Divine Labs, Chennai Sounds Right Studios, Chennai Soundtown Studios, Chennai 2 Bar Q Studios, Chennai Audiogene Sound Studios, Kochi Moth Music Records, Mumbai
The film's music is composed by G. V. Prakash Kumar in his third collaboration with Kongara after Soorarai Pottru (2020) and its Hindi remake Sarfira (2024), and second with Sivakarthikeyan after Amaran (2024).[1] It is also Prakash's 100th film as a music composer.[2] Prakash was involved in the film, when the project was announced with Suriya during October 2021, which was tentatively tited as Suriya 43.[3] He recorded the songs for the film on 1 January 2024 (New Year's Day) with Dhee being the lead singer.[4][5]
Despite the cast and production changes, the song was still featured in Parasakthi, later becoming a duet with Sean Roldan ("Adi Alaye").[6] During mid-November 2025, it was reported that Yuvan Shankar Raja had sung a song for the film,[7] which was later deciphered as "Senai Koottam".[8][9] Sivakarthikeyan had also recorded a "rebel anthem" for the film, titled "Tharakku Tharakku" with A. R. Ameen.[10] Besides composing, Prakash had also recorded two melodic numbers, "Ratnamala" and a duet number "Muthaarame" with Saindhavi.[11] Speaking to Cinema Express, Kongara noted that Prakash had been "the architect of my creative ambitions" and his contributions "imbues the film with transcendent promise".[12]
Release
The audio rights were acquired by Saregama.[13] The first single "Adi Alaye" was released on 6 November 2025.[6][14] The second single "Ratnamala" was released on 25 November 2025.[15][16] The third single "Namakkana Kaalam was released on 14 December 2025.[17] The audio launch was held on 3 January 2026 at the Sai Leo Muthu Indoor Stadium located in Sri Sai Ram Engineering College, Chennai, featuring the cast and crew and other celebrities in attendance.[18][19] The full album was released in conjunction with the audio launch,[13] while the event was aired via Sun TV the following day.[20]
Janani K. of India Today wrote "GV Prakash's music, especially Senai Kootam and the background score, elevates the protest scenes."[21] Anandu Suresh of The Indian Express wrote "While GV Prakash’s background score during the more mundane and romantic moments is below average, he shines in the adrenaline-fueled sequences, and his songs also deserve commendation."[22] Roopa Radhakrishnan of The Times of India noted that Prakash's background score"provides the goosebumps and amplifies the highs" while also stating that the songs felt "stretched".[23] Srinivasa Ramanujam of The Hindu wrote "Major contributions are also by the music director - GV Prakash, whose tunes delicately balance melody and mass, based on what unfolds on the screen."[24]
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