Parchment craft, also known as Pergamano, is the art of embellishing and decorating parchment paper (or vellum paper) through the use of techniques such as embossing, perforating, stippling, cutting and coloring.
Parchment craft has been predominantly used in the making of cards (religious devotional cards, greeting cards and gift cards) but the techniques are being applied to related items such as bookmarks and picture frames as well as 3-dimensional sculptural paper projects such as ornaments and boxes. [1] [2]
Historians believe that parchment craft originated as an art form in Europe during the 15th or 16th century. Parchment craft at that time occurred principally in Catholic communities, where crafts persons created lace-like items such as devotional pictures and communion cards. The craft developed over time, with new techniques and refinements being added. Until the 16th century, parchment craft was a European art form. However, missionaries and other settlers relocated to South America, taking parchment craft with them. As before, the craft appeared largely among the Catholic communities. Often, young girls receiving their First Communion received gifts of handmade parchment crafts. [ citation needed ]
Although the invention of the printing press led to a reduced interest in hand made cards and items, by the 18th century, people were regaining interest in detailed handwork. Parchment cards became larger in size and crafters began adding wavy borders and perforations. In the 19th century, influenced by French romanticism, parchment crafters began adding floral themes and cherubs and hand embossing.
There are many tools involved in parchment craft; each has its specific purpose and use.
Designs are traced onto parchment using a mapping pen and acrylic ink (usually white, but various colors are used to accent purposes). A mapping pen uses a nib which is dipped in ink.
Designs can also be traced onto the parchment using a white pencil. This technique is usually used for very fine lines that will be directly traced over during the embossing process. The white pencil is used in this case because if one was to trace directly over an inked line, it would become black.
Embossing tools come in many sizes. The larger the tool the softer the embossing and the "greyer" the color of the embossed shape; the smaller the tool the "whiter" and more "satiny" the color of the embossed shape. The tips of these tools also are made with different materials, some plastic – for lighter embossing – and some steel – for the brighter whites. The tools range from "large ball" to "extra fine ball" and a "stylus" (for very fine lines and intricate details).
Needle tools are sometimes used for embossing details, but mostly are used for perforating to make decorative, lace-like patterns. Needle tools have either single or multiple points and are used for different purposes. A single needle tool is used for embossing or stippling. A 2 needle tool is used for even perforations for marking areas which are to be cut with scissors. A 4 needle tool is square-shaped and a necessity for classic lace patterns. 3,5,7 and half-circle needle tools are used for decorative additions to lace patterns. A scissors is used in combination with needle tools to cut crosses and slots into the patterning.
These pads are to be used as support whenever pressure is placed upon the parchment. For embossing a soft pad is required to provide even support. For perforating a felt pad is used.
To color parchment craft work many media can be used such as:
This is the first step in any parchment craft project. Tracing creates the guidelines for the areas of the design that are to be embossed. Tracing is done using the mapping pen and ink. Parchment has two sides-one with a smooth surface and one with a rough surface; tracing is done on the side with the rough surface because the ink more easily adheres to this type of surface. When tracing the mapping pen should be allowed to glide easily over the parchment, no pressure should be used as this increases the amount of ink that is dispersed from the nib and may also create an unintentional embossment.
Embossing is the process of creating raised relief within one's design. Embossing is used to create both concave and convex shapes by alternating the side on which the embossing is performed. Using the embossing tools and appropriate embossing pad, the parchment is rubbed backwards and forwards or side to side in parallel movements with increasing downward pressure so that the parchment can be evenly stretched. A finished embossment will be satin-white in color and will contrast with the translucency of the parchment paper. Color can be varied by moderating the level to which the shape is embossed. Fine lines and hatching can be obtained by embossing with the stylus tool.
The single needle tool is used for stippling. Stippling is a technique used for generating a matte white surface to areas or for fine detail work such as the centers of flowers. To create a matte white surface the parchment is first lightly embossed and then small holes are perforated on the parchment in very close proximity. The perforation is done using a cardboard pad rather than a felt pad so that the needle will not pierce through the parchment, but rather create an embossed dot.
Perforating is used to create decorative and special lace patterns in parchment craft. Minimal tracing is required when perforating; designs are usually created by taping the parchment over a pattern and perforating directly over it. Various needle tools are used in the perforating technique. Perforating is also used to create edging and borders or to denote guidelines for cutting.
Cutting is used in combination with perforating. Cutting is used with the 2 needle tool to remove shapes from the design; it is used with the 4 needle tool to create crosses and strips within a lace pattern.
Coloring is a technique that gained popularity in parchment craft in the 20th century; before this, parchment craft was originally only white work. [3] There are many methods for coloring parchment craft work. One of the most popular is "dorsing". Dorsing creates a soft background color for embossed shapes or the areas around them. Color is applied in the dorsing process using oil pastels or Dorso crayons which are rubbed on and then blended using paper toweling and odorless mineral spirits or an oil based medium such as linseed or lavender oil. For coloring that is applied to the parchment in entirety, the coloring is done before any tracing or embossing. If color is to be added to small areas, dorsing would be applied in a similar manner to specific areas before the embossing process. Dorsing can also be done using other coloring media such as felt-tip pens/markers, watercolor pencils, acrylic paints or inks.
Drawing is a form of visual art in which an artist uses instruments to mark paper or other two-dimensional surface. Drawing instruments include graphite pencils, pen and ink, various kinds of paints, inked brushes, colored pencils, crayons, charcoal, chalk, pastels, erasers, markers, styluses, and metals. Digital drawing is the act of drawing on graphics software in a computer. Common methods of digital drawing include a stylus or finger on a touchscreen device, stylus- or finger-to-touchpad, or in some cases, a mouse. There are many digital art programs and devices.
Parchment is a writing material made from specially prepared untanned skins of animals—primarily sheep, calves, and goats. It has been used as a writing medium for over two millennia. Vellum is a finer quality parchment made from the skins of young animals such as lambs and young calves.
Printmaking is the process of creating artworks by printing, normally on paper, but also on fabric, wood, metal, and other surfaces. "Traditional printmaking" normally covers only the process of creating prints using a hand processed technique, rather than a photographic reproduction of a visual artwork which would be printed using an electronic machine ; however, there is some cross-over between traditional and digital printmaking, including risograph. Except in the case of monotyping, all printmaking processes have the capacity to produce identical multiples of the same artwork, which is called a print. Each print produced is considered an "original" work of art, and is correctly referred to as an "impression", not a "copy". However, impressions can vary considerably, whether intentionally or not. Master printmakers are technicians who are capable of printing identical "impressions" by hand. Historically, many printed images were created as a preparatory study, such as a drawing. A print that copies another work of art, especially a painting, is known as a "reproductive print".
Gouache, body color, or opaque watercolor, is a water-medium paint consisting of natural pigment, water, a binding agent, and sometimes additional inert material. Gouache is designed to be opaque. Gouache has a considerable history, having been used for at least twelve centuries. It is used most consistently by commercial artists for posters, illustrations, comics, and other design work.
A notebook is a book or stack of paper pages that are often ruled and used for purposes such as recording notes or memoranda, other writing, drawing or scrapbooking.
Stationery is a mass noun referring to commercially manufactured writing materials, including cut paper, envelopes, writing implements, continuous form paper, and other office supplies. Stationery includes materials to be written on by hand or by equipment such as computer printers.
Rubber stamping, also called stamping, is a craft in which some type of ink made of dye or pigment is applied to an image or pattern that has been carved, molded, laser engraved or vulcanized, onto a sheet of rubber. The rubber is often mounted onto a more stable object such as a wood, brick or an acrylic block. Increasingly the vulcanized rubber image with an adhesive foam backing is attached to a cling vinyl sheet which allows it to be used with an acrylic handle for support. These cling rubber stamps can be stored in a smaller amount of space and typically cost less than the wood mounted versions. They can also be positioned with a greater amount of accuracy due to the stamper's ability to see through the handle being used. Temporary stamps with simple designs can be carved from a potato. The ink-coated rubber stamp is pressed onto any type of medium such that the colored image is transferred to the medium. The medium is generally some type of fabric or paper. Other media used are wood, metal, glass, plastic, and rock. High-volume batik uses liquid wax instead of ink on a metal stamp.
A perforation is a small hole in a thin material or web. There is usually more than one perforation in an organized fashion, where all of the holes collectively are called a perforation. The process of creating perforations is called perforating, which involves puncturing the workpiece with a tool.
The hectograph, gelatin duplicator or jellygraph is a printing process that involves transfer of an original, prepared with special inks, to a pan of gelatin or a gelatin pad pulled tight on a metal frame.
Quilling or paper filigree is an art form that involves the use of strips of paper that are rolled, shaped, and glued together to create decorative designs. The paper is rolled, looped, curled, twisted, and otherwise manipulated to create shapes that make up designs to decorate greetings cards, pictures, boxes, eggs, and to make models, jewelry, mobiles, etc. Quilling starts with rolling a strip of paper into a coil and then pinching the coil into shapes that can be glued together. There are advanced techniques and different sized paper that are used to create 3D miniatures, abstract art, flowers, and portraits among many things.
In comics, a colorist is responsible for adding color to black-and-white line art. For most of the 20th century this was done using brushes and dyes which were then used as guides to produce the printing plates. Since the late 20th century it is most often done using digital media, with printing separations produced electronically.
Scratchboard or scraperboard, is a form of direct engraving where the artist scratches off dark ink to reveal a white or colored layer beneath. Scratchboard refers to both a fine-art medium, and an illustrative technique using sharp knives and tools for engraving into a thin layer of white China clay that is coated with dark, often black India ink. There is also foil paper covered with black ink that, when scratched, exposes the shiny surface beneath. Scratchboard can be used to yield highly detailed, precise and evenly textured artwork. Works can be left black and white, or colored.
A wash is a term for a visual arts technique resulting in a semi-transparent layer of colour. A wash of diluted ink or watercolor paint applied in combination with drawing is called pen and wash, wash drawing, or ink and wash. Normally only one or two colours of wash are used; if more colours are used the result is likely to be classified as a full watercolor painting.
Leather crafting or simply leathercraft is the practice of making leather into craft objects or works of art, using shaping techniques, coloring techniques or both.
Cake decorating is one of the sugar arts that uses icing or frosting and other edible decorative elements to make plain cakes more visually interesting. Alternatively, cakes can be molded and sculpted to resemble three-dimensional persons, places and things.
Scribing was used to produce lines for cartographic map compilations before the use of computer-based geographic information systems. Lines produced by manual scribing are sharp, clear and even.
Drafting tools may be used for measurement and layout of drawings, or to improve the consistency and speed of creation of standard drawing elements. Tools such as pens and pencils mark the drawing medium. Other tools such as straight edges, assist the operator in drawing straight lines, or assist the operator in drawing complicated shapes repeatedly. Various scales and the protractor are used to measure the lengths of lines and angles, allowing accurate scale drawing to be carried out. The compass is used to draw arcs and circles. A drawing board was used to hold the drawing media in place; later boards included drafting machines that sped the layout of straight lines and angles. Tools such as templates and lettering guides assisted in the drawing of repetitive elements such as circles, ellipses, schematic symbols and text. Other auxiliary tools were used for special drawing purposes or for functions related to the preparation and revision of drawings. The tools used for manual technical drawing have been displaced by the advent of computer-aided drawing, drafting and design (CADD).
The following outline is provided as an overview of and typical guide to drawing and drawings:
Stipple engraving is a technique used to create tone in an intaglio print by distributing a pattern of dots of various sizes and densities across the image. The pattern is created on the printing plate either in engraving by gouging out the dots with a burin, or through an etching process. Stippling was used as an adjunct to conventional line engraving and etching for over two centuries, before being developed as a distinct technique in the mid-18th century.