A jockey's cap is the headgear worn by a jockey in the sport of horse racing. The modern jockey's cap forms part of a jockey's "silks" or racing colours and is worn over a protective equestrian helmet.
A jockey's cap is the headgear worn by a jockey in the sport of horse racing. The modern jockey's cap forms part of a jockey's "silks" or racing colours and is worn over a protective equestrian helmet.
The first form of jockey's cap appeared in the late 17th century and was generally made of velvet with a peak or visor and a hatband fastened at the front with a buckle. [1] This early style of cap is preserved in the "State Dress" of the musicians of the Household Cavalry, who adopted it at the behest of Queen Victoria. [2] During the 19th century, a lighter version began to be worn by racing jockeys; [1] it was made of silk in the colours representing the jockey's stable. [3] Modern jockey's caps are made oversized so that they can be worn over a protective helmet.
A tailcoat is a knee-length coat characterised by a rear section of the skirt, with the front of the skirt cut away.
A nightgown, nightie or nightdress is a loosely hanging item of nightwear, and is commonly worn by women and girls. A nightgown is made from cotton, silk, satin, or nylon and may be decorated with lace appliqués or embroidery at the bust and hem.
A petticoat or underskirt is an article of clothing, a type of undergarment worn under a skirt or a dress. Its precise meaning varies over centuries and between countries.
A military uniform is a standardised dress worn by members of the armed forces and paramilitaries of various nations.
1860s fashion in European and European-influenced countries is characterized by extremely full-skirted women's fashions relying on crinolines and hoops and the emergence of "alternative fashions" under the influence of the Artistic Dress movement.
A frock coat is a formal men's coat characterised by a knee-length skirt cut all around the base just above the knee, popular during the Victorian and Edwardian periods (1830s–1910s). It is a fitted, long-sleeved coat with a centre vent at the back and some features unusual in post-Victorian dress. These include the reverse collar and lapels, where the outer edge of the lapel is often cut from a separate piece of cloth from the main body and also a high degree of waist suppression around the waistcoat, where the coat's diameter round the waist is less than round the chest. This is achieved by a high horizontal waist seam with side bodies, which are extra panels of fabric above the waist used to pull in the naturally cylindrical drape. As was usual with all coats in the 19th century, shoulder padding was rare or minimal.
Breeches are an article of clothing covering the body from the waist down, with separate coverings for each leg, usually stopping just below the knee, though in some cases reaching to the ankles. Formerly a standard item of Western men's clothing, they had fallen out of use by the mid-19th century in favour of trousers.
Full dress uniform, also known as a ceremonial dress uniform or parade dress uniform, is the most formal type of uniforms used by military, police, fire and other public uniformed services for official parades, ceremonies, and receptions, including private ones such as marriages and funerals. Full dress uniforms typically include full-size orders and medals insignia. Styles tend to trace back to uniforms used during the 19th century, although the 20th century saw the adoption of mess dress-styled full-dress uniforms. Designs may depend on regiment or service branch. In Western dress codes, full dress uniform is a permitted supplementary alternative equivalent to the civilian white tie for evening wear or morning dress for day wear – sometimes collectively called full dress – although military uniforms are the same for day and evening wear. As such, full dress uniform is the most formal uniform, followed by the mess dress uniform.
A dolman is either a military shirt, or a jacket decorated with braiding, first worn by Hungarian hussars. The word is of Turkish origin, and after being adopted into Hungarian, has propagated to other languages. The garment was worn by peasants from the 16th century onward and eventually spread throughout the country, mainly within wealthy peasant circles. It reached people living in the poorest conditions only at the end of the 19th century.
Fashion in the period 1550–1600 in European clothing was characterized by increased opulence. Contrasting fabrics, slashes, embroidery, applied trims, and other forms of surface ornamentation remained prominent. The wide silhouette, conical for women with breadth at the hips and broadly square for men with width at the shoulders had reached its peak in the 1530s, and by mid-century a tall, narrow line with a V-lined waist was back in fashion. Sleeves and women's skirts then began to widen again, with emphasis at the shoulder that would continue into the next century. The characteristic garment of the period was the ruff, which began as a modest ruffle attached to the neckband of a shirt or smock and grew into a separate garment of fine linen, trimmed with lace, cutwork or embroidery, and shaped into crisp, precise folds with starch and heated irons.
Court uniform and dress were required to be worn by those in attendance at the royal court in the 19th and early 20th centuries.
A pelisse was originally a short fur-trimmed jacket which hussar light-cavalry soldiers from the 17th century onwards usually wore hanging loose over the left shoulder, ostensibly to prevent sword cuts. The name also came to refer to a fashionable style of woman's coat-like garment worn in the early-19th century.
Fashion in the period 1700–1750 in European and European-influenced countries is characterized by a widening silhouette for both men and women following the tall, narrow look of the 1680s and 90s. This era is defined as late Baroque/Rococo style. The new fashion trends introduced during this era had a greater impact on society, affecting not only royalty and aristocrats, but also middle and even lower classes. Clothing during this time can be characterized by soft pastels, light, airy, and asymmetrical designs, and playful styles. Wigs remained essential for men and women of substance, and were often white; natural hair was powdered to achieve the fashionable look. The costume of the eighteenth century, if lacking in the refinement and grace of earlier times, was distinctly quaint and picturesque.
The uniforms of the British Army currently exist in twelve categories ranging from ceremonial uniforms to combat dress. Uniforms in the British Army are specific to the regiment to which a soldier belongs. Full dress presents the most differentiation between units, and there are fewer regimental distinctions between ceremonial dress, service dress, barrack dress and combat dress, though a level of regimental distinction runs throughout.
Bands are a form of formal neckwear, worn by some clergy and lawyers, and with some forms of academic dress. They take the form of two oblong pieces of cloth, usually though not invariably white, which are tied to the neck. When worn by clergy, they typically are attached to a clerical collar. The word bands is usually plural because they require two similar parts and did not come as one piece of cloth. Those worn by clergy are often called preaching bands or Geneva bands; those worn by lawyers are called barrister's bands or, more usually in Ireland and Canada, tabs.
In clothing, a train describes the long back portion of a robe, coat, cloak, skirt, overskirt, or dress that trails behind the wearer.
The Medieval period in England is usually classified as the time between the fall of the Roman Empire to the beginning of the Renaissance, roughly the years AD 410–1485. For various peoples living in England, the Anglo-Saxons, Anglo-Danes, Normans and Britons, clothing in the medieval era differed widely for men and women as well as for different classes in the social hierarchy. The general styles of Early medieval European dress were shared in England. In the later part of the period, men's clothing changed much more rapidly than women's styles. Clothes were very expensive and both the men and women of lower social classes continued also divided social classes by regulating the colors and styles these various ranks were permitted to wear. In the early Middle Ages, clothing was typically simple and, particularly in the case of lower-class peoples, served only basic utilitarian functions such as modesty and protection from the elements. As time went on the advent of more advanced textile techniques and increased international relations, clothing gradually got more and more intricate and elegant, even with those under the wealthy classes, up into the renaissance.
The Chapeau à la Paméla, Pamela hat or Pamela bonnet described a type of straw hat or bonnet popular during the 1790s and into the first three quarters of the 19th century. It was named after the heroine of Samuel Richardson's 1741 novel Pamela; or, Virtue Rewarded. While Pamela hats and bonnets underwent a variety of changes in shape and form, they were always made from straw. The mid-19th-century version of the Pamela hat was a smaller version of an early 19th-century wide-brimmed style called the gipsy hat.
A partlet was a 16th-century fashion accessory. The partlet was a sleeveless garment worn over the neck and shoulders, either worn over a dress or worn to fill in a low neckline.
Racing colours in British horse racing consist of a silk coat and cap of unique colour combination worn by jockeys during horse races which serve as a quasi-heraldic symbol identifying the horse's owner. The colours serve, as heraldry in its earliest form on the battlefield, as a "recognition device" to enable spectators to identify and differentiate racing horses at a distance.
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