Kings & Queens | ||||
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Studio album by | ||||
Released | 7 September 2009 (UK) 6 October 2009 (USA) | |||
Recorded | 2008–2009 | |||
Genre | ||||
Length | 40:42 | |||
Label | Astralwerks, Virgin, Tearbridge International | |||
Producer | Jamie T, Ben Coupland | |||
Jamie T chronology | ||||
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Singles from Kings & Queens | ||||
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Kings & Queens is the second album by English singer-songwriter Jamie T, released first in the UK on 7 September 2009. The album reached No. 2 on the UK Albums Chart.
The first single released from the album was "Sticks 'n' Stones" released on 29 June 2009. The titular EP featured three B-sides: "St. Christopher", "On The Green", and "The Dance of the Young Professionals"; and reached No. 15 on the UK singles chart.
"Chaka Demus" was the second single to be released from the album and was out a week before the album, on 31 August. It peaked at No. 23 on the UK singles chart. The namesake EP also featured three B-sides: "Forget Me Not (The Love I Knew Before I Grew)" (feat. Hollie Cook & Ben Bones), "Planning Spontaneity", and "When They Are Gone (For Tim)".
"The Man's Machine" was the third single from the album, released on 23 November 2009. The song interpolates intros from the Angelic Upstarts with The Rockin' Berries' cover of "Poor Man's Son", among a few others. This EP, too, featured three B-sides: "Believing in Things That Can't Be Done"; "Jenny Can Rely on Me"; and "Man, Not a Monster".
The album's fourth single—a re-recorded version of "Emily's Heart", along with a cover Bruce Springsteen's "Atlantic City" as a B-side—was released on 15 March 2010. A music video for "Emily's Heart" preceded it on February 2010.
Aggregate scores | |
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Source | Rating |
Metacritic | 74/100 [1] |
Review scores | |
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The album received much praise in reviews from critics, with Brianna Saraceno of Drowned in Sound proclaiming it "a resounding success". [6] Dan LeRoy of Alternative Press likened him to a "clash" between The Clash's Joe Strummer and Mick Jones. [3] According to the review aggregator Metacritic , Kings & Queens received "generally favorable reviews" based on a weighted average score of 74 out of 100 from 13 critic scores. [1]
All lyrics are written by Jamie Alexander Treays, unless otherwise indicated. [18]
No. | Title | Writer(s) | Producer(s) | Length |
---|---|---|---|---|
1. | "368" | Jamie Treays |
| 4:43 |
2. | "Hocus Pocus" | Treays |
| 3:30 |
3. | "Sticks 'n' Stones" | Treays |
| 4:00 |
4. | "The Man's Machine" |
|
| 4:50 |
5. | "Emily's Heart" | Treays |
| 4:07 |
6. | "Chaka Demus" | Treays |
| 3:34 |
7. | "Spider's Web" | Treays |
| 4:44 |
8. | "Castro Dies" |
|
| 2:59 |
9. | "Earth, Wind & Fire" |
| 3:45 | |
10. | "British Intelligence" | Treays |
| 3:18 |
11. | "Jilly Armeen" | Treays |
| 3:12 |
Total length: | 40:42 |
No. | Title | Writer(s) | Producer(s) | Length |
---|---|---|---|---|
12. | "The Curious Sound" (feat. Ben Bones) |
|
| 2:52 |
Total length: | 43:34 |
No. | Title | Writer(s) | Producer(s) | Length |
---|---|---|---|---|
13. | "Direction Home" | Treays |
| 2:34 |
Total length: | 46:08 |
No. | Title | Writer(s) | Producer(s) | Length |
---|---|---|---|---|
14. | "St. Christopher" | Treays |
| 3:57 |
15. | "On the Green" |
|
| 3:36 |
16. | "Spider's Web" (live at the Electric Ballroom) | Treays |
| 4:44 |
17. | "Chaka Demus" (Toddla T remix) | Treays |
| 3:34 |
Total length: | 1:01:59 |
Notes
Kings & Queens was released in Japan by Tearbridge International on 17 February 2010. [25]
Region | Certification | Certified units/sales |
---|---|---|
United Kingdom (BPI) [26] | Gold | 100,000^ |
^ Shipments figures based on certification alone. |
Summary: The London-based artist releases his follow-up to his Mercury Prize-nominated debut album.
But as the surprisingly leaden disco thumper "Earth, Wind & Fire" also suggests, the collection as a whole has a transitional feel, as though Jamie T is still finding his way between the two poles of his primary inspiration.
It's a truly eclectic album and all the better for it: the pots-and-pans percussion on opener "368" is joined by an infectious, helium-voiced chorus hook which leads into the no-nonsense brit-pop of "Hocus Pocus"…
Rather than playing the sad-bastard-with-acoustic-guitar role, T throws every modern genre in to a blender and pours out pop culture alchemy, mixing pop, hip-hop, Britpop, punk, and indie bedroom recording sounds along with cheeky British wit to create fun, fluid tracks like "Sticks 'N' Stones".
"The Man's Machine" is an incredibly deceptive song, commencing with a minute long intro/sample; but once the beat comes in and the keyboard and guitar wash over you,…
At moments like this, Treays sounds like that most loathed of things among songwriters: a spokesperson of a generation.
What has survived, though, is Treays's minutely detailed, articulate vignettes, which justify claims that he's an urban poet to rival Mike Skinner.
"Sticks'n'Stones" is stand-out classic Jamie T and the album highlight – if only to applaud a man with the ability to rhyme 'Hampton Wick' with 'lightweight prick'.
Instead, it's a second album that builds on the success of the debut, expanding the sound without losing any of what made Jamie T so interesting in the first place.
If that doesn't get the tweens robbing in glee then "Chaka Demus" will, a song which uses the theme tune to The Banana Splits to nefarious ends.
T relates to impetuous youth on a primal level for good reason: he's still there.
From there, it's easy to hear how much Joe Strummer's penchant for world music on Sandinista! and Combat Rock informs the frustrated sadness of Kings & Queens, especially on "Hocus Pocus" (the friends that drag you down), "Spider's Web" (illicit affairs; Americans comparing Obama to Osama; and the intifada/Palmer gag) and "British Intelligence" (surveillance paranoia).
(Joan Baez at the beginning of "Earth, Wind & Fire" is a highlight).
London logorrheic milks the romance of punk for hooks and pathos ("368", "Castro Dies").
Like Glasvegas on their debut album, Treays treats the endemic hardman culture of the inner city with conflicted empathy.
Jamie T's Kings & Queens is like a young Damon Albarn rapping with The Clash.
"Watch Yourself" by Nine Below Zero, courtesy of Mercury Records Limited. "The Trouser Press" by The Bonzo Dog Band Doo Dah Band included courtesy of EMI Records Limited……Contains samples of "Police Oppression" + "You're Nicked" written by T. Mensforth, R. Cowie; used by kind permission of Maxwood Music Ltd.; Trouble Funk – "Pump Me Up" written by Fisher, Nixon, Reed, Reed; used by kind permission of Swing Beat Songs d.b.a. Tuff City Records. "Poor Man's Son" written by Bratton, Hamilton, Savoy, Venet; used by kind permission of Tro Essex Music Ltd.
In 2009, punk-influenced singer-songwriter Jamie T sampled vocals from the album Angelic Upstarts: Live on his song "The Man's Machine".
Released on: 1964-01-01
…made the most impact of all with "(Just Like) Romeo and Juliet".