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Post-punk is a broad genre of music that emerged in 1977 in the wake of punk rock. Post-punk musicians departed from punk's traditional elements and raw simplicity, instead adopting a broader, more experimental approach that encompassed a variety of avant-garde sensibilities and non-rock influences. Inspired by punk's energy and do it yourself ethic but determined to break from rock cliches, artists experimented with styles like funk, electronic music, jazz, and dance music; the production techniques of dub and disco; and ideas from art and politics, including critical theory, modernist art, cinema and literature. These communities produced independent record labels, visual art, multimedia performances and fanzines.
And None of Them Knew They Were Robots were an English hardcore punk band from Leeds formed in 2000. In 2001, Francis, Hall and Dobbins began playing in crossover thrash band Send More Paramedics.
References
- ↑ Music: Is the Post-Punk Revival Over?, Far Out Magazine, 14 January 2022, retrieved 13 July 2023
- ↑ The British Post-Punk Band Is Dead, Long Live the British Post-Punk Band, Creem, 3 June 2022, retrieved 13 July 2023
- ↑ Post-'Post-Punk Revival': Should Post-Punk Still Be the Main Bastion of Alternative Music?, Mancunion: Manchester Media Group, 7 November 2019, retrieved 13 July 2023
- ↑ Kallao, Stephen; Myers, John (June 8, 2022). "For Fontaines D.C., a move to London reaffirmed the band's Irish identity". NPR . Archived from the original on July 16, 2022. Retrieved September 25, 2022.
- ↑ Lemaire, Clara (March 10, 2020). "Fontaines D.C. ..." Rock & Folk (in French). Archived from the original on September 25, 2022. Retrieved September 25, 2022.
- ↑ Ettobi, Yasmin. "Fourteen Years of Hot Fuss: The Killers Legacy Lives On" . Retrieved June 8, 2019.
- ↑ "Brandon Flowers of The Killers confirms solo album". The Independent. April 30, 2010. Retrieved July 16, 2014.
- ↑ Carucci, John (November 6, 2009). "The Killers, coming to a screen near you". Mail Tribune. Retrieved July 16, 2014.
- ↑ Messana, Matt (25 April 2013). "The Veils: Time Stays, We Go". PopMatters . Retrieved 6 September 2018.
- ↑ Ronaldson, Kelly (September 5, 2016). "The Veils – Total Depravity // Album Review". London in Stereo. Retrieved 2022-11-19.
- ↑ Empire, Kitty (October 2, 2021). "Yard Act review – spiky chroniclers of sour times". The Guardian . Archived from the original on April 24, 2022. Retrieved September 25, 2022.
- ↑ O'Connor, Roisin (September 2, 2022). "Yard Act: "There Were a Lot Of Good Reviews For Our Debut That We Disagreed With"". The Independent . Archived from the original on September 5, 2022. Retrieved September 25, 2022.