbles series. Although subtitled Still More Ultimate '66 garage classics!, not all of the recordings on the album were originally released in 1966.
Highs in the Mid-Sixties, Volume 7 is a compilation album in the Highs in the Mid-Sixties series, featuring recordings that were released in Washington and Oregon. Highs in the Mid-Sixties, Volume 14 and Highs in the Mid-Sixties, Volume 16 are later volumes in the series that feature bands from these states.
Highs in the Mid-Sixties, Volume 9 is a compilation album in the Highs in the Mid-Sixties series, featuring recordings that were released in Ohio. Highs in the Mid-Sixties, Volume 21 is a later volume in the series that features bands from this state.
Highs in the Mid-Sixties, Volume 10 is a compilation album in the Highs in the Mid-Sixties series, featuring recordings that were released in Wisconsin. A later volume in the series, Highs in the Mid-Sixties, Volume 15 also features bands from this state.
Highs in the Mid-Sixties, Volume 12 is a compilation album in the Highs in the Mid-Sixties series, featuring recordings that were released in Texas. This is one of five volumes in the series that collects songs by Texas bands; the others are Highs in the Mid-Sixties, Volume 11, Highs in the Mid-Sixties, Volume 13, Highs in the Mid-Sixties, Volume 17, and Highs in the Mid-Sixties, Volume 23.
Highs in the Mid-Sixties, Volume 15 is a compilation album in the Highs in the Mid-Sixties series, featuring recordings that were released in Wisconsin. An earlier volume in the series, Highs in the Mid-Sixties, Volume 10 also features bands from this state.
Highs in the Mid-Sixties, Volume 16 is a compilation album in the Highs in the Mid-Sixties series, featuring recordings that were released in Washington and Oregon. Highs in the Mid-Sixties, Volume 7 and Highs in the Mid-Sixties, Volume 14 are earlier volumes in the series that feature bands from these states.
Highs in the Mid-Sixties, Volume 17 is a compilation album in the Highs in the Mid-Sixties series, of recordings that were released in Texas. This is one of five volumes in the series that collects songs by Texas bands; the others are Highs in the Mid-Sixties, Volume 11, Highs in the Mid-Sixties, Volume 12, Highs in the Mid-Sixties, Volume 13 and Highs in the Mid-Sixties, Volume 23.
Highs in the Mid-Sixties, Volume 20 is a compilation album in the Highs in the Mid-Sixties series; it is subtitled L.A., Part 4 and features recordings that were released in Los Angeles. Highs in the Mid-Sixties, Volume 1, Highs in the Mid-Sixties, Volume 2, and Highs in the Mid-Sixties, Volume 3 also showcase music from Los Angeles; while two of the later CDs in the Pebbles series, Pebbles, Volume 8 and Pebbles, Volume 9 feature bands from throughout Southern California.
Highs in the Mid-Sixties, Volume 21 is a compilation album in the Highs in the Mid-Sixties series, featuring recordings that were released in Ohio. Highs in the Mid-Sixties, Volume 9 is an earlier volume in the series that features bands from this state.
Highs in the Mid-Sixties, Volume 22 is a compilation album in the Highs in the Mid-Sixties series, featuring recordings that were released in the South excluding Texas. Highs in the Mid-Sixties, Volume 8 is an earlier volume in the series that features bands from these Southern states.
English Freakbeat, Volume 1 is a compilation album in the English Freakbeat series, featuring recordings that were released decades earlier, in the mid-1960s.
English Freakbeat, Volume 2 is a compilation album in the English Freakbeat series, featuring recordings that were released decades earlier, in the mid-1960s.