Pelo Telefone

Last updated
"Pelo Telefone"
Song by Baiano
A-side "Pelo Telefone"
Released January 21, 1917 [1] [2]
Recorded1917
Genre Samba
Length4:03
Composer(s) Donga and Mauro de Almeida
Producer(s) Casa Edison under the label Odeon Records [1]

Pelo Telefone (English: On the Telephone) is a song attributed to the Brazilian guitarist and composer Donga and considered to be the first samba song to be recorded in Brazil, according to records at the National Library of Brazil, [3] [4] although earlier recordings exist, such as "Samba - Em Casa da Bahiana" (1913) [5] and "Urubu Malandro" (1914). [6]

Contents

A collective creation of controversial authorship, the composition is attributed to Ernesto dos Santos, better known as Donga, and to the journalist Mauro de Almeida  [ pt ]. It was registered on the 27th of November, 1916 as being authored only by Donga — who later included de Almeida as a partner — and conceived in a famous Candomblé house, the house of Tia Ciata, which was frequented by popular musicians of the time. [7] [8] [9] [1] Because it was a huge success and because it was born in a samba circle from improvisations and joint creations, various musicians have claimed authorship. [10]

History

The song was composed in 1916, in the backyard of Tia Ciata, in Praça Onze (now Cidade Nova). The song was originally titled "Roceiro" and was a collaborative creation, with participation from João da Baiana  [ pt ], Pixinguinha, Caninha, Hilário Jovino Ferreira  [ pt ] and Sinhô  [ pt ], and others. [10] Donga was the first to register the song, which he justified with a maxim attributed to Sinhô: "music is like a bird, it belongs to whoever catches it first". [lower-alpha 1] [11]

The original lyrics of the song were later changed to the version best known today: [12]

OriginalPopularizedPopularized English translation
O chefe da foliaO Chefe da PolíciaThe Police Chief
Pelo telefonePelo telefoneOn the telephone
Mandou me avisarManda me avisarCalled to let me know
Que com alegriaQue na CariocaThat in Carioca
Não se questioneTem uma roletaThere's a roulette wheel
Para se brincarPara se jogarTo be played

According to a statement by Donga to Brazil's Museum of Image and Sound, "The chief of police... was a parody created by the journalists of A Noite [lower-alpha 2] . In 1913, newspaper reporters had placed a roulette wheel in Largo da Carioca  [ pt ] to demonstrate the police's tolerance of gambling. Musician and broadcaster Henrique Foréis Domingues, in the February 13, 1972 issue of the newspaper O Dia, confirmed this by saying: "someone in the newsroom of 'A Noite', taking inspiration from the episodes in question, created the famous parody". [lower-alpha 3] Domingues also accused Donga of having appropriated a collective work. Donga claimed that the music was different, but conceded that he was not the author of the lyrics, which were written by Mauro de Almeida  [ pt ]. He blamed the label for omitting his partner's name. "The omission of Mauro's name on the recording by Casa Edison cannot be attributed to me" [lower-alpha 4] , he said. [13]

The Jornal do Brasil newspaper, on February 4 1917, published a note from Grêmio Fala Gente announcing that "the true tango 'Pelo Telephone', by composers João da Mata, Germano, Tia Ciata and Hilário, will be sung on Avenida Rio Branco, dedicated to the good and remembered friend Mauro." [lower-alpha 5] [14]

Related Research Articles

<span class="mw-page-title-main">Samba</span> Brazilian musical genre

Samba is a name or prefix used for several rhythmic variants, such as samba urbano carioca, samba de roda, recognized as part of the Intangible Cultural Heritage of Humanity by UNESCO, amongst many other forms of samba, mostly originated in the Rio de Janeiro and Bahia states.

<span class="mw-page-title-main">Pixinguinha</span> Brazilian composer

Alfredo da Rocha Viana Filho, known as Pixinguinha was a Brazilian composer, arranger, flautist and saxophonist born in Rio de Janeiro. Pixinguinha composed popular music, particularly within the genre of music known as choro.

<span class="mw-page-title-main">Antônio Fagundes</span> Brazilian actor

Antônio José da Silva Fagundes Filho is a Brazilian actor, playwright, voice actor, and producer. Renowned for his several performances in stage, film and television, where he frequently works in telenovelas.

<span class="mw-page-title-main">Grande Otelo</span> Brazilian actor, comedian, singer and composer

Grande Otelo was the stage name of Brazilian actor, comedian, singer, and composer Sebastião Bernardes de Souza Prata. Otelo was born in Uberlândia, and was orphaned as a child. He kept running away from the families that adopted him; only when he took up art did his life become settled.

<span class="mw-page-title-main">José Lewgoy</span>

José Lewgoy was a Brazilian actor. He is recognizable to many art-house cinema fans for his role as Don Aquilino in Werner Herzog's 1982 film Fitzcarraldo.

Mauro Alice was a prolific Brazilian film editor who between 1952 and 2005 edited nearly 60 films, including Kiss of the Spider Woman (1985), Corazón iluminado (1996) and Carandiru (2003). He was born in Curitiba, Paraná, Brazil and was studying chemistry in Santo André, São Paulo, when he began working in the projection room at the Vera Cruz film studio in São Bernardo do Campo. He worked with some of the most important Brazilian directors, including Amácio Mazzaropi, Watson Macedo, Walter Hugo Khouri, Héctor Babenco and Maurice Capovilla. He won the "Coruja de Ouro" award in 1974 for the editing of “Anjo da Noite”.

<span class="mw-page-title-main">Pedra do Sal</span> Historic and religious site in Rio de Janeiro, Brazil

Pedra do Sal is a historic and religious site in Rio de Janeiro, in the neighborhood of Saúde. The site was originally a quilombo village. An association group still lives there, formally known as the Community Descendents of the Quilombos of Pedra do Sal. The site was recognised in 1984 by INEPAC, the Institute for State Cultural Heritage.

<i>Sinais dos Tempos</i> 2012 studio album by Zé Ramalho

Sinais dos Tempos is the nineteenth album by Brazilian solo artist Zé Ramalho, the first released through his new and own record label, Avôhai Music, and also the first after four consecutive tribute albums.

<i>Lado a Lado</i> Brazilian TV series or program

Lado a Lado is a Brazilian telenovela produced and broadcast by TV Globo from 10 September 2012 to 8 March 2013.

<span class="mw-page-title-main">Tia Ciata</span>

Tia Ciata, born Hilária Batista de Almeida (1854–1924) was a Brazilian mãe-de-santo of Candomblé, and an influential figure in the development of samba. She was born in Santo Amaro, Bahia, and initiated in Candomblé in Salvador by Bangboshe Obitikô. She was a devotee of deity Oshun and became the iyakekerê, or second most important leader, in the terreiro of João Alabá in Rio de Janeiro. "Ciata", the name by which she is now known, is a variant on the Arabic name Aycha; it was a common feminine name among the Muslim community from Portuguese Guinea that formerly resided in Rio de Janeiro.

<span class="mw-page-title-main">Timeline of Brazilian history</span> Timeline of notable events in the history of Brazilian

This is a timeline of Brazilian history, comprising important legal and territorial changes and political events in Brazil and its predecessor states. To read about the background to these events, see History of Brazil.

<span class="mw-page-title-main">Moraes Moreira</span> Brazilian musician and songwriter (1947–2020)

Antônio Carlos Moreira Pires, better known as Moraes Moreira, was a Brazilian musician and songwriter. During the 1970s he played guitar and sang in the band Novos Baianos, after which he embarked on a solo career recording 29 albums. Moreira was involved in recording 40 full-length albums with Novos Baianos and Trio Elétrico Dodô e Osmar, and two more albums with guitarist Pepeu Gomes. Moreira was one of the most versatile composers of Brazil, mixing the genres of rock, samba, choro, frevo, baião, and classical.

<span class="mw-page-title-main">2017 Brazilian general strike</span>

The 2017 Brazilian general strike took place on April 28, 100 years after Brazil's first general strike in June 1917. The movement was a protest against reforms of labor laws, which were later adopted and social security proposed by Michel Temer government and pending in National Congress of Brazil.

<span class="mw-page-title-main">Heitor dos Prazeres</span> Musical artist

Heitor dos Prazeres was a Brazilian composer, singer and painter. He was a pioneer samba composer and participated in the first samba schools in Brazil. Later in life he became known by his paintings.

<span class="mw-page-title-main">Eduardo de Almeida Navarro</span> Brazilian philologist and lexicographer

Eduardo de Almeida Navarro is a Brazilian philologist and lexicographer, specialist in Old Tupi and Nheengatu. He is a full professor at the University of São Paulo, where he has been teaching Old Tupi since 1993, and Nheengatu since 2009. Eduardo Navarro is also the author of the books Método moderno de tupi antigo, 1998, and Dicionário de tupi antigo, 2013, important works on the Tupi language.

<span class="mw-page-title-main">Donga (musician)</span> Brazilian musician 1890 - 1974

Ernesto Joaquim Maria dos Santos, most known as Donga, was a Brazilian guitarist and composer. He composed what is considered the first recorded samba, the 1916 song Pelo Telefone.

<span class="mw-page-title-main">Mulamba</span> Brazilian all-female musical group from Curitiba

Mulamba was a Brazilian rock and MPB band formed in 2015 in Curitiba. The group is an all-female one and they write songs discussing violence against women, women's empowerment, the fight against sexism and gender equality.

Jilçaria Cruz Costa, known as Tia Doca da Portela or Tia Doca was a Brazilian samba composer and singer. She began working as a flagbearer for the samba school Unidos da Congonha and joined the Velha Guarda da Portela in 1970, performing samba music and sang in various events the school promoted in countries such as France, Italy and the United States. Doca recorded music on several albums from 1970 to 2007 with such artists as Beth Carvalho and Zeca Pagodinho.

The Rio de Janeiro was a Brazilian single-engine, biplane utility aircraft.

References

Footnotes

  1. "música é como passarinho, de quem pegar primeiro"
  2. "O Chefe da Polícia... foi uma paródia feita pelos jornalistas de A Noite"
  3. "alguém lá na redação de 'A Noite', inspirando-se nos episódios em questão, criou a famosa paródia"
  4. "A omissão do nome de Mauro na gravação da Casa Edison não pode ser atribuída a mim"
  5. “o verdadeiro tango Pelo Telefone, dos autores João da Mata, Germano, Tia Ciata e Hilário, seria cantado na Avenida Rio Branco, dedicado ao bom e lembrado amigo Mauro."

Sources

  1. 1 2 3 AMARAL, Euclides. Alguns Aspectos da MPB. Rio de Janeiro: Editora Esteio, 2010. ISBN   0000177121.
  2. SILVA, Flávio. Pelo Telefone, e a história do samba. Brasília: Revista Cultura, ano 8, n. 20, jan./jun., 1978.
  3. PICCINO, Evaldo. Um breve histórico dos suportes sonoros analógicos. Sonora. São Paulo:Universidade Estadual de Campinas / Instituto de Artes, vol. 1, n. 2, 2003.
  4. NAPOLITANO, Marcos. História & Música: História cultural da música popular. Belo Horizonte: Editora Autêntica, 2002.
  5. https://discografiabrasileira.com.br/disco/20314/favorite-r-1-452216
  6. https://discografiabrasileira.com.br/disco/2270/odeon-r-137088-137089
  7. Renê Fraga (2016-11-27). "Google celebra 100º aniversário do primeiro samba, "Pelo Telefone"". Google Discovery. Archived from the original on 2016-11-27. Retrieved 2016-11-27.
  8. Igor Ricardo (2016-11-27). "Considerado o primeiro samba de sucesso, 'Pelo telefone' completa cem anos". Extra. Archived from the original on 2016-11-27. Retrieved 2016-11-27.
  9. "Polêmica marca o surgimento do primeiro samba". Almanaque Brasil. Archived from the original on 2014-05-22. Retrieved 2014-05-22.
  10. 1 2 "Pelo telefone". Brasileirinho. Archived from the original on 2014-05-22. Retrieved 2014-05-22.
  11. Motta, Nelson (2016). 101 Canções que tocaram o Brasil. Rio de Janeiro: Estação Brasil. pp. 12–13.
  12. ""Pelo Telefone": um centenário de controvérsias do primeiro samba gravado no País". Brasileiros / Terra. 27 November 2016. Archived from the original on 28 November 2016. Retrieved 28 November 2016.
  13. "Pelo Telefone : um centenário de controvérsias do primeiro samba gravado no País". Jornal Floripa + Renato Vivacqua. Archived from the original on 2016-11-28. Retrieved 28 November 2016.
  14. Renato Vivacqua (24 July 2015). "Um telefone que deu o que falar". História da MPB. Archived from the original on 28 November 2016. Retrieved 28 November 2016.