"I Don't Mind" | ||||
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Single by James Brown and the Famous Flames | ||||
from the album The Amazing James Brown | ||||
B-side | "Love Don't Love Nobody" | |||
Released | May 1961 | |||
Recorded | September 27, 1960 | |||
Genre | Soul | |||
Length | 2:41 | |||
Label | King | |||
Songwriter(s) | James Brown | |||
Producer(s) | Gene Redd | |||
James Brown and the Famous Flames singles chronology | ||||
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"I Don't Mind" is a rhythm and blues song written by James Brown and performed by Brown and the Famous Flames. Released as a single in 1961, it reached number four in the R&B Billboard charts and number 47 in the Pop Billboard charts. [1] Brown and the Flames also performed it on their 1963 album Live at the Apollo
A cover by the Who for their 1965 album My Generation led to the track gaining wider attention, being covered by other British Invasion groups at the same time.
Brown recorded "I Don't Mind" on September 27, 1960 together with the Famous Flames. [2] On the track, guitarist Les Buie came in on his guitar solo a few notes early, [2] and instead of doing a retake or something similar, Brown liked the take so much he decided to keep it, and has been replicated on multiple occasions during live performances of the song. [2] According to author Douglas Wolk, the band seems to have problems recording the song, as they can be heard "adjusting their notes moment by moment." [2] Its unusual chord progression – in Brown's words, it "opens with a 13, goes down to a C9, then goes to a G7 and to the A7" – prompted objections during the recording session from producer Gene Redd, who considered it musically "wrong". [3] This led to Brown threatening not to record the song if he didn't get it his way, [3] to which Redd eventually agreed on despite his earlier objections to it. [3]
If you could hear it you'd know it was right. I can hear it, and I'm telling you it's right. And that's the way were gonna record it, or were not recording it at all.
— Bruce Tucker, James Brown, James Brown: The Godfather of Soul pg 121
Chart (1961) | Peak position |
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U.S. Billboard R&B | 4 |
U.S. Billboard Pop | 47 |
"I Don't Mind" | |
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Song by the Who | |
from the album My Generation | |
Released | December 3, 1965 |
Recorded | April 12, 1965 |
Studio | IBC Studios, London |
Genre | Rhythm and blues |
Length | 2:36 |
Label | Brunswick |
Songwriter(s) | Brown |
Producer(s) | Shel Talmy |
"I Don't Mind" was later covered by British rock band the Who, who recorded it for their debut album My Generation in 1965. [4] The reason behind recording the song most likely stems from lead singer Roger Daltrey's passion for Brown, whom he admired. [5] In retrospect it was revealed that Daltrey's favorite song from Brown was "I Don't Mind". [5] It was one of three songs by Brown they recorded during this era, the others being "Shout and Shimmy" which appeared as the B-side to their hit single "My Generation", [6] and "Please, Please, Please" which also ended up on My Generation. [7] First played live in 1964, the three songs were all part of the Who's repertoire during this time as well, only being dropped after they had written enough original material for their stage act during mid 1966. [8] The song was recorded on April 12, 1965 at IBC Studios during a three-day recording session at the studio which also produced the other Brown covers. [9]
The song opens with guitarist Pete Townshend strumming the C7 chord six times, while backed by both bassist John Entwistle and drummer Keith Moon. [10] This differs from the original version, which opens with a 13 played on a piano. [3] According to writer Mike Segretto, it was one of the Who's earliest attempts at rhythm and blues, a stint which was quickly ruined by Moon "flopping" on the beat of the song. [11] John Atkins states that their cover of the song is "competent" but that it differens much from the rest of the album in tempo. [12] He states that the piano by studio musician Nicky Hopkins is conventional and ungainly but that it's "effective enough without adding anything further to the song. [12] Bob Carruthers however, believes that Hopkins piano playing is "the glue that holds everything together" and praises it compared with the rest of the backing artists. [13] Atkins notes that Townshends guitar solo on the song is more conventional, rather than utilising his power chord style of playing, [12] but that the second guitar solo near the fade out doesn't improve the song. [12]
My Generation was released on December 3, 1965, where "I Don't Mind" was only one of three covers songs on. [14] The album received relatively good reviews, where in a Melody Maker review it is stated that Entwistle and Moon's playing are in top-form. [15] Townshend himself reviewed the song in an issue of Record Mirror , stating "This was gonna be on our first LP which never came out. It's just a straight copy, well the best we could do of a James Brown number. It sounds better the way we do it now." [16] [17] Jed Gottlieb stated that "I Don't Mind" ranked among the more underrated Who songs. [18] He notes the playing by Hopkins and states his like towards the combination of soul and rhythm and blues in mod style [18] Bryan Wawzenek of the same site put the song at 183 on his list of the Who songs ranked, writing that the song is a "prosaic rendition of James Brown's ditty", negatively noting the out of tune backing vocals. [19] Atkins negatively reviewed the song, stating that it slowed down the pace of the record which "thankfully got reinstated" by the following track "The Good's Gone". [12] Carruthers calls it a trudging cover missing "heft and muscle" and key characteristics of Entwistle's and Moon's playing. [13]
Apparently, the song was recorded during their BBC Sessions on May 10, 1965 but was however dismissed. [20] The full length version, two minutes longer than the album cut, was released on a deluxe box set of My Generation in 2016. [21]
The Who are an English rock band formed in London in 1964. Their classic lineup consisted of lead singer Roger Daltrey, guitarist and singer Pete Townshend, bass guitarist and singer John Entwistle, and drummer Keith Moon. They are considered one of the most influential rock bands of the 20th century, and have sold over 100 million records worldwide. Their contributions to rock music include the development of the Marshall Stack, large PA systems, the use of the synthesizer, Entwistle and Moon's influential playing styles, Townshend's feedback and power chord guitar technique, and the development of the rock opera. They are cited as an influence by many hard rock, punk rock and mod bands, and their songs are still regularly played.
My Generation is the debut studio album by English rock band the Who, released on 3 December 1965 by Brunswick Records in the United Kingdom, and Festival Records in Australia. In the United States, it was released on 25 April 1966 by Decca Records as The Who Sings My Generation, with a different cover and a slightly altered track listing. Besides the members of the Who, being Roger Daltrey (vocals), Pete Townshend (guitar), John Entwistle (bass) and Keith Moon (drums), the album features contributions by session musician Nicky Hopkins (piano).
Live at Leeds is the first live album by English rock band The Who. It was recorded at the University of Leeds Refectory on 14 February 1970, and is their only live album that was released while the group were still actively recording and performing with their best-known line-up of Roger Daltrey, Pete Townshend, John Entwistle and Keith Moon.
"My Generation" is a song by the English rock band the Who, which became a hit and one of their most recognizable songs. The song was named the 11th greatest song by Rolling Stone on its list of the 500 Greatest Songs of All Time. It became part of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll and is inducted into the Grammy Hall of Fame for "historical, artistic and significant" value.
"Going Mobile" is a song written by Pete Townshend and originally released by the Who on their 1971 album Who's Next. It was originally written for Townshend's abandoned Lifehouse project, with lyrics celebrating the joy of having a mobile home and being able to travel the open road. The Who's lead singer Roger Daltrey did not take part in the recording of the song, leaving the rest of the band to record it as a power trio; Townshend handles the lead vocals, guitars, and synthesizers, with John Entwistle on bass guitar and Keith Moon on drums. The song has attracted mixed reviews from music critics.
"Anyway, Anyhow, Anywhere" was the second single released by the English rock band the Who in 1965. It features call-and-response lyrics and some of the first ever recorded guitar feedback. The song was composed by lead singer Roger Daltrey and guitarist Pete Townshend, the only time they wrote together. The guitar feedback, although not the first to be heard on a record, is thought to be the first solo with feedback. This is the first Who release with Nicky Hopkins playing piano.
"The Song Is Over" is a song by the English rock band the Who, appearing on Who's Next. It was originally to be the ending song on Lifehouse. It takes place after the police invade the Lifehouse Theatre and the concert goers disappear.
"A Legal Matter" is a song written by Pete Townshend and recorded by the British rock band the Who for their debut album My Generation. It was recorded on 12 October 1965 at IBC Studios, and released both as the B-side to "The Kids Are Alright" in the U.S., and as the A-side of a single that reached number 32 in the UK. Both singles were released by Shel Talmy without the permission of the Who and were a result of a legal dispute between Talmy and the band at the time and an attempt to sabotage the release of the band's chosen single "Substitute".
"Love Ain't for Keeping" is a song written by Pete Townshend and originally released by the Who on their 1971 album Who's Next. Its themes include the joy of physical love, the power of nature and the need to live for the moment.
"Drowned" is a song written by Pete Townshend, the guitarist for the Who, for their sixth album, Quadrophenia.
"Dogs" is a UK single written by Pete Townshend and released by the Who in June 1968. It reached number 25 on the UK singles chart, lower than any single the band had released in several years. The B-side of the UK single was "Call Me Lightning". Both songs were originally released mixed in mono only, as they were not intended for album release.
"La-La-La-Lies" is the fourth track on the Who's debut album My Generation. It was written by lead guitarist Pete Townshend.
"Bargain" is a song written by Pete Townshend that was first released by the Who on their 1971 album Who's Next. It is a love song, although the intended subject of the song is God rather than a woman. The song has been included on several compilation and live albums. It was also included on several of Townshend's solo projects. Critics have praised the song's lyricism and power, as well as the performance of the band on the song. Townshend acknowledged during the Who's concert at the Prudential Center in Newark on 19 March 2016 that this is his favorite song on the album.
Live at the Royal Albert Hall is a three-CD live album set by The Who, released in 2003.
"Happy Jack" is a song by the British rock band the Who. It was released as a single in December 1966 in the United Kingdom, peaking at No. 3 in the charts. It peaked at No. 1 in Canada. It was also their first top 40 hit in the United States, where it was released in March 1967 and peaked at No. 24. It was included on the American version of their second album, Happy Jack, originally titled A Quick One in the UK.
The 1st Singles Box is a box set compilation of singles recorded by the Who throughout their history. The album was released exclusively in the United Kingdom on 25 May 2004. It was considered the counterpart to the other compilation album by the Who, entitled Then and Now. The album was set with twelve compact discs containing two songs each, a la the A-side and B-side of the original single. Each individual CD was encased by a paper sleeve representing the single's original artwork from a particular country.
"The Good's Gone" is a song by English rock band the Who, written by their guitarist Pete Townshend. Initially recorded and sequenced as the third track of their debut My Generation in December 1965, it was released as the B-side to "La-La-La-Lies" in November 1966. Heavily inspired by Ray Davies song "See My Friends", Townshend wrote the track with blues in mind.
"Trick of the Light" is a song written by bassist John Entwistle for The Who's eighth studio album, Who Are You. It was released as the second single from the album, atypically with another Entwistle song, "905" on the B-side, but did not chart.
"It's Hard" is a song written by Pete Townshend that featured on British rock band The Who's tenth album, It's Hard, of which it was the title track. It was released as the third and final vinyl single from the album in 1983, backed with the John Entwistle written song "Dangerous", but failed to chart, although it reached number 39 on the Billboard Hot Mainstream Rock Tracks. This would become the last Who single of new material until "Real Good Looking Boy" in 2004, and the last album single by them until "Black Widow's Eyes", two years later.
"Let's See Action" is a song written and composed by Pete Townshend and recorded by the Who. It was released as a single in the UK in 1971 and reached #16 in the charts.
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