Mother Earth | ||||
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Studio album by | ||||
Released | 24 December 2000 | |||
Recorded | June–August 2000 | |||
Studio | Studio RS29, Waalwijk, Netherlands | |||
Genre | ||||
Length | 53:49 | |||
Label | DSFA | |||
Producer |
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Within Temptation chronology | ||||
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Singles from Mother Earth | ||||
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Reissue cover | ||||
Mother Earth is the second studio album by Dutch symphonic metal band Within Temptation. Originally released on 24 December 2000 in the Netherlands,and 21 August 2001 in other parts of Europe. The album was licensed to be released in Germany and neighboring countries through GUN Records in January 2003 as a special extended edition with four bonus tracks. The same edition reached the United Kingdom through Sanctuary Records with a release in September 2004. The album was re-released by Roadrunner Records on 28 September 2007,with bonus live tracks. On 5 August 2008,Mother Earth along with The Silent Force was released in the United States on Roadrunner Records. [3] On 17 December 2018,it was announced that the album would be rereleased on vinyl in January 2019. [4]
The album features mainly fantasy and nature themes and was a sleeper hit in the band's heartland,entering the Dutch charts at number eighty-two,by the end of 2000,and only managing to reach its peak third position two years later with the second release of the single Ice Queen. The album later reached double platinum status in the Netherlands,platinum in Germany,and gold in Belgium. As of 2011,the album had reportedly sold 800,000 copies. [5]
By 1999 the band had built their own studio and had begun recording demos for the Mother Earth album there. The album itself was recorded in Studio RS29 in Waalwijk,the Netherlands. [6] Oscar Holleman,who had produced and engineered The Dance ,was again producer and one of the sound engineers was Stephen van Haestregt,future drummer for the band. Sharon recalls that "I had a day for each song,which is still not very much,but you can try out things. We also did some demos before the recordings,so there you can check if you like or dislike parts of a song,and so you have more time when it comes to recording". Ayreon's Arjen Lucassen provided the guitar solo for the track "Dark Wings". [6]
The sound of Mother Earth was a departure for the band. According to Robert Westerholt, the album was a natural progression of their first album Enter , as the band didn't want to release the same kind of music twice. As a result, they opted to make the songs on a faster tempo and change the tone of the lyrics. [7] In a 2008 interview with Faceculture, den Adel states that Mother Earth was "a little bit older, a little bit more knowledgeable about how we wanted to sound, even then, of course you grow, so we had a better picture of how we wanted to sound. We didn't want to have the grunt vocals anymore. We felt like everyone was using that as a gimmick, and we didn't want to have it in our music anymore because of that...and also we were very much enthralled by a movie at that time, Braveheart , which was very Celtic, and that's how our album became very Celtic because we were so in love with the soundtrack of the Braveheart movie. So inspired by that, the album came out that way...I still love that album very much...it came together in a very natural way. The songs were sometimes written in a day, it did take time to work it out more, the way it sounded in the end, but it was like the ideas and the whole concepts of certain songs were written mostly in one day, the chorus and the verses." [8]
According to Metal Injection, the album critical and commercial success can be attributed to the combination of its musical ambiance and the imagery the band presented at that time, citing the landscapes from the Mother Earth music video as an example of the great blend between their musical style and visual presentation. [9] Louder Sound also pointed the bombastic and cinematic characteristics present on the album, highlighting the use of synthesizers and strings. [10] Dutch newspaper NRC Handelsblad pointed the visual aspect of the concerts at that time as another contributing factor to the growing popularity of the band, as the stage decoration, the band members outfits and the use of pyrotechnics suited well the epic aspect of their sound and lyrics. [7]
Review scores | |
---|---|
Source | Rating |
AllMusic | [11] |
Chronicles of Chaos | [12] |
Metal Hammer (Ger) | 5/7 [13] |
Rock Hard | 7.5/10 [14] |
Sea of Tranquility | [15] (remastered) |
The album, which was considered the band's breakthrough, received positive reviews particularly around Europe. AllMusic rated the album 4+1⁄2 stars, the reviewer calling it "easily one of the best releases of 2001", and praising it for its "mature and confident sound" and Sharon den Adel's "elusive and intangible presence", adding "The rise of goth/prog metal seemed to reach a peak at the turn of the century, with an endless supply of bands offering their own spin on the subgenre. Only a handful of these bands seem to have anything interesting or unique to offer... With the release of Mother Earth, there was little doubt that the cream of the crop had indeed risen to the top... A landmark release that set new standards for creativity, musicianship, and taste – not just for goth/prog metal, but for any style of music." [11] German magazine Rock Hard awarded the album a score of 7.5 out of 10 and considered it an improvement over their debut album, Enter, praising den Adel's vocals and the catchiness of the songs, locating the album between pop music and gothic metal. [14] Chris Flaaten, from heavy metal webzine Chronicles of Chaos, also pointed the renewal the band showed in the album in comparison to their debut, and gave the album a positive score of 7 out of 10. The reviewer praised the instrumentals and how it was managed well in what refers to establishing the fantasy-like setting the album presents. However, he considered that while the band had gotten "more epic", they also got "more mellow", citing the "easy listening" aspect as a weakness for those who seek intensity on the metal genre. [12]
Publication | List | Rank | Ref. |
---|---|---|---|
Metal Hammer | 20 Best Albums of 2000 | — |
When first released, by the end of the year 2000, the album entered the charts only in the band's home country at position eighty-two, peaking at position sixty-seven at the beginning of 2001 before falling off the charts. [17] Two singles were released that year, the first for the track "Our Farewell", which failed to enter any charts, and the second for the track "Ice Queen", which debuted at position seventy-three in June 2001 and disappeared from the Dutch charts right after. [18] With the release of a second version of the single due to a better elaborated music video, the song started climbing the Dutch and Belgian charts, resulting on a new sales boost for the album, which quickly re-entered the charts and ended up peaking at the third position on both countries in 2002. [17] As a result, from the intense airplay of the music video on Dutch music TV channel The Box, mainstream radio stations opted for also playing the song despite it being too heavy for their audiences. [7] Over the course of that year, the album reached platinum status in the Netherlands, with sales in excess of 80,000 copies, and gold status in Belgium, with sales in excess of 25,000 copies. [19] [20] With the album receiving distribution in new European countries by the beginning of 2003, [7] it also managed to enter the German, Swiss and Austrian charts. In Germany, the album peaked at number 7 [21] and was later certified platinum on the country, with sales in excess of 200,000 copies. [22] By the beginning of 2004, the album also entered the Norwegian charts at number seventeen, peaking at number eleven three weeks later. [23] In 2021, two decades after its release, the album reached a second platinum status in the Netherlands, totaling 160,000 copies sold in the band's home country. [19]
All lyrics are written by Sharon den Adel, except where noted; all music is composed by Robert Westerholt, except where noted
No. | Title | Length |
---|---|---|
1. | "Mother Earth" (music: R. Westerholt, Guus Eikens) | 5:29 |
2. | "Ice Queen" | 5:20 |
3. | "Our Farewell" | 5:18 |
4. | "Caged" | 5:47 |
5. | "The Promise" | 8:00 |
6. | "Never-ending Story" (music: Oscar Holleman, René Merkelbach) | 4:02 |
7. | "Deceiver of Fools" | 7:35 |
8. | "Intro" (instrumental; music: Merkelbach) | 1:06 |
9. | "Dark Wings" | 4:14 |
10. | "In Perfect Harmony" (music: Gerarda Matheeuwsen, Holleman, Merkelbach) | 6:58 |
Total length: | 53:49 |
No. | Title | Length |
---|---|---|
11. | "World of Make Believe" (unreleased track) | 4:45 |
Total length: | 58:34 |
No. | Title | Length |
---|---|---|
11. | "Deep Within" (live at Lowlands, Biddinghuizen, 2002) | 4:21 |
12. | "The Dance" (live at Lowlands, Biddinghuizen, 2002) | 5:12 |
13. | "Restless" (single version) | 4:41 |
14. | "Bittersweet" (unreleased track; lyrics: den Adel, R. Westerholt; music: Martijn Spierenburg, den Adel) | 3:21 |
Total length: | 72:21 |
No. | Title | Length |
---|---|---|
11. | "Restless" (single version) | 4:43 |
12. | "Bittersweet" (unreleased track; lyrics: den Adel, R. Westerholt; music: Spierenburg, den Adel) | 3:21 |
13. | "Enter" (live at Utrecht, 1998; music: R. Westerholt, Richard Willemse) | 6:39 |
14. | "The Dance" (live at Utrecht, 1998) | 4:53 |
Total length: | 73:25 |
No. | Title | Length |
---|---|---|
11. | "Deceiver of Fools" (live at Java-eiland, Amsterdam, July 22, 2005) | 7:25 |
12. | "Caged" (live at Java-eiland, Amsterdam, July 22, 2005) | 4:45 |
13. | "Candles" (live at Java-eiland, Amsterdam, July 22, 2005) | 6:59 |
14. | "Ice Queen" (live at Java-eiland, Amsterdam, July 22, 2005) | 5:10 |
Total length: | 78:08 |
No. | Title | Length |
---|---|---|
11. | "World Of Make Believe" | 4:52 |
12. | "Bittersweet" | 3:20 |
13. | "Jane Doe" | 4:30 |
Total length: | 66:28 |
Weekly Charts
| Year-end charts
|
Region | Certification | Certified units/sales |
---|---|---|
Belgium (BEA) [35] | Gold | 25,000* |
Germany (BVMI) [36] | Gold | 150,000^ |
Netherlands (NVPI) [37] | 2× Platinum | 160,000^ |
* Sales figures based on certification alone. |
Within Temptation is a Dutch symphonic metal band founded in April 1996 by vocalist Sharon den Adel and guitarist Robert Westerholt. They have been classified by critics as gothic metal and symphonic metal, although each album contains other influences outside these genres. Their most prominent and well-known sound is described as symphonic metal, although their earlier material, such as debut album Enter, was mostly gothic metal, with Enter also having a hint of doom metal. In an interview, den Adel said they fell into a symphonic rock genre with various influences. In another interview, den Adel stated that "We consider ourselves more an atmospheric melodic symphonic metal/rock band... In my opinion, we are not a gothic band but we have gothic elements".
Sharon Janny den Adel is a Dutch singer who is the lead vocalist and one of the main songwriters of the symphonic metal band Within Temptation. She has been a performing musician since the age of 14, and is a founding member of Within Temptation, along with Robert Westerholt, in 1996. She was also elected to be the Dutch chairperson of the jury for the Eurovision Song Contest 2018.
Enter is the debut studio album by Dutch symphonic metal band Within Temptation, released by DSFA Records in 1997. After the band became more widely known in foreign markets, it was released by the independent label Season of Mist in North America in 2007, and re-printed by Nuclear Blast in 2014. It was produced by Lex Vogelaar, founder of the Dutch death metal band Orphanage, and had to recorded, completed and mixed within three weeks.
Robert Westerholt is a Dutch musician, known as the guitarist and co-founder of the symphonic metal band Within Temptation. He also writes music for the band along with his partner and band vocalist Sharon den Adel. He used to work in human resource management before his career with Within Temptation.
The Silent Force is the third studio album by Dutch symphonic metal band Within Temptation, released on 15 November 2004, by GUN Records. On 5 August 2008, The Silent Force along with Mother Earth were released in the United States by Roadrunner Records. This album is the first to feature Ruud Jolie on lead guitar, as well as Martijn Spierenburg on keyboards, after Martijn Westerholt had to leave the band due to illness. It is also the first to feature Daniel Gibson as their producer. The album deepened the band symphonic approach, this time featuring more atmospheric songs that resemble the predominant fantasistic lyrics, inspired both by literature and the band members personal lives.
The Heart of Everything is the fourth studio album by Dutch symphonic metal band Within Temptation, released by GUN Records on 12 March 2007 in Europe. It was released in North America on 18 June 2007 by Roadrunner Records. The album follows the symphonic metal sound the band had been improving and deepening until then, and is considered by lead vocalist Sharon den Adel as the album in which the band finally managed to achieve this kind of sound.
"Ice Queen" is a song by Dutch symphonic metal band Within Temptation. It was released in June 2001 as the second single from their second studio album Mother Earth. The song was the band's commercial breakthrough, and it remains one of the band's most successful songs to date in Europe. It has been featured on the annual Dutch Top 2000 since 2011.
Black Symphony is the third live album by Dutch symphonic metal band Within Temptation. It was released worldwide on 22–24 September 2008 and is available on 2-disc DVD, 2-disc CD, and Blu-ray. Sony Poland announced this item to be released on 3LP. Release is due Friday 28 December 2018.
An Acoustic Night at the Theatre is the fourth live album by Dutch symphonic metal band Within Temptation that has been released in October–November 2009.
Dutch symphonic metal band Within Temptation have released seven studio albums, five live albums, four extended plays and 26 singles.
The Unforgiving is the fifth studio album by Dutch symphonic metal band Within Temptation, released by Roadrunner Records on 29 March 2011. It was a concept album as one part of a transmedia storytelling project, which accompanied the release of three short films and a series of six comic books. The album followed the band's pattern of incorporating new musical elements on each release, this time marking a major transition point for the band and featuring more pop and 80s influences. Lyrically, the band focused on telling a story with specific characters, also present in the films and comic books.
"Faster" is a song by Dutch symphonic metal band Within Temptation. It was released as the first single from their fifth studio album The Unforgiving on 21 January 2011. It had its worldwide radio première on 96.3 Rock Radio on the same day. The song was produced by their longtime producer Daniel Gibson, with Stefan Helleblad and Within Temptation serving as additional producers.
The Silent Force Tour was a concert tour by Dutch symphonic metal band Within Temptation in support of their third album, The Silent Force. The international growth the band had been facing with the album reflected well on the touring schedule and the locations played, as the band started being able to play in several newly visited countries and at bigger music festivals, such as the Download Festival in the United Kingdom, Wacken Open Air in Germany and the Loud Park Festival in Japan. The concert at the Java-eiland, in Amsterdam, was recorded and released homonymously under the name The Silent Force Tour on November, 2005.
The Q-music Sessions is a special Within Temptation cover album in which consists of eleven covers made by the band for Qmusic (Netherlands) and Qmusic (Belgium) in celebration of their fifteenth anniversary. Due to the positive reactions from fans and the radio audience, the band decided to release a special album containing eleven of the fifteen covers made. In June 2021, The Q-music Sessions was released worldwide on all streaming platforms.
Hydra is the sixth studio album by Dutch symphonic metal band Within Temptation. It was released on January 31, 2014 in Europe and on February 4, 2014 in North America. The album contains guest appearances by singer Howard Jones, rapper Xzibit, metal vocalist Tarja Turunen (ex-Nightwish) and alternative rock singer Dave Pirner. The first single, "Paradise ", was released on September 27, 2013, and featured Turunen as guest vocalist. The second single, "Dangerous", was released on December 20, in which Jones provided the male vocals.
The Human Contradiction is the fourth studio album by Dutch symphonic metal band Delain. It was released on 4 April 2014 in Europe, and on 8 April 2014 in North America.
Let Us Burn – Elements & Hydra Live in Concert is the fifth live album by Dutch symphonic metal band Within Temptation. It was released in November, 2014 and is available on 2-disc DVD, 2-disc CD, 2-disc Blu-ray and digital album. The live album features two performances, being the first one the greatest part of the band's 15th anniversary concert at the Sportpaleis, entitled Elements, and the second one the band's performance at the AFAS Live during the Hydra World Tour.
My Indigo is the debut studio album by Dutch singer and songwriter Sharon den Adel with her solo musical project My Indigo. It was released on 20 April 2018. The track listing of the debut album was released on 31 January 2018 by Within Temptation fansite DontTearMeDown.
Resist is the seventh studio album by Dutch symphonic metal band Within Temptation. It was scheduled to be released worldwide on 14 December 2018, but later postponed to 1 February 2019. The album contains guest appearances by singers Jacoby Shaddix, Anders Fridén and Jasper Steverlinck (Arid) and was produced by their longtime producer Daniel Gibson. It marks the longest time gap between the band's studio releases, the last one being issued in 2014. The album followed the band's pattern of incorporating new musical elements on each release, this time featuring more electronic, pop, and industrial influences. Lyrically, the band opted to focus more on political themes, a subject not explicitly approached by them on previous records.
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