Palazzo dell'Arengario | |
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General information | |
Architectural style | Novecento Italiano |
Location | Piazza del Duomo |
Town or city | Milan |
Country | Italy |
Coordinates | 45°27′49″N9°11′24″E / 45.4635°N 9.1900°E |
Current tenants | Museo del Novecento |
Construction started | 1936 |
Completed | 1956 |
Renovated | 2000s |
Technical details | |
Material | Façade: Candoglio marble |
Design and construction | |
Architect(s) |
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Other designers | Façade: Arturo Martini |
Renovating team | |
Architect(s) |
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The Palazzo dell'Arengario is an early- 20th century complex of two symmetrical buildings in Piazza del Duomo, the central piazza of Milan, Italy. It was completed in the 1950s and currently houses the Museo del Novecento, a museum dedicated to 20th-century art. [1] The word "arengario" refers to its original function as a local government seat in the Fascist period.
The Arengario was designed by Piero Portaluppi, Giovanni Muzio, Pier Giulio Magistretti and Enrico Agostino Griffini. The palaces were meant to be connected by an arch to insinuate symmetry with the Galleria Vittorio Emanuele II entrance across the Piazza. Construction began in 1936, but experienced several delays and suffered from the World War II bombings; it was eventually completed in 1956. [2] The façades on the eastern wing are decorated with 4 reliefs by Arturo Martini. The crowded panels depict historical events and persons linked to Christianity, Milan, and Lombardy: including the dream of Constantine (easternmost panel, facing Duomo); Ambrose on horseback enters Milan take his bishopric against the wishes of the Arians (inner panel, eastern wing, facing Duomo); the busy Battle of Legnano (northernmost panel facing western wing); four Sforza dukes of Milan (middle panel facing western wing); and Carlo Borromeo ministering to those afflicted by the plague (southernmost panel facing west wing). The 4 main portals are decorated by Giacomo Manzù.
In the 2000s, the palace was restored and adapted by Italo Rota and Fabio Fornasari to house the Museo del Novecento, a museum of twentieth-century art inaugurated in 2010, especially renowned for its unique collection of Futurist paintings. During the restoration works, a "media façade" (i.e., a 487 m2 LED screen displaying news on upcoming events, advertising, and more) was affixed to the façade of the left-hand building. [3]
Piazza del Duomo is the main piazza of Milan, Italy. It is named after, and dominated by, Milan Cathedral. The piazza marks the center of the city, both in a geographic sense and because of its importance from an artistic, cultural, and social point of view. Rectangular in shape, with an overall area of 17,000 m2, the piazza includes some of the most important buildings of Milan, as well some of the most prestigious commercial activities, and it is by far the foremost tourist attraction of the city.
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Palazzo del Podestà is Italian for "Palace of the Chief Magistrate" of a town.
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Piazza Cordusio is a square in central Milan, Italy. The piazza takes its name from the Cors Ducis which was located on the square during Longobard times. It is well known for its several turn-of-the-19th-century Neoclassical, eclectic and Art Nouveau buildings, banks and post offices. Even though many of these have now relocated elsewhere, it is still an important commercial square in the city and hosts the Palazzo delle Assicurazioni Generali, the Palazzo del Credito Italiano and the Palazzo delle Poste, former Borsa di Milano. Piazzale Cordusio hosts the Cordusio metro station and is the starting point of the elegant pedestrian Via Dante which leads to the imposing medieval Castello Sforzesco, or Milan Castle. Opposite to Via Dante, Cordusio borders onto Piazza Mercanti, former city centre in the Middle Ages, which leads directly to Piazza del Duomo, today's city centre.
Palazzo Carminati is the palace facing the Milan Cathedral on the West side of Piazza del Duomo, the central plaza of Milan, Italy. The palace is named after a famous Cafè, the Carminati. It was built in the late 1860s as private home of a well known Milanese silver manufacturer, Giacomo Cesati.
The Arengario is a historic building in Monza, northern Italy. It was built in the 13th century and is named after its original function as the town's "arengario". It is located in the most central square of Monza, Piazza Roma.
Palazzo Marino is a 16th-century palace located in Piazza della Scala, in the centre of Milan, Italy. It has been Milan's city hall since 9 September 1861. It borders on Piazza San Fedele, Piazza della Scala, Via Case Rotte and Via Tommaso Marino.
Piazza Mercanti is a central city square of Milan, Italy. It is located between Piazza del Duomo, which marks the centre of the modern city of Milan, and Piazza Cordusio, and it used to be the heart of the city in the Middle Ages. At the time, the square was larger than it is now and known as "Piazza del Broletto", after the "Broletto Nuovo", the palace that occupied the centre of the square. In the 13th century, there were six entry points to the square, each associated to a specific trade, from sword blacksmiths to hat makers.
Palazzo Mezzanotte, also known as Palazzo delle Borse is a 20th-century building of Milan, Italy, and the seat of the Italian stock exchange. It is located in Piazza Affari, the city square after which the Italian stock exchange itself is nicknamed. The name "Palazzo Mezzanotte" is a reference to Paolo Mezzanotte, the architect who designed the building.
Piazza della Scala is a pedestrian central square of Milan, Italy, connected to the main square of Milan, Piazza del Duomo, by the Galleria Vittorio Emanuele II passage. It is named after the renowned Teatro alla Scala opera house, which occupies the north-western side of the square; the building actually includes both the opera house and the Museo Teatrale alla Scala, dedicated to the history of La Scala and opera in general. On the opposite side to "La Scala", to the south-east, is the facade of Palazzo Marino, Milan's city hall. Another relevant building on the square, on the north-eastern side, is the Palazzo della Banca Commerciale Italiana. The south-western side of the square has the entry to the Galleria Vittorio Emanuele as well as Palazzo Beltrami. Most of the architecture of the square is due to architect Luca Beltrami, who designed the eponymous palace, the facade of Palazzo Marino, and the Banca Commerciale Italiana building. The centre of the square is marked by the monument of Leonardo da Vinci by sculptor Pietro Magni (1872).
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