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Highs in the Mid-Sixties were a series of compilation albums released in the mid 1980s on AIP Records developed by Greg Shaw. [1] [2] The series was spun off of the similar Pebbles series. [3] Each volume focuses on a specific geographical region. [4]
| Highs in the Mid-Sixties, Volume 1 | |
|---|---|
| Compilation album | |
| Released | 1983 |
| Recorded | Mid-1960s |
| Genre | Garage rock, acid rock, psychedelic rock |
| Label | AIP |
Highs in the Mid-Sixties, Volume 1: LA '65 / Teenage Rebellion is a compilation album of American garage rock and psychedelic rock recordings from the mid to late 1960s. It was the first in a series that is nearly as long as the earlier Pebbles series of similar music (for which the Highs in the Mid-Sixties series is a companion series), although the Highs albums concentrate strictly on particular regions of the US – in this case, recordings that were released in Los Angeles, California. (Despite the subtitle, however, not all of these records were originally released in 1965).
Highs in the Mid-Sixties, Volume 2 , Highs in the Mid-Sixties, Volume 3 , and Highs in the Mid-Sixties, Volume 20 also showcase music from Los Angeles; while two of the later CDs in the Pebbles series, Pebbles, Volume 8 and Pebbles, Volume 9 feature bands from throughout Southern California.
This album was released in 1983 as an LP by AIP Records (as #AIP-10003).
Side one
Side two
| Highs in the Mid-Sixties, Volume 2 | |
|---|---|
| Compilation album | |
| Released | 1983 |
| Recorded | Mid-1960s |
| Genre | Garage rock, psychedelic rock |
| Label | AIP |
Highs in the Mid-Sixties, Volume 2: LA '66 / Riot on Sunset Strip features recordings that were released in Los Angeles, California. Despite the subtitle, not all of these records were originally released in 1966. The subtitle is taken from Riot on Sunset Strip (a movie that was actually released in 1967); the film features live performances by two classic garage-rock bands, the Standells (featured on Highs in the Mid-Sixties, Volume 1) and the Chocolate Watchband.
Highs in the Mid-Sixties, Volume 1, Highs in the Mid-Sixties, Volume 3, and Highs in the Mid-Sixties, Volume 20 also showcase music from Los Angeles; while two of the later CDs in the Pebbles series, Pebbles, Volume 8 and Pebbles, Volume 9 feature bands from throughout Southern California.
This album was released in 1983 as an LP by AIP Records (as #AIP-10004).
"Let Me In", by the Second Helping, featured Kenny Loggins on vocals in his first recording effort; Loggins wrote the song, one of three compositions released by the band as singles.
Side one
Side two
| Highs in the Mid-Sixties, Volume 3 | |
|---|---|
| Compilation album | |
| Released | 1983 |
| Recorded | Mid-1960s |
| Genre | Garage rock, psychedelic rock |
| Label | AIP |
Highs in the Mid-Sixties, Volume 3: LA '67 / Mondo Hollywood is a compilation album in the Highs in the Mid-Sixties series, featuring recordings that were released in Los Angeles. (Despite the subtitle, not all of these records were originally released in 1967. Also, not all the bands are from Los Angeles; The Search and The Lyrics were from San Diego, California).
This album was released in 1983 as an LP by AIP Records (as #AIP-10005).
Side one
Side two
| Highs in the Mid-Sixties, Volume 4 | |
|---|---|
| Compilation album | |
| Released | 1983 |
| Recorded | Mid-1960s |
| Genre | Garage rock, psychedelic rock |
| Label | AIP |
Highs in the Mid-Sixties, Volume 4: Chicago is a compilation album in the Highs in the Mid-Sixties series, featuring recordings that were released in Chicago, Illinois.
This album was released in 1983 as an LP by AIP Records (as #AIP-10006).
Side one
Side two
| Highs in the Mid-Sixties, Volume 5 | |
|---|---|
| Compilation album | |
| Released | 1983 |
| Recorded | Mid-1960s |
| Genre | Garage rock, psychedelic rock |
| Label | AIP Records |
Highs in the Mid-Sixties, Volume 5: Michigan is a compilation album in the Highs in the Mid-Sixties series, featuring recordings that were released in Michigan. Highs in the Mid-Sixties, Volume 6 and Highs in the Mid-Sixties, Volume 19 are later volumes that feature bands from this state.
This album was released in 1983 as an LP by AIP Records (as #AIP-10007).
Side 1
Side 2
| Highs in the Mid-Sixties, Volume 6 | ||||
|---|---|---|---|---|
| Compilation album | ||||
| Released | 1984 | |||
| Recorded | Mid-1960s | |||
| Genre | Garage rock, psychedelic rock | |||
| Label | AIP | |||
| chronology | ||||
| ||||
Highs in the Mid-Sixties, Volume 6 (subtitled Michigan, Part 2) is a compilation album in the Highs in the Mid-Sixties series, featuring recordings that were released in Michigan. Highs in the Mid-Sixties, Volume 5 and Highs in the Mid-Sixties, Volume 19 are other volumes in the series featuring bands from this state.
This album was released in 1984 as an LP by AIP Records (as #AIP-10011).
The all-female band The Pleasure Seekers – pictured on the cover – feature Suzi Quatro (along with three of her sisters), who had later fame as both a rock musician and an actress on Happy Days.
| Highs in the Mid-Sixties, Volume 7 | ||||
|---|---|---|---|---|
| Compilation album | ||||
| Released | 1984 | |||
| Recorded | Mid-1960s | |||
| Genre | Garage rock, psychedelic rock | |||
| Label | AIP | |||
| chronology | ||||
| ||||
Highs in the Mid-Sixties, Volume 7 (subtitled The Northwest) is a compilation album in the Highs in the Mid-Sixties series, featuring recordings that were released in Washington and Oregon. Highs in the Mid-Sixties, Volume 14 and Highs in the Mid-Sixties, Volume 16 are later volumes in the series that feature bands from these states.
This album was released in 1984 as an LP by AIP Records (as #AIP-10012).
Three different versions of Louie Louie are included here, including a cover of a follow-up song by Paul Revere & the Raiders.
| Highs in the Mid-Sixties, Volume 8 | ||||
|---|---|---|---|---|
| Compilation album | ||||
| Released | 1984 | |||
| Recorded | Mid-1960s | |||
| Genre | Garage rock, psychedelic rock | |||
| Label | AIP | |||
| chronology | ||||
| ||||
Highs in the Mid-Sixties, Volume 8 (subtitled The South) is a compilation album in the Highs in the Mid-Sixties series, featuring recordings that were released in the South excluding Texas (which is covered in 5 separate volumes).
This album was released in 1984 as an LP by AIP Records (as #AIP-10014).
| Highs in the Mid-Sixties, Volume 9 | ||||
|---|---|---|---|---|
| Compilation album | ||||
| Released | 1984 | |||
| Recorded | Mid-1960s | |||
| Genre | Garage rock, psychedelic rock | |||
| Label | AIP | |||
| chronology | ||||
| ||||
Highs in the Mid-Sixties, Volume 9 (subtitled Ohio) is a compilation album in the Highs in the Mid-Sixties series, featuring recordings that were released in Ohio.
This album was released in 1984 as an LP by AIP Records (as #AIP-10015).
Three members of the Choir would form the Raspberries with Eric Carmen in the early 1970s. The Human Beingz changed their name to the Human Beinz when Capitol Records misspelled it on their 1967 hit "Nobody But Me". The label promised to correct the mistake on future releases, but the single's success precluded that possibility.
| Highs in the Mid-Sixties, Volume 10 | ||||
|---|---|---|---|---|
| Compilation album | ||||
| Released | 1984 | |||
| Recorded | Mid-1960s | |||
| Genre | Garage rock, psychedelic rock | |||
| Label | AIP | |||
| chronology | ||||
| ||||
Highs in the Mid-Sixties, Volume 10 (subtitled Wisconsin) is a compilation album in the Highs in the Mid-Sixties series, featuring recordings that were released in Wisconsin.
This album was released in 1984 as an LP by AIP Records (as #AIP-10017).
| Highs in the Mid-Sixties, Volume 11 | ||||
|---|---|---|---|---|
| Compilation album | ||||
| Released | 1984 | |||
| Recorded | Mid-1960s | |||
| Genre | Garage rock, psychedelic rock | |||
| Label | AIP | |||
| chronology | ||||
| ||||
Highs in the Mid-Sixties, Volume 11 (subtitled Texas) is a compilation album in the Highs in the Mid-Sixties series, featuring recordings that were released in Texas.
This album was released in 1984 as an LP by AIP Records (as #AIP-10019).
| Highs in the Mid-Sixties, Volume 12 | ||||
|---|---|---|---|---|
| Compilation album | ||||
| Released | 1984 | |||
| Recorded | Mid-1960s | |||
| Genre | Garage rock, psychedelic rock | |||
| Label | AIP | |||
| chronology | ||||
| ||||
Highs in the Mid-Sixties, Volume 12 (subtitled Texas, Part 2) is a compilation album in the Highs in the Mid-Sixties series, featuring recordings that were released in Texas.
This album was released in 1984 as an LP by AIP Records (as #AIP-10021).
| Highs in the Mid-Sixties, Volume 13 | ||||
|---|---|---|---|---|
| Compilation album | ||||
| Released | 1984 | |||
| Recorded | Mid-1960s | |||
| Genre | Garage rock, psychedelic rock | |||
| Label | AIP | |||
| chronology | ||||
| ||||
Highs in the Mid-Sixties, Volume 13 (subtitled Texas, Part 3) is a compilation album in the Highs in the Mid-Sixties series, featuring recordings that were released in Texas.
This album was released in 1984 as an LP by AIP Records (as #AIP-10022).
| Highs in the Mid-Sixties, Volume 14 | ||||
|---|---|---|---|---|
| Compilation album | ||||
| Released | 1985 | |||
| Recorded | Mid-1960s | |||
| Genre | Garage rock, psychedelic rock | |||
| Label | AIP | |||
| chronology | ||||
| ||||
Highs in the Mid-Sixties, Volume 14 (subtitled The Northwest, Part 2) is a compilation album in the Highs in the Mid-Sixties series, featuring recordings that were released in Washington and Oregon. This album was released in 1985 as an LP by AIP Records (somewhat out of order, as #AIP-10020).
"Sorry Charlie" is a take-off on the long-running series of Charlie the Tuna commercials for StarKist Tuna, complete with faux British accents.
Side one, track 6 is incorrectly credited to "The Statics." The actual artists are Merrilee & the Turnabouts, featuring Merrilee Rush.
| Highs in the Mid-Sixties, Volume 15 | ||||
|---|---|---|---|---|
| Compilation album | ||||
| Released | 1985 | |||
| Recorded | Mid-1960s | |||
| Genre | Garage rock, psychedelic rock | |||
| Label | AIP | |||
| chronology | ||||
| ||||
Highs in the Mid-Sixties, Volume 15 (subtitled Wisconsin, Part 2) is a compilation album in the Highs in the Mid-Sixties series, featuring recordings that were released in Wisconsin.
This album was released in 1985 as an LP by AIP Records (as #AIP-10025).
| Highs in the Mid-Sixties, Volume 16 | ||||
|---|---|---|---|---|
| Compilation album | ||||
| Released | 1985 | |||
| Recorded | Mid-1960s | |||
| Genre | Garage rock, psychedelic rock | |||
| Label | AIP | |||
| chronology | ||||
| ||||
Highs in the Mid-Sixties, Volume 16 (subtitled The Northwest, Part 3) is a compilation album in the Highs in the Mid-Sixties series, featuring recordings that were released in Washington and Oregon.
This album was released in 1985 as an LP by AIP Records (somewhat out of order, as #AIP-10024).
| Highs in the Mid-Sixties, Volume 17 | ||||
|---|---|---|---|---|
| Compilation album | ||||
| Released | 1985 | |||
| Recorded | Mid-1960s | |||
| Genre | Garage rock, psychedelic rock | |||
| Label | AIP | |||
| chronology | ||||
| ||||
Highs in the Mid-Sixties, Volume 17 (subtitled Texas, Part 4) is a compilation album in the Highs in the Mid-Sixties series, of recordings that were released in Texas.
The album was released in 1985 as an LP by AIP Records (as #AIP-10026).
"We Sell Soul" by the Spades was a regional hit by one of the first bands headed by Roky Erickson. He was one of the founding members of the legendary psychedelic rock band 13th Floor Elevators. The Iguanas on this album are not the same band that launched Iggy Pop's career, although a track by those Iguanas is included on Highs in the Mid-Sixties, Volume 19 . The track listed as "The Darkest Hour (Part 1)" is actually the instrumental B-side, Part 2.
| Highs in the Mid-Sixties, Volume 18 | ||||
|---|---|---|---|---|
| Compilation album | ||||
| Released | 1985 | |||
| Recorded | Mid-1960s | |||
| Genre | Garage rock, psychedelic rock | |||
| Label | AIP | |||
| chronology | ||||
| ||||
Highs in the Mid-Sixties, Volume 18 (subtitled Colorado) is a compilation album in the Highs in the Mid-Sixties series, featuring recordings that were released in Colorado. This is the only state featured in this series that is limited to only one LP.
This album was released in 1985 as an LP by AIP Records (as #AIP-10027).
These tracks include several covers, including two Rolling Stones songs ("Nanker Phelge" is a songwriting pseudonym that the band used for collaborative writing efforts on many of their early songs).
Guitarist Bob Webber of the Moonrakers founded Sugarloaf with Jerry Corbetta, who brought in drummer Robert MacVittie and rhythm guitarist Veeder Van Dorn III from this band as well.
The title of the psychedelic instrumental "Music to Smoke Bananas By" refers to the urban legend prevalent in the late 1960s that banana peel scrapings have an LSD-like effect if dried and then smoked like marijuana.
| Highs in the Mid-Sixties, Volume 19 | ||||
|---|---|---|---|---|
| Compilation album | ||||
| Released | 1985 | |||
| Recorded | Mid-1960s | |||
| Genre | Garage rock, psychedelic rock | |||
| Label | AIP | |||
| chronology | ||||
| ||||
Highs in the Mid-Sixties, Volume 19 (subtitled Michigan, Part 3) is a compilation album in the Highs in the Mid-Sixties series, featuring recordings that were released in Michigan.
This album was released in 1985 as an LP by AIP Records (as #AIP-10028).
One of Iggy Pop's first bands was the Iguanas (who are pictured on the cover); the band was formed in 1963 when he was still in high school, and he was the band's drummer. This previously unreleased track comes from early demo tapes and is evidently the first song recorded where he was the songwriter.
"Be Careful With Your Car-Full" (track 4) by the Royal Shandels (Don Gladden, Ron Oswalt, Jeff White, Neil Williams and Carl Zenoni) was recorded in Detroit at Golden World for the National Safety Council back in the days that seat belts were a fairly new addition to cars, and before mandatory seat belt laws were introduced. The M.S.C. wanted to encourage their use, and this was played on national AM radio for about two years.[ citation needed ]
| Highs in the Mid-Sixties, Volume 20 | ||||
|---|---|---|---|---|
| Compilation album | ||||
| Released | 1985 | |||
| Recorded | Mid-1960s | |||
| Genre | Garage rock, psychedelic rock | |||
| Label | AIP | |||
| chronology | ||||
| ||||
Highs in the Mid-Sixties, Volume 20 is a compilation album in the Highs in the Mid-Sixties series; it is subtitled L.A., Part 4 and features recordings that were released in Los Angeles.
This album was released in 1985 as an LP by AIP Records (as #AIP-10029).
| Highs in the Mid-Sixties, Volume 21 | ||||
|---|---|---|---|---|
| Compilation album | ||||
| Released | 1985 | |||
| Recorded | Mid-1960s | |||
| Genre | Garage rock, psychedelic rock | |||
| Label | AIP | |||
| chronology | ||||
| ||||
Highs in the Mid-Sixties, Volume 21 (subtitled Ohio, Part 2) is a compilation album in the Highs in the Mid-Sixties series, featuring recordings that were released in Ohio.
This album was released in 1985 as an LP by AIP Records (as #AIP-10030).
| Highs in the Mid-Sixties, Volume 22 | ||||
|---|---|---|---|---|
| Compilation album | ||||
| Released | 1985 | |||
| Recorded | Mid-1960s | |||
| Genre | Garage rock, psychedelic rock | |||
| Label | AIP | |||
| chronology | ||||
| ||||
Highs in the Mid-Sixties, Volume 22 (subtitled The South, Part 2) is a compilation album in the Highs in the Mid-Sixties series, featuring recordings that were released in the South excluding Texas (which is covered in 5 separate volumes).
This album was released in 1985 as an LP by AIP Records (as #AIP-10031).
Daze of the Week is actually from Tacoma, Washington, not Mississippi as the liner notes on this album claimed. The band was active from 1966 to 1967 and put out one single in a very limited release.
| Highs in the Mid-Sixties, Volume 23 | ||||
|---|---|---|---|---|
| Compilation album | ||||
| Released | 1986 | |||
| Recorded | Mid-1960s | |||
| Genre | Garage rock, psychedelic rock | |||
| Label | AIP | |||
| chronology | ||||
| ||||
Highs in the Mid-Sixties, Volume 23 (subtitled Texas, Part 5) is the final compilation album in the Highs in the Mid-Sixties series, featuring recordings that were released in Texas. This is one of five volumes in the series that collects songs by Texas bands; the others are Highs in the Mid-Sixties, Volume 11 , Highs in the Mid-Sixties, Volume 12 , Highs in the Mid-Sixties, Volume 13 , and Highs in the Mid-Sixties, Volume 17 .
This album was released in 1986 as an LP by AIP Records (as #AIP-10038).