John Bull's Other Island | |
---|---|
Written by | George Bernard Shaw |
Date premiered | 1 November 1904 |
Place premiered | Royal Court Theatre |
Original language | English |
Subject | An English businessman charms Irish villagers into mortgaging their homes |
Genre | satirical comedy |
Setting | A village in Ireland |
John Bull's Other Island is a comedy about Ireland, written by George Bernard Shaw in 1904. Shaw himself was born in Dublin, yet this is one of only two plays of his where he thematically returned to his homeland, the other being O'Flaherty V.C. The play was highly successful in its day, but is rarely revived, probably because so much of the dialogue is specific to the politics of the day.
The play deals with Larry Doyle, originally from Ireland, who has adopted English cultural customs and manners to find his place in England and Tom Broadbent, his English business partner. They are civil engineers who run a firm in London. They go to Roscullen, where Doyle was born, to develop some land.
Doyle has no illusions about Ireland while Broadbent is taken with the romance of the place. Broadbent, a lively man who is seemingly not always aware of the impression he makes, becomes a favourite of the people. Before the play is over, it is clear he will marry Nora Reilly, the woman waiting for Doyle (who is more than happy to let her go) and become the area's candidate for Parliament after Doyle refuses to stand. Doyle has also 'called in' all his loans given "so easily" to the locals against their homes and intends (as he had planned all along) to make the village into an amusement park.
Another major character is the defrocked priest Peter (Father) Keegan, the political and temperamental opposite of Broadbent, who becomes suspicious of him upon his arrival and warns the locals against him.
The play was commissioned by W. B. Yeats for the opening of Dublin's Abbey Theatre, but Yeats rejected it as too long and too difficult to produce. He claimed that no actors were available who could do justice to the part of Broadbent. Peter Kavanagh suggests that Yeats' real reason was dislike of Shaw's style of playwriting: "at this time Yeats and Synge did not feel that Shaw belonged to the real Irish tradition. His plays would thus have no place in the Irish theatre movement. John Bull's Other Island was a play about Ireland but not of it. Furthermore, Shaw's plays were mostly argument, and Yeats particularly detested this quality in dramatic writing." [2] Shaw himself commented the play was written at the request of "Mr William Butler Yeats as a patriotic contribution to the Repertory of the Irish Literary Theatre. Like most people who have asked me to write plays Mr Yeats got rather more than he bargained for ... It was uncongenial to the whole spirit of the neo-Gaelic movement, which is bent on creating a new Ireland after its own ideal, whereas my play is a very uncompromising presentment of the real old Ireland." [3]
The play premiered in London at the Royal Court Theatre on November 1, 1904, under the Vedrenne-Barker management. Due to its length, Barker, with Shaw's consent but not approval, cut the play somewhat. Dealing with the Irish question of the time, the play was attended by many major British political figures. [4] A command performance was given for King Edward VII. He laughed so hard he broke his chair. This incident was widely reported and—after more than a decade of playwriting—Shaw's name was made in London. It was a great success and the Court would go on to produce many other Shaw plays, both old and new. In the words of T. F. Evans, "the age of Bernard Shaw may be said to have begun". [4]
As popular as the play was originally, it is not one of Shaw's more revived pieces. Liz Kennedy reviewing a revival in 2004, during the New Labour government of Tony Blair, argued that the play was still relevant: "Shaw's vision from one hundred years ago was a far-seeing one...The drama has especial contemporary resonance in this continued period of political vacuum on our own shores" She particularly praised "Alan Cox, giving an appropriately mannered Blairite performance as Broadbent the Englishman...he might historically be a Liberal, but he sounded very New Labour." [5]
George Bernard Shaw, known at his insistence as Bernard Shaw, was an Irish playwright, critic, polemicist and political activist. His influence on Western theatre, culture and politics extended from the 1880s to his death and beyond. He wrote more than sixty plays, including major works such as Man and Superman (1902), Pygmalion (1913) and Saint Joan (1923). With a range incorporating both contemporary satire and historical allegory, Shaw became the leading dramatist of his generation, and in 1925 was awarded the Nobel Prize in Literature.
This article contains information about the literary events and publications of 1904.
The Abbey Theatre, also known as the National Theatre of Ireland, in Dublin, Ireland, is one of the country's leading cultural institutions. First opening to the public on 27 December 1904, and moved from its original building after a fire in 1951, it has remained active to the present day. The Abbey was the first state-subsidized theatre in the English-speaking world; from 1925 onwards it received an annual subsidy from the Irish Free State. Since July 1966, the Abbey has been located at 26 Lower Abbey Street, Dublin 1.
Isabella Augusta, Lady Gregory was an Irish dramatist, folklorist and theatre manager. With William Butler Yeats and Edward Martyn, she co-founded the Irish Literary Theatre and the Abbey Theatre, and wrote numerous short works for both companies. Lady Gregory produced a number of books of retellings of stories taken from Irish mythology. Born into a class that identified closely with British rule, she turned against it. Her conversion to cultural nationalism, as evidenced by her writings, was emblematic of many of the political struggles to occur in Ireland during her lifetime.
Irish literature is literature written in the Irish, Latin, English and Scots languages on the island of Ireland. The earliest recorded Irish writing dates from back in the 7th century and was produced by monks writing in both Latin and Early Irish, including religious texts, poetry and mythological tales. There is a large surviving body of Irish mythological writing, including tales such as The Táin and Mad King Sweeny.
The history of Irish theatre begins in the Middle Ages and was for a long time confined to the courts of the Gaelic and "Old English" – descendants of 12th-century Norman invaders – inhabitants of Ireland. The first theatre building in Ireland was the Werburgh Street Theatre, founded in 1637, followed by the Smock Alley Theatre in 1662.
Annie Elizabeth Fredericka Horniman CH was an English theatre patron and manager. She established the Abbey Theatre in Dublin and founded the first regional repertory theatre company in Britain at the Gaiety Theatre in Manchester. She encouraged the work of new writers and playwrights, including W. B. Yeats, George Bernard Shaw and members of what became known as the Manchester School of dramatists.
The Irish Literary Revival was a flowering of Irish literary talent in the late 19th and early 20th century. It includes works of poetry, music, art, and literature.
W. B. Yeats, Lady Gregory and Edward Martyn published a "Manifesto for Irish Literary Theatre" in 1897, in which they proclaimed their intention of establishing a national theatre for Ireland.
Events in the year 1904 in Ireland.
Harley Granville-Barker was an English actor, director, playwright, manager, critic, and theorist. After early success as an actor in the plays of George Bernard Shaw, he increasingly turned to directing and was a major figure in British theatre in the Edwardian and inter-war periods. As a writer his plays, which tackled difficult and controversial subject matter, met with a mixed reception during his lifetime but have continued to receive attention.
William Poel (1852-1934) was an English actor, theatrical manager and dramatist best known for his presentations of Shakespeare.
Florence Beatrice Emery was a British West End leading actress, composer and director. She was also a women's rights activist, journalist, educator, singer, novelist, and leader of the occult order, the Hermetic Order of the Golden Dawn. She was a friend and collaborator of Nobel laureate William Butler Yeats, poet Ezra Pound, playwright Oscar Wilde, artists Aubrey Beardsley and Pamela Colman Smith, Masonic scholar Arthur Edward Waite, theatrical producer Annie Horniman, and many other literati of London's fin de siècle era, and even by their standards she was "the bohemian's bohemian". Though not as well known as some of her contemporaries and successors, Farr was a "first-wave" feminist of the late 19th and early 20th centuries; she publicly advocated for suffrage, workplace equality, and equal protection under the law for women, writing a book and many articles in intellectual journals on the rights of "the new woman".
Lillah, Lady Keeble CBE was an English actress and theatrical manager.
John Eugene Vedrenne, often known as J. E. Vedrenne, was a West End theatre producer who co-managed the Savoy Theatre with Harley Granville-Barker, and then the Royal Court Theatre. During their time at the latter, they premiered several of George Bernard Shaw's plays, including John Bull's Other Island and Major Barbara. His partnership with Granville-Barker ending in 1907, Vedrenne then became associated with Lewis Waller at the Lyric Theatre, and in 1911 with Dennis Eadie at the Royalty Theatre, and later still at the Kingsway Theatre.
John Kavanagh is an Irish actor who has acted on the stage, in over twenty films including Cal (1984), Braveheart (1995) and Alexander (2004), and on television. Most recently, he is known for his portrayal of The Seer in the History Channel series Vikings. He has received a number of accolades, including a Drama Desk Award nomination in 1989 for his role in a revival of Juno and the Paycock.
The Incorporated Stage Society, commonly known as the Stage Society, was an English theatre society with limited membership which mounted private Sunday performances of new and experimental plays, mainly at the Royal Court Theatre but also at other London West End venues. Founded in 1899 "to regenerate the Drama", it followed the Independent Theatre Society in this activity. Its plays particularly included the first performances of plays that had been banned for public performance by the Lord Chamberlain. George Bernard Shaw, Harley Granville Barker, St. John Hankin, Gilbert Murray and Clifford Bax were all involved with the company.
Louis James Calvert was a British stage and early film actor of the late 19th and early 20th centuries and an actor-manager. He is perhaps best remembered today for having created roles in plays by George Bernard Shaw and for appearing in King John (1899), the earliest known example of any film based on Shakespeare,
Fred O’Donovan (1884–1952) was an Irish actor, early film maker, theatre manager and pioneer of television drama production. For many years he gave the definitive portrayal of the title character in J.M. Synge's The Playboy of the Western World, as well as other prominent roles at Dublin’s Abbey Theatre. He was manager of the Abbey for a time, and appeared in and directed films, television, and on the stage in Britain and abroad before becoming a producer/director in the BBC’s fledgling television service both before and after World War II.