"I Ain't Gonna Eat Out My Heart Anymore" | ||||
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Single by The Young Rascals | ||||
from the album The Young Rascals | ||||
B-side | "Slow Down" | |||
Released | November 22, 1965 | |||
Recorded | September 20, 1965 | |||
Studio | A&R Studios, New York | |||
Genre | Rock | |||
Length | 2:43 | |||
Label | Atlantic Records | |||
Songwriter(s) | ||||
Producer(s) | ||||
The Young Rascals singles chronology | ||||
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"I Ain't Gonna Eat Out My Heart Anymore" is a song written by Pam Sawyer and Laurie Burton in 1965. Originally envisioned to be recorded by a British Invasion artist, the song was extremely well liked by American rock group the Young Rascals, and they subsequently recorded the song and released it as their debut single in November 1965 through Atlantic Records. Though only a marginal hit, reaching number 52 on the Billboard Hot 100, it largely established the band on the American music scene. It has since been included on several albums by the band, including their eponymous debut album, and several compilation albums, including Time Peace: The Rascals' Greatest Hits , on which it was the opening track.
The song is heavily characterized by lead vocalist Eddie Brigati's spoken word during the verses, and is one of the only songs by the band to feature their initial lineup with Brigati on lead vocals; subsequent releases primarily feature Felix Cavaliere on lead vocals. Upon release it received primarily positive reviews in the American press and charted internationally as well. Retrospectively, the song has also been praised, with many critics noting it to have fallen into obscurity thanks to its relatively low charting compared to their later singles. "I Ain't Gonna Eat Out My Heart Anymore" has since been covered by several notable bands, including The Jackson 5 and the Primitives. Australian band Divinyls and American group Angel both had commercial success with their versions.
Both Pam Sawyer and Laurie Burton were respected songwriters, with Sawyer having written several songs for Motown artists, [1] [2] and Burton having written her own songs. [3] Together, they had also recorded and written music as the Whyte Boots, [4] and had started branching out to other artists as well. [5] According to Burton, "I Ain't Gonna Eat Out My Heart Anymore" was originally intended to be recorded by a British Invasion artist. [6] They changed their mind upon hearing the Young Rascals perform. [6] There, they showcased the song for the group, with Burton playing piano, much to the Young Rascals' liking. [6] The song was one of two Sawyer–Burton compositions recorded by the group, the other being "Baby, Let's Wait" which appears on their debut album. [7] [8]
Formed in early 1965, the Young Rascals quickly became known throughout the music scene in and around New York City. [9] [10] [11] This led the group to quickly garner fans, and as their set-list mostly contained rhythm and blues and soul covers, [12] [13] they eventually received a $15,000 contract with Atlantic Records. [9] As Atlantic's roster at the time only consisted of African American performers, the Young Rascals became the first white band on the label. [9] The first version of "I Ain't Gonna Eat Out My Heart Anymore" was recorded during their second session, held on September 20, 1965, at A & R Recording in New York City. [6] [14] A second version of the song was recorded on November 2, together with what would become the B-side, Larry Williams' "Slow Down. [14] This version remains unreleased. [14]
Atlantic released "I Ain't Gonna Eat Out My Heart Anymore" on November 22, 1965, backed by "Slow Down" as Atlantic 45–2312. [14] Critic Richie Unterberger calls the song an "impressive start". [7] The song stands unique in the fact that it was one of the Young Rascals first and among their only singles using their original line-up Eddie Brigati on lead vocals and percussion, Felix Cavaliere on keyboards and backing vocals, Gene Cornish on guitar and backing vocals, and Dino Danelli on drums; Cavaliere would pick up singing duties on the following single "Good Lovin'", and would assume this role for most of band's future recording career. [15] Cornish stated that the single initially was off to a slow-start, initially charting only locally on the East Coast. [9] Upon the group's first tour to Los Angeles four weeks after the single was released, the band broke attendance record at the Whisky a Go Go and subsequently received airplay on the West Coast as well. [9] As Cornish puts it, "it never had concentrated airplay throughout the entire country all at one time" as it had dropped off most charts on the east coast by then. [9]
Besides local charts, "I Ain't Gonna Eat Out My Heart Anymore" also sold enough copies to chart on a national level. The single initially entered the Billboard Hot 100 on December 25 at a position of number 94. [16] It then spent several weeks slowly creeping up the chart, before finally reaching its peak at number 52 on February 5, 1966. [17] It dropped out of the charts on February 19, at a position of number 72. [18] It fared slightly worse on the Cashbox Top 100, entering the chart on December 11, 1965, at a position of 100. [19] It peaked more than a month later, on January 29, when it reached number 63. [20] It dropped out of the chart that same day. [20] Internationally, the single was also noted in Australia, where it breached the top-50, reaching number 48. [21] The single was most successful in Canada, where it reached number 23 on the RPM charts. [22]
Both sides of the single experienced their first album release on The Young Rascals, the group's debut album, which was released on March 28, 1966. [23] As this album was issued in both stereo and mono, this meant that its initial release in stereo came on the album. Most singles at the time were only released in mono. [24] The song has also been released on various compilation albums by the group, most notably Time Peace: The Rascals' Greatest Hits , which reached number one on the Billboard 200. [25] On the album it was used as the opening track. [26]
It received primarily positive reviews in the American press upon initial release. In a review for Billboard, the anonymous critic writes that this "debut of new foursome proves a hot entry for chart action." [27] They positively note the slow arrangement, considering it "right up the teen market." [27] They also predicted it to reach the top-60. [27] In Cashbox, the critic starts by writing that the Young Rascals were one of the most "discussed new groups" from New York City, [28] which led to this "auspicious initial deck". [28] They note that "I Ain't Gonna Eat Out My Heart Anymore" should create "even more excitement for the crew". [28] They write that the song is an apparent ode about a "love-sick guy" who eventually gets over it, [28] which the critic largely attributes to the song's "hard-driving", "pulsating and dancable riff". [28] In Record World , the single was chosen as a "sleeper of the week." [29] According to the critic, the single affirms the Young Rascals reputation "as a crowd to watch", along with continuing their reputation as "being something else." [29]
Retrospectively, the song has also been singled out for praise. Unterberger writes that "I Ain't Gonna Eat Out My Heart Anymore" was, together with "Good Lovin'" and "Baby, Let's Wait" one of the highlights on The Young Rascals. [7] In a review for AllMusic, critic Matthew Greenwald states that this "angst-ridden teenage ballad" was the world's introduction to the Young Rascals. [30] He claims that the song has a "Stonsey, garage band grunge to it", while simultaneously praising the inclusion of rhythm and blues. [30] Though he writes that the song isn't one of the group's strongest, he ends by saying that it "paved the way for a promising future for the group." [30] Charles Andrews of Santa Monica Daily Press writes that the song is "better stuff than most bands can manage in a year", [31] while Ben Wener of Orange County Register calls it a "stomping garage rock classic." [32] Guitarist Steven Van Zandt has stated that upon hearing the song for the first time in the 1960s, it was "sexier than the sex I was having with my girlfriend." [33]
Chart (1965–66) | Peak position |
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Australia (Kent Music Report) [21] | 48 |
Canada (RPM) Top Singles [22] | 23 |
US Billboard Hot 100 [17] | 52 |
US Cashbox Top 100 [20] | 63 |
US Record World 100 Top Pops [34] | 62 |
"I Ain't Gonna Eat Out My Heart Anymore" | ||||
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Single by Divinyls | ||||
from the album Buffy the Vampire Slayer and The Collection | ||||
Released | 5 October 1992 [35] | |||
Genre | Rock | |||
Length | 4:30 | |||
Label | Chrysalis Records | |||
Songwriter(s) |
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Producer(s) | ||||
Divinyls singles chronology | ||||
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Background
In late 1992, Australian rock duo Divinyls recorded the song for the soundtrack to the film Buffy the Vampire Slayer . [36] It was also issued as the lead single from their second compilation album, The Collection . The single went to the top twenty in Australia, peaking at number nineteen, and spent sixteen weeks in the top fifty. [37] According to writer Paul Cashmere, Mark McEntee put his mark on the song through his reworking of the song's riff, which makes the song an entirely other version than the Rascals. [38] Writing for BuzzFeed, Summer Ante Burton lists it as her "sleeper favorite" in Buffy the Vampire Slayer, writing that it is a fantastic rework of "an amazing and underrated '60s classic", [39] and notes that due to the comedy horror found in the movie, [40] "I Ain't Gonna Eat Out My Heart Anymore" was ironically fitting. [39]
Chart (1992–93) | Peak position |
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Australia (ARIA) [41] | 19 |
In 1966 the UK band The Primitives covered the song in Italian. The song was called "Yeeeeeeh!" and became a hit in Italy. [42] [43] The Jackson 5 recorded the song in 1971 during the sessions for their album Maybe Tomorrow, but it remained unreleased until its inclusion on their 1979 album, Boogie . [44] [45] The song was recorded by glam rock band Angel in 1978 for their album White Hot . It was the band's only Top 50 hit, reaching #44 on the Billboard Hot 100 that year. American singer Tiffany covered the song in 1988. [46] The cover was originally going to be included in her second album Hold an Old Friend's Hand , [46] but was later removed for unknown reasons. It would later be included in the 2005 re-release of her fourth album Dreams Never Die .[ citation needed ]
The Rascals were an American rock band, formed in Garfield, New Jersey, United States, in 1965.
Divinyls were an Australian rock band that were formed in Sydney in 1980. The band primarily consisted of vocalist Chrissy Amphlett and guitarist Mark McEntee. Amphlett garnered widespread attention for performing on stage in a school uniform and fishnet stockings, and she often used an illuminated neon tube as a prop for displaying aggression towards both band members and the audience. Originally a five-piece, the band underwent numerous line-up changes, with Amphlett and McEntee remaining as core members, before its dissolution in 1996.
Felix Cavaliere is an American musician and singer-songwriter. He is best known for being the co-lead vocalist and keyboard player for the Young Rascals.
White Hot is the fourth album by the rock band Angel. After the release of On Earth as It Is in Heaven, bass guitar player Mickie Jones left and was replaced by Felix Robinson.
Freedom Suite is the fifth studio album by rock band The Rascals, released on March 17, 1969. It peaked at number 17 on the Billboard Top LPs chart and also reached number 40 on the Billboard Black Albums chart, the last Rascals album to appear there.
"How Can I Be Sure" is a popular song written by Felix Cavaliere and Eddie Brigati, and originally recorded by the Young Rascals for their 1967 album Groovin' with a single release in August 1967 affording the group their fourth Top 10 hit peaking at #4.
The Collection is the second compilation album by Australian band Divinyls, released on 6 December 1993. The album does not include any of their 1980s singles, which were released on a different record label. The album failed to enter the Australian ARIA top 100.
"Groovin'" is a song written by American singer songwriters Felix Cavaliere and Eddie Brigati, initially recorded by their group the Young Rascals in 1967. Cavaliere was inspired to compose the song by his girlfriend Adrienne Buccheri, whom he only got to meet every Sunday amidst heavy touring and recording. Musically, the song differs from most of band's previous output, leaving the garage rock genre for Latin American influences, such as baião. Lyrically, "Groovin'" tells the tale of a narrator spending time with his partner on a Sunday afternoon. The song was arranged and recorded at the Talentmasters Studios, New York City in March of 1967.
"People Got to Be Free" is a song released in 1968 by the Rascals, written by Felix Cavaliere and Eddie Brigati and featuring a lead vocal from Cavaliere.
Time Peace: The Rascals' Greatest Hits is a greatest hits album from the Rascals, released on June 24, 1968. It reached number one on the Billboard Pop Albums chart by September 1968. It also topped the Cash Box albums chart with a run in the Top 10 for 20 consecutive weeks
Once Upon a Dream is the fourth studio album by rock band The Rascals, released February 19, 1968. The album rose to number 9 on the Billboard Top LPs chart and number 7 on the R&B chart.
"A Beautiful Morning" is a song written by Felix Cavaliere and Eddie Brigati and recorded by the Rascals. Coming out in early 1968, it was the group's first track released after shortening their name from the Young Rascals. The single was one of the earliest released in stereo, as 7-inch singles generally were in mono. Together with the Doors "Hello, I Love You", it's credited with changing the industry standard of singles.
The Young Rascals is the debut album by rock band the Young Rascals. The album was released on March 28, 1966, and rose to No. 15 on the Billboard Top LPs chart and No. 10 in Cashbox.
Collections is the second album by rock band The Young Rascals. The album was released on January 9, 1967 and rose to #15 on the Billboard Top LPs chart, and #8 in Canada.
Groovin' is the third album by rock band The Young Rascals. The album was released on July 31, 1967 and rose to #5 on the Billboard Top LPs chart, number 7 on the R&B chart, and number 2 in Canada. Eight of the songs were released on singles with the title track reaching number 1 on the Pop chart in the U.S.
Search and Nearness is the seventh studio album by rock band the Rascals, released on March 1, 1971. It was the last album featuring Eddie Brigati and Gene Cornish as well as the group's last album released on Atlantic Records.
Dino Danelli was an American drummer. Danelli was best known as an original member and the drummer in the rock group The Young Rascals. He has been called "one of the great unappreciated rock drummers in history". He was inducted into the Rock and Roll Hall of Fame in 1997 with the (Young) Rascals.
Gene Cornish is a Canadian-American guitarist and harmonica player. He is an original member of the popular 1960s blue-eyed soul band The Young Rascals. From 1965 to 1970, the band recorded eight albums and had thirteen singles that reached Billboard's Top 40 chart. In 1997, as a founding member of The Rascals, Cornish was inducted into the Rock & Roll Hall of Fame.
"Human on the Inside" is a song recorded by Australian rock duo Divinyls, released in August 1996 as the fourth single from their fifth studio album Underworld. A minor hit in Australia in 1996, the song became better known after it was covered by The Pretenders in 1999 under the title "Human". In this version, the song became a 1999 chart hit in the UK, New Zealand and the US.
"I've Been Lonely Too Long" is a song written by Felix Cavaliere and Eddie Brigati and performed by The Young Rascals. Released as a single in 1967, it reached #7 in Canada, while in the U.S. it reached #16 on the Billboard Hot 100 chart, #17 on the Cashbox Top 100 chart, and #33 on the Hot R&B Singles chart. It was also featured on their 1967 album Collections, where the title is given as "Lonely Too Long".