Knit the City is a group of "graffiti knitting and crochet" street artists founded in London, England in 2009. The collective is credited with being the first to go beyond the simple 'cosies' of early graffiti knitting to tell 'stitched stories', using knitted and crochet amigurumi creatures and objects in their public installations. [1] This practice has been taken up by groups internationally.
The title Knit the City: A Whodunnknit Set in London [1] by Deadly Knitshade was published in German by [Hoffmann Und Campe] in February 2011, and in the UK by Summersdale in September 2011. The book covers the group's history and showcases examples of their street art.
The street art has been called "knit graffiti" and yarn bombing or "yarnstorming". The group's aim is "to guerilla knit the city of London, and beyond that the world, and bring the art of the sneaky stitch to a world without wool". [2]
Knit the City was founded by Lauren O'Farrell (under the pseudonym Deadly Knitshade) in February 2009 [3] with six members. [4] The 'Yarn Corps' grew to seven members with the addition of The Fastener in late 2009. In October 2010 two members left the group and one became inactive, leaving the group with four active members. The group continued to graffiti knit as a foursome of Deadly Knitshade, The Fastener, Shorn-a the Dead and Lady Loop. [1]
Knit the City maintains a sense of humour about their group's beginnings and tells a different story each time they are interviewed. [5] The genuine story [3] is that the collective was founded by Deadly Knitshade, later revealed to be author and Stitch London founder Lauren O'Farrell, [3] who anonymously invited five hand-picked members to join forces in February 2009 on a mission to "turn the city knitwise". [6]
The collective was partly inspired by O'Farrell's 2007 London Lion Scarf charity event, [7] when her Stitch London craft community created giant scarves for London's Trafalgar Square Lions to raise money for Cancer Research UK, [3] and partly by a 2009 event in which Magda Sayeg of Knitta Please, Stitch London, and Guardian journalist Perri Lewis collaborated in graffiti knitting London's South Bank. [8]
The members of the group use superhero-style names to hide their real identities. Initial Yarn Corps members were Deadly Knitshade, Knitting Ninja, Lady Loop, Shorn-a the Dead, Bluestocking Stitching and The Purple Purl, with the addition of The Fastener in October 2009. [9]
In creating the group's identity, Knitshade also coined the term 'yarnstorming' as a less violent alternative to the US term yarnbombing. The term has now been adopted by many groups, and was first used in the media on BBC News in June 2009. [10]
Deadly Knitshade is widely credited with innovating the concept of telling 'stitched stories' in graffiti knitting and crochet, using amigurumi knitted and crocheted characters, creatures and objects. [1] The earliest recorded example of this is Knit the City's "Web of Woe" installation in August 2009, which was installed in London's Leake Street. [11] The concept has since been adopted by groups worldwide and made national news.
In late August 2009 the group became the first graffiti knitting collective to publicise a 'live yarnstorm' on the Twitter social network, [12] involving the six churches of the Oranges and Lemons nursery rhyme and publishing images of their six-hour "Oranges and Lemons Odyssey" installation in real time. [13]
In late 2010 three members (Bluestocking, Ninja and Purler) left the group and Knit the City continued as a foursome. Their work was highlighted by 'The Graffiti Knitting Epidemic' interview with Knitshade, published in The Guardian newspaper, [3] and an appearance ITV's This Morning. [14]
In April 2011 Knit the City yarnstormed in Berlin [15] to launch the German edition of their book, Knit the City: Maschenhaft Seltsames by Deadly Knitshade (published by Hoffmann und Campe). [16]
The UK version of the book Knit the City: A Whodunnknit Set in London by Deadly Knitshade was released in the UK in September 2011 (published by Summersdale). [17]
Installing their fibre art in broad daylight in busy public areas, [3] Knit the City add a paper or fabric tag onto each work, bearing the logo and website address and the phrase "Confess your theft". They encourage members of the public to take their items. [5]
They began their work with a simple 'cosy', a wooden barrier in London's Covent Garden [10] before going on to make their most well-known piece, the Phonebox Cosy, [3] a handknitted cosy made to fit a telephone box in London's Parliament Square while leaving the phonebox usable.
From here pieces developed into 'stitched stories' beginning with the "Web of Woe", a 13-foot spider web, complete with spider and victims, in London's Leake Street, Twitter's first live yarnstorm [12] involving the six churches of the Oranges and Lemons nursery rhyme, [13] a Wall of Wonderland outside the South Bank's IMAX to celebrate Tim Burton's Alice in Wonderland remake, a ballerina statue at the Royal Opera House covered in characters from the Nutcracker Suite, and a string of knitted hearts which they hung from the statue's bow in Piccadilly Circus seven metres high.
The artists have also shown work at Tate Britain and have taken part in art projects outside the UK. [18] They have also been commissioned to produce installations by knitwear design company John Smedley at their flagship store [19] and computer-games giant Nintendo. [20]
Crochet is a process of creating textiles by using a crochet hook to interlock loops of yarn, thread, or strands of other materials. The name is derived from the French term croc, which means 'hook'. Hooks can be made from a variety of materials, such as metal, wood, bamboo, bone or even plastic. The key difference between crochet and knitting, beyond the implements used for their production, is that each stitch in crochet is completed before the next one is begun, while knitting keeps many stitches open at a time. Some variant forms of crochet, such as Tunisian crochet and broomstick lace, do keep multiple crochet stitches open at a time.
Knitting is a method for production of textile fabrics by interlacing yarn loops with loops of the same or other yarns. It is used to create many types of garments. Knitting may be done by hand or by machine.
A knitting needle or knitting pin is a tool in hand-knitting to produce knitted fabrics. They generally have a long shaft and taper at their end, but they are not nearly as sharp as sewing needles. Their purpose is two-fold. The long shaft holds the active (unsecured) stitches of the fabric, to prevent them from unravelling, whereas the tapered ends are used to form new stitches. Most commonly, a new stitch is formed by inserting the tapered end through an active stitch, catching a loop of fresh yarn and drawing it through the stitch; this secures the initial stitch and forms a new active stitch in its place. In specialized forms of knitting the needle may be passed between active stitches being held on another needle, or indeed between/through inactive stitches that have been knit previously.
Knitting is the process of using two or more needles to pull and loop yarn into a series of interconnected loops in order to create a finished garment or some other type of fabric. The word is derived from knot, thought to originate from the Dutch verb knutten, which is similar to the Old English cnyttan, "to knot". Its origins lie in the basic human need for clothing for protection against the elements. More recently, hand knitting has become less a necessary skill and more of a hobby.
Nålebinding is a fabric creation technique predating both knitting and crochet. Also known in English as "knotless netting", "knotless knitting", or "single-needle knitting", the technique is distinct from crochet in that it involves passing the full length of the working thread through each loop, unlike crochet where the work is formed only of loops, never involving the free end. It also differs from knitting in that lengths must be pieced together during the process of nålebinding, rather than a continuous strand of yarn that can easily be pulled out. Archaeological specimens of fabric made by nålebinding can be difficult to distinguish from knitted fabric.
Debbie Stoller is a New York Times best-selling American author, publisher, feminist commentator and knitting expert whose work includes magazines as well as books. She lives in Brooklyn, New York City. Stoller is the co-founder, co-owner and editor-in-chief of the culture magazine BUST, which she and Marcelle Karp launched in 1993.
Entrelac is a knitting technique used to create a textured diamond pattern. While the result resembles basket-woven strips of knitted fabric, the actual material comprises interconnected squares on two different orientations.
The UK Hand Knitting Association (UKHKA) is a not-for-profit British organisation dedicated to promoting hand knitting in the UK. Through a variety of initiatives and the assistance of a nationwide network of volunteers who pass on their skills, the UKHKA focus on ensuring a vibrant future for all aspects of yarn crafts.
Stitch 'n Bitch is a name that has been used to refer to social knitting groups since at least World War II. Before the slang term "Stitch 'n Bitch" was used, groups of women in the 1940s would join to knit and talk in organized Stitch and Bitch clubs. The term was further used in the 1980s as part of the book Social History of American Knitting by Anne Macdonald. It is partly due to the book's success that the modern day Stitch 'n Bitch knitting groups have emerged in cities around the world. The groups, mainly women, meet to knit, stitch and talk. Typically, attendees knit, though others crochet, and still others engage in cross-stitching, embroidery, and other needlecraft. Nowadays, the groups have been analyzed by scholars as expressions of resistance to major political, social and technological change in Western societies. However, political discussion is not unusual at these events, and at least some participants are proponents of progressive, liberal, and/or leftist social and political change. Furthermore, the term Stitch 'n Bitch is now used by women from across the globe to connect with others in the virtual space seeing as the term has re-emerged in a world where the public sphere is the cyberspace.
Stitch London is a knitting group in London, England, who meet weekly in various venues across central London to knit in public. It is also a virtual knitting group whose members join via newsletter, Facebook, Ravelry, and Twitter. Its members number in their thousands and it has a global membership despite being based in London.
A knitting club is a social group in which knitting and crochet enthusiasts gather to do needlework together. They are a feature of the 21st-century revival of hand knitting which began in America and has spread to most of Europe. Despite the name, knitting clubs are not limited to knitting; both crochet-centered and knit-centered clubs are collectively called "knitting clubs." While knitting has never gone away completely, this latest reincarnation is less about the make-do and mend of the 1940s and 1950s, and more about making a statement about individuality and developing a sense of community.
Knitta Please, also known as simply Knitta, is the group of artists who began the "knit graffiti" movement in Houston, Texas in 2005. They are known for wrapping public architecture—e.g. lampposts, parking meters, telephone poles, and signage—with knitted or crocheted material, a process known as "knit graffiti", "yarn storming" or "yarnbombing". The mission is to make street art "a little more warm and fuzzy."
Hand knitting is a form of knitting, in which the knitted fabric is produced by hand using needles.
Ravelry is a free social networking service and website that beta-launched in May 2007. It functions as an organizational tool for a variety of fiber arts, including knitting, crocheting, spinning and weaving. Members share projects, ideas, and their collection of yarn, fiber and tools via various components of the site.
I Knit London is a knitting organisation based in London, England, UK, comprising a knitting group, knitting shop and knitting events. I Knit London was formed in December 2005, and is run, by Gerard Allt and Craig Carruthers.
Yarn bombing is a type of graffiti or street art that employs colourful displays of knitted or crocheted yarn or fibre rather than paint or chalk. It is also called wool bombing, yarn storming, guerrilla knitting, kniffiti, urban knitting, or graffiti knitting.
Illusion knitting or shadow knitting is a form of textile art, in which the knitting is viewed as simply narrow stripes from one angle, and as an image when viewed from another angle. Illusion knitting has been recognised as an art form since 2010, largely due to the advances made by Steve Plummer who has created several large and detailed pieces. Similar effects occur in Tunisian crochet.
Lauren O'Farrell, also known as Deadly Knitshade, is an English author and artist. She is best known for playing a major part in the beginnings of the UK graffiti knitting street art scene, creating the Stitch London craft community and founding graffiti knitting and craft collective Knit the City.
Yarnbombing Los Angeles (YBLA) is a group of guerrilla knitters that have been collaborating since 2010. They are based at the 18th Street Arts Center in Santa Monica, California. YBLA stages public installation art and performances to help expand the definition of public art to embrace street art, Urban Interventionism and ephemera. Collaborative art making, community building, public outreach, blurring boundaries between contemporary art practices, graffiti and craft are integral components to YBLA's practice.
A knitting pattern is a set of written instructions on how to construct items using knitting.