Eldred v. Ashcroft, 537 U.S. 186 (2003), was a decision by the Supreme Court of the United States upholding the constitutionality of the 1998 Sonny Bono Copyright Term Extension Act (CTEA). The practical result of this was to prevent a number of works from entering the public domain in 1998 and following years, as would have occurred under the Copyright Act of 1976. Materials which the plaintiffs had worked with and were ready to republish were now unavailable due to copyright restrictions.
Creative Commons (CC) is an American non-profit organization and international network devoted to educational access and expanding the range of creative works available for others to build upon legally and to share. The organization has released several copyright licenses, known as Creative Commons licenses, free of charge to the public. These licenses allow authors of creative works to communicate which rights they reserve and which rights they waive for the benefit of recipients or other creators. An easy-to-understand one-page explanation of rights, with associated visual symbols, explains the specifics of each Creative Commons license. Content owners still maintain their copyright, but Creative Commons licenses give standard releases that replace the individual negotiations for specific rights between copyright owner (licensor) and licensee, that are necessary under an "all rights reserved" copyright management.
Lester Lawrence "Larry" Lessig III is an American legal scholar and political activist. He is the Roy L. Furman Professor of Law at Harvard Law School and the former director of the Edmond J. Safra Center for Ethics at Harvard University. He is the founder of Creative Commons and of Equal Citizens. Lessig was a candidate for the Democratic Party's nomination for president of the United States in the 2016 U.S. presidential election but withdrew before the primaries.
The Future of Ideas: The Fate of the Commons in a Connected World (2001) is a book by Lawrence Lessig, at the time of writing a professor of law at Stanford Law School, who is well known as a critic of the extension of the copyright term in US. It is a continuation of his previous book Code and Other Laws of Cyberspace, which is about how computer programs can restrict freedom of ideas in cyberspace.
Remix culture, also known as read-write culture, is a term describing a culture that allows and encourages the creation of derivative works by combining or editing existing materials. Remix cultures are permissive of efforts to improve upon, change, integrate, or otherwise remix the work of other creators. While combining elements has always been a common practice of artists of all domains throughout human history, the growth of exclusive copyright restrictions in the last several decades limits this practice more and more by the legal chilling effect. In reaction, Harvard law professor Lawrence Lessig, who considers remixing a desirable concept for human creativity, has worked since the early 2000s on a transfer of the remixing concept into the digital age. Lessig founded the Creative Commons in 2001, which released a variety of licenses as tools to promote remix culture, as remixing is legally hindered by the default exclusive copyright regime applied on intellectual property. The remix culture for cultural works is related to and inspired by the earlier Free and open-source software for software movement, which encourages the reuse and remixing of software works.
The free-culture movement is a social movement that promotes the freedom to distribute and modify the creative works of others in the form of free content or open content. They encourage creators to create such content by using permissive and share-alike licensing, like that used on Wikipedia.
The Sonny Bono Copyright Term Extension Act – also known as the Copyright Term Extension Act, Sonny Bono Act, or (derisively) the Mickey Mouse Protection Act – extended copyright terms in the United States in 1998. It is one of several acts extending the terms of copyright.
The public domain (PD) consists of all the creative work to which no exclusive intellectual property rights apply. Those rights may have expired, been forfeited, expressly waived, or may be inapplicable. Because no one holds the exclusive rights, anyone can legally use or reference those works without permission.
Coalition for Open Education is a coalition of institutions supporting and developing Open Educational Resources (OER) in Poland. Coalition was formed on 27 November 2008 by Stowarzyszenie Bibliotekarzy Polskich, ICM UW/Creative Commons Polska, Fundacja Nowoczesna Polska and Wikimedia Polska.
COMMUNIA is a thematic project funded by the European Commission within the eContentplus framework addressing theoretical analysis and strategic policy discussion of existing and emerging issues concerning the public domain in the digital environment - as well as related topics, including, but not limited to, alternative forms of licensing for creative material; open access to scientific publications and research results; management of works whose authors are unknown.
Works are in the public domain if they are not covered by the intellectual property right known as copyright, or if the intellectual property rights to the works have expired. Works automatically enter the public domain when their copyright has expired. The United States Copyright Office is a federal agency tasked with maintaining copyright records.
An orphan work is a work whose copyright owner is impossible to identify or contact. This inability to request permission from the copyright owner often means orphan works cannot be used in new works or digitized, except when fair use exceptions apply. Until recently, public libraries could not digitize orphaned books without risking being fined up to $150,000 if the owner of the copyright were to come forward. This problem was briefly addressed in the 2011 case Authors Guild, Inc. v. Google, but the settlement in that case was later overturned.
Piotr Waglowski, known online as VaGla, is a Polish lawyer, publicist and webmaster, open government activist, researcher of communication processes in the paradigm of social constructionism.
When a work's copyright expires, it enters the public domain. The following is a list of works that entered the public domain in 2019. Since laws vary globally, the copyright status of some works are not uniform.
When a work's copyright expires, it enters the public domain. The following is a list of creators whose works enter the public domain in 2020. Since laws vary globally, the copyright status of some works is not uniform.
The Orrin G. Hatch–Bob Goodlatte Music Modernization Act, or Music Modernization Act or MMA is United States legislation signed into law on October 11, 2018, aimed to modernize copyright-related issues for music and audio recordings due to new forms of technology such as digital streaming. It is a consolidation of three separate bills introduced during the 115th United States Congress.
When a work's copyright expires, it enters the public domain. The following is a list of creators whose works enter the public domain in 2021. Since laws vary globally, the copyright status of some works are not uniform.
The following is a list of creators whose works enter the public domain on 1 January 2022. When copyright expires in a creative work, it enters the public domain. Since copyright terms vary from country to country, the copyright status of a work may not be the same in all countries.
When a work's copyright expires, it enters the public domain. The following is a list of creators whose works enter the public domain in 2024. Since laws vary globally, the copyright status of some works are not uniform.
Under the Copyright Term Extension Act, books published in 1928, films released in 1928, and other works published in 1928, enter the public domain in 2024. Sound recordings that were published in 1923 enter the public domain.
