"Lily, Rosemary and the Jack of Hearts" | |
---|---|
Song by Bob Dylan | |
from the album Blood on the Tracks | |
Released | January 1975 |
Recorded | December 30, 1974 |
Studio | Sound 80, Minneapolis, Minnesota |
Genre | |
Length | 8:51 |
Label | Columbia |
Songwriter(s) | Bob Dylan |
Producer(s) | Bob Dylan |
Blood on the Tracks track listing | |
"Lily, Rosemary and the Jack of Hearts" is an epic narrative ballad by the American singer-songwriter Bob Dylan released as the seventh song (or the second track on Side Two of the vinyl) on his 1975 album Blood on the Tracks . It is known for its complex plot and nearly nine-minute running time. It is one of five songs on Blood on the Tracks that Dylan initially recorded in New York City in September 1974 and then re-recorded in Minneapolis in December that year; the latter version became the album track.
The song features a large cast of characters and an elliptical plot: [2]
The song takes place in a cabaret in an unnamed town where most of the residents "with any sense" have already left. The town's bank is being targeted by a gang of thieves led by an enigmatic figure called "The Jack of Hearts". The Jack of Hearts appears inside the cabaret right before the show. Big Jim and his wife Rosemary are in attendance of the show, though they arrive separately and it is apparent that Big Jim intends to use the night to pursue his affair with Lily. After her performance, Lily meets the Jack of Hearts in her dressing room with romantic intentions, but Big Jim makes his way to the dressing room as well, followed by Rosemary who has been driven to despair by her years of mistreatment at the hands of Big Jim. Big Jim is going to shoot the Jack of Hearts but is killed by a penknife in the back wielded by Rosemary (her "one good deed before she dies"). "The next day", Rosemary is executed, a hanging overseen by "the hanging judge", another figure in town who is in attendance at the cabaret the night before. The verse that takes place in the dressing room indicates that "a Colt revolver clicked," indicating that the gun had been unloaded, presumably by Rosemary, who had been anticipating Jim's attempt to murder the Jack of hearts.
The fate of the Jack of Hearts is left ambiguous. He is described at the end of the song only as "missing", as Rosemary is on the gallows, his gang across the river with the safe from the bank, and Lily contemplating the events of her life.
There is an extra verse on the Bob Dylan website and in the published sheet music that is not in the album version (right after the "backstage manager" verse):
Lily's arms were locked around the man that she dearly loved to touch,
She forgot all about the man she couldn't stand who hounded her so much.
"I've missed you so," she said to him, and he felt she was sincere,
But just beyond the door he felt jealousy and fear.
Just another night in the life of the Jack of Hearts. [2]
This verse was recorded during the album's New York sessions and can be found on the deluxe version of The Bootleg Series Vol. 14: More Blood, More Tracks . This version is slower and more somber, even mournful, reflecting the approach of the other New York sessions. The version on Blood on the Tracks was recorded later, in Minneapolis, and reflects Dylan's attempts, following his brother's advice, to make the album less difficult and intense. The verse also appears in Joan Baez's cover of the song.
According to Tim Riley of National Public Radio, "'Lily, Rosemary and the Jack of Hearts' is an intricately evasive allegory about 'romantic facades' that hide 'criminal motives', and the way one character's business triggers a series of recriminations from people he doesn't even know". [3]
In their book Bob Dylan All the Songs: The Story Behind Every Track, authors Philippe Margotin and Jean-Michel Guesdon note that the "protagonists seem to play with their life as if it were a game of chance. Love is seen as comedy, life as a game of a chance. There is no doubt about what Dylan thought of justice, embodied by an alcoholic judge, imposing sentences with merciless severity". [4]
Dylan scholar Tony Attwood sees it as a Western ballad, the "American Wild West" period setting of which "sets it completely apart" from any of the other songs on Blood on the Tracks , but he also notes that it is a "superb song, a brilliant example of how to tell a story in a song". [5]
Critic Dale Nickey cited it in 2013 as being the "greatest 'story song' yet written". [6]
The New York recording session of "Lily, Rosemary and the Jack of Hearts" was released on the deluxe edition of The Bootleg Series Vol. 14: More Blood, More Tracks in 2018, with the second take of the song also included on the single-CD and 2-LP versions of the album. [7] The deluxe version of The Bootleg Series Vol. 14 also included a remix of the December 1974 master issued on Blood on the Tracks. [8]
According to his official website, Dylan has played the song live only once, on May 25, 1976, in Salt Lake City. [9]
"Tangled Up in Blue" is a song by American singer-songwriter Bob Dylan, which was released as the opening track of his 15th studio album Blood on the Tracks (1975). The song was written by Dylan and produced by David Zimmerman, Dylan's brother. Released as a single, it reached No. 31 on the Billboard Hot 100. The song concerns relationships and contains different narrative perspectives. Dylan has altered the lyrics in subsequent performances, changing the point of view and details in the song.
World Gone Wrong is the twenty-ninth studio album by American singer-songwriter Bob Dylan, released on October 26, 1993, by Columbia Records.
"Shelter from the Storm" is a song by Bob Dylan, recorded on September 17, 1974, and released on his 15th studio album, Blood on the Tracks, in 1975. It was later anthologized on the compilation album The Essential Bob Dylan in 2000.
"Someday Baby" is a Grammy Award-winning blues song written and performed by American singer-songwriter Bob Dylan, released as the fifth track on his 2006 album Modern Times. The song had considerable success, garnering more airtime on U.S. radio than any other track on the album. It spent twenty weeks on Billboard's Adult Alternative Songs chart, peaking at #3 in November 2006. It was also anthologized on the compilation album Dylan in 2007.
"Ain't Talkin" is a song written and performed by the American singer-songwriter Bob Dylan, appearing as the tenth and final track on his 2006 album Modern Times. As with most of Dylan's 21st century output, he produced the song himself under the pseudonym Jack Frost.
"Sugar Baby" is a song written and performed by the American singer-songwriter Bob Dylan, released in 2001 as the 12th and final track on his album Love and Theft. Like most of Dylan's 21st century output, he produced the song himself under the pseudonym Jack Frost.
"High Water " is a song written and performed by the American singer-songwriter Bob Dylan, released as the seventh track on his 31st studio album "Love and Theft" in 2001 and anthologized on the compilation album Dylan in 2007. Like much of Dylan's 21st century output, he produced the track himself under the pseudonym Jack Frost.
"Simple Twist of Fate", a song by American singer-songwriter Bob Dylan, was recorded on September 19, 1974, and was released in 1975 as the second song on his 15th studio album Blood on the Tracks.
"You're a Big Girl Now" is a song by Bob Dylan, released on his 15th studio album, Blood on the Tracks, in 1975. It is one of five songs on the album that Dylan initially recorded in New York City in September 1974 and then re-recorded in Minneapolis in December that year. The latter recording, made on December 27, 1974, became the album track.
"If You See Her, Say Hello" is a song by American singer-songwriter Bob Dylan from his 15th studio album, Blood on the Tracks (1975). The song is one of five on the album that Dylan initially recorded in New York City in September 1974 and then re-recorded in Minneapolis. The later recording, made on December 30, 1974, was produced by Dylan's brother David Zimmerman, who was not credited. The recording later became the album track and the B-side of the "Tangled Up in Blue" single, released in February 1975.
"Summer Days" is an uptempo twelve-bar blues/rockabilly song written and performed by American singer-songwriter Bob Dylan that appears as the third song on his 2001 album Love and Theft. It was anthologized on the compilation album The Best of Bob Dylan in 2005. Like most of Dylan's 21st century output, he produced the song himself under the pseudonym Jack Frost.
"Standing in the Doorway" is a song written and performed by the American singer-songwriter Bob Dylan, recorded in January 1997 and released in September that year as the third track on his album Time Out of Mind. The song was produced by Daniel Lanois.
"Señor " is a minor-key ballad written and performed by American singer-songwriter Bob Dylan and released as the sixth track of his 18th studio album Street-Legal (1978). The song was produced by Don DeVito and later anthologized on the Biograph box set in 1985. Street-Legal was remixed and remastered for a 1999 compact disc release, with a further 5.1 remix done for a Super Audio CD release in 2003. Both re-releases featured the song.
"Man in the Long Black Coat" is a song written and performed by American singer-songwriter Bob Dylan, released in 1989 as the fifth track on his album Oh Mercy. It is a minor-key folk ballad, often described as "haunting" and frequently cited as a highlight of the album. The song was produced by Daniel Lanois.
"Lonesome Day Blues" is a twelve-bar blues song written and performed by Bob Dylan that appears as the fifth song on his 2001 album Love and Theft. Like most of Dylan's 21st century output, he produced the song himself under the pseudonym Jack Frost.
"Ring Them Bells" is a song written and performed by American singer-songwriter Bob Dylan, released in 1989 as the fourth track on his album Oh Mercy. It is a piano-driven, hymn-like ballad that is considered by many to be the best song on Oh Mercy and it is the track from that album that has been covered the most by other artists.
"Pressing On" is a gospel song written and performed by the American singer-songwriter Bob Dylan and released as the sixth track on his 1980 album Saved. When the album was released it was considered by many critics to be "one of the few bright spots on the album" and has stood the test of time by being covered by more than half a dozen artists in the 21st century. The song was produced by Jerry Wexler and Barry Beckett.
"I Shall Be Free" is a song by American singer-songwriter Bob Dylan. It was recorded on 6 December 1962 at Studio A, Columbia Recording Studios, New York, produced by John Hammond. The song was released as the closing track on The Freewheelin' Bob Dylan on 27 May 1963, and has been viewed as a comedic counterpoint to the album's more serious material. Dylan has never performed the song in concert.
"What Was It You Wanted" is a song written and performed by American singer-songwriter Bob Dylan, released in 1989 as the ninth and penultimate track on his album Oh Mercy. It was produced by Daniel Lanois.
"One More Cup of Coffee (Valley Below)" is a song by American singer-songwriter Bob Dylan, which was released as the fourth track on his seventeenth studio album Desire (1976). The song was written by Dylan, and produced by Don DeVito. The album version of "One More Cup of Coffee (Valley Below)" was recorded on July 30, 1975, and released on Desire in January 1976. Dylan said the song was influenced by his visit to a Romani celebration at Saintes-Maries-de-la-Mer in France on his 34th birthday.
{{cite book}}
: CS1 maint: location missing publisher (link)