"It's All in the Game" | |
---|---|
Song | |
Written | 1911 (music); 1951 (lyrics) |
Published | 1912 by Gamble Hinged Music Co. (Melody) 1951 by Remick Music |
Composer(s) | Charles G. Dawes |
Lyricist(s) | Carl Sigman |
"It's All in the Game" is a pop song whose most successful version was recorded by Tommy Edwards in 1958. Carl Sigman composed the lyrics in 1951 to a wordless 1911 composition titled "Melody in A Major", written by Charles G. Dawes, who was later Vice President of the United States under Calvin Coolidge. It is the only No. 1 single in the U.S. to have been co-written by a U.S. Vice President [1] or a Nobel Peace Prize laureate (Dawes was both).
The song has become a pop standard, with cover versions by dozens of artists, including Cliff Richard whose version reached No. 2 in the U.K. in 1963.
Edwards' song ranked at No. 47 on the 2018 list of "The Hot 100's All-Time Top 600 Songs". [2]
Dawes, a Chicago bank president and amateur pianist and flautist, composed the tune for the flute in 1911 [3] in a single sitting at his lakeshore home in Evanston. He played it for a friend, the violinist Francis MacMillen, who took Dawes's sheet music to a publisher. Dawes, then known for his federal appointments and as a banker, was surprised to find a portrait of himself in a State Street shop window with copies of the tune for sale. Dawes quipped, "I know that I will be the target of my punster friends. They will say that if all the notes in my bank are as bad as my musical ones, they are not worth the paper they were written on." [4]
The tune, often dubbed "Dawes's Melody", followed him into politics, and he grew to detest hearing it wherever he appeared. [5] It was a favorite of violinist Fritz Kreisler, who used it as his closing number, and in the 1940s it was picked up by musicians such as Tommy Dorsey. [6]
"It's All in the Game" | ||||
---|---|---|---|---|
Single by Tommy Edwards | ||||
B-side | "All Over Again" (original) "Please Love Me Forever" | |||
Released | August 1951 (original) July 1958 (new version) | |||
Genre | Rhythm and blues [7] | |||
Length | 3:02 (original) 2:25 (new version) | |||
Label | MGM | |||
Composer(s) | Charles G. Dawes | |||
Lyricist(s) | Carl Sigman | |||
Tommy Edwards singles chronology | ||||
|
In summer 1951, the songwriter Carl Sigman had an idea for a song, and Dawes's "Melody" struck him as suitable for his sentimental lyrics. Dawes had died in April of that year. The range of the classical melody would have made it "difficult to sing", so Sigman also rearranged the song. [8]
The song was recorded that year by Dinah Shore, Sammy Kaye and Carmen Cavallaro, but the first release was by Tommy Edwards in August. [6] Edwards's version reached No. 18 on the Billboard Records Most Played by Disk Jockeys survey dated September 15, 1951. [9] A jazz arrangement was recorded by Louis Armstrong (vocals) and arranger Gordon Jenkins, with "some of Armstrong's most honey-tinged singing". In 1956, Jenkins would produce a version with Nat King Cole along the same lines. [10]
In 1958, Edwards had only one session left on his MGM contract. Stereophonic sound recording was becoming viable, and MGM executive Morty Craft asked Edwards to cut a stereo version of "It's All in the Game". Edwards updated the song with a rock and roll ballad arrangement. [11]
The single was released in July and became a hit, reaching number one for six weeks beginning September 29, 1958, making Edwards the first African-American to chart at number one on the Billboard Hot 100. It would also be the last song to hit number one on the R&B Best Seller list. [12] In November, the song hit No. 1 on the UK Singles Chart. [1]
The single sold over 3.5 million copies globally, earning Edwards a gold disc. [13] The gold disc was presented in November 1958. [14] It is one of few number one songs to reach the top 30 three times. [11] The single helped Edwards revive his career for another two years, [15] The success of the song also led other artists to re-record older songs in the newer styles. [11]
Chart (1958–2018) | Position |
---|---|
US Billboard Hot 100 [16] | 47 |
Charts (1958) | Peak position |
---|---|
Italy (FIMI) | 19 |
UK Singles (OCC) [17] | 1 |
US Billboard Hot 100 [18] | 1 |
Charts (1958) | Peak position |
---|---|
Belgium (Ultratop 50 Flanders) [19] | 11 |
Belgium (Ultratop 50 Wallonia) [20] | 29 |
"It's All in the Game" | ||||
---|---|---|---|---|
Single by Cliff Richard | ||||
B-side |
| |||
Released | 16 August 1963 | |||
Recorded | 28 December 1962 | |||
Studio | EMI Studios, London | |||
Genre | Pop [7] | |||
Length | 3:12 | |||
Label | ||||
Songwriter(s) | ||||
Producer(s) | Norrie Paramor | |||
Cliff Richard singles chronology | ||||
|
Cliff Richard had a number two hit in the United Kingdom in 1963 and a number 25 hit on the US Hot 100 in 1964. This was Richard's only top 40 hit in the United States in the 1960s (compared to his UK tally of 43) and his last until "Devil Woman" in 1976. In Canada, it reached number one on the CHUM Chart. [21] [22] [23]
Chart (1963–64) | Peak position |
---|---|
Australia (AMR) [24] | 7 |
Canada (CHUM) [23] | 1 |
Belgium (Ultratop 50 Flanders) [25] | 6 |
Belgium (Ultratop 50 Wallonia) [26] | 32 |
Israel (Kel Israel Broadcasting) [27] | 1 |
Netherlands (Single Top 100) [28] | 4 |
New Zealand (Lever Hit Parades) [29] | 3 |
Norway (VG-lista) [30] | 2 |
UK Singles (OCC) [31] | 2 |
US Billboard Hot 100 [32] | 25 |
US Adult Contemporary ( Billboard ) [33] | 10 |
US Cash Box [34] | 24 |
"It's All in the Game" | ||||
---|---|---|---|---|
Single by Four Tops | ||||
from the album Still Waters Run Deep | ||||
B-side | "Love (Is the Answer)" | |||
Released | March 21, 1970 | |||
Recorded | 1970 | |||
Studio | Motown | |||
Genre | Pop [7] | |||
Length | 2:49 | |||
Label | Motown | |||
Composer(s) | Charles G. Dawes | |||
Lyricist(s) | Carl Sigman | |||
Four Tops singles chronology | ||||
|
In 1970, the Four Tops had a number five hit in the United Kingdom. [35] Their version peaked at number six on the soul charts and number 24 on the Billboard Hot 100. [36]
Chart (1970) | Peak position |
---|---|
Australia (AMR) [37] | 21 |
Belgium (Ultratop 50 Flanders) [38] | 26 |
UK Singles (OCC) [39] | 5 |
US Hot R&B/Hip-Hop Songs ( Billboard ) | 24 |
"Crazy Little Thing Called Love" is a song by the British rock band Queen. Written by Freddie Mercury in 1979, the track is included on their 1980 album The Game, and also appears on the band's compilation album Greatest Hits in 1981. The song peaked at number two in the UK Singles Chart in 1979 and became the group's first number-one single on the Billboard Hot 100 in the US in 1980, remaining there for four consecutive weeks. It topped the Australian ARIA Charts for seven weeks. It was the band's final single release of the 1970s.
"Unchained Melody" is a 1955 song with music by Alex North and lyrics by Hy Zaret. North wrote the music as a theme for the prison film Unchained (1955), hence the song title. Todd Duncan sang the vocals for the film soundtrack. It has since become a standard and one of the most recorded songs of the 20th century, most notably by the Righteous Brothers in 1965. According to the song's publishing administrator, over 1,500 recordings of "Unchained Melody" have been made by more than 670 artists, in multiple languages.
Thomas Jefferson Edwards was an American singer and songwriter. His most successful record was the multi-million-selling song "It's All in the Game", becoming the first African-American to reach No. 1 on the Billboard Hot 100.
"Spanish Harlem" is a song recorded by Ben E. King in 1960 for Atco Records. It was written by Jerry Leiber and Phil Spector and produced by Jerry Leiber and Mike Stoller. "Spanish Harlem" was King's first hit away from The Drifters, peaking at number 15 on Billboard's rhythm and blues and number 10 in pop music chart.
"Witch Doctor" is a 1958 American novelty song written and recorded by Ross Bagdasarian. Bagdasarian sang the song, varying the tape speeds to produce a high-pitched voice for the titular witch doctor; this technique was later used in his next song, "The Bird on My Head", and for the creation of the voices of his virtual band Alvin and the Chipmunks. The song became a number one hit and rescued Liberty Records from near-bankruptcy; it held number one for three weeks in the Billboard Hot 100 chart, ranked by Billboard as the No. 4 song for 1958.
"All I Have to Do Is Dream" is a song made famous by the Everly Brothers, written by Boudleaux Bryant of the husband-and-wife songwriting team Felice and Boudleaux Bryant, and published in 1958. The song is ranked No. 141 on the Rolling Stone magazine's list of The 500 Greatest Songs of All Time. The song is in AABA form.
"Do You Want to Dance" is a song written by American singer Bobby Freeman and recorded by him in 1958. It reached number No. 5 on the United States Billboard Top 100 Sides pop chart, No. 2 on the Billboard R&B chart, and No. 1 in Canada. Cliff Richard and the Shadows' version of the song reached No. 2 in the United Kingdom in 1962, despite being a B-side. The Beach Boys notably covered the song in 1965 for their album The Beach Boys Today!; retitled "Do You Wanna Dance?", their version reached No. 12 in the United States. A 1972 cover by Bette Midler with the original title restored reached No. 17.
"I Can See Clearly Now" is a song written and recorded by American singer-songwriter Johnny Nash. It was the lead single from his twelfth album, I Can See Clearly Now (1972), and achieved success in the United States and the United Kingdom when it was released in 1972, reaching number one on the US Billboard Hot 100 and Cash Box charts. It also reached number one in Canada and South Africa. The song has been covered by many artists throughout the years, including a hit version by Lee Towers that reached no. 19 in the Dutch Top 40 in 1982, and another recorded by Jimmy Cliff for the motion picture soundtrack of Cool Runnings that peaked at no. 18 on the US Billboard Hot 100 in 1993.
"Girl, You'll Be a Woman Soon" is a song written by American musician Neil Diamond, whose recording of it on Bang Records reached number 10 on the US pop singles chart in 1967. The song enjoyed a second life when it appeared on the 1994 Pulp Fiction soundtrack, performed by rock band Urge Overkill. Other versions have been recorded by Cliff Richard (1968), Jackie Edwards (1968), the Biddu Orchestra (1978), and 16 Volt (1998).
"We Don't Talk Anymore" is a song recorded by Cliff Richard, written by Alan Tarney and produced by the Shadows' rhythm guitarist, Bruce Welch. It was released in 1979 as a single and reached number one in the UK Singles Chart in August 1979, remaining there for four weeks, Richard's tenth UK number one and his first since "Congratulations" in 1968.
"Living Doll" is a song written by Lionel Bart made popular by Cliff Richard and the Shadows in 1959. It was the top selling single in the UK in 1959. It has topped the UK charts twice: in its original version in 1959 and a new version recorded in 1986 in aid of Comic Relief. It is one of the few songs released by a British singer to chart on the American Billboard charts before the British Invasion occurred.
"Love Letters in the Sand" is a popular song first published in 1931.
"When I Need You" is a popular song written by Albert Hammond and Carole Bayer Sager. Its first appearance was as the title track of Hammond's 1976 album When I Need You. Leo Sayer's version, produced by Richard Perry, was a massive hit worldwide, reaching number 1 on the UK Singles Chart for three weeks in February 1977 after three of his earlier singles had stalled at number 2. It also reached number 1 on both the Billboard Hot 100 for a single week in May 1977; and the Hot Adult Contemporary Tracks. Billboard ranked it as the No. 24 song of 1977. Sayer performed it on the second show of the third season of The Muppet Show.
"Heartbeat" is a rockabilly song originally recorded by Bob Montgomery and credited to Norman Petty. It was recorded most famously by Buddy Holly in 1958. The B-side of the single was "Well... All Right". "Heartbeat" reached the UK top 10 twice: once in 1975 for Showaddywaddy at number seven and again in 1992 for Nick Berry, recorded as the theme to the television series Heartbeat, which reached number two.
"True Love Ways" is a song attributed to Norman Petty and Buddy Holly. Buddy Holly's original was recorded with the Dick Jacobs Orchestra in October 1958, four months before the singer's death. It was first released on the posthumous album The Buddy Holly Story, Vol. 2, in March 1960. The song was first released as a single in Britain in May 1960, reaching number 25 on the UK Singles Chart. It was released the following month in the US, but did not make the charts. In 1988, a UK re-release of the recording by MCA, the single reached no. 65 on the UK singles chart in a five-week chart run.
"Broken Hearted Melody" is a popular song written by Hal David and Sherman Edwards. It was recorded by Sarah Vaughan and it became a hit for Vaughan, reaching No. 7 on Billboard Hot 100 in 1959.
"When the Girl in Your Arms Is the Girl in Your Heart" is a 1961 hit by Cliff Richard written by the songwriting team of Sid Tepper and Roy C. Bennett who would contribute fifteen songs to the Cliff Richard canon including his career record "The Young Ones". Produced by Richard's regular producer Norrie Paramor, "When the Girl in Your Arms..." featured backing by the Norrie Paramor Orchestra. Richard's own group the Shadows backed him on the B-side "Got a Funny Feeling".
"Daddy's Home" is a famous song by American doo-wop group Shep and the Limelites. The song was written by the three members of the band, James "Shep" Sheppard (1935–1970), Clarence Bassett (1936–2005) and Charles Baskerville. The group recorded the original version of "Daddy's Home" on February 1, 1961, and it was released on Hull Records in March 1961 with the B-side being "This I Know".
"Please Love Me Forever" is a song written by John Malone and Ollie Blanchard. The song was originally released by Tommy Edwards in 1958. Hit versions were later released by Cathy Jean and the Roommates in 1960 and Bobby Vinton in 1967.
"Wired for Sound" is a song recorded by English singer Cliff Richard, released in 1981 as the lead single for his album of the same name. The song reached number 4 in the UK Singles Chart and was certified silver by the BPI for sales over 250,000. The song reached number 2 in Australia and South Africa, and was a hit in a number of European countries. The song was written by Alan Tarney and B.A. Robertson.