"Let's Hear It for the Boy" | ||||
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Single by Deniece Williams | ||||
from the album Footloose: Original Soundtrack of the Paramount Motion Picture and Let's Hear It for the Boy | ||||
B-side | "Let's Hear It for the Boy (Instrumental—Short Version)" | |||
Released | February 14, 1984 | |||
Recorded | 1983 | |||
Genre | ||||
Length | 4:20
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Label | Columbia | |||
Songwriter(s) | ||||
Producer(s) | George Duke | |||
Deniece Williams singles chronology | ||||
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"Let's Hear It for the Boy" is a song by Deniece Williams that appeared on the soundtrack to the feature film Footloose . The song was released as a single from both the soundtrack and her album of the song's same name on February 14, 1984, by Columbia Records. It was written by Tom Snow and Dean Pitchford and produced by George Duke. The song became Williams' second number one on the US Billboard Hot 100 on May 26, 1984, also topping the dance and R&B charts, [3] [4] and peaked at number two on the UK Singles Chart, behind "Wake Me Up Before You Go-Go" by Wham!. It was nominated for an Academy Award for Best Original Song, and was certified platinum in the US and gold in Canada and the UK by the Recording Industry Association of America, Music Canada and the British Phonographic Industry, respectively. The music video was released in mid-April 1984. [5] The song features background vocals from George Merrill and Shannon Rubicam, who would go on to form the duo Boy Meets Girl.
In 2011, country singer Jana Kramer covered the song for the remake of Footloose . In 2017 the song was covered by UK hi-NRG dance artist Allan Jay in aid of the Retired Greyhound Trust and their Let's Hear It for the Boy campaign.
The music video for the song features Williams along with several young men, one of them being the singer Aaron Lohr as the young boy who is the first person to appear in the video. [6]
Weekly charts
| Year-end charts
|
Region | Certification | Certified units/sales |
---|---|---|
Canada (Music Canada) [39] | Gold | 50,000^ |
United Kingdom (BPI) [40] | Gold | 400,000‡ |
United States (RIAA) [41] | Platinum | 1,000,000^ |
^ Shipments figures based on certification alone. |
June Deniece Williams is an American singer. She has been described as "one of the great soul voices" by the BBC. She is best known for the songs "Free", "Silly", "It's Gonna Take a Miracle" and two Billboard Hot 100 No.1 singles "Let's Hear It for the Boy" and "Too Much, Too Little, Too Late". Williams has won four Grammys with twelve nominations altogether. She is also known for recording “Without Us”, the theme song of Family Ties.
"Let the Music Play" is a song recorded by American singer Shannon and released on September 19, 1983, as both her debut single and the lead single from her 1984 debut studio album of the same name. Written by Chris Barbosa and Ed Chisolm, and produced by Barbosa and Mark Liggett, "Let the Music Play" was the first of Shannon's four number ones on the US Dance Club Songs chart, reaching the top spot in October 1983. It also became a huge crossover hit in the US, peaking at number two on the Hot R&B/Hip-Hop Songs chart and number eight on the Billboard Hot 100 in February 1984. It was Shannon's only Top 40 hit in the US. Some mark "Let the Music Play" as the beginning of the "dance-pop" era. "Let the Music Play" was ranked 43rd on the 2009 VH1 Special 100 Greatest One-Hit Wonders of the 1980s, while Rolling Stone and Billboard featured it in their lists of "200 Greatest Dance Songs of All Time" and "500 Best Pop Songs of All Time" in 2022 and 2023. The song also appears in the video games Dance Central 3 and Scarface: The World Is Yours.
"You're All I Need to Get By" is a song recorded by the American R&B/soul duo Marvin Gaye and Tammi Terrell and released on Motown Records' Tamla label in 1968. It was the basis for the 1995 single "I'll Be There for You/You're All I Need to Get By" from Method Man and Mary J. Blige.
"Ain't Nothing Like the Real Thing" is a 1968 single released by American R&B/soul duo Marvin Gaye and Tammi Terrell, on the Tamla label in 1968. The B-side of the single is "Little Ole Boy, Little Ole Girl" from the duo's United LP. The first release off the duo's second album: You're All I Need, the song—written and produced by regular Gaye/Terrell collaborators Ashford & Simpson—became a hit within weeks of release eventually peaking at number eight on the US Billboard Hot 100 and number one on the Hot Soul Singles chart, the first of the duo's two number-one R&B hits. In the UK "Ain't Nothing Like the Real Thing" reached number 34.
"Shake Your Body (Down to the Ground)" is a song recorded by the Jacksons for their 1978 album Destiny, and released as a single in early 1979. It peaked at No. 7 in the Billboard Hot 100 in May 1979.
Boy Meets Girl is an American pop-music duo consisting of keyboardist and vocalist George Merrill and singer Shannon Rubicam. They are perhaps best known for their hit song "Waiting for a Star to Fall" from 1988 and for writing two of Whitney Houston's number one hits: "How Will I Know" and "I Wanna Dance with Somebody ".
"Freedom" is a 1984 song by English pop duo Wham! from their album Make It Big, released on 1 October 1984. It became the group's second number one hit on the UK Singles Chart and reached number three in America. It was written and produced by George Michael, one half of the duo.
"Hot Stuff" is a song by American singer Donna Summer from her seventh studio album Bad Girls (1979), produced by English producer Pete Bellotte and Italian producer Giorgio Moroder and released as the lead single from Bad Girls in 1979 through Casablanca Records. Up to that point, Summer had mainly been associated with disco songs but this song also showed a significant rock direction, including a guitar solo by ex-Doobie Brother and Steely Dan guitarist Jeff "Skunk" Baxter. It is the second of four songs by Summer to reach number one on the Billboard Hot 100.
"How Am I Supposed to Live Without You" is a song co-written in 1982 by Doug James and Michael Bolton. The track was originally recorded by Laura Branigan in 1983, charting at number one in both the US and Canadian Adult Contemporary charts. Bolton later recorded his own version of the song that topped the US Billboard Hot 100 and became a worldwide hit.
Footloose: Original Soundtrack of the Paramount Motion Picture is the soundtrack album to the Paramount motion picture Footloose. The original nine-track album was released in 1984 and reached number one on the US Billboard 200 chart on April 21, 1984, where it stayed until June 23, 1984. It contained six Billboard Hot 100 Top 40 hits, three of which reached the Top 10, including two number-one hits, "Footloose" by Kenny Loggins and "Let's Hear It for the Boy" by Deniece Williams. "Almost Paradise", a duet by Ann Wilson and Mike Reno reached number seven, plus "Somebody's Eyes" by Karla Bonoff climbed to number 16 on the Adult Contemporary chart.
"Free" is a song by American singer Deniece Williams that was included on her album This Is Niecy. The song was written by Williams, Hank Redd, Nathan Watts and Susaye Greene and produced by Maurice White and Charles Stepney.
"The Power" is a song by German Eurodance group Snap!, released as their debut single. It was released on 3 January 1990 by Ariola and Arista as the lead single from their debut studio album, World Power (1990). The song reached number one in Greece, the Netherlands, Spain, Switzerland, the UK and Zimbabwe, as well as on the US Billboard Hot Dance Club Play and Hot Rap charts. On the Billboard Hot 100, "The Power" managed to reach number two for one week.
"Rock and Roll Dreams Come Through" is a song written by American composer Jim Steinman. It was first featured on Steinman's 1981 solo album Bad for Good, with lead vocals by an uncredited Rory Dodd. It was later recorded by American singer Meat Loaf and released in 1994 as the third single from the album Bat Out of Hell II: Back into Hell.
"I'm Gonna Let My Heart Do the Walking" is a disco-styled soul single composed by the Holland brothers Eddie and Brian, members of the former Holland–Dozier–Holland team and was released as a single by Motown vocal group The Supremes in 1976 on the Motown label. It was the first single since "Your Heart Belongs to Me" in 1962 to feature four Supremes. It is also notable for being the last top forty single the group would score before they disbanded in 1977.
"The Composer" is a 1969 song released for Diana Ross & the Supremes by the Motown label.
"Almost Paradise... Love Theme from Footloose" is the title of a duet sung by Mike Reno of Loverboy and Ann Wilson of Heart. It is one of several major hits written by singer Eric Carmen with lyricist Dean Pitchford, another being "Make Me Lose Control".
"Running with the Night" is the second single released from American singer and songwriter Lionel Richie's multi-platinum and Grammy Award-winning 1983 album, Can't Slow Down. Richie co-wrote the song with songwriter Cynthia Weil and co-produced it with James Anthony Carmichael.
"It's Gonna Take a Miracle" is a song written by Teddy Randazzo, Bobby Weinstein, and Lou Stallman. It was first an R&B hit in 1965 for The Royalettes, which reached the Top 30 on the U.S. R&B chart and peaked at number 41 on the Billboard Hot 100 and number 37 on Cash Box.
Let's Hear It for the Boy is the eighth studio album by American recording artist Deniece Williams, released on April 16, 1984, by Columbia Records. The album reached No. 26 on the US Billboard 200 Albums chart and No. 10 on the US Billboard Top R&B/Hop-Hop Albums chart.
"Darling Be Home Soon" is a song written by John Sebastian of the Lovin' Spoonful for the soundtrack of the 1966 Francis Ford Coppola film You're a Big Boy Now. It appeared on the Lovin' Spoonful's 1967 soundtrack album You're a Big Boy Now. Sebastian performed his composition at Woodstock; it was the fourth song out of the five he performed at the 1969 music festival in White Lake, New York.
Putting a gospel singer like Williams on a giddy dance-pop track like this is a smart decision.