Let's Hear It for the Boy

Last updated

"Let's Hear It for the Boy"
Deniece Williams the Boy.jpeg
Single by Deniece Williams
from the album Footloose: Original Soundtrack of the Paramount Motion Picture and Let's Hear It for the Boy
B-side "Let's Hear It for the Boy (Instrumental—Short Version)"
Released1984
Recorded1983
Genre
Length4:20 (Album/Single Version)
  • 6:03 (Extended Version)
Label Columbia
Songwriter(s)
Producer(s) George Duke
Deniece Williams singles chronology
"Love Won't Let Me Wait"
(1984)
"Let's Hear It for the Boy"
(1984)
"Next Love"
(1984)

"Let's Hear It for the Boy" is a song by Deniece Williams that appeared on the soundtrack to the feature film Footloose . The song was released as a single from both the soundtrack and her album of the song's same name Columbia Records. It was written by Tom Snow and Dean Pitchford and produced by George Duke. The song became Williams' second number one on the US Billboard Hot 100 on May 26, 1984. It also topped Billboard's dance and R&B charts and on the Cash Box Top 100. [3] [4] [5] It peaked at number two on the UK Singles Chart, behind "Wake Me Up Before You Go-Go" by Wham!. It was nominated for an Academy Award for Best Original Song at the 57th Academy Awards, and was certified platinum in the US and gold in Canada and the UK by the Recording Industry Association of America, Music Canada and the British Phonographic Industry, respectively. The music video was released in mid-April 1984. [6] The song features background vocals from George Merrill and Shannon Rubicam, who would go on to form the duo Boy Meets Girl.

Contents

In 2011, country singer Jana Kramer covered the song for the remake of Footloose and its accompanying soundtrack album. In 2017 the song was covered by UK hi-NRG dance artist Allan Jay in aid of the Retired Greyhound Trust and their Let's Hear It for the Boy campaign.

Music video

The music video for the song features Deniece Williams along with several young men, one of them being the singer Aaron Lohr as the young boy who is the first person to appear in the video. [7]

Credits and personnel

Charts

Certifications

Certifications and sales for "Let's Hear It for the Boy"
RegionCertification Certified units/sales
Canada (Music Canada) [41] Gold50,000^
United Kingdom (BPI) [42] Gold400,000
United States (RIAA) [43] Platinum1,000,000^

^ Shipments figures based on certification alone.
Sales+streaming figures based on certification alone.

See also

Related Research Articles

<span class="mw-page-title-main">Deniece Williams</span> American R&B and soul singer (born 1950)

June Deniece Williams is an American singer. She has been described as "one of the great soul voices" by the BBC.

<span class="mw-page-title-main">You Keep Me Hangin' On</span> 1966 single by the Supremes

"You Keep Me Hangin' On" is a song written and composed by Holland–Dozier–Holland. It was first recorded in 1966 by American Motown group the Supremes, reaching number one on the Billboard Hot 100.

<span class="mw-page-title-main">Let the Music Play (Shannon song)</span> 1983 single by Shannon

"Let the Music Play" is a song recorded by American singer Shannon and released on September 19, 1983, as both her debut single and the lead single from her 1984 debut studio album of the same name. Written by Chris Barbosa and Ed Chisolm, and produced by Barbosa and Mark Liggett, "Let the Music Play" was the first of Shannon's four number ones on the US Dance Club Songs chart, reaching the top spot in October 1983. It also became a huge crossover hit in the US, peaking at number two on the Hot R&B/Hip-Hop Songs chart and number eight on the Billboard Hot 100 in February 1984. It was Shannon's only top 40 hit in the US. Some mark "Let the Music Play" as the beginning of the "dance-pop" era. "Let the Music Play" was ranked 43rd on the 2009 VH1 Special 100 Greatest One-Hit Wonders of the 1980s, while Rolling Stone and Billboard featured it in their lists of "200 Greatest Dance Songs of All Time" and "500 Best Pop Songs of All Time" in 2022 and 2023, respectively. The song also appears in the film Totally Killer and the video games Dance Central 3 and Scarface: The World Is Yours.

<span class="mw-page-title-main">Reach Out I'll Be There</span> 1966 song by the Four Tops

"Reach Out I'll Be There" (also formatted as "Reach Out (I'll Be There)") is a song recorded by the American vocal quartet Four Tops from their fourth studio album, Reach Out (1967). Written and produced by Motown's main production team, Holland–Dozier–Holland, the song is one of the most widely-known Motown hits of the 1960s and is today considered the Four Tops' signature song.

"Always on My Mind" is a ballad written by Wayne Carson, Johnny Christopher, and Mark James, first recorded by Brenda Lee and first released by Gwen McCrae in March 1972. Lee's version was released three months later in June 1972. The song has been a crossover hit, charting in both the country and western and pop categories. Elvis Presley's recording was the first commercially successful version of the song.

"(I Know) I'm Losing You" is a 1966 hit single recorded by the Temptations for the Gordy (Motown) label, written by Cornelius Grant, Eddie Holland and Norman Whitfield, and produced by Norman Whitfield.

<span class="mw-page-title-main">Shake Your Body (Down to the Ground)</span> 1979 single by the Jacksons

"Shake Your Body (Down to the Ground)" is a song recorded by the Jacksons for their 1978 album Destiny, and released as a single in early 1979. It peaked at No. 7 in the Billboard Hot 100 in May 1979.

Boy Meets Girl is an American pop-music duo consisting of keyboardist and vocalist George Merrill and singer Shannon Rubicam. They are perhaps best known for their hit song "Waiting for a Star to Fall" from 1988 and for writing two of Whitney Houston's number one hits: "How Will I Know" and "I Wanna Dance with Somebody ".

<span class="mw-page-title-main">Nightshift (song)</span> 1985 song by the Commodores

"Nightshift" is a 1985 song by the Commodores and the title track from their album of the same name. The song was written by lead singer Walter Orange in collaboration with Dennis Lambert and Franne Golde as a tribute to soul/R&B singers Jackie Wilson and Marvin Gaye, both of whom died in 1984. The song was released as the album's first single in January 1985 by Motown Records. "Nightshift" was recorded in 1984 and became the Commodores' first hit after Lionel Richie's departure from the group. Bruce Springsteen covered the song in his 2022 studio album, Only the Strong Survive.

<span class="mw-page-title-main">Celebration (Kool & the Gang song)</span> 1980 single by Kool & the Gang

"Celebration" is a 1980 song by American band Kool & the Gang. Released as the first single from their twelfth album, Celebrate! (1980), it was the band's first and only single to reach No. 1 on the US Billboard Hot 100. In 2016, the song was inducted into the Grammy Hall of Fame.

<span class="mw-page-title-main">Easy Lover</span> 1984 single by Philip Bailey and Phil Collins

"Easy Lover" is a song performed by Philip Bailey of the band Earth, Wind & Fire and Phil Collins of the band Genesis, jointly written and composed by Bailey, Collins, and Nathan East. The song appears on Bailey's solo album, Chinese Wall. Collins has performed the song in his live concerts, and it appears on both his 1990 album, Serious Hits... Live!, and his 1998 compilation album, ...Hits. It is Bailey's only US Top 40 hit as a solo artist.

<span class="mw-page-title-main">Hello (Lionel Richie song)</span> 1984 song by Lionel Richie

"Hello" is a song by American singer and songwriter Lionel Richie. Taken as the third single from his second solo album, Can't Slow Down (1983), the song was released in 1984 and reached number one on three Billboard music charts: the pop chart, the R&B chart, and the Adult Contemporary chart. The song also went to number one on the UK Singles Chart for six weeks.

<span class="mw-page-title-main">If I Were a Carpenter (song)</span> 1960s song by Tim Hardin

"If I Were a Carpenter" is a folk song written by Tim Hardin in the 1960s, and re-recorded with commercial success by various artists including Bobby Darin, The Four Tops and Johnny Cash. Hardin's own recording of the piece appeared on his 1967 album Tim Hardin 2. It was one of two songs from that release performed by Hardin at Woodstock in 1969. The song, believed by some to be about male romantic insecurity, is rumored to have been inspired by his love for actress Susan Morss, as well as the construction of Hardin's recording studio.

<span class="mw-page-title-main">Miss Me Blind</span> 1984 single by Culture Club

"Miss Me Blind" is a song by English new wave band Culture Club. Known for a guitar solo midway through the song, it was the third single released from the album Colour by Numbers in North America, peaking at number 5 on the US Billboard Hot 100 chart in spring 1984. This gave the band its sixth consecutive top 10 hit in the US, as well as its final top 10 hit in that country, although the group would score several other top 20 hits in the US. The single reached number 5 in Canada, and was also released in several South American countries, Australia, and Japan. It was also the band's biggest R&B hit, reaching number 5 on the US Billboard Soul/R&B chart.

<span class="mw-page-title-main">Free (Deniece Williams song)</span> 1976 single by Deniece Williams

"Free" is a song by American singer Deniece Williams that was included on her album This Is Niecy. The song was written by Williams, Hank Redd, Nathan Watts and Susaye Greene and produced by Maurice White and Charles Stepney.

<span class="mw-page-title-main">I'm Gonna Let My Heart Do the Walking</span> 1976 single by The Supremes

"I'm Gonna Let My Heart Do the Walking" is a disco-styled soul single composed by the Holland brothers Eddie and Brian, members of the former Holland–Dozier–Holland team and was released as a single by Motown vocal group The Supremes in 1976 on the Motown label. It was the first single since "Your Heart Belongs to Me" in 1962 to feature four Supremes. It is also notable for being the last top forty single the group would score before they disbanded in 1977.

<span class="mw-page-title-main">Give Me the Night (song)</span> 1980 single by George Benson

"Give Me the Night" is a song recorded by American jazz and R&B musician George Benson, which he released from his 1980 studio album of the same title. It was written by Heatwave's keyboard player Rod Temperton and produced by Quincy Jones. Patti Austin provides the backing and scat vocals that are heard throughout, and one of Benson's fellow jazz guitarists, Lee Ritenour, also performs on the track.

<span class="mw-page-title-main">It's Gonna Take a Miracle</span> 1965 single by the Royalettes

"It's Gonna Take a Miracle" is a song written by Teddy Randazzo, Bobby Weinstein, and Lou Stallman. It was first an R&B hit in 1965 for The Royalettes, which reached the Top 30 on the U.S. R&B chart and peaked at number 41 on the Billboard Hot 100 and number 37 on Cash Box.

<i>Lets Hear It for the Boy</i> (album) 1984 studio album by Deniece Williams

Let's Hear It for the Boy is the eighth studio album by American recording artist Deniece Williams, released on April 16, 1984, by Columbia Records. The album reached No. 26 on the US Billboard 200 and No. 10 on the US Billboard Top R&B Albums charts.

<span class="mw-page-title-main">Darling Be Home Soon</span> 1967 single by the Lovin Spoonful

"Darling Be Home Soon" is a song written by John Sebastian of the Lovin' Spoonful for the soundtrack of the 1966 Francis Ford Coppola film You're a Big Boy Now. It appeared on the Lovin' Spoonful's 1967 soundtrack album You're a Big Boy Now. Sebastian performed his composition at Woodstock; it was the fourth song out of the five he performed at the 1969 music festival in White Lake, New York.

References

  1. Breihan, Tom (August 19, 2020). "The Number Ones: Deniece Williams' "Let's Hear It For The Boy". Stereogum . Retrieved July 29, 2023. Putting a gospel singer like Williams on a giddy dance-pop track like this is a smart decision.
  2. Abercrombie, Olivia; Mitchell, Matt (March 10, 2024). "The 50 Best Original Songs Written for Films". Paste . Retrieved March 11, 2024.
  3. Whitburn, Joel (2004). Top R&B/Hip-Hop Singles: 1942-2004. Record Research. p. 625.
  4. Whitburn, Joel (2004). Hot Dance/Disco: 1974-2003. Record Research. p. 280.
  5. Whitburn, Joel (2014). Cash Box Pop Hits: 1952-1996. Record Research. p. 415.
  6. "Rolling Stones plan to do video, concert in L.A. during Olympics". The Ledger. May 3, 1984. p. 2A. Retrieved October 23, 2014.
  7. "Deniece Williams: Let's Hear It for the Boy". MTV. Archived from the original on March 28, 2016. Retrieved February 16, 2016.
  8. "Listas de éxitos". UPI. May 4, 1984. p. 42. Retrieved October 6, 2023.
  9. Kent, David (1993). Australian Chart Book 1970–1992 (illustrated ed.). St Ives, N.S.W.: Australian Chart Book. ISBN   0-646-11917-6.
  10. "Deniece Williams – Let's Hear It for the Boy" (in Dutch). Ultratop 50. Retrieved 13 May 2022.
  11. Lwin, Nanda (1999). Top 40 Hits: The Essential Chart Guide. Music Data Canada. ISBN   1-896594-13-1.
  12. "Top RPM Singles: Issue 6728." RPM . Library and Archives Canada. Retrieved May 13, 2022.
  13. "Top RPM Adult Contemporary: Issue 6767." RPM . Library and Archives Canada. Retrieved May 27, 2019.
  14. "European Top 100 Singles" (PDF). Music & Media . Vol. 1, no. 13. June 25, 1984. p. 10. OCLC   29800226 via World Radio History.
  15. "The Irish Charts – Search Results – Let's Hear It for the Boy". Irish Singles Chart. Retrieved 13 May 2022.
  16. "Nederlandse Top 40 – Deniece Williams" (in Dutch). Dutch Top 40. Retrieved 13 May 2022.
  17. "Deniece Williams – Let's Hear It for the Boy" (in Dutch). Single Top 100. Retrieved 13 May 2022.
  18. "Deniece Williams – Let's Hear It for the Boy". Top 40 Singles. Retrieved 13 May 2022.
  19. "Listas de éxitos". UPI. May 4, 1984. p. 42. Retrieved October 6, 2023.
  20. "Las canciones más escuchadas en Latinoamérica". La Opinión (Los Angeles) (in Spanish). June 24, 1984. Retrieved October 5, 2024.
  21. "Deniece Williams – Let's Hear It for the Boy". Swiss Singles Chart. Retrieved 13 May 2022.
  22. "Deniece Williams: Artist Chart History". Official Charts Company. Retrieved 13 May 2022.
  23. "Deniece Williams Chart History (Hot 100)". Billboard.
  24. "Deniece Williams Chart History (Adult Contemporary)". Billboard. Retrieved 13 May 2022.
  25. "Deniece Williams Chart History (Dance Club Songs)". Billboard. Retrieved 13 May 2022.
  26. "Deniece Williams Chart History (Hot R&B/Hip-Hop Songs)". Billboard. Retrieved 13 May 2022.
  27. "Cash Box Top 100 Singles – Week ending June 2, 1984". Cash Box . Archived from the original on May 13, 2022. Retrieved May 13, 2022.
  28. "The Cash Box Top 100 Black Contemporary – Week ending June 9, 1984". Cash Box. Archived from the original on May 13, 2022. Retrieved May 13, 2022.
  29. "Offiziellecharts.de – Deniece Williams – Let's Hear It for the Boy" (in German). GfK Entertainment charts. Retrieved 13 May 2022.
  30. "National Top 100 Singles for 1984". Kent Music Report . No. 548. December 31, 1984 via Imgur.
  31. "Jaaroverzichten 1984 – Singles" (in Dutch). Ultratop. Retrieved May 13, 2022.
  32. "Top 100 Singles of 1984". RPM. Vol. 41, no. 17. January 5, 1985. p. 7. ISSN   0033-7064 via Library and Archives Canada.
  33. "Top 100-Jaaroverzicht van 1984" (in Dutch). Dutch Top 40. Retrieved May 13, 2022.
  34. "Jaaroverzichten – Single 1984" (in Dutch). Dutch Charts . Retrieved May 13, 2022.
  35. "Top Selling Singles of 1984". Recorded Music NZ . Retrieved July 17, 2017.
  36. "Top 100 Singles (January 3–December 29, 1984)" (PDF). Music Week . January 26, 1985. p. 37. ISSN   0265-1548 via World Radio History.
  37. "Hot 100 Songs – Year-End 1984". Billboard. Archived from the original on January 2, 2021. Retrieved May 13, 2022.
  38. "Adult Contemporary Songs – Year-End 1984". Billboard. Archived from the original on March 5, 2021. Retrieved May 13, 2022.
  39. "The Cash Box Year-End Charts: 1984 – Top 100 Pop Singles". Cash Box. December 29, 1984. Archived from the original on September 9, 2021. Retrieved May 13, 2022.
  40. "The Cash Box Year-End Charts: 1984 – Top 50 Black Contemporary Singles". Cash Box. December 29, 1984. Archived from the original on May 24, 2021. Retrieved May 13, 2022.
  41. "Canadian single certifications – Deniece Williams – Let's Hear It for the Boy". Music Canada . Retrieved February 3, 2023.
  42. "British single certifications – Deniece Williams – Let's Hear It for the Boy". British Phonographic Industry . Retrieved February 3, 2023.
  43. "American single certifications – Deniece Williams – Let's Hear It for the Boy". Recording Industry Association of America . Retrieved February 3, 2023.