"I Touch Myself" | ||||
---|---|---|---|---|
Single by Divinyls | ||||
from the album Divinyls | ||||
B-side | "Follow Through" | |||
Written | 1990 | |||
Released | 19 November 1990 | |||
Studio | Groove Masters (Santa Monica, California) | |||
Genre | ||||
Length | 3:44 | |||
Label | Virgin | |||
Songwriter(s) | ||||
Producer(s) |
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Divinyls singles chronology | ||||
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Music video | ||||
"I Touch Myself" on YouTube |
"I Touch Myself" is a song recorded by Australian rock band Divinyls. It was written by the songwriting team of Tom Kelly and Billy Steinberg along with Christine Amphlett and Mark McEntee of the Divinyls. [3] It was released in November 1990 by Virgin as the lead single from the band's fourth album, Divinyls (1991), and deals with the subjects of eroticism and female masturbation. [4] The single achieved success, reaching No. 1 in Australia and No. 4 on the US Billboard Hot 100. In January 2018, Australian network Triple M ranked the song at No. 60 in its list of the "most Australian" songs of all time. [5] In 2023, Billboard magazine ranked it among the "500 Best Pop Songs of All Time". [6]
This section needs additional citations for verification .(November 2020) |
Chrissy Amphlett and Mark McEntee wrote the song in 1990 with the songwriting team of Tom Kelly and Billy Steinberg (who had also written songs such as "I'll Stand by You", "Like a Virgin", "Eternal Flame", "True Colors" and "So Emotional"). Steinberg had written the first verse and the chorus lyric for "I Touch Myself" and Amphlett liked it immediately. The next day, McEntee, Steinberg, Kelly and Amphlett wrote the remainder of the song despite the fact that Steinberg and Kelly rarely collaborated with others.
The song was recorded to two-inch tape, making it difficult to edit. After much experimentation, the writers devised an unusual song structure with the bridge placed after the first chorus. [7] It is written in the key of F major. [8]
"It was also written in a heartfelt way, touching yourself in a heartfelt way. But I like double entendres, so... It didn't worry me at all, because I really liked it but the musicians were shocked. The musicians freaked, and they were really worried for me. I don't think they are now; I think they've come to terms with it."
In Australia, "I Touch Myself" was released on 19 November 1990 on 7-inch and cassette, [10] and the CD single was released on 3 December 1990. [11] The single debuted at No. 77 on 2 December 1990. [12] On its tenth week on the chart, the song reached No. 1, replacing Vanilla Ice's debut single "Ice Ice Baby", [13] and stayed there for another week. The single was certified platinum in Australia.
"I Touch Myself" debuted on the UK Singles Chart at No. 69 and on its eighth week it peaked at No. 10, spending a total of twelve weeks in the chart. [14] When released in the United States, the song caused a minor controversy. However, it managed to reach the top five of the Billboard Hot 100 chart, peaking at No. 4, [15] and at No. 2 on the Billboard Modern Rock Tracks chart [16] after receiving extensive play on modern rock radio. Divinyls are considered a one-hit wonder in the U.S., as "I Touch Myself" was their only American top-40 hit.
Alex Henderson from AllMusic described the song as "infectious," [17] while editor Adrian Zupp called it a "lascivious headline-grabber." [18] A reviewer from Billboard stated that it's a "modern rock smash," noting lead singer Christina Amphlett's video appearance as "eye-catching." [19] James Muretich from Calgary Herald joked, "One gathers she's not talking about scratching her nose". [20] Everett True from Melody Maker commented, "Yes, it is about what you think. It's a song about female obsession, gratification, frustration and masturbation which, apparently, Mike Read played on Round Table and then got extremely embarrassed by. He shouldn't have done. It's a song about giving, and giving as much as you can: tantalising, without being titillating. Musically, it's straight-down-the-line mid-American rock (Bangles, Go-Go's). I'm rather fond of it, to tell the truth." [21] Magazine Music & Media wrote that "it will stay in your mind for the rest of the week." [22] Alan Jones from Music Week commented, "'I Touch Myself' has already been a number one single in their native Australia, and is now in the US Top 10. It won't do that well here, but its loose, post-punk execution and killer hook add up to a hit." [23] Caroline Sullivan from Smash Hits called it "one of pop's finer nanoseconds" in her review of the DiVINYLS album. [24]
The song's accompanying music video, directed by Michael Bay, was nominated for three MTV Video Music Awards, including Video of the Year. [25]
In January 2018, Australian network Triple M ranked the song at No. 60 in its list of the "most Australian" songs of all time. [5] In October 2023, Billboard magazine ranked "I Touch Myself" at No. 326 in their "500 Best Pop Songs of All Time" list. [6]
The I Touch Myself Project was launched in 2014, 12 months after Amphlett's death from breast cancer. Amphlett wanted "I Touch Myself" to be adapted as a global anthem for breast health. The project was created in her honour with its mission to create educational forums to promote self-examination. [26]
In June 2014, Connie Mitchell, Deborah Conway, Kate Ceberano, Katie Noonan, Little Pattie, Megan Washington, Olivia Newton-John, Sarah Blasko, Sarah McLeod and Suze DeMarchi released a version of "I Touch Myself", with each providing her own interpretation and distinct style to the song. [27] This version, credited to the I Touch Myself Project, peaked at No. 72 on the ARIA chart. [28]
In 2016, the I Touch Myself Project partnered with Berlei to create the Chrissy Bra, which reminds women to examine their breasts for anomalies when dressing, and a Chrissy Post-Surgery Bra, designed specifically for women who have undergone breast-cancer surgery. [29]
In 2018, Serena Williams recorded "I Touch Myself" and posted her version on Instagram. It became Instagram's most retweeted post, most widely discussed campaign and most watched video during International Breast Cancer Awareness Month. [30]
Weekly charts
| Year-end charts
|
Region | Certification | Certified units/sales |
---|---|---|
Australia (ARIA) [48] | Platinum | 70,000^ |
United Kingdom (BPI) [49] | Silver | 200,000‡ |
^ Shipments figures based on certification alone. |
Region | Date | Format(s) | Label(s) | Ref. |
---|---|---|---|---|
Australia | 19 November 1990 |
| Virgin | [10] |
3 December 1990 | CD | [11] | ||
United Kingdom | 29 April 1991 |
| [50] | |
7 May 1991 | 7-inch vinyl postcard pack | [51] |
The song has been featured in the 1997 comedy film Austin Powers: International Man of Mystery , as a cover version by Scala & Kolacny Brothers during the first episode of the second season of Sex Education [56] and is mentioned in the Friends episode "The One Where Monica Sings". An a cappella version sung by a female choir figured prominently in the first episode of the 2023 comic mystery TV series Deadloch . [57]
Divinyls were an Australian rock band that were formed in Sydney in 1980. The band primarily consisted of vocalist Chrissy Amphlett and guitarist Mark McEntee. Amphlett garnered widespread attention for performing on stage in a school uniform and fishnet stockings, and she often used an illuminated neon tube as a prop for displaying aggression towards both band members and the audience. Originally a five-piece, the band underwent numerous line-up changes, with Amphlett and McEntee remaining as core members, before its dissolution in 1996.
Christine Joy Amphlett was an Australian singer, songwriter and actress, best known as the frontwoman of the rock band Divinyls. She was notable for her brash, overtly sexual persona and subversive humour in lyrics, performances and media interviews.
"Eternal Flame" is a song by American pop rock group the Bangles for their third studio album, Everything (1988). Released on January 23, 1989, the power ballad was written by group member Susanna Hoffs with the established hit songwriting team of Billy Steinberg and Tom Kelly. Upon its 1989 single release, "Eternal Flame" became a number-one hit in nine countries, including Australia, Sweden, the United Kingdom, and the United States. Since its release, it has been covered by many musical artists, including Australian boy band Human Nature, who reached the Australian top 10 with their version, and British girl group Atomic Kitten, who topped four national charts with their rendition.
"Only When I Lose Myself" is a song by English electronic music band Depeche Mode. It was made exclusively for their 1998 compilation The Singles 86>98 and released as a single on 7 September 1998. It is the first non-album studio single since "It's Called a Heart" in 1985 and is also one of the rare singles to have two limited editions.
"I Turn to You" is a song by British singer Melanie C. It was released as the fourth single from her debut solo album, Northern Star (1999), on 7 August 2000 in the United Kingdom and became Melanie's second UK number-one single, selling 120,000 copies in its first week. "I Turn to You" also topped the Austrian Singles Chart, the Danish Singles Chart, the Dutch Top 40, the Swedish Singles Chart and the US Billboard Hot Dance Club Play chart. The main single was released as the "Hex Hector Radio Mix", for which Hex Hector won the 2001 Grammy as Remixer of the Year.
"No Son of Mine" is a song by British rock group Genesis, released in October 1991 by Atlantic and Virgin as the lead single from their 14th album, We Can't Dance (1991). The song, written by Phil Collins and composed by him with Tony Banks and Mike Rutherford, reached No. 6 on the UK Singles Chart and No. 12 on the US Billboard Hot 100. It was also a top-10 hit in several European countries and peaked atop Canada's RPM 100 Hit Tracks chart for five weeks.
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"True Colors" is a song written by American songwriters Billy Steinberg and Tom Kelly. It was both the title track and the first single released from American singer Cyndi Lauper's second studio album of the same name (1986). Released in mid-1986, the song spent two weeks at number one on the US Billboard Hot 100, being Lauper's second and last single to occupy the top of the chart. It received a Grammy Award nomination for Best Female Pop Vocal Performance.
Divinyls is the fourth studio album by Australian band Divinyls, released on 29 January 1991 by Virgin Records. The album was the band's most successful, peaking at number 5 in Australia and number 15 on the US Billboard 200. It also contains the band's biggest-selling single, "I Touch Myself", which reached number one in Australia, number four in the US and number 10 in the UK.
"Hold on My Heart" is a song by English rock band Genesis from their 14th studio album, We Can't Dance (1991). The ballad was released as the album's third single on 6 April 1992. The song reached number one on the Canadian RPM 100 Hit Tracks chart, the RPM Adult Contemporary chart, and the US Billboard Adult Contemporary chart, as well as number 12 on the Billboard Hot 100. In the band's home country, the song peaked at number 16 on the UK Singles Chart.
"Feel It Boy" is a song by Jamaican dancehall musician Beenie Man featuring American singer Janet Jackson from Beenie Man's 15th studio album, Tropical Storm (2002). The song was written by Beenie Man, Pharrell Williams, Chad Hugo, and Clancy Eccles and was produced by the Neptunes. Virgin Records released the song on 15 July 2002 as the lead single from the album. "Feel It Boy" peaked at number nine on the UK Singles Chart and became a top-40 hit in eight other countries, including the United States, where it peaked at number 28.
Make You Happy is a compilation album by Australian rock band Divinyls, which was released on 21 October 1997. It consists of material spanning from 1981 to 1993 including the hits "Boys in Town", "Science Fiction", "Pleasure and Pain" and their number-one signature song "I Touch Myself". The album's name comes from "I'll Make You Happy", the B-side of "Science Fiction" and a cover version of the 1960s track by The Easybeats. Track 20, "Love in Motion", is a 1992 rerecording of Icehouse's 1981 single with Divinyls' Christina Amphlett featuring on co-lead vocals.
The Collection is the second compilation album by Australian band Divinyls, released on 6 December 1993. The album does not include any of their 1980s singles, which were released on a different record label. The album failed to enter the Australian ARIA top 100.
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"It Ain't Over 'til It's Over" is a song written, produced, and performed by American musician Lenny Kravitz for his second studio album, Mama Said (1991). Released as the album's second single in June 1991 by Virgin, the song is a mid-tempo ballad musically inspired by Motown, Philly soul, and Earth, Wind & Fire. The horn line at the end is performed by the Phenix Horns from Earth, Wind & Fire. "That song just came out one day, and I knew it had a classic vibe. And I still love that song very much today," Kravitz said in an interview for VivaMusic.com in 2000. The line is based on a Yogiism, or quotation from Yogi Berra: "It ain't over 'til it's over."
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"Back to the Wall" is a song by Australian rock group Divinyls. Released in February 1988 as the lead single from their third studio album Temperamental, the song made the top forty on the Australian singles chart.
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"I'm on Your Side" is a ballad performed by Australian rock duo Divinyls. It was released 9 September 1991 as the fourth and final single from their self-titled album, Divinyls (1991).
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