LittleBits Synth Kit

Last updated

littleBits Synth Kit
LittleBits Synth Kit.jpg
A disassembled view of the Synth Kit
Manufacturer littleBits and Korg
Price$159
Technical specifications
Polyphony monophonic
Timbrality monotimbral
Oscillator Two VCOs
Synthesis typeanalogue subtractive
Filter VCF
Attenuator AD envelope generator
Effects Delay
Input/output
Keyboard 13 keys (one octave chromatic)
External control MIDI, CV and USB (via expansion bits)

The littleBits Synth Kit is an analogue modular synthesiser developed by the American electronics startup littleBits in collaboration with the Japanese music technology company Korg. Released in late 2013 after a design process of around nine months, the kit features 12 small modules (called "bits") that can be connected to form larger circuits. Several of these bits are adapted from circuits used in Korg's Monotron synthesisers. A booklet detailing over 10 example projects to follow is sold with the kit. A later version of the Synth Kit, the Synth Pro Kit, was released in June 2015 and added three new bits that provide external connectivity for the kit.

Contents

The Synth Kit received praise from reviewers, who commented on its affordability and possible use as a tool for education. Following its release, schematic files of the bits included in the Synth Kit were uploaded to a GitHub repository under the CERN Open Hardware License. Several musicians and composers have used the Synth Kit in their music, including the American electronic musician Nullsleep.

Production and release

The Synth Kit was produced in a collaboration between the Japanese music technology company Korg, the American electronics startup littleBits and the comedian Reggie Watts. [lower-alpha 1] [2] The collaboration began in early 2012, when littleBits' founder Ayah Bdeir and Watts met at a TED conference. They discussed the prospect of using the littleBits technology to create a musical instrument. During the Synth Kit's production, Watts acted as an advisor for the project. [3]

In December 2012, Korg contacted littleBits asking whether they were interested in creating an instrument together. The two companies decided to arrange a meeting to discuss the idea. When representatives of the companies met in January 2013, they had the idea to make a modular synthesiser out of littleBits modules (known as "bits"). Ideas for the kit were modeled in Max and then made into schematics by Korg. littleBits then used the schematics to create prototype PCBs for the kit. The entire design process took nine months. [4] [3]

The Synth Kit was released in late 2013, [5] priced at $159. [2] Prior to the kit's release, a news embargo was put in place until its announcement on 10 November 2013. [6] The embargo was accidentally broken by journalists at MusicTech magazine before the planned release date. [2] Shipping of the kit began in early December. [6]

Later releases

On 31 March 2015, littleBits and Korg released three new bits which provide MIDI (using minijack or USB), USB (for either control voltage (CV) or audio) and CV (using either volt per octave or Hz per volt) input/output. [7] These modules allow the Synth Kit to interface with external devices, such as MIDI keyboards, computers and other modular synthesisers. These bits were sold separately from the standard Synth Kit, and cost $35 (USB and CV bits) or $40 (MIDI bit) individually. [5] Alternatively, they were available through the Synth Pro Kit, which was released in June 2015 for $140. [7] The expansion included the three new bits as well as additional connectivity cables and mounting boards. [8] [9]

In April 2015, Korg asked the public to participate in a vote on their bitLab website, which they used to incubate new additions to the Synth Kit. The vote was concerning an LFO bit, which was slated to have control over frequency and waveshape (pulse wave with duty cycle control or a morphing triangle to saw wave). According to Tatsuya Takahashi, Korg's former chief engineer, "the LFO or Low Frequency Oscillator module was designed alongside the littleBits Synth Kit but didn't make it into the final kit configuration". [10]

Design

The Synth Kit is an example of a modular synthesiser: a synthesiser composed of modules that needs to be patched (connected) together to make sounds. [11]

Bits

The Synth Kit is made up of 12 small modules called "bits", [2] which join together with magnets to form larger circuits. [lower-alpha 2] [13] According to MusicTech, these 12 bits allow more than 500,000 circuit combinations. [2] Unlike other electronics kits, the Synth Kit (like other littleBits sets) does not require any soldering of components as all bits come pre-assembled. [14] There are four types of bits, each represented by a different neon colour: [2] [11]

  1. Power bits are coloured blue; they allow functions such as battery power and USB connectivity.
  2. Input bits are pink and make up the main synthesiser. They include bits such as a voltage-controlled oscillator (VCO), a keyboard and a light sensor.
  3. Wire bits are coloured orange and are used to connect other bits.
  4. Output bits are green and allow physical outputs from the electronics, such as a speaker.

Bits in the Synth Kit are able to be used alongside other littleBits products. [3] Included in the Synth Kit is one power bit, nine input bits, a wire bit and an output bit:

Bits included in the Synth Kit
NameBit typeNotesRef(s)
p1 powerpowerCan be connected to a 9V PP3 battery or a 9V DC power supply. [14]
i30 keyboardinputCovers one octave chromatically (C to C) with a control to switch between each in the full four octave range. The keyboard has 13 micro-switches for keys. [14] [15]
i31 oscillatorinputA VCO with control over waveform (between saw or square), pitch and fine tune. Two oscillator bits are included in the kit. [2] [14]
i32 filterinputA voltage-controlled filter with control over cutoff and resonance. The filter is capable of self-oscillating. [14] [15]
i33 envelopeinputAn attack-decay (AD) envelope generator with input for triggers. [14]
i34 randominputA module that can either be used as a white noise generator or a sample and hold circuit. In the latter use, sampling can be triggered from other bits. [14] [15]
i35 delayinputA delay effect with time and feedback control. It is capable of self-oscillating when the feedback amount is high. [14]
i36 micro-sequencerinputA four step sequencer that has control over its internal clock. The internal clock can also be overridden by an external clock input. [14] [15]
i37 mixerinputAllows two signals to be mixed into a single output. [14]
w19 splitwireAllows a single signal to be sent to two inputs. [14]
o24 synth speakeroutputA one inch speaker with an additional mono minijack output. [14] [12]

In versions of the kit released in the United States, an extra module called the "a8 bitboard" was included. This was used to mount other bits on a common surface to create more robust circuits. The a8 bitboard was not included in version of the Synth Kit released in the United Kingdom. [14]

Some bits are similar to circuits used in Korg's Monotron series, but altered to fit the different voltage requirements of the Synth Kit. [lower-alpha 3] For example, the delay bit uses the same chip as the Monotron Delay, and both the Monotron series and the filter bit have VCF circuits based on that of Korg's MS-20 synthesiser. [4]

Booklet

The booklet included with the Synth Kit explains the history of synthesiser and how they make sounds, as well as detailing projects to make with the kit. LittleBits Synth Kit - What is Sound %3F - Baby, don't hurt me.jpg
The booklet included with the Synth Kit explains the history of synthesiser and how they make sounds, as well as detailing projects to make with the kit.

As well as including the synthesiser bits, the Synth Kit includes a 35-page long [16] booklet which details the history of synthesisers and how they make sounds. [4] The booklet describes the functions of all the bits with example circuits. [15] It also contains instructions on how to make more than 10 electronics projects, [14] including a keytar and a turntable. These projects make use of other materials, such as paper and cardboard, to create a physical interface for the circuits. [17]

Reception

The Synth Kit was widely praised by reviewers and critics. In his 2014 review for MusicTech magazine, Andy Jones gave the Synth Kit a score of 8/10, as well as the magazine's "innovation award". He commented on the kit's "surprisingly big sound from a small setup" and called it "real innovation, and much more fun". [2] Gordon Reid of Sound on Sound suggested that the kit was a "re-imagining of the analogue monosynth" that, while "far from perfect", could "appeal to all age groups". In particular, he highlighted the kit's potential as a tool for teaching beginners about the basics of synthesisers and sound design. [14] Bruce Aisher of MusicRadar agreed, saying that the kit was more suited to education than being used as "a cheap way into modular synthesis". [16] He found that to make full use of the kit it was necessary to purchase other modules not included, such as the i21 microphone bit for use as an audio input. [14] [16] Gino Robair of Electronic Musician also found that other bits were needed; he "highly recommend[ed]" purchasing mounting boards for the kit to add stability to constructions. [12] The Synth Kit was also one of the 31 products that were awarded an "Editor's Choice Award" as part of the 2015 Electronic Musician Editors' Choice Awards. [18]

The Synth Kit was frequently compared to Lego due to the similarities between building circuits and connecting bricks. [14] Rebecca Greenfield of Fast Company commented that "like mechanical Legos, they click into one another to build something. But, instead of castles and houses, we’re making instruments". [11] According to the musician John Richards, this modular design was similar to Denshi Burokko EX series in concept. [19]

At the request of Watts, littleBits sent a Synth Kit to the British experimental musician Brian Eno, who gave the company feedback on the kit's design. Eno enjoyed using the kit and stated that it would "be the birth of a new kind of music". [11] [20]

Legacy

Open source

An example scematic from the littleBits GitHub repository. This schematic represents the oscillator bit. LB BIT i31 OSCILLATOR-v03(5 7)-OHW.pdf
An example scematic from the littleBits GitHub repository. This schematic represents the oscillator bit.

Following littleBits' open source ideology, both EAGLE files and schematic diagrams (as PDF) for all of the Synth Kit bits were uploaded to a GitHub repository. The files uploaded to GitHub were licensed under the version 1.2 of the CERN Open Hardware License. [21]

Use in music and art

The littleBits Synth Kit has been used by artists including Nullsleep, [4] Justin Lincoln [22] and Watts. [20] Nullsleep used two and a half Synth Kits sequenced using a Sequintix Cirklon digital sequencer during his performance for the Synth Kit's release. [4] Lincoln used the Synth Kit as background audio to his piece The Stroboscope(for Paul Sharits), which was exhibited at the 2015 International Symposium on Electronic Art in Vancouver. [22] Watts was one of the musicians who performed on the Synth Kit at the product's launch, as well as Takahashi and Tadahiko Sakamaki from Korg. [20]

In June 2014, some Synth Kit bits were used at the Chelsea-based Dark Circuits festival, which describes itself as an event for "contemporary electronic music practices such as circuit bending, no-input mixers, laptops, turntablism, analogue circuitry, network sniffers, live coding and soldering, plus other instruments we may have never heard of yet". [23]

The composer Patricia Alessandrini and Weidong Yang used the Synth Kit as part of their installation, A little bit of noise. The project combined a tree bark and moss cradle with the Synth Kit and suspended the result in the air. Viewers of the installation could interact with it by spinning and swinging the cradle, which kept changing the sounds it produced. This was produced as part of the 2019 Scientific Delirium Madness residency held at the Djerassi Artists Residency. [24]

Notes, references and sources

Notes

  1. The Synth Kit was littleBits' third collaboration with another company. [1]
  2. The magnets are polarised in a way that prevents bits being connected upside down. [12]
  3. The littleBits Synth Kit uses a unipolar voltage range of 0–5V. [4]

Related Research Articles

<span class="mw-page-title-main">MIDI</span> Electronic musical instrument connection standard

MIDI is a technical standard that describes a communication protocol, digital interface, and electrical connectors that connect a wide variety of electronic musical instruments, computers, and related audio devices for playing, editing, and recording music.

<span class="mw-page-title-main">Analog synthesizer</span> Synthesizer that uses analog circuits

An analog synthesizer is a synthesizer that uses analog circuits and analog signals to generate sound electronically.

<span class="mw-page-title-main">Vince Clarke</span> English synth-pop musician

Vincent John Martin, known professionally as Vince Clarke, is an English synth-pop musician and songwriter. Clarke has been the main composer and musician of the band Erasure since its inception in 1985, and was previously the main songwriter for several groups, including Depeche Mode, Yazoo, and the Assembly. In Erasure, he is known for his deadpan and low-key onstage demeanour, often remaining motionless over his keyboard, in sharp contrast to lead vocalist Andy Bell's animated and hyperactive frontman antics.

A music workstation is an electronic musical instrument providing the facilities of:

<span class="mw-page-title-main">Electronic keyboard</span> Musical instrument

An electronic keyboard, portable keyboard, or digital keyboard is an electronic musical instrument based on keyboard instruments. Electronic keyboards include synthesizers, digital pianos, stage pianos, electronic organs and digital audio workstations. In technical terms, an electronic keyboard is a rompler-based synthesizer with a low-wattage power amplifier and small loudspeakers.

Sequential is an American synthesizer company founded in 1974 as Sequential Circuits by Dave Smith. In 1978, Sequential released the Prophet-5, the first programmable polyphonic synthesizer, which was widely used in the music industry. In the 1980s, Sequential was important in the development of MIDI, a technical standard for synchronizing electronic instruments.

<span class="mw-page-title-main">Buchla Electronic Musical Instruments</span> Synthesizer and MIDI controller manufacturer

Buchla Electronic Musical Instruments (BEMI) was a manufacturer of synthesizers and unique MIDI controllers. The origins of the company could be found in Buchla & Associates, created in 1963 by synthesizer pioneer Don Buchla of Berkeley, California. In 2012 the original company led by Don Buchla was acquired by a group of Australian investors trading as Audio Supermarket Pty. Ltd. The company was renamed Buchla Electronic Musical Instruments as part of the acquisition. In 2018 the assets of BEMI were acquired by a new entity, Buchla U.S.A., and the company continues under new ownership.

<span class="mw-page-title-main">ARP Odyssey</span> Electronic musical instrument developed by ARP Instruments

The ARP Odyssey is an analog synthesizer introduced by ARP Instruments in 1972.

Doepfer Musikelektronik GmbH is a German manufacturer of audio hardware, mostly synthesizer modules, based in Gräfelfing, Upper Bavaria and founded by Dieter Döpfer. The product range covers analog modular systems, MIDI controllers, MIDI hardware sequencers, MIDI-to-CV/Gate/Sync Interfaces, MIDI master keyboards and special MIDI equipment.

<span class="mw-page-title-main">Moog Music</span> American synthesizer manufacturer

Moog Music Inc. is an American synthesizer company based in Asheville, North Carolina. It was founded in 1953 as R. A. Moog Co. by Robert Moog and his father and was renamed Moog Music in 1972. Its early instruments included the Moog synthesizer, followed by the Minimoog in 1970, both of which were highly influential electronic instruments.

<span class="mw-page-title-main">Moog synthesizer</span> Electronic musical instrument

The Moog synthesizer is a modular synthesizer invented by the American engineer Robert Moog in 1964. Moog's company, R. A. Moog Co., produced numerous models from 1965 to 1981, and again from 2014. It was the first commercial synthesizer and established the analog synthesizer concept.

<span class="mw-page-title-main">Korg MS-20</span> Patchable semi-modular monophonic analog synthesizer

The Korg MS-20 is a patchable semi-modular monophonic analog synthesizer which Korg released in 1978 and which was in production until 1983. It was part of Korg's MS series of instruments, which also included the single oscillator MS-10, the keyboardless MS-50 module, the SQ-10 sequencer, and the VC-10 Vocoder. Additional devices included the MS-01 Foot Controller, MS-02 Interface, MS-03 Signal Processor, and MS-04 Modulation Pedal.

<span class="mw-page-title-main">PAiA Electronics</span> US music synthesizer company

PAiA Electronics, Inc. is an American synthesizer kit company that was started by John Simonton in 1967. It sells various musical electronics kits including analog synthesizers, theremins, mixers and various music production units designed by founder John Simonton, Craig Anderton, Marvin Jones, Steve Wood and others.

<span class="mw-page-title-main">Synthesizer</span> Electronic musical instrument

A synthesizer is an electronic musical instrument that generates audio signals. Synthesizers typically create sounds by generating waveforms through methods including subtractive synthesis, additive synthesis and frequency modulation synthesis. These sounds may be altered by components such as filters, which cut or boost frequencies; envelopes, which control articulation, or how notes begin and end; and low-frequency oscillators, which modulate parameters such as pitch, volume, or filter characteristics affecting timbre. Synthesizers are typically played with keyboards or controlled by sequencers, software or other instruments and may be synchronized to other equipment via MIDI.

<span class="mw-page-title-main">Korg PS-3300</span> Polyphonic analogue synthesizer

The Korg PS-3300 is a polyphonic analog synthesizer, produced by Korg between 1977 and 1981.

Monotron is the collective name of a series of miniature monophonic analogue synthesisers produced by Korg, a Japanese manufacturer of electronic musical instruments. There are three models in the series: the original Monotron, the Monotron Duo and the Monotron Delay. The models share a minimalist set of synthesis components, consisting only of a voltage-controlled oscillator, voltage-controlled filter, a voltage-controlled amplifier and a low-frequency oscillator.

<span class="mw-page-title-main">Korg Volca</span> Series of electronic musical instruments

Korg Volca is a series of electronic musical instruments and accessories released by the Japanese manufacturer Korg. The various units in the range are noted for their inexpensive price and compact dimensions.

<span class="mw-page-title-main">Volca Keys</span> Subtractive analogue synthesizer

The Volca Keys is a analogue synthesizer manufactured by the Japanese music technology company Korg. It was announced in April 2013 at MusikMesse and was at the time one of the few affordable analogue synthesizers available. The Volca Keys uses subtractive synthesis to create sounds and is three-note paraphonic, meaning that it can play chords with all voices sharing a single voltage-controlled filter (VCF).

<span class="mw-page-title-main">Analog revival</span> Period in synthesizer history

The analog revival is a period in synthesizer history when analog synthesizers returned to commercial production and popular usage. The revival has its roots in the late 20th century but began in earnest during the early 21st century, prompted by the release of several analog synthesizers by companies such as Korg and Moog. This followed a spell of companies producing digital synthesizers after the release of Yamaha's DX7, which was less expensive than analog synthesizers and led to many analog manufacturers going out of business in the 1980s. The emergence of electronic dance music in the late 1980s gave a boost to analog synthesizers, which saw use due to their availability on the second-hand market. The growing demand for analog created by this movement was not capitalized on fully for some time: it took until the early 21st century for major manufacturers to begin producing analog synthesizers again.

References

  1. Flood 2016, p. 66.
  2. 1 2 3 4 5 6 7 8 Jones, Andy (21 January 2014). "littleBits/Korg Synth Kit Review". MusicTech . Archived from the original on 3 May 2023. Retrieved 4 July 2023.
  3. 1 2 3 Maloney, Devon (12 November 2013). "Magnetized Circuits Snap Together to Form World's Cutest Synthesizer" . Wired . Archived from the original on 29 April 2023. Retrieved 29 April 2023.
  4. 1 2 3 4 5 6 Maymind, Leo (21 November 2013). "The Synth That Looks Like Legos: An Interview with littleBits". Vice . Archived from the original on 19 October 2023. Retrieved 4 July 2023.
  5. 1 2 Aguilar, Mario (31 March 2015). "littleBits' Tiny Toy Synth Kit Now Works With MIDI and USB". Gizmodo . Archived from the original on 5 May 2023. Retrieved 4 July 2023.
  6. 1 2 Scheltema, David (10 November 2013). "littleBits Synth Kit Announced". Make . Archived from the original on 3 May 2023. Retrieved 4 July 2023.
  7. 1 2 Robair 2015, p. 62.
  8. "Sonic LAB: Littlebits Korg Synth Pro Kit". Sonicstate. 5 June 2015. Archived from the original on 3 May 2023. Retrieved 4 July 2023.
  9. Truss, Si (10 July 2015). "Korg/littleBits Synth Pro Expansion Pack review". MusicRadar . Archived from the original on 27 September 2023. Retrieved 18 July 2023.
  10. Groves, Will (9 April 2015). "Want a Korg littleBits LFO? Then vote!". MusicRadar . Archived from the original on 3 May 2023. Retrieved 3 July 2023.
  11. 1 2 3 4 Greenfield, Rebecca (8 November 2013). "Craft Works: Engineer Your Way To Rock Stardom With The LittleBits Synth Kit". Fast Company . Archived from the original on 3 May 2023. Retrieved 18 July 2023.
  12. 1 2 3 Robair 2014, p. 54.
  13. Flood 2016, p. 64.
  14. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 Reid, Gordon (April 2014). "Korg littleBits". Sound on Sound . Archived from the original on 28 May 2023. Retrieved 18 July 2023.
  15. 1 2 3 4 5 "littleBits and KORG: Snap Together A Synth with Magnets, $159; Module-by-Module Details, Q&A, Gallery". Create Digital Music. 8 November 2013. Archived from the original on 3 May 2023. Retrieved 7 July 2023.
  16. 1 2 3 Aisher, Bruce (5 March 2014). "Korg littleBits review". MusicRadar . Archived from the original on 5 May 2023. Retrieved 18 July 2023.
  17. Rawlins, Ric (8 November 2013). "Korg and littleBits Synth Kit lands". MusicRadar . Archived from the original on 30 May 2023. Retrieved 7 July 2023.
  18. Cooper et al. 2015, p. 21.
  19. Richards 2017, p. 241.
  20. 1 2 3 Eng, Karen Frances (21 November 2013). "A littleBit rock 'n' roll: Reggie Watts rocks the newly launched SynthKit, and electronic music goes mini-modular". TED Blog. Archived from the original on 3 May 2023. Retrieved 4 July 2023.
  21. "littleBits Open Source Synth Kit on GitHub; KORG Filter Secrets Revealed, Music Projects". Create Digital Music. 13 December 2013. Archived from the original on 3 May 2023. Retrieved 5 July 2023.
  22. 1 2 Armstrong 2015, p. 36.
  23. Flood 2016, p. 268.
  24. Alessandrini 2020, p. 245.

Sources

Further reading