Since the 18th century Berlin has been an influential musical center in Germany and Europe. First as an important trading city in the Hanseatic League, then as the capital of the electorate of Brandenburg and the Prussian Kingdom, later on as one of the biggest cities in Germany it fostered an influential music culture that remains vital until today. Berlin can be regarded as the breeding ground for the powerful choir movement that played such an important role in the broad socialization of music in Germany during the 19th century.
When in 1701 Frederick III declared himself Frederick I, "King in Prussia", Berlin became a royal residence and subsequently attained more musical prestige. Under his successor Frederick William I (1713–1740), musical life in Berlin lost part of its splendor, due to his focus on the military strengthening of Prussia. At that time the court orchestra was abandoned and music events at the court played only a decorative role.
The opera in Berlin around 1745
When in 1740, Frederick II came to power, musical life at the court flourished again. Many 18th-century writers have termed his reign the "Golden Age" for music making in Berlin. Although statements like this have to be regarded with care for their obvious intention to glorify the person of the ruler, Frederick's reign was indeed a fruitful time for music making in Berlin. Already at Rheinsberg, where Frederick lived when he was still the crown prince, he had assembled a formidable group of musicians who were to form the core of his Kapelle in Berlin. Among these followers were Carl Heinrich and Johann Gottlieb Graun, Franz and Johann Benda, Christoph Schaffrath, and Johann Gottlieb Janitsch. Once installed as the King in Prussia, Frederick's Kapelle became quickly one of the most admired orchestras in Europe. Frederick who was an accomplished flautist and composer employed Europe's foremost flautist, Johann Joachim Quantz in 1741. His Kappelle, headed by C. H. Graun, could also boast of C. P. E. Bach, son of Johann Sebastian Bach, who joined the orchestra as harpsichordist in 1740, and of Johann Friedrich Agricola as the official court composer. By 1750 around 50 musicians were in Frederick's employment.
The principal occasions at which music was played at the court included the daily soirées in which Frederick used to play the flute, and the concerts in the residence of the King's mother, Sophia Dorothea of Hanover at which Frederick's Kapelle had to perform as well. In addition to these regular events, the Kapelle also had to perform in the opera performances during Lent. Other important venues for music making at the Hohenzollern court were the residences of Prince Henry of Prussia and Margrave Frederick Henry.
Frederick, an ardent opera enthusiast, was determined to turn Berlin into an international center for opera, one that could compete with the splendid opera house in Dresden. To this end, Frederick commissioned two opera stages from his architect George Wenzeslaus von Knobelsdorff. The first in the King's residence, the Berliner Stadtschloß, the second as a completely new opera house, located Unter den Linden, the main artery of Berlin which featured all of the representational buildings of the time. The stage in the Stadtschloß was inaugurated with a performance of Graun's Rodelinda on December 13, 1741. The construction of the new opera house started in 1741 and although not fully completed yet the first performance took place on December 7, 1742 with Graun's Cleopatra e Cesare. In preparation of the two premieres, Frederick sent Graun to Italy and France in order to recruit singers and dancers respectively. The Königliche Opernhaus, as the new opera house was called, remained the main opera house of Berlin throughout the century and the repertoire given there consisted mainly of Italian opera seria.
Nineteenth Century
1870-1918
1900–2015
From the end of World War II Berlin was divided. A western sector, controlled by Britain, France, the United States, controlled eventually, in 1949, was within territory under the control of a new West German state, the Federal Republic of Germany. The eastern section, under the control of Soviet Union's occupying force, went under the control of a new east German state, the German Democratic Republic. The city's long-standing concert music institutions were in the two sections. In the West was the Berlin Philharmonic Orchestra; in the East was the Konzerthausorchester Berlin or Berlin Symphony Orchestra, the Berlin Radio Symphony Orchestra (East Berlin), as well as the Staatskapelle Berlin, the orchestra associated with the Berlin State Opera, which resided in the eastern sector of Berlin.
The SO36 in Kreuzberg originally focused largely on punk music, but today has become a popular venue for many dances and parties. SOUND, located from 1971 to 1988 in Tiergarten and today in Charlottenburg, gained notoriety in the late 1970s for its popularity with heroin users and other drug addicts as described in Christiane F.'s book Wir Kinder vom Bahnhof Zoo.[1]
Industries that do business in the creative arts and entertainment are an important and sizable sector of the economy of Berlin. The creative arts sector comprises music, film, advertising, architecture, art, design, fashion, performing arts, publishing,[2] TV, radio, and video games. Around 22,600 creative enterprises, predominantly SMEs, generated over 18,6billion Euro in total revenue. Berlin's creative industries have contributed an estimated 20% of Berlin's gross domestic product in 2005.[3]
Berlin is home to many international and regional television and radio stations.[4] The public broadcaster RBB has its headquarters in Berlin as well as the commercial broadcasters MTV Europe, VIVA, and N24. German international public broadcaster Deutsche Welle has its TV production unit in Berlin, and most national German broadcasters have a studio in the city. American radio programming from National Public Radio is also broadcast on the FM dial.
Berlin has three major opera houses: the Deutsche Oper, the Berlin State Opera, and the Komische Oper. The Berlin State Opera on Unter den Linden is the oldest; it opened in 1742. Its current musical director is Daniel Barenboim. During the Cold War division it was in East Berlin. The Komische Oper, which has traditionally specialized in operettas, is located not far from the State Opera just off Unter den Linden; it was also in East Berlin. It originally opened in 1892 as a theater and has been operating under its current name since 1947. The Deutsche Oper opened in 1912 in Charlottenburg. During the division of the city from 1961 to 1989 it was the only major opera house in West Berlin.
The Konzerthausorchester Berlin, founded in 1952 as the orchestra for East Berlin (since the Philharmonic was based in West Berlin) and called the "Berliner Sinfonie-Orchester" until 2006, when it adopted the name of its home hall, the Konzerthaus on Gendarmenmarkt. Its current principal conductor is Iván Fischer.
The Rundfunk-Sinfonieorchester Berlin, founded in 1923 and the oldest active radio orchestra in Germany. It enjoyed in its early years a reputation for contemporary music: Hindemith, Honegger, Milhaud, Prokofiev, Strauss, Schoenberg and Stravinsky all guest-conducted. After the 1949 division of Germany it was supervised by the Rundfunk der DDR. Since 2002, the chief conductor has been Marek Janowski.
The Deutsches Symphonie-Orchester Berlin, founded in 1946 by American occupation forces as the "RIAS-Symphonie-Orchester" (RIAS being the acronym for "Rundfunk im amerikanischen Sektor"/"Radio In the American Sector"). It was renamed the "Radio-Symphonie-Orchester Berlin" in 1956 and took on its present name in 1993. The orchestra's first principal conductor was Ferenc Fricsay; Vladimir Ashkenazy, Riccardo Chailly and Kent Nagano have since served.
Berlin's nightlife is one of the most diverse and vibrant of its kind in Europe.[11] The music club, Linientreu, near the Kaiser Wilhelm Memorial Church, has been in business in the late 1980s and 1990s. Throughout the 1990s, people in their twenties from many countries, made Berlin's club scene the premier nightlife destination in the world. After the fall of the Berlin Wall in 1989, many historic buildings in Mitte, the former city center of East Berlin, were illegally occupied and re-built by young squatters and became a fertile ground for underground and counterculture gatherings.
Mitte and surrounding boroughs were home to many nightclubs, including Kunst Haus Tacheles, Cookies, Tresor, WMF, Ufo, E-Werk, KitKatClub and Berghain. Berlin is notable for the length of its parties. Clubs are not required to close at a fixed time on the weekends, and many parties last well into the morning, or all weekend. Berghain features the Panorama Bar, so named because the bar opens its shades at daybreak, allowing party-goer's a panorama view of Berlin after dancing through the night.
The Sing-Akademie zu Berlin, also known as the Berliner Singakademie, is a musical society founded in Berlin in 1791 by Carl Friedrich Christian Fasch, harpsichordist to the court of Prussia, on the model of the 18th-century London Academy of Ancient Music.
The Prussian Academy of Arts was a state arts academy first established in Berlin, Brandenburg, in 1694/1696 by prince-elector Frederick III, in personal union Duke Frederick I of Prussia, and later king in Prussia.
Fortunato Santini was an Italian priest, composer and music collector.
The Kunstgewerbemuseum, or Museum of Decorative Arts, is an internationally important museum of the decorative arts in Berlin, Germany, part of the Staatliche Museen zu Berlin. The collection is split between the Kunstgewerbemuseum building at the Kulturforum (52°30′35″N13°22′03″E) and Köpenick Palace (52°26′38″N13°34′22″E).
The Kupferstichkabinett, or Museum of Prints and Drawings, is a prints museum in Berlin, Germany. It is part of the Berlin State Museums, and is located in the Kulturforum on Potsdamer Platz. It is the largest museum of graphic art in Germany, with more than 500,000 prints and around 110,000 individual works on paper.
Carl Schmidt was a German Coptologist. He made editions of various Coptic texts, and was active in Egypt in purchasing papyri for German universities. He also assisted Sir Chester Beatty in his papyri purchases.
The statuette of hoplite found at Dodona is an archaeological find which was purchased in 1880 and is hosted today in Berlin at the Altes Museum
Michael Eissenhauer is a German art historian and was director-general of the Staatliche Museen zu Berlin.
"Ein Lämmlein geht und trägt die Schuld" is a Lutheran Passion hymn in German by Paul Gerhardt. The hymn text was first published in Johann Crüger's Praxis Pietatis Melica, starting from the lost 1647 edition. Wolfgang Dachstein's 16th-century "An Wasserflüssen Babylon" melody is commonly indicated as its hymn tune, although other settings exist.
Friedrich Wilhelm Birnstiel was an 18th-century German music publisher known for publishing two volumes of four-part chorales by Johann Sebastian Bach in the 1760s.
Klaus Pietschmann is a German musicologist. Since 2009 he has been teaching at the University of Mainz.
Conny Restle is a German musicologist, Museum director and lecturer at the Berlin University of the Arts.
Dagmar Droysen-Reber was a German musicologist and museum director.
Arno Forchert was a German musicologist.
Rudolf Elvers was a German musicologist and librarian. He was particularly concerned with the work of Felix Mendelssohn.
Hans-Günter Klein was a German musicologist, librarian, art historian, LGBT activist and researcher on the Mendelssohn family.
Theodor Friedrich Wilhelm Willi Kahl was a German musicologist.
Friedrich Schaarschmidt was a German landscape painter and figure painter of the Düsseldorf school of painting, conservator and art writer.
Kathinka Rebling was a German violinist and musicologist.
Peter Sühring is a German musicologist, publicist and music critic.
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