The Presidents of the United States of America is the debut studio album by the American alternative rock band The Presidents of the United States of America, released on March 10, 1995, via PopLlama Records. Columbia Records signed the band shortly after its release to handle increased distribution for the album.
"I'll Be There for You" is a song by American pop rock duo the Rembrandts. The song was written by David Crane, Marta Kauffman, Michael Skloff, and Allee Willis as the main theme song to the NBC sitcom Friends, which was broadcast from 1994 to 2004. American rock band R.E.M. was originally asked to allow their song "Shiny Happy People" to be used for the Friends theme, but they turned the opportunity down. "I'll Be There for You" was subsequently written and Warner Bros. Television selected the only available band on Warner Bros. Records to record it: the Rembrandts. In 1995, after a Nashville radio station brought the song to mainstream popularity, Rembrandts members Danny Wilde and Phil Sōlem expanded the theme song with two new verses and included this version on their third studio album, L.P. (1995).
"Until It Sleeps" is a song by American heavy metal band Metallica, released on May 20, 1996, as the lead single from their sixth studio album Load. "Until It Sleeps" reached number ten on the Billboard Hot 100 making it Metallica's highest charting single and only top ten hit in the United States. The song was also their first number-one on the Billboard Hot Mainstream Rock Tracks chart, peaked in the top five in the United Kingdom, and reached number-one in Australia, Denmark, Finland, Hungary, and Sweden. The song's music video, directed by Samuel Bayer and inspired by the paintings of Hieronymus Bosch, won the Best Hard Rock Video award at the 1996 MTV Video Music Awards.
"1979" is a song by American alternative rock band the Smashing Pumpkins. It was released in 1996 as the second single from their third studio album, Mellon Collie and the Infinite Sadness. "1979" was written by frontman Billy Corgan, and features loops and samples uncharacteristic of previous Smashing Pumpkins songs. The song gives something of a foreshadow of the synth-pop sound the band would embrace more openly on Adore and its tracks "Ava Adore" and "Perfect". The song was written as a nostalgic coming-of-age story by Corgan. In the year 1979, Corgan was twelve, and this is what he considered his transition into adolescence.
"Head over Feet" is a song by Canadian singer-songwriter Alanis Morissette, taken from her third studio album Jagged Little Pill (1995). Written by Alanis and Glen Ballard, and produced by Ballard, it was released as the album's fifth single in July 1996 and presented a softer sound than the previous singles from the album. "Head over Feet" talks about being best friends and lovers with someone at the same time, with Alanis thanking them for their manners, love and devotion.
"Forever" is a song recorded by American singer-songwriter, and record producer Mariah Carey for her fifth studio album, Daydream (1995). It was released by Columbia Records on June 18, 1996, as an airplay-only single and the fifth single from the album. The song was written and produced by Carey and Walter Afanasieff, and was composed throughout 1995. Its lyrics describe a situation where the protagonist knows her relationship with her lover has withered away, however he will continue living in her memory forever.
"Always Be My Baby" is a song recorded by American singer-songwriter, and record producer Mariah Carey for her fifth studio album, Daydream (1995). It was released by Columbia Records on February 20, 1996, as the third single in the United States and fourth worldwide. Written and produced by Carey, Jermaine Dupri and Manuel Seal, "Always Be My Baby" is a midtempo song, with lyrics describing the feeling of attachment and unity the singer feels towards her estranged lover, even though they are no longer together, she says he will always be a part of her and will "always be her baby" even after they move on.
"Lump" is a song by alternative rock band the Presidents of the United States of America. It was released in August 1995 and included on their self-titled debut album (1995). The song reached number one on the US Billboard Modern Rock Tracks chart same year. Composer Chris Ballew said that the lyrics combined his own history of having a benign tumor in the head with a vision he had of a woman in a swamp, while employing the word "lump" because Ballew was fond of it. The musical part was described by Ballew as him "trying to write a Buzzcocks song". Ballew considers it his favorite composition. "Lump" has been covered or remade by several artists, including the Johnstones and "Weird Al" Yankovic.
"No, No, No" is a song recorded by American girl group Destiny's Child for their eponymous debut studio album (1998). It was written by Calvin Gaines, Mary Brown, Rob Fusari and Vincent Herbert, with production helmed by Fusari und Herbert. A sensual mid-tempo ballad blending contemporary R&B with "lush" 1970s soul, it was renamed "No, No, No " after musician Wyclef Jean was consulted to produce and appear on a remix of the song. Built around a hard-sliding bassline and sung in a staccato, rhythmic style, featuring co-production from Che Greene and Jerry Duplessis, it was titled "No, No, No ".
"Bittersweet Me" is a song by American rock band R.E.M., released as the second single from their 10th studio album, New Adventures in Hi-Fi (1996). Like much of the album, the song originated while the band were on the road for the Monster tour, although the song was only ever soundchecked and has never been played live as part of a concert. The song was a bigger hit in the United States than the first single from the album, "E-Bow the Letter", except on the Modern Rock Tracks chart, where the first single's number-two peak bested the number-six peak of "Bittersweet Me".
"Who Will Save Your Soul" is a song written and performed by American singer-songwriter Jewel. It was the first song released from her first studio album, Pieces of You (1995), and became a hit in North America and Australasia, peaking at number seven in Canada, number 11 in the United States, number 14 in New Zealand, and number 27 in Australia. It was also moderately successful in the United Kingdom, reaching number 52 on the UK Singles Chart.
"Glycerine" is a song by English rock band Bush. It was released on 14 November 1995 as the fourth single from their debut album, Sixteen Stone.
"A Long December" is a song by American rock band Counting Crows. The ballad is the second single and 13th track from their second album, Recovering the Satellites (1996). Lead singer Adam Duritz was inspired to write the track after his friend was hit by a motorist and injured, making the song about reflecting on tragedy with a positive disposition.
"3AM" is the third single and the third track from American rock band Matchbox 20's debut album, Yourself or Someone Like You (1996). Written by Rob Thomas, Jay Stanley, John Leslie Goff, and Brian Yale, the song was inspired by Thomas dealing with his mother's cancer as a teenager. The song was officially serviced to US modern rock radio in October 1997 and was given a commercial release outside North America the following month.
"Falling in Love (Is Hard on the Knees)" is a song by American hard rock band Aerosmith that appeared on the band's 12th studio album, Nine Lives (1997). The song was written by Steven Tyler, Joe Perry, and Glen Ballard, who had signed on to produce Nine Lives. Although he was dropped from the role halfway through production and replaced by Kevin Shirley, Ballard was still credited for his contributions to the album; he also co-wrote "Pink" with Tyler and Perry and "Taste of India" with Tyler and Richard Supa.
"She's So High" is a power pop song written and performed by Canadian singer-songwriter Tal Bachman. It was released as a single to North American radio on February 13, 1999, from his self-titled debut album (1999). The song peaked at number three in Canada, topped the US Billboard Adult Top 40 chart, and reached number 14 on the Billboard Hot 100. It also became a top-10 hit in Australia and New Zealand and peaked at number 30 in the United Kingdom. American media group AllMusic named it an "album pick". The song won a BMI award and a Juno Award for Best Producer.
"The Warrior" is a song by American rock band Scandal featuring Patty Smyth, from the album Warrior, written by Holly Knight and Nick Gilder. The song went to number seven in the United States and number one in Canada, as well as number one on the US Rock Top Tracks chart, and won a BMI Airplay Award in 1984. It was also a hit in Australia, where it peaked at number six, and in New Zealand and South Africa, peaking at number 11 in both countries. The music video for the song was directed by David Hahn.
The discography of The Presidents of the United States of America, an American alternative rock group formed in Seattle, Washington in 1993, consists of six studio albums, sixteen singles, three extended plays, one video album, two compilation albums and a live album. The group's self-titled debut album was released on Columbia Records in 1995, with the singles "Kitty" and "Lump" bringing them exposure on the United States charts, as well as in Canada, Europe, the United Kingdom and Australia. Since then, The Presidents of the United States of America released five further albums, sometimes on different labels, none of which have been received as commercially or critically well as their debut album. The band broke up in 2016.
"Said I Loved You...But I Lied" is a song by American pop music singer Michael Bolton. The song was co-written and co-produced by Bolton and Robert John "Mutt" Lange. Released as the first single from his ninth album, The One Thing (1993), the single topped the American and Canadian adult contemporary charts, reached the top 10 in the United States and in three other countries, and was certified gold by the Recording Industry Association of America (RIAA).
"Old Man & Me " is a song by American rock group Hootie & the Blowfish. It was released in April 1996 as the lead single from their second album, Fairweather Johnson. In the United States, it peaked at number 13 on the Billboard Hot 100, number 18 on the Billboard Adult Contemporary chart, and number six on the Billboard Mainstream Rock chart. The song also reached number one in Canada, becoming the band's third and final single to do so.
